(…refresh for latest posting) Part I is here.
Inevitably, the first Craigslist strike reference, posted under “Missed Connection”:
“Nerdy, Neurotic Writer Picketing Outside the Studio! “Hi! You were the neurotic, quiet and nerdy writer picketing outside the studio this morning! Did you write that sign yourself? That was so clever. I was the Big, Bad Studio Monster that paid you exorbitant amounts of money up front, then denied you a piece of the back end. Then I ignored all your requests to negotiate and tried to bully you into a deal! Can we kiss and make up? Please? I think we can work some magic together if we both just put our egos aside. Who cares about the Below the Line people? We’re above it for a REASON!!!”
First Obama. Now Clinton and Edwards. All released statements today supporting the WGA strikers — even though nearly all the Hollywood moguls have hosted major fundraisers for each of them.
–>Hillary Clinton: “I support the Writers Guild’s pursuit of a fair contract that pays them for their work in all mediums. I hope the producers and writers will return to the bargaining table to work out an equitable contract that keeps our entertainment industry strong and recognizes the contributions writers make to the success of the industry.”
–>John Edwards: “The striking Writers Guild members are fighting an important battle to protect their creative rights. These writers deserve to be compensated fairly for their work, and I commend their courage in standing up to big media conglomerates. As someone who has walked picket lines with workers all across America and as a strong believer in collective bargaining, I hope that both sides are able to quickly reach a just settlement.”
–>Barack Obama: I already reported his statement here.
Below is a photo of actor Robert Patrick picketing CBS on Fairfax Avenue this afternoon with The Unit writers.
At the Raleigh Hollywood Studios, where they film Ugly Betty, picketers were near the end of their shift at around 4:40 pm when actress Vanessa Williams from the show came out with a bowl of candy for them.
Actress Meg Ryan came to a WGAE picket location in NYC and visited some friends in line.
UPDATE: From a Fox studio lot worker bee claiming to be on the side of the writers: “I don’t mean to rain on the WGA’s parade but I work in the building closest to the Pico gate, building 89. It’s where the House production offices are. I was there from 9am to 6pm and didn’t hear a thing from inside the building. And when I walked outside for a break, I heard some horns honking from time to time but nothing too over the top.”
The WGAE strikers have such a wildly different experience walking the picket lines than do the WGAW’ers mostly because there’s sidewalk action. That’s right, they actually come into contact with pedestrians who often talk back. I think John Robin Baitz posts a very evocative account of the NYC picketing here on The Huffington Post. I like his title for the WGAE walkers: March of the Schleppers.
Stories coming in to me of strikers moonwalking, doing mime, and performing cheerleader routines on the picket line for the benefit of the cars passing by. Are we certain these walkers are writers and not carnies?
The above photo is from picketing at Fox. I was told that strikers were gauging how they were able to tie up lines of cars trying to get in and out of one of the studio’s garages there, especially around lunchtime, by focusing on just one entryway. Then again, the picketers also realized that the folks who park there aren’t the studio CEOs and top execs who all come in the Pico entrance.
Picketing at Universal today was boisterous not to mention noisy: trucks and cars loudly honked in support. Several members of SAG joined WGA lines including Frances Fisher, Justine Bateman and Marg Helgenberger and walked for many hours. Showrunners like Desperate Housewives‘s Marc Cherry, Frasier creator Peter Casey, Drew Carey creator Bruce Helford and CSI‘s Carol Mendelsohn were out there, too. Ahmet Zappa drove by and dropped off dozens of coffee drinks. Gifts of dozens of pizzas came from Joss Whedon fans and CSI production offices. Also, Patric Verrone and David Young made stops on the Uni picket lines giving strikers updates on the negotiations.
WGAW President Patric Verrone said tonight in a statement (excerpt):
“Let me now address an issue which I know is on the minds of many — our decision to remove DVD from the table, a decision which was met with significant disappointment and even anger from many of our members. The reason for that decision was strategic and followed several back-channel assurances that, if DVDs were dropped, we would be able to make sufficient progress in new media so that a strike could be averted. This offer, combined with our desire to do everything within our power to make a good deal without a strike (by removing management’s strike issue), as well as some small movement at the bargaining table early on Sunday, provoked our decision to make that move. Unfortunately, the response we got was not as promised and management broke off talks before our new media proposals were seriously addressed. Our new comprehensive proposal (including the DVD removal) was presented in an off-the-record session: our new proposal was then rejected. Based on what I saw and heard on the picket lines today, therefore, all bets are off and what we achieve in this negotiation will be a function of how much we are willing to fight to get our fair share of the residuals of the future, no matter how they are delivered.”
WGA has issued this picket count for the first strike day:
MONDAY PICKET COUNT
Location: Total # of Members on Picket Lines
CBS Radford 527
CBS Television City 195
Culver Studios 115
Disney 190
FOX Fox 520 + 25 SAG
Hollywood Center 93
NBC Burbank 121
Prospect 116
Paramount/Raleigh 286 +10 SAG
Raleigh Mahn Bch 111
Sony 215 + 7 SAG
Sunset Gower 125
Universal 220 + 4 SAG
Warners 195
TOTAL: 3,029 MEMBERS
—
A WGAW strike captain sent this email to his picketers: “I heard from someone who works in Fox Television that the honking horns were driving all the executives crazy. They were screaming in the halls about it, and couldn’t get any work done. SO KEEP UP THE GOOD WORK!”
See this fan tribute to Joss Whedon on the occasion of the writers strike. Also in his honor, the fans delivered pizza to the picketing writers at Universal in Los Angeles.
TV fans are contacting me for a way they can donate funds to the striking writers.
I can do more rumor-busting. Today urgent emails circulated claiming that Heroes hotshot Tim Kring was “fired” by NBC. A source close to him told me tonight Kring was “stunned” by this rumor. “Couldn’t be farther from the truth. Honestly.” The insider thinks the rumor came from Kring’s decision to honor the strike this week and walk the picket line. “Maybe somehow that came out as some kind of contention with his employers. It’s obviously not aimed at the people at the network and studio with whom he has such a wonderful working relationship. I know how it looks to be picketing your own network and show, but it’s really about making a stand with his fellow writers over what he believes are some very serious issues. Hope that clears it up for you.”
UPDATE: I have more Shonda Rhimes news. (See my previous posting here.) I and others have been sent an email from the creator and executive producer and writer of ABC’s Grey’s Anatomy and Private Practice about her support for the strike. “I have to tell all of you that this email directly reflects the stance I came to over a very long night in New York. I absolutely believed that I would edit our episodes. Until a thought hit me: how can I walk a picket line and then continue to essentially work? How am I supposed to look at myself in the mirror or look at my child years from now and know that I did not have the courage of my convictions to stand up and put myself more at risk than anyone else? So I choose not to render my services as a producer. I choose to honor the strike. And I am proud that you all stand with me. Shonda”
The Daily Show’s John Oliver was walking the picket lines early this morning and gave an interview to NPR mentioning that Jon Stewart has promised to picket at some point this week. The WGAE line tomorrow is in Long Island City at Silvercup Studios.
Best chant of the day was at CBS Radford: “MORE MONEY – LESS MOONVES!”
At Raleigh Studio Manhattan Beach, I heard there was a strong turnout from the writing staffs of CSI: Miami, Medium, Boston Legal, and Psych. Patricia Arquette of Medium delivered Starbucks coffee and pastries to the writers on the picket lines. I heard Teamsters from CSI: Miami honored the picket line but some from Medium did not. One driver crossed the line with a busload of background extras.
Also at Raleigh Studios Manhattan Beach, picketers stationed at the main gate were approached by the manager of the lot and informed that they were not allowed to picket there because it wasn’t a “registered” gate. He explained that the main gate is not used by employees who work on the shows run by the studios protested, but only used by guests to the lot. They even put up a makeshift sign that stated that the employees of CBS Paramount, 20th Century Fox and several other studios do not use that gate. The picketers initially protested the request to leave because many have worked on that lot for the last few years and entered to work “every single day” through that gate. According to one of the strikers, “It wasn’t until we saw the manager of the facility talking to a Teamster from CSI: Miami that we realized that this was because the Teamsters wouldn’t cross our picket line, and CSI: Miami was scheduled to be on location for part of their day. Eventually we were forced to move when they threatened to involve the authorities. “
Editor-in-Chief Nikki Finke - tip her here.









While I fully support your efforts, I will be laid off from my show next week. I won’t be getting 1/2 checks like the cast will be getting. I only hope that on day 100 there is as much passion and press as there was on day one. I plead with the WGA leaders to at least start talking again. The strike gives the studios ample tax write-off capabilities. Good luck, but I am scared to death I’ll lose everything. And I’m sure this Episode 11 is the last one this season. Question: when will I come back to work? Next July? 2010?
“The fans are behind you, writers. Let us know what we can do to help.”
Don’t watch the major network, mid-season reality/replacement shows.
Where is the federal negotiator? If he had the power to call a meeting on Sunday, doesn’t he have that power now?
The moguls aren’t going to move until they are ready, and they won’t be ready until they’ve been able to clean house due to force majeure. Waiting for those 30 to 45 days has the added benefit of thinning out the picket lines and weakening resolve on the union side.
I’m going to keep walking but someone with a cooler head needs to step in now.
I am stuck in the middle with nothing to gain. I am an IATSE member in post (one hour dramas) and on Monday our employer had to suspend our work guarantees. I am very worried about supporting my family and keeping our home that we built over the last few years. I can not weather this very long. Is there any relief afforded to IATSE members? We only have the work that is in front of us to be paid from and I have worked over two decades to be able to contribute to telling some wonderful stories written by WGA folks. I am very scared about surviving this – I don’t know what else I can do to earn at the moment.
All that said, I support the WGA in gettling a fair contract and a fair precedent to move forward from at this time. Please understand, many of us not benefiting from this contract could easily be economically ruined and unable to continue in this career we love.
This is great! United we stand!!!!!!!!!!!!!!!!
WRITERS GO!!!!!
Thanks!!!!!!!!!!!!!!!!!!!
Regarding the pic of Robert Patrick… I don’t mean to be a dick, but I think you’re sending mixed signals when you’re striking with that much bling going on. Seriously.
Hollywood moguls take pride in being dealmakers yet they can’t make a deal to share even a thin slice of an increasing growing revenue pie. I guess their not the dealmakers we thought they were. Time to start dumping the entertainment stocks! Game shows and reality TV don’t sell well on DVD at the end of the season like a HEROES or 24 so their cash flow is going to tank. SELL SELL SELL!!!
FYI, Sandra Oh is honoring the picket line. Grey’s will not finish Ep. 411. I hope that helps a bit. Also, IATSE crew members will be marching at lunch with the writers in solidarity.
Without writers no one in this industry has a job let alone a career. An industry that makes billions of dollars a year and treats their writers – CREATORS of this billion dollar industy – like shit should be ashamed of themselves. Stop whining about the strike and get out there and support the WGA in their efforts. The sooner they have everyone’s support who collects a paycheck in this industry the sooner everyone will be able to go back to work!
Nikki, you’re making a big mistake not listing dissenting comments. Fans will not support this strike. Elites putting the working class out of work don’t elicit sympathy from viewers east of the 405 and west of Central Park East. The WGA has an institutional bias against most of ordinary America. We’re tired of being condescended to by movie writers. The studios are going to try and break these unions. They can take their business elsewhere; Canada, Australia, South Africa, New Zealand, Tennessee, Texas, North Carolina, Eastern Europe. Writers, wake up. No one in entertainment is indispensible.
Leah
aloha from hawaii – dhd is great! good luck writers – anybody tell me why the news writers can still degenerate material for news shows, etc?
mahalo, patrick
I’m sorry but I’m an outsider looking in. Let me say first that I really support what the writers are trying to do.
Maybe I am naive but I don’t understand something. When someone say’s John Stewart will picket “sometime this week”, that strikes me rather badly. I mean, here’s the guy who sits in front of a camera and reads every day what his writers put in his mouth and he can’t get out of his porsche long enough to support them? Is there something I am missing here?
Yes, I am picking on John. But that’s mainly because his show is first effected, survives only on the talent of the writers (no action sequences or fancy CGI manipulation) and, let’s be frank, pretty darn liberal. If anyone should be first out there supporting writers, I would think it would be him. If more front line actors got out and supported the strike, then maybe something would really be done.
If I am wrong on this, please let me know. To me, the writers are the real stars of movies, tv, literature, commercials, etc. Without them, it’s just a sports event or some silly reality program of manipulated video segments edited together to create a false sense of excitment.
I would like to say that I am really sorry for the other guys behind the camera who are effected by this. All they get is an empty pay check and more production outsourced out of the country.
I am happy some of the crew and “below the line” people are beginning to post… you know the people who don’t get ANY residuals – and have everything to loose from this strike. No one seems to talk about them. How about all of the overhead deals that were suspended yesterday – so that people who aren’t even ON shows found out they have no job – no warning – nothing – just – poof… sorry… you’re gone!
And I am SO sorry that Shawn Ryan will have to miss his WRAP party if the strike isn’t done in time – I know that is going to be really tough on him – but you’re kidding right?
Dress it up any way you like – but this is about GREED plain and simple – the fear of not getting what you want – or loosing something you already have. Right before the holidays – in a weak economy – let’s have a strike – brillllllllient.
So go on cheer people like Shawn and the people who bring the strikers Starbucks… but let’s not kid ourselves… there is nothing Nobel here… this issue isn’t about human rights – this is not about a FAIR wage for an impoverished people – this is not about the HAVE NOTS – this is about the HAVES – who want more. We just make it look pretty – we’re Hollywood!
As a member of SAG, I certainly support all Union actions to get a fair contract. I just dont understand how many lives we have to destroy in order to get a few more pennies. Once a strike is over, all of those above the line folks who state they are doing this for the benefit of the rest of us are going to rush in and take all the jobs, leaving all the rest of us behind. Yet, everytime there is a strike they say it is for guild, and expect us to carry it all so they can continue to make house payments.
I sometimes feel that people in this town wont be happy until they push every piece of work out of los angeles forever. Commercial work never came back after the strike. The militant members who encourage us to strike suddenly gobbled up all the work after the strike ended, SIX MONTHS LATER, and it never recovered.
Get back to the bargaining table and take care of business. Writers are no more important that the thousands of other people that make a successful project work!
I’m fully on the side of the studios here. They certainly aren’t saints but they have a right to run their businesses the way they wish and to pay what the market dictates, not the unions. If you don’t like it, go somewhere else. My hope is that all the striking writers get fired and the studios hire a new batch of non union writers with a common sense compensation model, from most of the dreck on TV the quality of writing can’t be much worse. The WGA cares not one bit for all of the other industry people that are being hurt by this strike. Enjoy your snacks from Vanessa Williams while they last, its time for people who want to write to write, the others can go flip burgers.
I’m sorry but I can’t help but feel that 3000 people is lame, when twice that voted to authorize the strike. And judging from the picket line at Paramount today, the writers have already lost their sense of urgency. How does WGA expect to garner support from their hardworking below the line crew when they can’t bother to go out and picket?
“The fans are behind you, writers. Let us know what we can do to help.”
“Don’t watch the major network, mid-season reality/replacement shows.
Comment by BJS — November 6, 2007 @ 8:43 am?
What if we fans have a TV black out. Like I don’t know next Thursday where we turn our TVs off between the hours of 8 and 11. That will piss off the advertisers, and show the networks the fans are behind you. Couldn’t someone organize this. I am a fan, I’m actually enjoying this season. I don’t want it to end. I WILL stop watching network TV when the shows stop. I hate reality TV with a passion. Thank god for Buffy on DVD, and Grey’s on DVD, and video games and Star Wars on DVD. And I suppose I could read too. Shiver….
I’m fully on the side of the studios here. They certainly aren’t saints but they have a right to run their businesses the way they wish and to pay what the market dictates, not the unions. If you don’t like it, go somewhere else. My hope is that all the striking writers get fired and the studios hire a new batch of non union writers with a common sense compensation model, from most of the dreck on TV the quality of writing can’t be much worse. The WGA cares not one bit for all of the other industry people that are being hurt by this strike. Enjoy your snacks from Vanessa Williams, its time for people who want to write to write, the others can go flip burgers.
Karen-
This strike isn’t about the Paul Haggis’ and the Marc Cherry’s. You’re right, they are set for life. But that isn’t the norm. The average writer is making 42 grand a year. That’s more then what I make, but it still isn’t nearly the cushy job everyone is making it out to be. For someone who may only write a few dozen episodes of a show for scale those additional 4 cents per DVD is a huge deal.
Yes, the big named guys are the ones who are getting the attention. But that’s doesn’t mean the strike is about greedy show runners and producers. They had the power to negotiate compensation deals their individual contracts. It’s about the staff writers and spec guys who bust their humps to get one or two scripts on the air. If they happen to write one episode that become the most downloaded show in the history of the internet, shouldn’t they see something for that?
Wow. It’s half-way through day two, and no new news. What does that tell you? How long before there are just two strikers out in front of abandoned TV studios?
If you are pissed that you’re being laid off, consider directing some of your worry and indignation at the AMPTP which refuses to create a reasonable deal for writers. We know we get paid well. We know that some of us get paid a lot more than most of the below the line people. It is in the nature of show biz to create stars. But most of us are not stars. We do not get paid millions. We are working artists enjoying a nice living after years of going into debt and struggling to break into the business. Some of us were assistants for over ten years before we ever sold a script. We know what it is like to make $500/wk or less.
We don’t want to be striking. We cannot take this deal. This deal sells us and the next generation of writers up the river. We have to make a stand. And many of us are making the very difficult to choice to continue production and cross lines simply to keep below the line working as long as possible.
The moguls aren’t stepping up to take care of you. They do not give a shit. They want you to suffer so it breaks the morale of the writers who are striking and who do care about their crews.
I am very sorry that this is happening to you guys. You didn’t ask for this any more than I did. But when I joined the guild in 2003 they warned me that there may have to be a strike in 2007. This was never a secret. I knew that if I chose to work in this profession I would need to make arrangements to weather the storm. We all knew this day was coming. I would go on set and the gaffers would tell me all about it when I was a newbie staff writer.
The one way to avert this was for the AMPTP to be reasonable. We have been reasonable. We have pulled deal point after deal point off the table. Now we have to withhold our services. It’s the way of capitalism.
Does anybody happen to know what the WGA stance is on reality show “creative consultants”/”story editors”?
Fill in the blanks:
“__(1)___ sold millions of dollars worth of ____(2)______ off the back of our content, and made a lot of money. They did not want to share in what they were making.
1 = The networks
2 = advertising
Wrong! It was:
1 = Apple
2 = hardware
Who said it? Jeff Zucker, the head of NBC Universal! !Last week!!
Umm, Jeff… know what irony is? Of course not. Yet another reason you need writers.
I was out there again on the picket lines today (Tuesday). Still a good strong force out there. Thanks to everyone for the honks and the support. And thanks to the aspiring screenwriters who aren’t even in the Guild yet for coming out and joining us on the line. Every single “Starbucks writer” (and I was one of them) should come out and join us. Fight for your future now.
Since about 2% of the WGA makes about 90% of the money, doesn’t that mean that 90% of any strike gains will go to the top 2% of A-listers and showrunners?
They’re the only ones who can afford a long strike anyway.
I sympathize with the WGA’s position – but this seems to me an argument between millionaires.
The rank and file will see little benefit from this strike, if any, and may go broke if they have to spend the next 6 months out of work.
It’s not enough to have moral authority, you must also have the power. The writers may have the moral high ground, but the studios have the power.
I’ll be happy for Paul Haggis if he makes millions more in residuals off those Bond movies, but one wonders what benefits there are for people who are not Paul Haggis, and whether those benefits are worth being out of work for months, losing your deals and having your show/movie canned.