UPDATED THROUGHOUT: I can report exclusively that the surprise post-Thanksgiving return to the bargaining table between the WGA and AMPTP on November 26th is the direct result of the agent mediation I described back on November 11th. (See my Glimmer Of Hope That Agents Bringing WGA & AMPTP Back In Touch.) I’m told that yesterday a secret meeting took place at Creative Artists Agency partner Bryan Lourd’s home between Writers Guild president Patric Verrone and chief WGA negotiator Dave Young with Walt Disney CEO Bob Iger and News Corp (Fox) No. 2 Peter Chernin, and others. Lourd refuses to confirm or comment about what went on, but he deserves tremendous credit for seeing this effort to get both sides talking again through to a successful conclusion. No one should be naive enough to think that either side would go back into talks if it didn’t suit their individual agendas and situations right now. But certainly, anyone who knows Lourd, one of the most successful Hollywood agents ever, is well aware that the CAA Southerner can talk anybody into anything, even his rivals. (See my LET’S STRIKE A DEAL! Both Sides Agree To Go Back Into Talks Post-Thanksgiving.)
I have more detail now to add. In my earlier story, I described the backchannelling efforts by two agents without naming the tenpercenters specifically (because I didn’t want to put the kibosh on their delicate diplomatic effort to make progress towards a settlement). As I reported then, a partner in a major tenpercentery was having “much conversation” with WGA negotiating committee topper Dave Young. I can tell you now this was Lourd. I reported that, at the same time, a partner at a different major agency was talking to AMPTP president Nick Counter. This was United Talent Agency’s Jim Berkus, who also deserves tremendous credit. At that point their goal was just a WGA/AMPTP phone call.
Berkus had made the first phone call to set up a tenpercentery confab and was the catalyst for the November 8th secret meeting at the WGA’s Fairfax headquarters between the WGA and key partners of Hollywood’s five major agencies that elicited the reps’ offer to help both sides get back to the bargaining table. “The first call went from Jim Berkus to [William Morris'] Jim Wiatt to [Endeavor's] Rick Rosen to [CAA's] Bryan Lourd to [ICM's] Chris Silbermann,” a source says. With negotiations at a standstill, the agency partners offered to do anything possible as a “collective resource.” While Lourd met with Young, and Berkus with Counter, the other agents fanned out to speak to individual moguls as well. Then all the tenpercenters agreed to have Lourd take over the diplomacy “because he had the best relationship [with Young] and the biggest bat [CAA's dominance representing talent],” an insider tells me. It took two weeks of backchannelling from start to finish, but the meeting at Lourd’s home finally happened yesterday. I’m told Lourd also has been helping both sides “refine” the issues at hand.
Back on November 7th, I expressed the opinion in my post, It’s Time To Seriously Solve This Strike, that Hollywood should ”Bring On The Agents” because I had confidence they could help provide the basis for progress towards a settlement. Good going, guys — and don’t stop what you’re doing cuz it’s working.
Editor-in-Chief Nikki Finke - tip her here.







I talked to a late night TV host directly. He has no plans on going back before a settlement.
Thank the Lourd.
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C’mon people. Are these agents fighting for the cause of writers or fighting for their incomes? No writing means no new episodes or feature projects. Not just for their writer clients, but for their actor and director clients as well. What is the one thing agents hate? Not making money.
And for those who think this is probably a ploy to get showrunners and actors back to work, you haven’t been paying attention. Many, if not most, of the showrunners were quietly providing their producing services. And with a very few notable exceptions, actors continued to show up to work. The thespians took to the picket lines before their call times or after they were wrapped.
The power of a writers strike is — guess what — NO WRITING. While these talks resume, there will be no writing going on. If the AMPTP torpedos the talks, they are stuck in the same situation. No new episodes for scripted TV, no feature drafts delivered and the clock continues to tick down on a pilot season about to blow up into a million pieces.
I would like to offer my sincere apology to Ms. Finke for any comment which may have been construed as disrepectful. She is quite obviously an intelligent, well connected, respected journalist who has had the inside track on many aspects of the WGA strike. She has a large, loyal following in the industry and her professional website will take no notice of whether I visit or not. I do maintain that I found the post a touch self congratulatory but I also realize that she had apparently been quite on the spot with her reporting. I also find the use of the word brave in regard to participants or reporters on either sideto be a bit overwrought. Still, I am profoundly happy that perhaps a resolution is in sight and that no further collateral damage will be done.
but once the amptp starts going through the motions of looking “reasonable” suddenly a lot of our ancillary support will soften… and the heat will come off them quite a bit.
returning to talks is just good PR for them. they would do it even if they had no plans of yielding on any point.
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My thoughts too.
Dear “D”
Many thanks to your mommy for making you write the apology letter, but you still missed something essential about NF’s column… it is brave to tell the truth to power. Writers intuitively understand this type of courage so perhaps that is the “bias” (if one calls a shared virtue a “bias”) that NF may or may not have with writers and the WGA. It has been brave of NF to take on everything she has taken on since i”ve read her… the LATimes, NYT, HR, Variety, the Pelicano case, on and on and on and on. This column is like “heroin” to people because it is so rarified to see so much truth spilled on the page w/out PR. Thanks again Nikki for the excellence.
To those who call for a reporting blackout on negotiations:
It has been the power of REPORTING that has advanced the writers cause. It’s been tough enough getting the truth out and rallying support with Big Media controlling traditional news, publications, etc
The reporting of events on this blog has been instrumental to this strike
If things are kept in a vacuum, there will be no satisfying resolution.
KEEP REPORTING, NIKKI. As the expression goes, sunlight is the best disinfectant.
please bear in mind, it’s a negotiating tactic to raise hopes, dash hopes, raise hopes, dash hopes in order to psychologically exhaust writers
Here is Big Media’s strategy:
Resume negotiations
Find a reason to break off negotiations – and blame writers.
Resume negotiations
Find a reason to break … etc.
The purpose of this is to psychologically exhaust writers, so that eventually (and according to Big Media’s predetermined self-serving timeline)when Big Media is ready to settle, writers will be so exhausted from the ups and downs, they will start turning on each other to “just end it,” and they will settle for what the studios were willing to offer to begin with.
This is said to caution writers to be extremely even-minded about news of negotiations. No giddiness. Take everything in stride for the LONG haul and stay on point.
Coopered –
“truth to power” – ooh, got those writer’s juices going, don’t you, never heard that turn of phrase before.
My apology to Ms. Finke was sincere; your opinion of it or of me is of no consequence whatsoever. I reiterate the apology and hope that the strike negotiators are a little less taken with themselves than Coopered so that the strike can be settled and people of true talent can go back to work quickly.
Hey “D”:
It was due to the stilted nature of your first NF apology that I dared lecture you on artistic virtue. If I’m “taken” with anything, it’s excellence.
But glad you want to get us back to work and that your second “sorry” was sincere.
“Jim Berkus deserves tremendous credit”????? Are u kidding me????? Are u trying to get your own comedy talk show thru those chuckleheads at UTA?