I am thrilled to give you a report on how today’s much-anticipated resumed contract talks went between the writers and the producers. And they went well, according to my sources. “It was very productive, very level-headed, and it seemed as though the producers came ready to bargain,” an insider told me tonight. “Reasonableness ruled the day.”
In fact, the AMPTP reps for the studios and networks showed up to the first day’s negotiating session since the WGA strike began November 5th with what was described to me as “a very comprehensive proposal which laid out to all the entire roadmap to the deal. Over the course of the session, the producers addressed every single issue, and the writers listened and kept getting up to caucus.”
According to my sources, both sides spent the session recapping where they’d left off negotiations back on November 4th, which was the last time the WGA and AMPTP faced off. “So they basically went through all the proposals on the table: what they’d already agreed upon, and where they needed to go from here,” an insider explained to me. ”Tomorrow, they really start advancing the ball forward.”
There will continue to be a news blackout on the contract talks, meaning no end-of-day statements by either the AMPTP or WGA, “because no one wants to be the one to derail any progress.” (My lips are sealed about the site of the meetings.) Both sides plan more negotiating sessions not just for Tuesday but also for at least Wednesday. ”It’s anyone’s guess where this process goes,” said a source. “Today, they spent time on old business. Tomorrow, they handle new business — and that’s where the rubber can really meet the road.”
- Dare We Hope A Deal Has Been Struck…?
- Talks Restarted At Agent Bryan Lourd’s Home After Weeks Of Quiet Backchannel
- LET’S STRIKE A DEAL! Both Sides Agree To Go Back Into Talks
Editor-in-Chief Nikki Finke - tip her here.







“There will continue to be a news blackout on the contract talks, meaning no end-of-day statements by either the AMPTP or WGA, “because no one wants to be the one to derail any progress,” and to that end my lips are sealed about the site of the meetings.’
Would you call what these posts are “leaks” or sort of sanctioned news? Would suck if DLH derails anything over a scoop.
Baby steps…
But in the right direction.
Come to poppa… bring it home…
pb
I will vote against any offer that includes any sort of so-called promotional window. I don’t care if it’s six weeks or three days, a “promotion” window is really just a “PURE PROFIT” window for the conglomerates.
The rule should be fair and consistent: If the studio/network is paid, all the guilds should be paid.
Big Media paid = WGA, DGA, SAG, IATSE paid.
Wait! It can’t be anywhere near resolved yet — I have another clever video to put up on YouTube!
The sooner this gets resolved, the sooner I can go back to being an out of work sitcom writer.
My big fear: That any deal made would prohibit videos like the “Speechless” and other Youtube shorts to be produced for the (Internet) screen by non-signatories.
There better be some provisions to ensure that the Internets remain free for creative expression for personal/political narrative use.
Well, at least they’re talking. This whole thing is such a pathetic slap in the face to Writers in the grand scheme of things in the first place. This is about fairness and respect for Writers and we haven’t seen much of it in 20 years. I hope John Wells is kept out of the room after hosing us on DVD resids. Of course DVD sales grew 75% after that shit deal he made.
I’m not trying to be pessimistic here but we are asking for diddly squat and these guys are being dicks, 220 mil over three years and they didn’t even want to talk to us for months, 220 Mil or 70 mil/year is the amount of 1 Golden Parachute for one Exec.
If the AMPTP has some “strategy” in place whereby they only agree to some lame ass formula like 1.25% for HV now in order to get the WGA to try to cave I say walk out and make them suffer. If there is ANY hint whatsoever that there is some calculated plan to wait til Spring to offer 1.75 – 2% then maybe, maybe offer 2.25% late Spring bumping to the SAG Expiration, walk.
We should have never been forced into this position. Pay us our piddly 2.5% or pay a larger price later.
Tomorrow we get to the substantive bargaining points. Don’t cave Pat, Dave and John, don’t agree to anything that isn’t fair and for godsakes keep your pants on this time.
From the lips of my friends. A deal is done. Terms have been set at lower level meets and they look good for upper level reviews in the next few days. The problem is has been solved up to this point and now if the producers can stomach what pre-negotiation sessions inked out all will be good by Dec 15th with a return to work Immediate by Jan 1st.
Imagine what could happen if our major television showrunners and talent banded together and started their own internet network right now?
I’m sure we could find a hedgfund– not to mention the support of the Guilds. It could stream in advertiser-sponsored “chapters” and everyone could share fairly in the fruits of their labors ushering in a new artist-driven Golden Age of mainstream entertainment.
YouTube didn’t exist three years ago. The revolution is upon us and the establishment arrogantly blind to how easily it could be overthrown. When you really consider it– piracy is the least of their worries. If they were smart, they’d bend over backwards to make us happy and send the lemmings back to work– lest this idea (and I’m sure there’s many more like them) catches on.
I don’t know about you all, but I think a little anarchy sounds like fun.
Of course it sounds like fun when you’re not the one footing the bill.
I wonder if they talked at all about the crew people who have now fallen behind on their income by thousands and thousands of dollars and cancelled the “simple” things like Thanksgiving, Christmas, and the homes they live in? It’s easy for the actors to be so supportive to the writers when they keep getting paychecks for magazine shoots, tv appearances, and Gap commercial ads, not to mention all the reruns on tv…
Hope this doesn’t happen but the writers are going to get a bad deal
Did they put dvd resids back on the table?
Alright then. In these economic times, I hope both sides realize how important this is to the country.
why is it that disneyland and univerisal studios do not have strike lines in front of the park entrances,why are the strike lines not at every gate at the studios and not at 24 hours? shut everything down now, nothing in or out? call out your leadership.
I disagree, though obviously a six-week promotional window is too long. There already *is* a residual-free window in non-new media: for movies, it’s called theatrical exhibition, and for television it’s called first-run broadcast. These uses are covered by our (writers’) upfront payment. The one thing that both sides of this agree on is that new media is going to become the primary market for a lot of content (especially TV), so it seems to me fair and economically sensible for the studios and networks to have some sort of window for internet exhibition before it’s considered ‘reuse’ rather than simply ‘use.’
I’ve spoken to a couple of showrunners about what 12:45am posted. The problem is most showrunners are exclusive in thier contracts for material generated for the Internet. If they were to do as you propose they would be sued 7 ways to Sunday.
I hope this means that this will all be over soon. I want to go back to work.
Sorry, but I will be the buzzkill here: Is this all just spin? I am not naming sources either, but I heard there was no progress yesterday – just rehashing for PR’s sake. It’s all a dog and pony show now.
Sorry, Bron…I like Nikki’s sources better than yours.
“Of course it sounds like fun when you’re not the one footing the bill.”
I’d love to be able to invest in something like that. And I’m sure I’m not the only one. Let me know if some real talent tries to put something together to try and compete with the networks, I’d love to put some of my dollars behind it.
to agent guy
yes, but contracts expire
moreover, there are talented showrunners and non-showrunners not currently under contract
either way, writer-entrepreneurs doing direct financing/distrib is the future
I find it interesting that no one mentions Lionel Chetwynd, the
writer who campaigned against holding out for video rights in
the 88 strike. This man all but broke the WGA, threatening to
start his own union. He was the blow-hard that convinced
many writers that “there was no future in tv shows on video.”
He was a tool of the producers — and curiously found himself
with some choice directing jobs (from where?) after his
destructive behavior. Where is Chetwynd now? And why isn’t
he out there picketing with a sign saying — FORGIVE ME.
Yep, seems like they just set the table yesterday. The proof will be in the pudding.
I would caution anyone who is reading into this as a “done deal” to wait for Pat’s comments on the WGA site.
yeah i definitely help that they would just pay the writers more. it is sad.
anyway sounds like it went pretty good!
So, they had a lovely Champagne brunch during an extended 4-hour lunch on the back of an early-morning 5 hour golf around –
and nothing happened.
Right?