This does not by any means put any Hollywood studio even close to a crisis. Especially considering they all have a full slate for 2008. Still, the studios have been boasting how they planned for this writers strike. Well, no one can plan for everything. The latest film to be affected is Angels & Demons, part of bestselling novelist Dan Brown's Da Vinci Code franchise for Sony with Ron Howard directing and Brian Grazer producing for their Imagine Entertainment. This was the pic for which Akiva Goldsman, who adapted Dan Brown's worldwide bestseller Da Vinci Code into a $755.6 mil hit pic, received $4 million -- a new $$$ high for a screenwriter (not a spec script and not even an original screenplay, but an adaptation of a book). Yet from what I hear, star Tom Hanks isn't happy with the state of the script he's been presented and the start of filming has been pushed back right now from March to May at the earliest.
In response to my query today, the studio just gave me this statement: "With the strike nearing its third week, Columbia Pictures has postponed production of Angels & Demons. While the filmmakers and the studio feel the screenplay is very strong, we do not believe it is the fully-realized production draft required of this ambitious project. At this time, there is no new start date for Angels & Demons, but we are setting a release date of May 15, 2009 and are hopeful to deliver the movie worldwide to theaters on that date. We do not expect any other film on our 2008 slate to be affected."
Other movies affected by the writers strike and described as having script problems because the screenwriters are on the picket lines instead of in front of their computers : 20th Century Fox's Fantastic Voyage helmed by Roland Emmerich, Paramount's Transformers 2 from DreamWorks, the Reese Witherspoon starrer Morning Glory produced by J.J. Abrams for Paramount, Universal's State Of Play starring Brad Pitt (again the star isn't happy with the state of the script).
Some of these have been pushed off their 2008 dates to 2009.
But don't believe the rumors that two other movies are in trouble because of the writers strike. Supposedly, Sony's remake of The Taking Of Pelham One Two Three was in trouble because Brian Helgeland only finished 80 pages of his rewrite. But I'm told the studio still has the original finished David Koepp script which, after all, was a good enough draft for the studio to greenlight the pic in the first place.
There've also been rumors about 20th Century Fox's Night Of The Museum 2 which is supposed to start filming in April. Scribe Scott Frank rewrote over four "very solid" weeks just under the wire of the walkout deadline and finished a "very good" screenplay, sources so. But even so, the script still needs work to get to the finish line. I hear its star, Ben Stiller, will wrap principal photography on his Tropic Thunder next week (he's directing and starring). So he'll be ready to go. But Night 2, which had been hoped for Christmas 2008, will be a Summer 2009 release.
For every film like this that gets pushed back, there are going to be five that go forward with bad, not-ready-for-primetime scripts.
Doesn’t Tom Hanks need that long to grow his hair anyway?
The fact that there will be less movies being produced is a good thing actually considering there are way too many movies hitting theaters as it is with the big studio flicks pushing the smaller films out of the theaters in record time. With less movies, maybe those movies that are actually good will get a chance to do grow an audience.
In regard to ANGELS & DEMONS, I don’t think too many people are crying over that being postponed seeing as I don’t know a single person who enjoyed THE DA VINCI CODE.
Big deal. They lose nothing by postponing productions. Absolutely nothing. Productions get postponed for far less (like crappy scripts).
I work as an executive on many different films from many different sources, and I can tell you all the “suits” are absolutely certain that the writers will cave, especially if it continues past the holidays. And that the DGA will undermine the WGA strike. I hope it’s not true, just so that their smug, sanctimonious smiles will be wiped off their faces.
Wait!!
I thought the studios were preparing for this strike for two years!!
I thought we lost the leverage and played right into their hand!!
I thought the strike would MAKE the studio money, not push back major billion dollar tentpole pics a full year!!
I… I… I… !!
I wonder how many of those 40 or so scripts that the Wall St. Journal says the studios commissioned right before the strike are really usable.
Do you have a link to that WSJ article?
Rearrange the following words into a well-known phrase or saying:
Iceberg, the, of, tip.
I know of at least one other tentpole movie that is in serious trouble.
Anyone who thinks the writers are going to cave quickly is out of their mind. It’s just amazingly solid. I say that as someone who was skeptical of this strike at the outset. I was taken aback by the degree of public support for the strike, as (I assume) were the AMPTP.
The only rumors of dissent are coming from inside AMPTP.
Absolutely wrong. They lose the revenue stream for the movie. That means no income. These guys now operate on very short horizons, like everyone else in business. Promising a movie in 18 months time is not going to keep anyone’s money in the company.
I wonder how many of any scripts that studios commision (strike or no strike) are really usable.
Fixed
Why couldn’t you have said that Night at the Museum 2 has been delayed because it’ll be a terrible movie and nobody with any taste wants it to be made?
No way are the writers caving. We’d have to be idiots to take a bad deal at this point. Any deal we take is going to have to be over-the-top good, because everyone I know has already dug in and is ready to go for the long haul to get this contract right.
Dan… Brown…
The Da Vinci Code’s commercial success makes me lose hope in hollywood and humanity as we know it.
Eugh. Don’t remind me.
This sure as shit better not delay production on Police Academy 8: Mission To Development Hell
Angry Writer,
Welcome to Hollywood where the rich get richer (and don’t have to abide by those pesky “rules) while the uknowns have to jump through hoops and face threats at every turn.
I’ve been astonished by how silent some of these high paid writers are on the subject while those lower than them picket during the day and right for the studios at night.
That is, if they bother to picket at all. Anyone seen Tarantino on a picket line? Charlie Kaufmann? David Koepp?
Hey, Angry Troll:
Do you really think Sony is letting him take a vacation after paying him four million dollars? He’s getting notes from Hanks and Grazer and Ron Howard right now on how to fix the script.
Well, there really are only two ways to improve this script, I suspect: 1) Take Goldsman off of it or b) base it on something other than a Dan Brown “novel.” Oh wait, there’s a third way — 1 + 2.
Four million dollars for *this* and never mind how much the others in the package are getting?
Am I the only one who thinks the writers are wrong? They’re striking over nothing. The pie is shrinking rapidly and they want a bigger piece of it. The industries are down (film and TV) and they want to cripple them further by striking. Idiots. Good luck getting fans back after this. The reason writers have “public support” is because the other side (studios) make for an easy boogie man target.