Many fans have joined “Save our Show” efforts in the past. One technique that’s gotten press and attention is fans mailing a particular item, related to the show, to the appropriate network — bottles of Tabasco sauce for Roswell, or peanuts for Jericho. Here’s what’s being done by fans for the WGA strike: “Now is the time to save ALL our shows. MAIL PENCILS pencils to the AMPTP and to any studios whose shows you enjoy. Make sure the pencils are NOT sharpened (let’s not impale any innocent mail carriers in this movement! One 42-cent stamp won’t do it, because the letter must be hand canceled; it costs 58 cents (or, if you’re lazy like me, just slap two stamps on each business-sized envelope). Feel free to enclose a brief note explaining which show(s) you most want back as soon as possible. Maybe we can help the studios see just how much support the WGA has. And maybe, just maybe, we can give them a graceful way out (not because they’re buckling under the writers’ demands, but because they care so much about their audience. Us. And isn’t that supposed to be their job?”
Editor-in-Chief Nikki Finke - tip her here.







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I say we all mail 60 blank pages to Rod and let him show us how easy it is.
so skoonix, if i understand comments from writers around here, writers get 100% of the credit for a good show – they are the foundation, dangit! but 0% of the blame for a bad show.
ha. every day the commentators on this site reinforce my opinion that the writers and the studios are cut from the same cloth (seriously, the conceit on both sides is unlimited), and that this strike is going to go on for ages.
“The comment by Rod F. is so ignorant – so removed from reality I had to respond. You obviously know NOTHING about writing to say the writing of the script is the easy part.”
Yeah, that’s why I have four releases in First Quarter of 08 and your agents are currently fighting over shopping my specs. As far as Karen’s comment about the 60 pages, maybe you should send me 90 so I can write a feature.
No, katydid, I am not speaking for ALL writers – just my own experience. Excuse us if we are rather sensitive to some of the blind sweeping insults that have appeared here – you seem to have it all backwards – with very few exceptions, the writer hardly ever gets credit for a success (especially in features) and actually when something bombs – they almost always bring up the script and the writer. It’s not ego to try and explain what the actual development process is – a few good shows get made in spite of the sausage factory, but you know what = a blank page comes with no instructions. Everyone thinks they can write but how many people walk onto a set and start giving lighting ideas to the cinematographer?
Why don’t the striking writers for each show start a blog (ala the Letterman guys)?
Then they could add tipjars, and fans could support the writers of their favorite shows directly. with cash
(Admittedly this would work better for the comic writers, as people are probably more likely to spontaneously tip in return for a good laugh…)
Or is that in violation of your union rules?
Alternatively, maybe tipjars that just went to the general strike fund?
Just an idea, from a fan who thinks her postage (and pencil) money could be better spent elsewhere…
The moguls should fly out a bunch of fans and let us write the shows. I think that we can do better anyway. Rod F. Nov. 12th
Yeah, that’s why I have four releases in First Quarter of 08 and your agents are currently fighting over shopping my specs.Rod F. Nov. 13th
Wow, Rod F. -congrats – huge career two day turnaround for you. One day you describe yourself as “us fans” and “we can do better” and then the next day you have FOUR releases in the First Quarter of 08 and agents fighting over your specs. Wow – not even Paul Haggis and Scott Frank are that busy. You are amazing. Way to go! That’s quite a thing to manage during a strike. I stand corrected – I had no idea you had four movies opening in 08 that you wrote. And you got nothing but helpful notes on all four of these releases?? Wow – you are the best, Rod, you are the best.
It’s not one or the other. Fans can send pencils, and/or blank sheets of paper, and/or postcards. The important thing is to keep the studios (and the advertisers!) aware of the number of viewers who agree with the writers on this strike.
I’ve read the article about the downside of fan mail-ins of odd items, but it’s more about those directed at a specific show… and I couldn’t help but think that, if people who work in a mail-room get so annoyed at these campaigns that they would HATE the show and deliberately sabotage it, those mail-room workers are in the wrong job.
As for the point that the studios’ job is selling advertising time: again, it’s not either/or. If they lose their audience, they won’t sell a second of advertising time. Therefore, per the original post?
We need to remind the studios that we are their customers, not vice versa. Do it any way you like.
Just dropping off this link… United Hollywood put together a plan re: the pencils with many of the showrunners with active fanbases to organize one big drop of pencils rather than a slow trickle.
http://unitedhollywood.blogspot.com/2007/11/pencils2mediamoguls.html
And Joss Whedon posted the email that went out to the showrunners about it here: http://whedonesque.com/comments/14772
Thanks for getting this started! I’ve posted links to this and the UnitedHollywood blogspot page on my fansites:
http://svfan.com/
http://www.dollhouseecho.com/
Keep up the strong fight!
Jc