2ND UPDATE: Hollywood Turns To ‘ER’ Producer/Writer To Stop Long Strike
UPDATE: Federal Mediator Intervenes
The Writers Guild Of America’s 12,000 membership will begin picketing at the major movie studios and television networks later in the day Monday. They were told that all writing covered under WGA agreements must cease when the strike starts. No last-minute talks to avert the crippling walkout are yet scheduled for this weekend after three months of negotiations collapsed Wednesday night. The Writers Guild Of America said it was open to the offer of Los Angeles Mayor Antonio Villaraigosa to help settle the stand-off with the Alliance of Motion Picture & Television Producers. Some of Hollywood’s Big Media moguls may be trying to meet this weekend about the WGA strike set to start Monday. But insiders tell me that the studio and network bigwigs have declined Villaraigosa’s offer to mediate this weekend despite the WGA’s desire for him to intervene. The moguls also rejected an offer to sit down with the guild’s leadership this weekend. ”The CEOs are unwilling to even join the discussion at the bargaining table at all this weekend or ever,” one WGA source maintains. ”The only meeting they are willing to attend is one amongst themselves.” (See my previous, Hollywood Moguls Sound Strike Happy, See New TV Season As Dead Already.) UPDATE: I’ve just learned that the federal mediator has called the parties together for a meeting on Sunday at 10 am.
Instead, I’m told the moguls will continue to rely on their hired guns, namely AMPTP president Nick Counter, to maintain their hardline bargaining position, just as the WGA is sticking with its militant negotiators. Though the AMPTP said yesterday it was willing to negotiate all weekend, there looks to be no real possibility of a miraculous last-minute settlement happening now even though both sides are giving lip service to one. Agreed WGAE President Michael Winship: “This is not a decision we take lightly. In fact, we make it with great sadness. There is still time and a deal to be made before this strike begins. We urge the studios and networks to come back and bargain fairly.” But AMPTP’s Nick Counter issued this statement after today’s strike call. “We are very disappointed with their press conference and the action they took,” Counter said. “Their press conference was full of falsehoods, misstatements and inaccuracies.”
WGA West and East at 1:30 p.m. today announced the unanimous decision of the WGAW Board of Directors and the WGAE Council on the WGA Negotiating Committee’s recommendation to call a strike against film studios and television networks.
Making today’s statement was WGAW Prez Patric Verrone and WGAE Prez Michael Winship. The collective bargaining agreement between the WGA and AMPTP expired at midnight on October 31st. Everyone I’ve talked to on both sides believes this is going to be a long, bitter and painful labor action. The producers want to redraw the business plan for movies and television. The writers want to draw a line in the sand after failing to make lucrative agreements for each new technology. The main issues dividing the two camps is New Media and Internet residuals. The last WGA strike, in 1988, lasted 22 weeks and cost the Industry half a billion dollars.
There will be a WGA contract captains orientation Saturday to help them transition into strike captains and picket captains. They have planned to be on call all weekend. The writers, many of whom yesterday cleared out their desks at the studios and networks, have 4 days from the commencement of the strike to submit their screenplays and teleplays to the WGA’s controversial “Script Validation Program”. (See my previous, Rename It The ‘Fear Validation Program’) The guild’s email to members said, “We’ll be sending you information about our picket lines. Come out and show your solidarity. Your Contract Captain will be in touch with you. Be prepared to serve.”
How many picket lines and how strong a turnout the WGA can organize will be key to this strike because of the Screen Actors Guild and the teamsters. Even though the actors’ contract with AMPTP doesn’t expire until June 2008. SAG president Alan Rosenberg told the WGA members last night that the actors guild cannot strike now but supports the WGA “100%” and will walk the picket lines with the writers. Meanwhile, Leo Reed’s “Hollywood” Teamsters – aka the Motion Picture and Theatrical Trade Local 399 which reps over 4,800 studio drivers, casting directors and location managers — urged members to honor the WGA’s picket lines. At last night WGA confab, a Teamsters statement was posted on the doors. It specifically stated the Teamsters support for the WGA and noted individual members have the right, through the “conscience clause” in the Teamsters contract, not to cross WGA picket lines.
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There goes my favorite tv shows on Comedy Central…
No more Daily Show and Colbert Report until the strike is over.
This is sad news for all involved. I feel bad for all the workers in the industry who will be affected by the strike. I hope that the involvment of the Teamsters and other unions will help make this a short strike, but I’m not particularly optimistic. Good luck, WGA.
Writers demands for 2.5 cents on every hundred dollars the studios/ networks make on their content seem very fair to me. This is about new media and the studios are making it about smashing unions.
and so it begins…
good luck everyone.
Treat your employees well and this won’t happen.
Here we go. I wonder what Counter said about the Mayor’s offer.
Really sad. Let’s hope the producers come to their senses and this is over quickly. Judging from the meeting last night, I don’t think writers will be giving in too easy. If they think this is going to be a repeat of ’88, they are in for a surprise. What is Counter thinking? With the Teamsters standing strong, this couldn’t have gone more wrong for him…
Just sucks I am going to miss Grey’s Anatomy!
If all the unions in Hollywood would honor the strike, it would be over in a week. The problem is that the DGA and SAG and IATSEE and almost all the other unions have a no-strike clause in their contracts (except for the Teamsters.) That means these people are subject to being fired if they honor the strike.
But if they all honored the strike in one unified stance, the entire production machine would come to grinding halt. At that point, it’d be preferable financially to settle rather than build up an entire new industry.
I know this is an impossibility, but I still wanted to put it out there. Hell, I won’t be creating any new stories for while, so I figured I’d create this one. Complete with a happy ending.
Burl -
It’s 2.5%– that’s $2.50 of every $100, 2.5 cents every dollar … Higher but still very reasonable.
And the truth is the WGA would be happy with probably just half of that.
The strike heard round the world…
We’re all in this together against the media conglomeration domination…
It’s on and so it begins…
Last night at the CC was a trip. Kinda like the big opening scene in the “Warriors,” ‘cept with a bunch of nerdy TV staffs.
“Look! The guys from ‘Two and a Half Men’ are here! And ‘Samantha Who’. Crazy, man!”
Can you dig it?
My friends and I – we were supposed to start back up again on Monday – tried to play “Guess the Staff”. Proved to be a very tough game. Like playing “Guess the Band” back when the Strip was 100% cheese metal.
If the writers don’t get what they want now they will NEVER get it. Each year that goes forward the entertainment conglomerates get larger and stronger and so diversified they will be immune to real economic hurt from simply movies and television. This is most likely the last moment the creative unions will ever have to get even a morsel. If they fail now they might as well disbandon
If you want to understand why the WGA is striking, look at the example of one of the top comedies, The Office. You’ll notice the nbc website, nbc.com, lets you watch all the episodes, in entirety, for free, and then shows commercials with them. No one needs to watch the reruns on TV anymore, or buy the DVDs. You may ask, what is the networks’ current proposal, after 4 months of negotiating, on what the writer should get in residuals for this? Answer: Zero.
That’s why there’s a strike.
For all you non-WGA folks reading this site and wondering why writers and their union (WGA), and come June, actors and their union (SAG), are willing to strike over, here’s the big answer…
Acting and writing is no a steady job for most. In fact, most of the writers and actors who are lucky enough to make a living off their craft, live middle class lives. If you do those professions, much of the income you expect to live on comes from residuals… money that is paid when your film or tv episode is screened some where in the world.
But here’s the problem. The way the world watches movies and tv is changing. A year ago, you may have watched Grey’s Anatomy on TV, but this year you watch it on DVD. In two years, you may only watch it by downloading from the internet — basically what happened to music with iTunes.
The way the studios want the contracts, writers and actors will only earn residuals if Grey’s is aired on broadcast TV. If you buy the DVD of that episode, the writers makes 4 cents. If in two years, you download the episode, the writer and actor gets nothing. zippo. nada.
Hence, the WGA estimates that as technology changes, writers’ residual income will drop 80%. Imagine if your employer was asking you to take such a pay cut. 80%!!!!!!! (also imagine if your employer at the same time was demanding again to cut back on health and retirement payments — but that’s whole ‘nother dispute happening simultaneously)
That’s why writers are striking. And that’s why the actor’s union is backing the writers 100%, — come June, actors will get screwed the same way if the situation doesn’t change.
It sucks that other professionals in the entertainment industry will suffer because of this. Even many studio execs will even suffer. (Some studios are telling their execs that if the strike lasts more than 8 weeks, the execs pay will be suspended.) But as everybody gripes that they’re not earning money because the writers are striking, keep in mind, writers aren’t making money either. We’re all suffering together.
Let’s just hope the “Counter Strike” is settled quickly and we can all get back to doing what we love.
WGA members currently receive 0.3% of the distributors’ gross for the first one million dollars and 0.36% after that. This amounts to less than 5 cents per unit for a typical video or dvd.
Please report the FACTS!
I’m copying your post and emailing it to the uninformed. Well-said, “Writer/Director.”
Very eloquently put, writer/director. There are very real and long lasting issues for everyone in the entertainment community involved here. It’s just too bad that most of the comments you see posted even here, a very smart and reasonable site, talk about how the writers aren’t being respected and they’re going to make the studios pay. It just makes them look bad in the eyes of the general public that would love to have their career…spoiled teenagers shaking their fists at their parents.
I just contacted the Mayor’s office:
http://www.lacity.org/mayor/mayci.htm
and the governor’s office:
http://gov.ca.gov/interact#contact
With my concerns about mediating this situation and bringing it to a swift conclusion. I was told it’s better to call during business hours than to write.
And is that percentage split between everybody if there’s more than one writer, the way the SAG percentage is split between all the actors and day players, etc.?
People who are angry at the WGA for going on strike, commenting that you will not make any money if we go on strike, should think a moment on the very fact that the few hollywood unions (SAG, DGA, WGA, IATSE, TEAMSTERS, etc) have fought with the producers at every major point in entertainment history for a little piece of the pie AND IF YOU MAKE ANY MONEY ON A CREW, IT IS DIRECTLY RELATED TO THE FIGHTING OF UNIONS AND THEIR MEMBERS WHO HAVE COME BEFORE YOU.
Maybe you’re not DGA or WGA, but you benefit every time the producer is forced to give a slice of his profit to an employee. It’s trickle down in this town. If we, the WGA get more, DGA gets more, SAG gets more, crews get more… Why do you think they fight so much. This is big picture stuff.
No Corporatocracy gives money out of the kindness of their hearts, it must be pried from their bank accounts with bargaining and steadfast oppostion to being paid a pittance.
Wow. from .25% to 2.5% to 3% to 3.6%, and the strike was announced only 29 minutes ago. No wonder the producers are balking at the writers demands. Odd that no one is pointing out that no studios have figured out how to PROFITABLY distribute tv shows online, yet talent is already asking for more. There is more than one side to this story.
If anyone from the AMPTP is reading, could you please specify the “falsehoods, misstatements and inaccuracies” that Mr. Counter attributes to the press conference? Maybe bullet-pointed for clarity and quick public understanding? Thank you.
Writer/Director said “because the writers are striking…writers aren’t making money either.”
Don’t writers still get their residual payments during the strike? Most other Hollywood workers impacted by the strike don’t get residuals to keep them afloat.
I’m not disagreeing with the strike, just trying to learn more about the situation.
Kris: Yes, it is split if there is more than one credit writer.
Gary: um. you missed a decimal point. It’s not 3% and 3.6% but .3% and .36%.