Right now, IATSE president Tom Short and WGA President Patric Verrone are swapping nasty letters and fighting in public. I would have posted the missives earlier today but I wanted to do some reporting first. (I’ve repeatedly pledged to stay in the middle on this strike, and I’m trying to keep my word.) So now I’ll step back from the bitchslapping and look at the origins of this bad blood — and, boy, is there ever bad blood — between IATSE and WGA.
Of course, IATSE and WGA have been feuding over reality show and animation writers and who does, and should, represent them and many other issues for years, But, according to my sources, the pre-strike bickering between them began more than a year ago when Short had lunch with Verrone and top WGA negotiator Dave Young in September 2006. I’m told Short came away from the meal convinced that the two writers guild leaders wanted a strike ”come hell or high water” and “nothing or nobody” was going to talk them out of it.
The next shoe to drop was when, in November 2006, the WGA backed off its own proposed date to begin negotiations with AMPTP on January 16th. This, needless to say, infuriated IATSE’s Short, who phoned Verrone on November 28th, 2006, and tried to impress upon him that it was vital “this gets resolved” sooner rather than later and to set an early date for the bargaining to start. Verrone refused — even though I’m told by a reliable source that Short warned him behind the scenes that ”If you guys don’t go into talks there will be a ‘ramp up’ – increase in production, stockpiling of scripts – it’s going to be like 2001 all over again. At which point, Verrone said, ‘Nonsense, that isn’t going to happen.’”
IATSE then issued a very angry 2-page news release on December 13th, 2006, giving the media hard evidence contradicting Verrone’s claim, which had then been made public, that there wouldn’t be any ramp up and calling the threat a “Boogeyman”. IATSE cited 2001 facts and figures when a ramp up occurred because of last-minute bargaining even though a strike was never called. “The numbers speak for themselves and show that the WGA leadership is totally out of touch with the impact of their foolhardy tactics,” Short said in the December release. “Figures don’t lie, liars figures.”
A Short insider tells me: “There was a concern on the part of IATSE leadership that the lack of talks would be disastrous.” I certainly don’t think, given what’s transpired since then, that Short was wrong. If anything, he was prophetic.
As Short says in his latest angry letter to Verrone sent Tuesday, “Ever since late last year when the WGAw announced withdrawal from its own proposed negotiating date in January 2007, I have warned you and predicted the devastation that would come from your actions. Those predictions have now come true,” Short fumed. “When I phoned you on Nov. 28, 2006, to ask you to reconsider the timing of negotiations, you refused. It now seems that you were intending that there be a strike no matter what you were offered, or what conditions the industry faced when your contract expired at the end of October.”
But I also must wonder why Short hasn’t been nearly as hard on the AMPTP as he has been on the WGA. And my answer is that it may be a matter of clashing personalities.
Sources tells me that Short’s furious letter sent on Tuesday was prompted by a Los Angeles Times profile on Dave Young that ran the day before and one quote in particular from the WGA chief negotiator – ”Much to his delight, the 48-year-old labor leader says he himself was treated like ‘a rock star’ last week at a host of rallies and pickets that he orchestrated all over Los Angeles and New York.”
A source close to Short tells me he objected not just to Young’s choice of words, but more to Young’s seeming enjoyment of his new-found notoriety while IATSE members were thrown out of work. Young, for those not in the know, is not a Hollywood writer; he has been a union organizer of garment workers, carpenters and construction laborers.
Here is what Short says specifically about Young in his latest letter: “As the motion picture and television industry looks at the possible cost of over $1 billion and the loss of hundreds of thousands of jobs, your executive director David Young is quoted in the Los Angeles Times as delighted he’s being treated ‘like a rock star’ at rallies and says, ‘I just lay back and look at the havoc I’ve wreaked… I’m not going to apologize for that.’ This is hardly the point of view of a responsible labor leader, someone dedicated to the preservation of an industry that has supported the economies of several major cities for decades.
“The Times story continues: ‘Young and his team spent months preparing for this moment.’ Why hasn’t this team instead spent months preparing to negotiate a contract that would ensure the health and future of the motion picture and television industry?
“The Times also points out that Mr. Young has never negotiated a contract in the motion picture industry. His incompetence and inexperience are causing irreeparable damage to the industry at a time when we can all ill afford to ignore the worsening national economy, the unstable international climate, and the crises in health care and the housing market that are affecting many of our working families.”
Short ended his letter on a somewhat concilatory note — “it’s time to put egos aside and recognize how crucial it is to get everyone back to work, before there is irreversible damage from which this industry can never recover.” But it still begs the question why Short isn’t also bitchslapping the AMPTP which, after all, is the side now refusing to enter back into settlement negotiations with the WGA. (For details, see my LA Weekly column, Deals, Lies & Backchannels.)
“That’s a good question, a really good question,” a source close to Short told me today.
Also today, Verrone wrote the following missive in response to Short’s letter: “As I’m sure you know, for every four cents writers receive in theatrical residuals, directors receive four cents, actors receive 12 cents,and the members of your union receive 20 cents in contributions to their health fund. To put it simply, our fight should be your fight. We’ve received support from the Teamsters, the actors, many IATSE members, and unions throughout the world.
“As we’ve stated clearly, we are willing to negotiate; we have wanted to negotiate; we are here to negotiate. Despite the fact that the AMPTP conceded progress was being made on November 4th, the last day of negotiations, they walked out and have not returned. So please help us by doing everything you can to get the AMPTP to come back to the table and settle this strike, which, as you say, is devastating to your members, to our members, and to the entire town.”
Editor-in-Chief Nikki Finke - tip her here.








What “convinced” Short that Verrone and Young were hell bent on striking? The fact that they said they were willing to strike if they couldn’t get a decent contract any other way? Why did Short call David Young a liar? What, exactly, was the “lie?” Why is the AMPTP seen as not wanting a strike when all of N. Counter’s behavior made one inevitable? Saying that important issues were not even to be discussed and offering only rollbacks is a declaration of war. Am I missing something? Whether or not Short and Young don’t like each other, the WGA has made multiple attempts to negotiate with its counterparts. These have been rejected. The pattern of this “negotiation” convinced many of us that the only ones hell bent on striking were the moguls who want to break the union. My last question — what is Short getting that makes him think that if our union is destroyed, his will not be next?
Exactly right. Some of the whiners have likely never had to take a stand and fight for something before. Now is the time.
“As an IATSE member I cannot express clearly enough how much Tom Short does not speak for its vast members. He has time and time again sold out his members for his own self interest and self-aggrandizement and this is clearly no exception. If you want to see what a great Union leader he is”
To be fair, though, Short is thought of at the greatest labor leader ever by Iger, Zucker, Moonves, and everybody who hates unions. Which just goes to show what a super dooper double terrific job he’s doing. Who needs rank and file support when the people you’re supposed to be negotiating against see you as one of their own?
OutofworkAImember says “….each individual writer and director recieves 4 cents on their respective projects as each individual actor recieves 12 cents but the IATSE as A WHOLE recieves 20 cents, that’s the ENTIRE MEMBERSHIP….50,000 plus members.”
The response from A Writer: “It’s my understanding that this 4c goes to the credited writer OR WRITERS. A writing team would get 2c each. Two writing teams would get a penny each.”
Clearly A Writer is not a mathematician. Don’t get me wrong….4 people dividing 4 cents would get 1 cent each. And 2 people diving 4 cents would get 2 cents. And 50,000 people dividing 4 cents would get .00024 cents. Yeah, that’s comparable.
You writers are a bunch of spoiled selfish jerks. Teamsters support the writers strike but none of the writers have ever supported any teamsters strike. Trucks should stop parking on the street blocking traffic and they should start pulling into the studio lots with their deliveries. It’s really sad to see all these hard working low paid blue collar workers supporting you white collar elite snobs just because the blue collars mistakenly believe “the writers are union folks just like us” that’s completely wrong. And you writers know it. To hell with all of you. Why should below the line workers have to suffer because of you? Let’s see you elites refuse to cross the next IATSE picket line. That will never happen. Ever. You don’t care about the teamsters so why should they care about you?
not a writer–
I would point out, though, that I only get 4 cents (or 2 cents, or 1 cent) on a movie where I’m a credited writer. IATSE gets its 20 cents on every movie.
I don’t dispute that if you did that math, it would probably still work out to more money going to the average individual writer than to the average individual IATSE member. But it’s not nearly as stark a difference as you’re claiming.
(Also, for what it’s worth, the 12-cent figure is not the amount that gets paid to every actor; that 12 cents gets divided among all the eligible actors. Don’t know exactly how the formula works to determine who gets paid how much of it, but it’s far from the truth to claim that every actor gets paid 3 times as much as the writer(s) and director, and thousands of times as much as any member of the crew. If you’re going to unleash the “not a mathematician” snark on others, it wouldn’t hurt to try and get the details right yourself….)
“….each individual writer and director recieves 4 cents on their respective projects as each individual actor recieves 12 cents but the IATSE as A WHOLE recieves 20 cents, that’s the ENTIRE MEMBERSHIP….50,000 plus members.”
That 20 cents a pop is what keeps the whole health and welfare fund afloat for the IA membership (all 50,000+ members).
As broadcast residuals disappear, internet residuals will have to pick up the slack. And if the WGA doesn’t get ‘em, neither will the IA.
Which means all 50,000+ members of the IA will be SOL next time they get sick or injured and need to access a health plan that no longer exists.
IA, our fight really is your fight.
Patrick Meighan
Culver City, CA
Proud Teamster,
Unfortunately, writers do not have a clause in their contracts that allows them to refuse to cross a picket line without fear of retribution from the studios. Teamsters DO have that clause in their contract. It is actually one of the things that the WGA is trying to get incorporated into THIS contract, so that the next time the Teamsters, or IATSE, or SAG goes out we CAN honor their picket lines and refuse to cross.
Right now, we just don’t have that contractual right, and I believe that Teamsters are the only ones who do.
As a long time (20+yrs) IATSE member, trust me, if Tom Short is against you the odds are your doing the right thing for you membership. Tom Short has driven IATSE working conditions lower and lower each year. Our pay increases each year are lower then the actual cost of living increases, IOW…we actually suffer a pay cut each year. Depending on which contract we work under our pay scale is anywhere from $12 pr hr up to $40. What the heck kind of Union is that when I can do the same exact job and the rate of pay is that different. IT’S THE SAME JOB!! Where else could working 14,16,18 hr days, with only 9 hrs off between shifts, be ok by your Union. What kind of Union would order their members to cross another Unions (WGA) picket lines, or lose their jobs.
Tom Short is a puppet for the producers, always was, always will be. He does not stand strong behind his members, he stands strong behind the producers.
Stand strong WGA members, your doing the right thing.
-IATSE MEMBER, 728
Sorry, “Writer”, I’m not a troll, but an actual, WORKING writer, who makes a lot of money from the profession on a regular basis (as opposed to 90% of the strikers, who haven’t sold a script since the pleistocene, hence have nothing to lose if the strike lasts until summer and beyond).
I’m absolutely sickened by the party atmosphere that pervades this strike… Celebrity Day, Children to the Picket Line Day, Gay Day, Singles Picket Lines… and on and on. Workers are losing their jobs by the hundreds, and the WGA is treating this action like a fucking moving writer’s salon. It’s embarrasing and revolting… and it’s clear that many of the writers — who as I mentioned aren’t regularly employed anyway — are having the times of their lives throughout this strike, and will be crushed when it ends. It means they’ll have to go back to their regular occupations of Not Making Income From Their Craft.
I’m not the only one who feels this way, either. Almost every writer I know, from the most liberal on down, feel the same way I do — that the leadership wanted this strike come hell or high water, and damned if it put people out of work.
Don’t believe everything you read in the “Go WGA” sites, there’s a deepening resentment building against the pinheads who are running this thing, and it’s going to boil over very soon.
We’re witnessing a perfect storm of personalities and egos. The wanna-be-a-rock-star mentality has permeated every aspect of this fiasco on all sides. Now, instead of negotiations, we have a public dick swinging contest that’s likely to go on for a year or more.
im with you sick of this
as a working writer in this town, its clear to me that all of these picketers are clearly embracing an excuse to why they haven’t worked in fifteen years or why they can’t move past a staff writing job on Lifetime.
David Young’s article was revolting and offensive to anyone who is concerned about the business in general.
I care about the product and the people that work because of the products we imagine.
Furthermore, when we all agreed to the god forsaken strike we were lead to believe tat Mr. Short was completely behind us, as well as the Teamsters.
Now you get a smattering of Teamsters and the IATSE writing scolding letters making us look like assholes because we are.
Get rid of guild management before we start looking like red state republicans backing a the Bush campaign.
I support the strike 100 percent, but I’ve said from the beginning that Verrone and Young, while doing what’s necessary given the situation, seem to be enjoying their “revolutionary” moment in the sun. I find the actions and courage of my brothers and sisters on the pickets inspiring. My leadership, eh.
Mr. Young needs to get his arrogance in check. He’s doing his membership a great disservice.
What it boils down to is that IATSE and WGA are just nonprofit versions of CAA and UTA. Really, the more the unions have to compete for workers, the better the chances are that workers will eventually get some kind of decent representation.
There is a very simple solution to the strike. We should let the audience decide. When internet downloads happen, a small writers box should be added to the checkout cart. The customer will have the choice whether or not he wants to pay the $0.04 to the writer(s) by checking the box. The $0.04 will be added to the download purchase. (As an added bonus, the customer would also have the option to pay more than the $0.04.)
Radiohead has done this plan with great success with their latest cd album. They are averaging $6.00 a download and getting more profits than if they went through the normal distribution channels.
Such a measure would require a leap of faith, but it might be a bit better to try than to strike for six months.
I’m in IATSE and I can tell you from my own lack of minimum guaranteed rate that Tom Short is more interested in glad handing the studio heads then he is properly representing his union members. He does not speak for me.
No matter ones position on this it is not a good thing that the WGA is fighting with 2 of it’s sister unions at this crucial juncture. These spats do not reflect well on the WGA leadership. It sounds like Shorts warnings to Verrone were indeed prophetic and perhaps we should pay attention to his concerns about Young.
Like their friends at Membership First, currently running SAG, the current leadership at the WGA wanted a “get tough” approach with this negotiation. I would have preferred a “get smart” approach. Membership First were the ones responsible for the SAG Commercial strike that dragged on for weeks but provided zero gain in the end. It’s interesting that both unions have brought in outsiders who have never worked or negotiated in this industry.
The WGA have played all their cards and now all the unemployed are left holding the bag walking in circles hoping for a resolution from the DGA. Who among us was not bouyed by the news that the DGA might be stepping in early? If you were then you have to accept that the WGA has thus far failed.
Why hasn’t the WGA provided a clear response to the ad placed by the AMPTP or the statement put out by Disney? Both missives clearly challenge the WGA’s basic reason for walking out.
IATSE struck Broadway last Saturday and will be back at the table next Saturday. Many believe that it will be over by Thanksgiving. Now that is a scenario I can deal with.
Tom
sickofthis,
I’m also sickened by the party atmosphere. I’m embarassed by my fellow writers who insist on celebrating while thousands of BTLs lose their jobs. The lip service they pay the suffering IATSE members doesn’t ring true.
Many working writers that I have spoken to are privately expressing second thoughts about this strike, not only regarding their own loss of income; but also about the collateral damage that will heap misery on thousands of innocent lives.
Respectfully,
Sickofthistoo
As a former IATSE member, I can attest to Mr. Short’s selling his own people short.
My former union had NO MINIMUM rate, which resulted in me working for less that $9/hour on a UNION show. There were also no limits on my hours, so, in addition to making less than a guy at IN-N-OUT burger, I also received NO OVERTIME. Thanks Mr. Short, you’re a great leader. Needless to say, I am no longer in the union that gave me nothing except a bill for my dues.
If only IATSE actually fought for something, they might be able to work with powerful unions like WGA, DGA and SAG rather than at cross-purposes.
Here in the middle we have a name for the kind of guys called Tom Short…SCAB.
Right on! You call this a strike? You call this Picketing?
Bring your child to strike day. Striking With The Stars, sounds like the next reality show slated to air right after Dancing with the Stars. Musicians performing!? Are you kidding? This is more like Woodstock than a labor dispute. When you see the writers on picket line they all seem so happy and jovial. But the topper, the absolute topper is that they only picket for 8 hours per day! 2 four hour shifts! Is that the limit of their commitment? 8 Hours? They are about to shut down a huge portion of this industry and purposefully sacrifice the livelyhoods of thousands of crew people and all they can be bothered for is 8 hours a day. Industry members will lose their jobs, and if this drags on long enough, they will have to steal from their own retirements savings, struggle to make the rent, disappoint their kids, fight with their spouses, some will even get divorced over this and all the writers can do is give up 2 four hour shifts? How important is this fight to you? You have made it very important to us! A picket line is supposed to stop people from crossing it. It is supposed to be disrusptive. That is the point. You are not supposed to politely step aside to let people pass unless you don’t believe in what you are fighting for. Stand in the street and stop traffic. Take the damn Jay-walking ticket and make us believe that this is important enough to you to cause us to lose our incomes! I hope this strike is settled quickly.
Hey, Proud Teamster,
I would support other picket lines, but when I’m on a staff I usually am responsible for bringing the brie. And writers get SO angry when their brie isn’t there on time.
Hope that makes you understand just a bit better our plight.
Hey Sickofthis -
Well, you are bitter and angry, so I believe you’re a writer.
But, mister you are so misinformed. What pickets are you on? What first hand walking in this strike have you experienced? Where I have been (Sunset and Gower/ CBS Radford for 9 days), I’ve spent nothing but time with really thoughtful writers who are united, but anxious to get back to work. (most make a full living from writing, some oscar winners, some not)
And yes, I too, make a living. I currently have 4 projects I’d love to keep working on and get paid on. Your sweeping generalizations are laughable.
So what if some pickets pull the media via use of celebrity – it gets the cameras out, lets mid america see what this is. And if some people want to bring their kids, dogs, have a gay gate – well, why the hell not? Writers, I’ve learned, are pretty indie thinkers – they will do things their own way.
Some chant, some hate to chant, some dance, some scowl, some stand – who cares. The point is we all believe fighting for the new media issue. But you might actually have to get out of your house to witness it for yourself.
Your research blows. Almost every writer I KNOW, from moderate to radical, feels the exact opposite as you suggest – that we were forced here by the AMPTP, not the guild.
Remember, guild membership voted for this. We are not Verrone’s robots.
Anyway, I invite you out to any of the pickets I’ve been on to see for yourself. Yeah – as if walking in a circle for four hours is anyone’s idea of a party.
Or maybe it’s just cozier to lob insults from behind the safety of your computer. thanks, brother or sister or whoever you are.
I love how when Finke presents any type of facts – ACTUAL numbers of what the studios are making off of DVDs or downloaded material – she is accused of not being in the “middle”. Just because someone speaks the truth doesn’t mean they are taking “sides” – because even if all the name-calling and bitterness and fear that is swirling around all this, the numbers speak for themselves and the WGA has every right to ask for more during a contract talk.