Right now, IATSE president Tom Short and WGA President Patric Verrone are swapping nasty letters and fighting in public. I would have posted the missives earlier today but I wanted to do some reporting first. (I’ve repeatedly pledged to stay in the middle on this strike, and I’m trying to keep my word.) So now I’ll step back from the bitchslapping and look at the origins of this bad blood — and, boy, is there ever bad blood — between IATSE and WGA.
Of course, IATSE and WGA have been feuding over reality show and animation writers and who does, and should, represent them and many other issues for years, But, according to my sources, the pre-strike bickering between them began more than a year ago when Short had lunch with Verrone and top WGA negotiator Dave Young in September 2006. I’m told Short came away from the meal convinced that the two writers guild leaders wanted a strike ”come hell or high water” and “nothing or nobody” was going to talk them out of it.
The next shoe to drop was when, in November 2006, the WGA backed off its own proposed date to begin negotiations with AMPTP on January 16th. This, needless to say, infuriated IATSE’s Short, who phoned Verrone on November 28th, 2006, and tried to impress upon him that it was vital “this gets resolved” sooner rather than later and to set an early date for the bargaining to start. Verrone refused — even though I’m told by a reliable source that Short warned him behind the scenes that ”If you guys don’t go into talks there will be a ‘ramp up’ – increase in production, stockpiling of scripts – it’s going to be like 2001 all over again. At which point, Verrone said, ‘Nonsense, that isn’t going to happen.’”
IATSE then issued a very angry 2-page news release on December 13th, 2006, giving the media hard evidence contradicting Verrone’s claim, which had then been made public, that there wouldn’t be any ramp up and calling the threat a “Boogeyman”. IATSE cited 2001 facts and figures when a ramp up occurred because of last-minute bargaining even though a strike was never called. “The numbers speak for themselves and show that the WGA leadership is totally out of touch with the impact of their foolhardy tactics,” Short said in the December release. “Figures don’t lie, liars figures.”
A Short insider tells me: “There was a concern on the part of IATSE leadership that the lack of talks would be disastrous.” I certainly don’t think, given what’s transpired since then, that Short was wrong. If anything, he was prophetic.
As Short says in his latest angry letter to Verrone sent Tuesday, “Ever since late last year when the WGAw announced withdrawal from its own proposed negotiating date in January 2007, I have warned you and predicted the devastation that would come from your actions. Those predictions have now come true,” Short fumed. “When I phoned you on Nov. 28, 2006, to ask you to reconsider the timing of negotiations, you refused. It now seems that you were intending that there be a strike no matter what you were offered, or what conditions the industry faced when your contract expired at the end of October.”
But I also must wonder why Short hasn’t been nearly as hard on the AMPTP as he has been on the WGA. And my answer is that it may be a matter of clashing personalities.
Sources tells me that Short’s furious letter sent on Tuesday was prompted by a Los Angeles Times profile on Dave Young that ran the day before and one quote in particular from the WGA chief negotiator – ”Much to his delight, the 48-year-old labor leader says he himself was treated like ‘a rock star’ last week at a host of rallies and pickets that he orchestrated all over Los Angeles and New York.”
A source close to Short tells me he objected not just to Young’s choice of words, but more to Young’s seeming enjoyment of his new-found notoriety while IATSE members were thrown out of work. Young, for those not in the know, is not a Hollywood writer; he has been a union organizer of garment workers, carpenters and construction laborers.
Here is what Short says specifically about Young in his latest letter: “As the motion picture and television industry looks at the possible cost of over $1 billion and the loss of hundreds of thousands of jobs, your executive director David Young is quoted in the Los Angeles Times as delighted he’s being treated ‘like a rock star’ at rallies and says, ‘I just lay back and look at the havoc I’ve wreaked… I’m not going to apologize for that.’ This is hardly the point of view of a responsible labor leader, someone dedicated to the preservation of an industry that has supported the economies of several major cities for decades.
“The Times story continues: ‘Young and his team spent months preparing for this moment.’ Why hasn’t this team instead spent months preparing to negotiate a contract that would ensure the health and future of the motion picture and television industry?
“The Times also points out that Mr. Young has never negotiated a contract in the motion picture industry. His incompetence and inexperience are causing irreeparable damage to the industry at a time when we can all ill afford to ignore the worsening national economy, the unstable international climate, and the crises in health care and the housing market that are affecting many of our working families.”
Short ended his letter on a somewhat concilatory note — “it’s time to put egos aside and recognize how crucial it is to get everyone back to work, before there is irreversible damage from which this industry can never recover.” But it still begs the question why Short isn’t also bitchslapping the AMPTP which, after all, is the side now refusing to enter back into settlement negotiations with the WGA. (For details, see my LA Weekly column, Deals, Lies & Backchannels.)
“That’s a good question, a really good question,” a source close to Short told me today.
Also today, Verrone wrote the following missive in response to Short’s letter: “As I’m sure you know, for every four cents writers receive in theatrical residuals, directors receive four cents, actors receive 12 cents,and the members of your union receive 20 cents in contributions to their health fund. To put it simply, our fight should be your fight. We’ve received support from the Teamsters, the actors, many IATSE members, and unions throughout the world.
“As we’ve stated clearly, we are willing to negotiate; we have wanted to negotiate; we are here to negotiate. Despite the fact that the AMPTP conceded progress was being made on November 4th, the last day of negotiations, they walked out and have not returned. So please help us by doing everything you can to get the AMPTP to come back to the table and settle this strike, which, as you say, is devastating to your members, to our members, and to the entire town.”
Editor-in-Chief Nikki Finke - tip her here.






I don’t know why anyone thinks this is debatable. The WGA was dreaming of a strike. They don’t give a crap about anyone else. Every pitch they make they make it about the 4 cents. They don’t point out that John August makes “only” four cents ON TOP of two million. That Stu Beattie makes four cents ON TOP of Two Million. That Shonda Rimes makes four cents ON TOP of Ten million a year. It is spin. Everyone blames Big Media. Point to the writers who think they have a RIGHT to write movies. They don’t.
None of this would have mattered if the AMPTP had bargained fairly with the WGA over the past 20 years and with us presently.
WGA provided fair and resonable offers to the AMPTP over the past several months and until the moment talks had broken off, the AMPTP has still not responded to them. Why? You tell me…
Something else disturbing has cropped its ugly PR head in the past 10 days and that is the (all too obvious)orchestrated PR Campaign strike-breaking tactics waged against the WGA by the AMPTP, it Corporate shills in the trades, the local media and TV and the IATSE.. in short, they blaming the WGA for all the lost jobs Crews, etc have suffered.
I have seen it on the local News, here with the transparent “plant” comments, in the Print media. It is a Campaign designed to deflect the true facts…
Thank God EVERYONE, including 3rd graders, can see through this and side with the WGA against their Corporate Greed. Believe me, they don’t want anyone to know they are using the Strike as cover to slaughter the cattle, in this case, their Overall Deals under Force majeure. Don’t expect to see any movement on this strike untill all those cattle have been slaughtered at the expense of the IATSE and the local economy wehich stands to lose 8 Mill/per day. Yes, 8 Mil per day so the Studios can save a few more bucks.
So, they come up with this bullshit Campaign to blame Writers for the lost jobs and economic damage.
This latest tactic won’t work, because underlying all of it is the failure of AMPTP to bargain in good faith.
Okay, rant off. Plants, its your turn.
I would trust comments by IATSE’s leadership more if they hadn’t swooped in to unionize workers on America’s Top Model just as the WGA was trying to get them to join — thus killing the chances of the WGA getting reality show writers (yes, there’s writing being done) under it’s umbrella. So now reality show writers still get treated like crap by their employers– thanks IATSE! The WGA/IATSE current feud stems from this and all current IATSE comments should be taken with that in mind.
From a Variety article dated 10/23/07 by Dave McNary…
“…the WGA held dozens of rallies to support a dozen writers who walked off “America’s Next Top Model” over producers’ refusal to grant jurisdiction to the WGA. “Top Model” showrunner Ken Mok created a new system utilizing editors covered by the Intl. Alliance of Theatrical Stage Employees and eliminated the writing slots.
IATSE wound up repping 60 employees on the show, with president Tom Short tweaking the WGA’s organizing efforts as being “mishandled due to zero experience at organizing in the entertainment industry” — a slap at WGA West exec director David Young, whose background is in organizing the construction and garment industries.
Young responded by accusing Short of being a shill for producers by having his union perform struck work.”
Right. The studios would never have upped production if there’d just been talks scheduled. They’ve never been known to negotiate in bad faith or anything… Heck, if Tom Short led the Guild, it’s writers might have as many great benefits as those reality show writers. Er, sorry, editors. Like no residuals at all, no health and pension. Sounds wonderful.
Question for Mr. Short, if the WGA was dead set on a strike come hell or high water–why did they agree to yank DVDs off the table? What the hell was that except an extreme, to the point of foolhardiness, demonstration of good faith and willingness to avert a strike?
Verrone of the WGA says, “I’m sure you know, for every four cents writers receive in theatrical residuals, directors receive four cents, actors receive 12 cents,and the members of your union receive 20 cents in contributions to their health fund.” Talk about misinformation….each individual writer and director recieves 4 cents on their respective projects as each individual actor recieves 12 cents but the IATSE as A WHOLE recieves 20 cents, that’s the ENTIRE MEMBERSHIP….50,000 plus members! Stop the B.S. on both sides and get back to the bargaining table before you lose all credibility and respect
Like most pro management-labor cooperation union bosses, Short gets frustrated when someone tries to bust up his attempts at looking like God’s gift to his rank and file. An example of how ridiculously pro-management he is, a local can’t even vote for its own strike until Short and the International “sanctions” it, in clear violation of the rank and files right (ethically, if not so much legally) to decide their own collective fate. It’s not surprising that Haskell Wexler, who attempted to win the presidency of IA 600, found himself on the receiving end of threats, trusteeship, and being thrown out after questioning the concessions Short gave away in the last round of bargaining.
I don’t know if Verrone or the rest of the higher ups at the WGA are any more coherent and sure of themselves than the people gazing on. But I know for damn sure that a “responsible” labor leader has never done anything but lead his and her’s rank and file to nothing but crappy contracts, eroded market share, and pulled out the power base from underneath them.
IATSE and WGA infighting is irrelevant
doesn’t matter when the WGA did or didn’t commence negotiations, the bottom line is AMPTP does not want to concede any money and nothing would have changed that fact
I applaud you, Tom Short. I am glad that you are doing your best to give voice to the concerns of the actual “little guys” in this mess. Someone needs to.
One thing I learned many years ago…. In order to win don’t play the game. This has turned into a pissing match…
I hope that Tom Short is also talking to the AMPTP. It looks like the AMPTP will be talking with the DGA very soon. Perhaps that will start the negotiating process.
We are all running scared. I not pointing any fingers. I just pray that we can get something settled soon.
In answer to your question “why isn’t Tommy Short bitchslapping the AMPTP”? The answer is simple. Tommy Short is profoundly corrupt. He is owned and operated by the studios. The membership of IATSE deserves better.
Might I add, to assume the WGA and all of us Writers would rather Strike than work under a fair deal is utter nonsense. It just won’t wash.
Thank you Nikki for being objective. I, however, cannot be. As an IATSE member I cannot express clearly enough how much Tom Short does not speak for its vast members. He has time and time again sold out his members for his own self interest and self-aggrandizement and this is clearly no exception. If you want to see what a great Union leader he is just go to: http://www.iatse.org/Vote_No_enough_is_enough.pdf and see the contract he helped negotiate for his members. Rollbacks, lost benefits and wages – that’s what he calls victory for his members. He has been and will forever be in the back pocket of the AMPTP and this going to the press to bash the WGA disgusts me. Unfortunately for my Union, Short has run unopposed for 4 terms but that is our cross to bear.
Although I agree that clearly Verrone and Young have antagonized this situation and should probably be replaced, the cause that the WGA is fighting for is just and reasonable and it is paramount to all creative workers in this industry (IATSE included) that they prevail.
WGA – Keep fighting to get back in the room. Stay united and let’s support each other in this.
I’m all for bitchslapping the AMPTP, but I’m also not in the least surprised that they are in no hurry to come back to the negotiating table.
While I totally support our demands for fair residuals from all future media, two things struck me tonight.
One was an anonymous email I received titled “Please Stop The Strike” – which could even be (disingenuously) from the AMPTP itself for all I know – but which proceeds to beg, for that is its tone, everyone involved to call both sides in this dispute, the WGA and the AMPTP, and tell them to, “End the strike, end the strike, end the strike” – until they hang up. Then call back and do it again.
The second thought which occurred – and I wasn’t at any of the Guild’s prestrike meetings, but I certainly saw no mention of this in any WGA emails or literature – was: shouldn’t the Guild have warned its members, particularly its younger members, about the “force majeure” aspect of the strike (allowing the studios to clean house of all the development and overhead deals they want to get rid of), which practically guarantees that the strike will last at least six to seven weeks (taking us slap into the holidays), and probably longer? Would that have affected the strike vote, and would it have affected the vote to strike at this particular time?
The timing of this strike – in the middle of an economic downturn particularly in the housing market, meaning those of us lucky enough to own houses have less chance to pull equity out of those houses to help survive the strike – has not struck me as ideal. I know you can argue that times are always tough when it comes to a strike, but the problem is that for “Big Media,” or whatever we wish to call them, they can survive pretty much a nuclear bomb and then cost-cut and lay people off and ultimately increase efficiency in some respects, possibly even massaging the figures to show savings to their shareholders.
We need to win this, don’t get me wrong. But couldn’t we have coordinated with IATSE, with SAG, with the Teamsters, with the DGA and whoever else, and really pummeled the AMPTP with one “short, sharp shock” – to use a phrase Margaret Thatcher’s heinous government was fond of – rather than risking a dispute which, worst case, could drag on into the probable SAG strike next June?
Picketing and lobbying in Washington are great, but can’t we take this fight directly to the shareholders of all the big media companies? Is there any way to get hold of actual phone numbers and addresses of the people who invest in those companies (does the SEC publish lists online?) and then do a MoveOn-type campaign, and send polite letters and/or emails, and perhaps even call them individually, to explain why we’re striking, that the cost of what we’re asking for isn’t huge by any means, and that the future performance of those companies – which rely on the Spiderman’s and Bourne’s to really shine on Wall Street – are at risk if this dispute over a few cents per download or DVD is allowed to continue?
you may wanna try a little harder to stay ‘in the middle’
Anyone with half a brain and two eyes can see that Patrick Verrone is having the time of his life during this strike. One year ago, he couldn’t get arrested — now he’s giving speeches with Jesse Jackson! I firmly believe that we in the WGA have been taken for a ride by this strike-happy leadership.
Ask yourselves this: if the strike ended today, with terms favorable to the WGA, can you really deny that Verrone and his crony’s would be bitterly disappointed that their time in the spotlight is over?
What a completely irresponsible letter from Short. Besides completely misquoting Young, this is very poorly timed and quite unnecessary. What is the point of a letter attacking the WGA at this point? It will only create anger amongst writers toward Short.
And regardless of the November, January nonsense, the Guild met the studios in July. They did not come back to the table until Sept. They still will not address the guilds demands. There is zero proof that another 7 months would have made any difference at all. On the contrary, it appears negotiations could have started in 2003 and it wouldn’t have been enough time.
It just seems like Short is having a tantrum. This is my first time being introduced to him and I can’t say I have any respect for the man.
Hey OutofworkIAmember–
.each individual writer and director recieves 4 cents on their respective projects
It’s my understanding that this 4c goes to the credited writer OR WRITERS. A writing team would get 2c each. Two writing teams would get a penny each.
I know there is no love lost between IATSE and the WGA, but Tom Short’s letter cuts right to the quick. A lot could have been done much sooner– I mean, why even bother with a federal mediator if you’re going to pull him in two days before the contract deadline? Everyone points fingers at Nick Counter as the bogeyman here, but without him, Patric Verrone and Dave Young and their shared vitriol, I have a feeling this would have been wrapped up two weeks ago. A righteous strike has turned into a pissing contest.
Nice troll, sickofthis.
4% of the full WGA membership cared enough to vote against the strike authorization. Strike-happy leadership? Yeah, right. Go walk the picket line. It’s not the leadership. It’s the membership. Everyone is crystal clear that New Media is *the* one issue- the single challenge for our generation of writers to get right… or go down trying.
Nice try spinning it into attention-whoring “cronies”. If the issue wasn’t so glaringly obvious to every writer, their children, and their pets, you mighta had a chance.
But there’s unity on this one.
I think Patrick would be ecstatic if a deal favorable to the WGA were put on the table and the strike could be called off. Just because he is passionate about the Guild’s issues hardly means he or anyone else in a leadership position is “strike happy.” Going on a strike was a dangerous risk, but one that had to be taken as the studios refused to negotiate (and still do) a fair deal. They are to blame, don’t forget that.
how DARE napoleon short speak for me. i am an IATSE member and support all my union brethren. president short has shown once again that he truly fails to see anything past the snout on the end of his face. if the WGA loses i will eventually lose too. i am cutting my union card in half and sending it to president short in tomorrow’s mail.
STAY STRONG MY WRITER COMRADES!
What the LA Times article (written by Richard Verrier and Claudia Eller, Los Angeles Times Staff Writers) said was:
“Much to his delight, the 48-year-old labor leader says he himself was treated like “a rock star” last week at a host of rallies and pickets that he orchestrated all over Los Angeles and New York. Young is not only the chief negotiator for the Writers Guild of America but the strategist behind the first major Hollywood strike in nearly two decades, making him perhaps the most revered and reviled man in the entertainment industry right now.
To many of the 10,000-plus members of the writers union seeking their share of future revenue, he’s a hero who galvanized a once-lethargic guild into a potent force with the will to take on the powerful media conglomerates.”
See, Young was delighted that he was well received a week into striking, as the reality of the hard road ahead had definitely set in and he could’ve been received with loud boos. But his delight came in the warm reception and solidarity of the union he works for. It wasn’t delight in getting pubilc attention. That’s just spin by an angry man who refuses to attack the AMPTP but loves to attack the WGA.
By the way, the article goes on to say…
“Dave Smith, a labor economist at Pepperdine University, gives Young high marks for his handling of the strike so far.
‘He’s done a good job of advancing his goals, just in terms of the number of shows that have stopped,” Smith said. “He’s put himself into a better position to gain leverage in negotiations.’”
How is Verrone’s letter “nasty”? How is he fighting in public? His letter seemed designed to get past the strange tone of Short’s public calling out. Indeed, the WGA seems intent on getting back to the table and getting everyone back to work. They don’t want a prolonged strike — the AMPTP does. Whether for Force Majeur or for simple punishment.
Is ther ever a good time to strike? Doubtful – it’s always going to be a sacrifice and hard.
As a younger member of the WGA, I’ve been FULLY AWARE OF 6 MONTHS out, but hopeful until the very last second that it would not happen at all.
But regardless of Verrone or Young (stupid statemet, though I think the context was aimed at the AMPTP; it’s easy tt interpret it the worst way), the facts of the AMPTP refusing to negotiate are the same.
Nothing on new media even when we took DVD’s off the table, and still the promotional free use clause that would negate all of the above. So, for me, it’s still a strikable issue.
Tom Short may have his criit, but trying to divide, rather than help, during a strike is disingenuious. Suspicious, really.
The WGA is not only Young and Verrone and richie rich writers – it’s real people like myself who make a living, but bust ass doing it and deserve a piece of the action when our ideas turn into monster hits. Because we want to be able to buy a house, afford having a kid too – the basics.
The union against union thing is the lamest, most self defeating thing ever. It doesn’t help IATSE, it doesn’t help the WGA.
It only helps the AMPTP. Let’s focus on getting them back to the table.