My new
column, Goodbye Baquet, Hello O'Shea, [plus today's 1st update and 2nd update] features an interview with recently installed Los Angeles Times editor Jim O'Shea. (I'll be posting the full Q-and-A online here tomorrow.) And the Chicagoan came out fighting. He had some very angry words for his counterpart at The New York Times, Bill Keller, who's been trash-talkin' a lot in recent days.
Another surprise is that O'Shea resisted the opportunity to expand his turf to include the editorial/opinion pages. LAT editor John Carroll had been in charge of that section, but not Dean Baquet. “And when I came here, the new publisher David Hiller said to me, ‘Do you think we ought to change that since the Chicago Tribune editor oversees it?” And I said ‘No.’” O’Shea explained he had “enough mud on my shoes” without navigating that terrain, too. (Meanwhile, I urge Dean Baquet to come clean about the real nature of the too-close relationship he had with the Billionaire Boys Club -- Burkle, Broad, Geffen, etc. -- whom he and/or his surrogates were actively wooing to return the LAT to local ownership.) Besides focused on fixing the LAT's state-of-disaster website and increasing its near nonexistent local coverage, O'Shea wants to do something about the paper's coma-inducing reporting and writing. “There’s some pretty well-written stuff in the paper. But my emphasis is on shorter articles. People don’t have a lot of time. So I’ve been saying to editors that we don’t work hard enough for readers. We need to give them the information up front and fast so they can make a decision about whether they want to read the story.” Also, I found it amusing how quickly O'Shea has adopted the SoCal lifestyle: He moved from a downtown hotel (“It was kinda depressing”) to a month-to-month furnished rental in Pasadena and now has leased a Manhattan Beach condo and a Lexus. "I’ve even found myself sitting here and debating, ‘Should I go to Chicago this weekend?’ Because when I look at the ocean out there, I think, ‘What’s the point of going somewhere else?’' He rode along with the police one night into South-Central and Rampart and, admits that Los Angeles was 'a culture shock' but now says, 'Holy cow, how do you cover it?'. Here's how my column starts out:... Read More »
Finke/LA Weekly: LA Times' O'Shea Hits Back At NY Times' Keller; "Somebody Sitting In NY Isn't A God Of Journalism"
Another LAT Showbiz Reporter Exits
LA Times entertainment biz reporter (and I use that term loosely) Claire Hoffman has given her proverbial two weeks' notice to go work for Portfolio, the Conde Nast monthly business magazine where Amy Wallace is working. Here's background.
Small Explosion Inside CAA's New Home
News reports say several people were slightly injured in a small explosion inside the building that's CAA's new Century City digs. I hope everyone recovers fully.
Their Dinner About Brad... Sumner Feasts
On Saturday night, two tables of moguls and their wives were wined and dined at TV & movie producer Leonard Goldberg's swanky home at a dinner party in honor of that geriatric Viacom jerk Sumner Redstone. Among the guests were present or past major players Mike Medavoy, Joel Silver and Les Moonves. Well, it turns out today Hollywood is talking about Brad Grey -- because Sumner outed Brad during the meal. Sumner told the gathering that Brad explained to him that the reason Dreamgirls wasn't nominated for an Oscar was because "everyone hates David." As in Geffen, who controlled the rights to Dreamgirls and greenlit the project at DreamWorks. That the Viacom boss would be so indiscreet in such a public setting defies belief. To be fair, Grey made his comment in a private setting. [This corrects previous. To clarify, Grey himself was not at the dinner. Instead, Redstone at the dinner repeated what Grey had said to him.] But I've already warned Grey that the sharpest knives in Hollywood are out to get him, and that everything he does and says is being repeated around town. Even by his boss.
I've already written about Brad's boorish behavior before, during and after the Golden Globes dinner and the bad blood between his studio and Dreamworks. And all my reporting was backed up two weeks later by Claudia Eller's Los Angeles Times piece which ran on Monday. (Even down to my scoop back on September 5th that Geffen called up Redstone as soon as Tom Freston was axed and suggested that the Viacom octogenarian hire Jeffrey Katzenberg to run the whole she-bang. But that Redstone said, fuhgeddaboudit.) 
Meanwhile I disagree with Brad: though he posited that the Dreamgirls snub was due to dislike of Geffen, I opined in my Oscar nominations analysis that it was due to envy of Geffen. Big difference. But, more to the point, doesn't Brad know that everything he says will get back to David? "Does Brad have a death wish?" an insider asked rhetorically this morning. Indeed, few have taken on David Geffen and lived to tell the tale. (Just ask Robert Towne, John Branca and Mike Ovitz.) P.S. The person whom Brad Grey unseated at the Golden Globes' ... Read More »
Eisner Busy Building Private Media Co.
We all heard the other day that Michael Eisner is an investor in the Internet TV network Veoh, an ad-supported YouTube-like consumer-generated video site that claims 4 million unique monthly users. Here's more on what FrankenEisner is up to during his post-Disney days.
Business Week reports that, more than a year after leaving the rat hole following 21 years, "thanks to the more than $1 billion in salary, bonuses, and stock options he raked in during his 21 years as Head Mouse, Eisner, 64, is quietly building a private media company. Freed from the prying eyes of shareholders and board members, Eisner can be Eisner--inking deals, acting snarky, and, well, being master of his own universe." The mag says that universe is the five-person Tornante Co., staffed by an ex-Disney MBA and a coupla secretaries and dealmakers. Operating from Beverly Hills, Eisner, in addition to his stake in Veoh, "has gone all new media, plunking down an undisclosed sum to buy Team Baby Entertainment, which makes sport-themed DVDs for children... He got Regis Philbin and other buddies to lend their voices to Team Baby DVDs." For Veoh, Eisner reportedly tracked down Jann Wenner, a former Disney partner in Us magazine, and persuaded him to put its celebrity sightings on Veoh's new broadband Celebrity Channel. Interestingly, BW says it was Eisner who went to United Talent Agency and cut the deal whereby Veoh would create a special UTA site where aspiring filmmakers can post their work in the hopes that the agency will pick them up as clients. "The kicker for Veoh is that it will get a healthy piece of the site's ad revenues thanks to some muscular deal-making by Eisner, 'Hollywood people negotiate tough,' marvels Veoh Chief Executive Dmitry Shapiro." Eisner also is traveling the globe making speeches at about $100,000 a pop. One of his subjects: Leadership: Succeeding by Failing and Other Paradoxes.
LAT's Fired Dean Baquet Lands At NYT: Returning As Washington Bureau Chief
UPDATED THROUGHOUT DAY: Dean Baquet, the fired editor of the Los Angeles Times, has landed at The New York Times as Washington Bureau Chief and Assistant Managing Editor. His return follows the Tribune Co.'s quiet rejection of the Broad/Burkle bid for the Chicago media company. (Broad and Burkle submitted their joint bid just a day after Baquet was forced out of his job November 7th and have been talking with him ever since. "Everybody liked him. There were lots of meetings," an insider told me earlier.) Realizing that his dream of returning to the LAT was dead, Baquet quickly made the move to the NYT. Once the Tribune board concluded that the Burkle/Broad offer for the company was not "an appropriate premium" above the current share value, insiders tell me, a management-led solution is now in progress. That meant there was no longer any reason for Baquet to wait on the sidelines because he'd been assured a return to the top spot at the paper by Los Angeles billionaire Eli Broad after an expected takeover. (Then again, it's always a zero-sum game waiting on the whims of any billionaire and Baquet was placed in the awkward position of having to search for an LAT buyer among very rich locals.) Baquet told the NYT that he had met with Broad and Burkle, yet characterized the conversations as casual, and claimed he kept his personal distance, thinking that he might someday be in the position of directing news coverage of them if they won the paper. Nice try, Dean. My info shows Baquet through surrogates and on his own was actively and anxiously wooing Broad both before and after he was fired -- not only to make a bid for the LAT but then to bring him back as editor. It was indeed a very slippery slope for Baquet to be navigating ethically, and one which, in my opinion, undermined his crusade as Dean Of Arc to preserve the editorial integrity of the LAT in the face of Tribune Co.-ordered staff and budget cuts.
Baquet is replacing Phil Taubman, who will be moving to California for the NYT along with his wife, fellow NYT'er Felicity Barringer. (Taubman has many California connections, among them Stanford where he developed a friendship with Condoleeza Rice that continues to this day.) I understand there has been tension between the Washington bureau and the NYT headquarters ... Read More »
Billionaire Saves Bankrupt Air America; Franken Leaving Radio Network Feb. 14
Former Saturday Night Live comedian and bestselling political author Al Franken announced on his radio show this morning that struggling Air America has been saved by the New York real estate developer brother of Manhattan politician Mark Green. At the same time, Franken announced that he will be leaving his radio show on February 14th to consider a run for the U.S. Senate seat from Minnesota. In Chapter 11 bankruptcy proceedings since October, the progressive radio network will be bankrolled by Stephen Green, who is chairman of SL Green Realty Corp, a real estate investment trust specializing in office buildings with a market cap of $12 billion. Franken described him as a multibillionaire. Later, Air America CEO Scott Elberg confirmed the sale, which will be finalized in a week. "This is a great thing, for our affiliates, the company, the audience and every employee in our organization," Elberg told The Huffington Post. Personally, I'm very disappointed that none of Hollywood's many rich liberals stepped up to the plate individually or collectively to rescue Air America and put it on firm financial footing. This piece I wrote about Air America in 2005 outlines some of its problems back then. But recently, the radio network has had trouble hanging on to its stations in major markets. Franken's leaving is a big blow to the network since he is its most famous host. But he recently moved his show from New York to Minnesota where the U.S. Senate seat occupied by Republican Norm Coleman has always interested him. he will decide in the next weeks whether to set up an exploratory committee to weigh a run for office. Franken's replacement on Air America will be his friend Thom Hartmann.
Going & Gone From The Showbiz Beat
I'm told that the Wall Street Journal's very good showbiz reporter in the Los Angeles Bureau, Kate Kelly, is heading back to the NYC headquarters to cover Wall Street. Family reasons are behind the move. I'll miss her Hollywood news and insights. On the other hand, one of the least savvy entertainment biz reporters at the Los Angeles Times is Claire Hoffman. So I'm surprised that LAObserved.com today reports on an LAT-NYT tug of war over her. "The NYT is said to be offering a pretty good starter gig in the Business section in New York, and the LAT might be countering with talk of a Las Vegas beat." (NYT editor Bill Keller is predicting more LAT pick-offs.) The way I see it, she's a features writer, not a business reporter. She should pen more self-involved magazine pieces similar to her well-hyped run-in with Girls Gone Wild jerk Joe Francis. But, on the Hollywood beat, Hoffman has allowed herself to be spoon-fed repeatedly and doesn't bother to do homework or break news. Given her personal and professional style, she'd do well on the Vegas beat. In case you missed it Monday, see my NYT Hollywood coverage shake-up post.
The Day Scooter Libby Met Tom Cruise...


Just when you think the news out of Washington can't get any more bewildering... I hear that Tom Cruise's name, and that of his then girlfriend Penelope Cruz, have surfaced during testimony in the recently begun Scooter Libby trial. A CIA official who appeared as a witness recalled a June 14th, 2003, intelligence briefing with Libby where the chief of staff to Vice President Dick Cheney bragged about just having had a sitdown with Tom and Penelope. Libby told Craig Schmall, who was responsible for putting together the material for the daily morning briefings from the Agency for Libby, how excited he was that he had just met the actors, according to the briefing notations. The subject of the tête-à-tête was Cruise's concern about Germany's treatment of Scientology. Meanwhile, it was revealed last August that former State Department No. 2 Richard Armitage had a private afternoon appointment with Cruise the day before the sitdown with Libby in 2003. (See photo) Here's what I find so utterly nauseating about this news: that the meetings coincided with a first wave of media stories about how morale was plummeting among U.S. soldiers three months after crossing into Iraq because there seemed to be no American postwar plan to control the chaos. I'm also infuriated by the obvious hypocrisy: after all, no White House has publicly hated Hollywood more than the Bush administration, yet here were its highest ranking officials privately star-struck by movie celebs. Nor can I forget that these meetings followed by just a few months the GOP's mid-term election strategy of taunting the Democrats for being "too Hollywood." (See my LA Weekly column, The Bully Pulpit, from that time.) Remember, one of Libby's defenses is that he was too busy dealing with national security issues to pay attention to Valerie Plame Wilson. Yet he made time for Cruise and Cruz. (Who knew that my satirical LA Weekly column, Strange Love, imagining a GOP/Hollywood embrace, would turn out to be true.) Libby/Cheney illustration ©CL/TalkLeft.com
DHD Update: I'll Head Out Of Town Soon
Fair Warning: I'll be heading out of town for a few days beginning Friday. DHD posting will be lighter. Please communicate all news tips to me through email rather than phone until I'm back. (My public email is nikkifinke@deadlinehollywood.com)
Take Clint Eastwood (Letters From Iwo Jima), who scored Best Director and Best Picture noms. He deserves both, and the geriatrics who still make up the majority of Oscar balloters love the guy cuz he’s still got a prostate and balls. But Hollywood is also jealous of him because he’s won too many times. His Best Picture nominee Letters wasn’t anointed by any of the four major guilds (DGA, PGA, SAG and WGA). That hasn’t happened for eons. Give him more Golden Boys and the awards might as well be renamed the Clints (and remade with a big swingin’ dick besides). Problem is, this worshiped and wrinkly auteur won’t retire. So the Academy pries the viewfinder from his liver-spotted hands and picks from younger generations to make that walk to the podium. Yes, Marty Scorsese qualifies, even at age 64. Since he’s never won for Best Director, the envy factor in his case is null and void. Following my reasoning, David Geffen’s Dreamgirls was snubbed because Hollywood is jealous of him...
"Not that Dreamgirls is even in the same league with my own favorite, The Departed. I was floored that this tour de force from a major studio received less nominations than Pan’s Labyrinth from minor Picturehouse. Then I remembered that Warner Bros. is lousy at mounting Oscar campaigns (a huge handicap that only a legend like Clint seems able to overcome). Geffen is taking the high road and acting all “I don’t care” when you know he really wants to be kicking butt and taking names...
They hired a bunch of motion picture lit agents over the past 24 months to bolster their aging list of screenwriters and directors. And they spent north of $20 mil to do it. But CAA winds up crushed in the writer/director category this Oscar season by upstart Endeavor agency which is only 1/3 of CAA's size. With a little luck, Peyton Manning is secretly scribbling a script.
