Normally, I don't care about upcoming projects and leave that to the trades. But a Peter Jackson writing/directing project is an event. Sources tell me that today certain Hollywood studios were given the big PJ spec script with Mr. Lord Of the Rings himself attached to helm. It's an adaptation of The Lovely Bones, the bestseller penned by Alice Sebold. "It went out today to almost everybody and the offers are across the board," a source tells me. "That's because there was a cover letter laying out basics like approximate budget, start of photography, etc. It simply wants the studios to make a proposal with no ask. It also wants them as part of the proposal to make a recommendation about release date and inform what competitive titles they'll have during the quarter of the release date they suggest." If this sounds very unusual, it is. Because I'm told Jackson wanted the marketplace to determine what the deal should be. Imagine if this started a trend in Hollywood. Who didn't get a shot at the project? New Line's Bob Shaye since he's still being a jerk to Jackson and won't let him direct The Hobbit. (See my Peter Jackson Answers Lord Of The Rants.) Jackson had acquired the option to The Lovely Bones from UK's Film Four in February 2004 with the intent to write the screenplay on spec with his partners Fran Walsh and Philippa Boyens. Since Jackson opted not to have a big overall studio deal, he can now seek the right home for each of his projects. I can report that the response is overwhelming to the very stylized and very dark drama that's literally haunting: it's about a ghost. As good as the script is, the final deal for The Lovely Bones, with terms and all, will surely be as big as Jackson's King Kong-sized talent.
Summer Movie Season's Magic #? $4.5 Bil
To movie industry heathens like you and me, we’ll always remember where we were when Mel Gibson made his drunken anti-Semitic tirade, when Tom Cruise got fired by old coot Sumner Redstone, and when the 2007 Summer Movie Season made $4.5 billion.
That’s how much I'm told box office gurus predict the mega-blockbusters about to flood U.S. mega-plexes from May through August will gross, becoming the highest summer on record. And many of the movies look to be not completely unwatchable. All of a sudden, we’re feeling the spirit of The Blockbusters Cometh. Starting this Friday, we’ll be living in a Promised Movieland: the popcorn will seem that much fresher, the seats that much plusher, the air conditioning that much chillier, the audience that much quieter. Now bow your heads and pray that the moronic moguls, and the overindulged directors, and the megalomaniac actors don’t louse it up and lead us back into the desert, aka the Summer of 2005 when the movies stunk and the audiences stayed away. Just to be safe, I’ll perform a few exorcisms since the devil is working overtime in Hollywood.
2007 MTV Movie Awards Nominees
BEST MOVIE
- 300 (Warner Bros. Pictures)
- Blades of Glory (Paramount Pictures)
- Borat (20th Century Fox)
- Little Miss Sunshine (Fox Searchlight)
- Pirates of the Caribbean 2 (Disney)
BEST PERFORMANCE
- Gerard Butler 300
- Johnny Depp Pirates 2
- Jennifer Hudson Dreamgirls
- Keira Knightley Pirates 2
- Beyoncé Knowles Dreamgirls
- Will Smith The Pursuit of Happyness
BREAKTHROUGH PERFORMANCE
- Emily Blunt The Devil Wears Prada
- Abigail Breslin Little Miss Sunshine
- Lena Headey 300
- Columbus Short Stomp the Yard
- Jaden Smith The Pursuit of Happyness
- Justin Timberlake Alpha Dog
BEST COMEDIC PERFORMANCE
- Emily Blunt The Devil Wears Prada
- Sacha Baron Cohen Borat
- Will Ferrell Blades of Glory
- Adam Sandler Click
- Ben Stiller Night at the Museum
BEST KISS
- Cameron Diaz & Jude Law The Holiday
- Will Ferrell & Sacha Baron Cohen Talladega Nights
- Columbus Short & Meagan Good Stomp the Yard
- Mark Wahlberg & Elizabeth Banks Invincible
- Marlon Wayans & Brittany Daniel Little Man
BEST VILLAIN
- Tobin Bell Saw III
- Jack Nicholson The Departed
- Bill Nighy Pirates of the Caribbean: Dead Man’s Chest
- Rodrigo Santoro 300
- Meryl Streep The Devil Wears Prada
BEST FIGHT
- Jack Black & Hector Jimenez vs. Los Duendes Nacho Libre
- Gerard Butler vs. “The Uber Immortal”
... Read More »
Ovitz Didn't Show For Kurtzman Send-Off
Given everyone's horrible behavior in Hollywood, it's rare to find something that scandalizes its denizens who've seen it all. But Michael Ovitz managed to do just that last week when he failed to show for longtime CAA colleague Ray Kurtzman's funeral. Ray, one of the most respected guys in showbiz, died of complications from Alzheimer's last Monday and was buried at Hillside Memorial Park.
I'm told that as many as 600 to 700 people came to the service for Kurtzman -- but not Ovitz who gave a lame excuse instead. "Bottom line? For a piece of art, Mike would have found a way to go there. But he couldn't do the same for Ray," an insider complained to me. Kurtzman was a TV and motion picture attorney and business affairs exec at William Morris Agency when he
took a huge career gamble and decided in 1978 to throw in with the still fledgling agency started by Mike Ovitz, Ron Meyer, Bill Haber, Rowland Perkins and Mike Rosenfeld. Kurtzman's arrival announced to Hollywood that CAA was serious about becoming a major tenpercentery, and it set the town talking. As head of business affairs at CAA, Ray was one of the first 20 employees and remained an integral part of the agency for 22 years until his retirement in 2001. A class act like Kurtzman should have motivated Ovitz to act classy in return. And Mike wonders why Hollywood hates him?
Last Word (Hopefully) On Alec Baldwin
I can clear up all the rumors: I'm told definitively that Alec Baldwin left CAA only because he didn't want to be at the same Hollywood agency as his ex, Kim Basinger.
Sony Acting Extra-Sneaky With 'Spidey 3'
In major cities around the country, Sony has quietly added lots of Thursday midnight showings of Spider-Man 3. Most of the sneaks start at 12:01 AM -- so technically that's Friday, which is the official day Spidey is released in U.S. venues. And in some major megaplexes, like Pacific's The Grove Stadium 14 in Los Angeles, screenings will start at 12:01 AM, 12:05 AM, 12:10 AM, 12:15 AM and 12:20 AM. Obviously the studio is doing everything it can to ensure the threequel makes over $100+ mil its opening weekend May 4th-6th. (Spider-Man 1 took in $114 mil and Spider-Man 2 $88 mil). Sony needs to get those wheelbarrows for the cash, given that $300+ mil unofficial pricetag.
Trump & Schwarzenegger Tit For TV Twat
Obviously, Donald Trump and Arnold Schwarzenegger think we just fell off the turnip truck and are gullible as hell. Political campaign watchdogs are up in arms over the fact that The Donald just gave $10,000 to The Arnold to help pay off $2.3 million in campaign debts left over from his 2006 re-election bid and that the hand-out came after the Guvinator guest-starred on Trump's disgusting TV show The Apprentice: Los Angeles. (Schwarzenegger hosted five of the show's contestants in his private conference room at the state Capitol.) "He's clearly using his personal friendships and his celebrity to pay off his campaign debt, and that's just wrong," said Jamie Court, president of the Foundation for Taxpayer and Consumer Rights, a group that tracks campaign donations. The donation to Schwarzenegger was Trump's first, although the NYC billionaire has said in the past he admires Arnold. Ugh, all I can say is that, considering they're both megalomaniacs, they deserve each other.
Hey, Donald, You Should Be Fired
Some Showbiz Dems Feel Used By Arnold
Is The Reality Of 'CSI' Really Unrealistic?
The CBS' Nielsen-topping series CSI and its NYC and Miami spin-offs are having a profound effect on juries, trials and law enforcement. But is hair and fibre analysis actually passé in crime-fighting? That's the basis for Jeffrey Toobin's article in the upcoming New Yorker. because of the show, "criminalists have acquired an air of glamour, and its practitioners an aura of infallibility ... But the fictional criminalists speak with a certainty that their real-life counterparts do not," Toobin writes. He quotes Lisa Faber, a criminalist and the supervisor of the N.Y.P.D. crime lab’s hair-and-fibre unit, as saying that, in her field, “The terminology is very important. On TV, they always like to say words like ‘match,’ but we say ‘similar,’ or ‘could have come from’ or ‘is associated with.’ The fact is that "virtually all the forensic-science tests depicted on CSI—including analyses of bite marks, blood spatter, handwriting, firearm and tool marks, and voices, as well as of hair and fibres—rely on the judgments of individual experts and cannot easily be subjected to statistical verification," Toobin writes. And that's coming under fire. "Given the advent of DNA analysis, some legal scholars argue that older, less reliable tests, such as hair and fibre analysis, should no longer be allowed in court. Last week, a commission on forensic science sponsored by the National Academy of Sciences held an open session in Washington at which several participants questioned the validity of hair and fibre evidence." But Faber said prosecutors still introduce fibre evidence because they think the juries like it because it's "more CSI-esque". And it's working. “I just met with the conference of Louisiana judges, and, when I asked if CSI had influenced their juries, every one of them raised their hands,” Carol Henderson, the director of the National Clearinghouse for Science, Technology and the Law at Stetson University in Florida, told the writer.
Again! Shia #1; Nic Cage's 'Next' Stinker; Box Office -25% Awaiting 'Spider-Man 3'
SUNDAY AM: So Nicolas Cage is back to making bomb after bomb after bomb, with his Revolution / Paramount pic Next unable to open better than 4th place, behind a three-week-old teen/tween movie and a suspense film starring nobodies. With a paltry per screen average at 2,725 theaters, it was hard pressed to even make $7 mil this weekend. Clearly the only reason anyone went to see Cage's Ghost Rider was because of the connection to the Marvel comic book. Other than that, he hasn't starred in a movie that's made money since 2004's National Treasure, whose sequel comes out this Christmas. Really, Cage needs to take a long, hard look at his failed career; appearing in badly revewed pics like this is a price quote killer. (Same advice to director Lee Tamahori, who directed standout Mulholland Falls, after all. Ditto producer Joe Roth, responsible for yet another failure.) That said, DreamWorks' Disturbia saved the day for Paramount, taking in $9 million from 3,047 theaters for its third No. 1 placement in a row and a new cume of $52 mil. (See my Paramount/DreamWorks Deal Looks Better With 20/20 Hindsight) Disney / Buena Vista's newcomer The Invisible was No. 2, making $7.8 mil from 2,019 venues for Friday-Saturday-Sunday. New Line's Fracture finished #3 with its Anthony Hopkins / Ryan Gosling cast, eking out $7 mil from 2,443 playdates for the weekend with a new cume of only $21.3 mil. The rest of the box office was stillborn: it's almost cruel to list the earnings of the Top 10. Read More »
Frank, Not Warren, Will Play Tricky Dick
I'm told Frank Langella, who's so brilliant as Tricky Dick in Peter Morgan's Frost/Nixon play, is going to snag the movie version as well. This means Warren Beatty won't be playing the role of the disgraced President interviewed by David Frost. (I already knocked down the Internet rumor that Imagine's Ron Howard had a deal, or was close to a deal, with Warren.) Smart to go with the guy who originated the role in London and on Broadway. That almost never happens in Hollywood.
This Weekend's Prediction: 'Next' No. 1?
Think of it as the quiet before the storm: Expect a lackluster movie weekend before the sizzling Summer Movie Season officially kicks off the following Friday with Spider-Man 3. With no significant competition, Paramount's Next with Nicolas Cage should finish this Friday-Saturday-Sunday as No. 1 with low teens, as in millions. But its reviews were lousy, so maybe not. (This is a Revolution / Paramount pic, as compared to the many DreamWorks pics which Paramount has been distributing with a lot of success lately.) How Next fares could be a referendum on Cage's box office popularity. Ghost Rider, which did great biz, wasn't because it was based on the Marvel comic character. Anyway, expect the overall box office to be way down again since nothing very exciting is opening or holding over. (Last weekend's B.O. was -20% vs 2006). OK, I'm taking the rest of the day off.
Obviously, Lionsgate has yet to find a horror flick too sick or twisted to sell. I'm told the indie studio is still going ahead with plans to release its bloodfest film about the torture and killings of college coeds on a trip to Europe even though the Virginia Tech tragedy is still fresh in the headlines. Hostel: Part II will open on June 8th. (It was originally supposed to open in January but was pushed back to March and then pushed back again.) The movie's trailer notes the many shootings and stabbings in the U.S., and then the narrator laughs at how Americans "have no imagination". I've already 
