A few days ago, alert readers tipped me to this Craigslist ad that went up Monday night, “Network television situation comedy seeks non-WGA humor writers to write scripts for weekly network series during the current strike. Salary negotiable.”
Turns out the ad was phony and placed by a reporter for the New York Press. Some 80+ responses came in within 24 hours. ”It’s a funny/sad exposé of the willingness of young, desperate comedy writers to break into the tv business, on the backs of striking union members,” the paper’s editor-in-chief David Blum emailed me. Some applicants:
Hi! What series would I be scabbing for?
Hello: I am a scab.
But I’m funny.
Please send more details about this opportunity.
Thanks.
Don’t pick on me.
I am a scab.
Hi, I’m a comedy writer interested in learning more about your needs. Can I do it anonymously so I don’t get in trouble with the WGA or anyone else for that matter?
Thanks,
We’re writers of a number of comedies, including independent films, original screenplays and sitcoms….don’t feel sorry for the WGA writers one bit….thanks.
I will be a scab.
Hi, Do you require that the person is living in NY/USA? I do not live in the USA. Currently I live in Asia. I am interested in the sitcom writers job if I can do it over the Internet. I await your reply.
i’m not associted [sic] with the WGA….
who are you? information from you gets you information from me.
Hello, Let me cut to the chase, my name is [REDACTED] and I am damn fine writer…
Hi There, My name is [REDACTED] and I am a cracker-jack comedy writer with a warm, collaborative style… Personally, I enjoy traveling, long walks on the beach, harrowing weather, Dexter, and clams on the half and peppermint chicklets.
Cheers,
Hello, My name is [REDACTED]….I am a [REDACTED]. I am also a capable writer. I watched the strike in person and those people aren’t funny. I currently make $300-$500 a day so pay would have to be in that range….My wife has her masters degree so that means I’m smart!!!
To Whom It May Concern,
I am very interested in writing for your television network. I have an imagination that stretches extremely wide, my writing has a stylish edge to it and my wit can knife right through you.
By late Monday evening at least one applicant had regained her conscience, having applied only hours earlier for the phantom job:
Hi – I’ve been haunted all day by my response to your ad – even if you would contact little ol’ me, I just can’t do it! I have to support the guild writers! Good luck with your show.
And then there was the moral high ground of this emailer:
Does the word SCAB mean anything to you? Yes, please, let me get blacklisted before I even start, that’d be awesome.
Editor-in-Chief Nikki Finke - tip her here.







Isn’t there a possibility that people who do not belong to the union will be unaware that the union expects non-union members to abide by the strike? I think it’s more than a possibility; it’s a probability.
But would scabs be able to recreate the writing genius of such shows as Cavemen, Carpoolers, Viva Laughlin, Moonlight, Big Shots, etc..?
Joshua writes: “All these people willing to write for there chance to “break in” don’t realize that even if they weren’t caught or weren’t blacklisted they would be working for the bare minimum that the studios want to pay, considering the 32 pages of rollbacks can’t be much. They would have no job security, no retirement, no money when there wasn’t work, but hey at least they could say they’re writers…”
“Caught”? – By whom?
“Blacklisted”? – By whom?
Working for the bare minimum? – What’s wrong with a writer selling his work for whatever he agrees to sell it for even “bare minimum”?
“No job security” – Thats the norm in film & TV
“No retirement” – Ever occur to you to save up out of your paychecks for your own retirement?
But the kicker is – NO MONEY WHEN THERE WASN’T WORK? – Excuuuuuuse me? You run a craigslist ad that says “Pay – No work involved” and tell me where I sign up!
Honestly, both sides disgust me. The studios are underhanded for trying every angle and loophole to screw the writers out of money. The WGA are asshats for trying to turn an entire industry into a union shop and blacklisting free agents. If you truly had quality members, studios would have no choice but to agree to your terms on the basis of merit. Instead, you try and create a monopoly on talent. I hope both sides bleed each other dry and the public goes back to books.
As a SAG member, let me say this.
Last year I was diagnosed with cancer. All is well, but let me tell you without the union insurance I would have been in a real bad place.
SO to all you scabbers out there, I am sure big media will be right there beside you when you are in your darkest hour!!
FIGHT THE FIGHT WGA….I AM BEHIND YOU!!!
I find it tremendously disconcerting that the Scabs posting here (and elsewhere, for that matter) seem to think that writers on TV series do little-to-no work for what they feel is obviously undeserved and huge paydays.
Frankly, I say give these people a shot and make them realize how writing-for-hire at times is insanely difficult, frustrating, futile and as stressful as any other job anywhere. And for 60-70 hours a week of work (not to mention weekends when a series is in full swing on production), you don’t get paid overtime. You have a pre-negotiated rate and don’t get paid a penny more from that.
Feel free to scab, get paid less than WGA minimum for 60-70 hours a week of work (probably about $500 a week, or less). Oh, and you’ll never get residuals if anything you write gets re-run. And you won’t get health insurance. Or retirement contributions. And when the strike is over, you’ll never get another job ever again for a signatory company. (Which is pretty much all of them.)
Go for it!
Sadly, because people can speak, and string together sentences, they think themselves writers.
I have an imagination that stretches extremely wide
Sounds like mental Goatse to me.
NYCIndie —
You seem to be confused by the concept “no money when there [isn't] work”. Please look up the term “residuals” sometime.
You ask: “What’s wrong with a writer selling his work for whatever he agrees to sell it for even ‘bare minimum’?”
Everything, that’s what. Why? because that lone writer isn’t the only one affected by his willingness to work for peanuts. When wages are driven down, everyone suffers.
The whole scab debate seems a bit misplaced in the context of this labor stoppage. It’s not as if the WGA serves as a bar to getting hired in Hollywood — it’s the talent, not the card, that matters. The WGA strike is closer to the MLB strike than the UAW strike; scabs simply cannot replace those not working.
I know, I know… there are plenty of talented writers not in the guild, and tons of amazing stuff written by writers who don’t recycle their unsolicited “Written By” magazines every month. But for the most part those writers have chosen to work in a different medium. For people with talent, and tenacity, who want to write in Hollywood, WGA membership (or a lack thereof) is not a bar to employment. (ie., most join after they sell that spec or land their first staff assignment).
Any chance of setting up a “To Catch a Predator” type of show with this? Sure would be funny…
-No, no I wasn’t coming in to scab, I thought it was for a fan version of Star Trek for the community channel.