(…keep refreshing for latest… I’ll file more after dinner…)
Photos of strikers at the Paramount gate…
Robert Patrick and Max Martini of The Unit were at CBS picketing with their writing staff. The strikers all sang “Happy Birthday” to Patrick.
Ellen DeGeneres was a no-show Monday for filming of her daytime talk show. ”Ellen did not go to work today in support of her writers,” her flack Kelly Bush told reporters. New episodes of The Ellen DeGeneres Show that were filmed before the strike were set to air through Tuesday. After that…?
WGA East strikers displayed a giant inflatable rat as picketers shouted: ”No contract, no shows!” Walking the line in NYC were Tom Fontana, Kevin Wade, Adam Brooks, Warren Leight, John Patric Shanley, Jon Robin Baitz, Charlie Rubin, Tina Fey, Eric Overmyer, Doug McGrath, and many writers from the staff of Conan, the staff of John Stewart, the staff of Colbert, the staff of SNL (inluding several performers), the staff of Letterman, the staff of Law & Order: Criminal Intent, the New York staff of Law & Order, the staff of Monk and on and on and on.
Nick Counter, prez of AMPTP told reporters today: ”We’re hunkered down for a long one.”
Jon Avnet walked the picket line at Sony.
UPDATE: Others saying Journeyman did not suspend today.
UPDATE: I’ve just been told that CBS/Paramount is thus far the only studio to send out letters suspending all TV deals not currently in production. Warners, 20th, Sony etc are said to be individually meeting about their options.
Rachel Griffiths (Brothers & Sisters) and a castmate rode their bikes from inside the Disney lot to the Riverside Gate and said they were there to do a Starbucks run for the picketing writers. They took individual orders and returned with free coffee for several writers along with sunscreen and baseball caps.
From inside the mogul camp: There are no negotiations scheduled or even planned between AMPTP or WGA in the near future. From my own reporting, the Hollywood CEOs are still really, really pissed that, after asking for the walkout to be suspended while the talks continued, the WGA negotiators never told them that the East had gone out on strike. The moguls worked the phones until 9:30 am Pacific time last night keeping track of the talks progress — until they heard the strike had begun. “We can’t trust them anymore,” an insider told me. “How do you negotiate with people you can’t trust?” Then the talks stopped, and the dueling statements began. The moguls are convinced they were played all Sunday and that nothing would have deterred Patric Verrone or Dave Young from a strike agenda. So there you have the moguls’ viewpoint.
At Fox, Diane English, Jim Brooks and Callie Khouri were all picketing as well as actors Peter MacNichol (Numbers), David Boreanaz (Bones), Lorraine Newman (ex-SNL), and Anne Dudek and Olivia Wilde from House. “It was a great first day,” one writer told me tonight. “By Friday, I promise you, I’m not going to be so enamored of it.”
“Hey Nikki: This is a picture of the shoe belonging to the guy that was run over this morning at Sunset and Gower. The chalk is from the police markings of the ‘crime scene’. The writer was taken to Cedars. We don’t know how he’s doing, but his shoe looks pretty damaged. We just hope his toes were not as badly twisted.
Best, WGA picketer at Sunset Gower.”
I just received a firm denial of a rumor flying around that, instead of crossing the picket line, a major showrunner of two McPopular ABC shows is relocating her offices off lot to continue her duties while other showrunners refuse to work. A Shonda Rhimes insider told me a second ago: “No. She’s standing tall with the other showrunners.”
WGA just announced this from Democratic presidential candidate Barack Obama:
“I stand with the writers. The Guild’s demand is a test of whether media corporations are going to give writers a fair share of the wealth their work creates or continue concentrating profits in the hands of their executives. I urge the producers to work with the writers so that everyone can get back to work.”
Agent just told me NBC’s Journeyman shut down today.
Also on the morning picketing shift at Sony: multi-hyphenate mogul Judd Apatow (“who had a group of younger comedy writers seem this close to pitching him ideas”), showrunners Mike Schiff and Bill Martin, who created Grounded for Life and now run ABC’s Cavemen which is filmed on the Sony lot.
I hear that at Paramount, Billy Baldwin (ABC’s Dirty Sexy Money) and America
Ferrera (ABC’s Ugly Betty) joined the line. Vanessa Williams brought picketers snacks.
From a picketer: “You walk the line and you share stories, share biographies, hear the circuitous routes that people took to get here, simply because they love telling stories. My feet hurt, but my heart doesn’t.”
Rumors that all TV term deals not currently in production have just been suspended at all television studios in town. Supposedly support staff and everyone else have until the end of the day today to clear out. I’m trying to confirm…
I’m told that today at noon inside Petes Coffee Brentwood, two separate guys working on Final Draft for the whole world to see on their laptops at the window facing the line of people waiting to pay got nothing but dirty looks. Hilarious. So now writing in public is verboten and everyone has to do it in the privacy of their own homes?
Reports of studio strikers staying in the street on the “walk” signal for as long as it lasts to delay cars trying to enter the studio. Sounds like a “bit” from someone’s script.
Paul Haggis walking the picket line during the morning shift at Sony, the studio that’s paying him $4+ million (rumored near $5 mil) for the new Bond script. Then again, screenwriters were told to picket their primary place of employment … or else.
You know that report I cited earlier that Jon Stewart is paying his writers’ salaries during the first two weeks of the strike out of his own pocket, for both The Daily Show and The Colbert Report, according to Portfolio.com? Well, his rep has denied it. That’s right, denied it.
On the WGA east picket lines in NYC: John Leguizamo, Pulitzer Prize winner John Patrick Shanley, Tina Fey…
Buzz about what’s going on at The Office. Rumors that the Teamsters are refusing to cross the picket line over at the studio there, and the show may shut down shooting. Word that both WGA members Steve Carell and Rainn Wilson did not show up today in support of the writers strike, so The Office had a short production day.
A picketing writer was hit by a car in Hollywood just hours into the strike, according to KABC-TV. A driver ”basically said, ‘Get the ‘F’ out of the way’, and then hit the gas and just plowed into this guy,” said writer Linda Berston, who witnessed the incident. “The group was just walking across the driveway, and the guy basically started running him over without giving him a chance to move out of the way.”
This is what my reporting life might be like for the forseeable future unless this strike settles: WGA press bulletins announcing that CSI: Crime Scene Investigation‘s Marg Helgenberger is walking the picket line at Universal Studios lot “NOW” in support of the WGA strike.
Break.com is holding a $5,000 contest for all the striking WGA members to submit a video to Break.com. ”With Break.com receiving close to 1.5 million guys watching over 12,000 videos on their site every day, it is the perfect place for WGA members to continue to distribute their passion project to millions of viewers!” Break.com is offering the $5K to the highest rated video from a writer officially on strike. The contest is open now. (Founded in 1998, Break.com claims to be the Internet’s leading cross-platform, digital entertainment network offering funny, original short-form free videos and pictures to millions of Internet users and mobile subscribers around the world.)
I’m told there was a lot of action at CBS Radford and the WGA West picketing supposedly shut down Cane. Turns out the 2nd unit filming was moved due to noise , but Cane is still filming as scheduled. The brief shutdown came as about 20 writers chanted, screamed and used a bullhorn outside a cafe near the CBS lot in Studio City. So the location manager for the show hired two off-duty Los Angeles police officers and five private security guards to “maintain order”. After they thought shooting was stopped, writers cheered and rejoined picketers around the corner at the studio.
Also I hear word that Julia Louis-Dreyfus walked from The New Adventures of Old Christine to join the writers picket line and may have shut down her show as a result. Her husband, of course, is writer and sometime showrunner Brad Hall.
Hot T-shirt for the picket lines: the one where Jon Stewart of The Daily Show imitating “the studios” by raising his hands like he’s crazy and saying, ”The internet – it’s too new!!”
At Paramount, the early morning picketers were at the gates on Melrose, which are basically guest parking and executive parking. The Van Ness gate, which is where the rank-and-file workers and the trucks enter, was un-picketed. I’m told that picketing only on Melrose won’t shut down a single production. Then the picketers arrived at Van Ness.
Editor-in-Chief Nikki Finke - tip her here.










Nikki,
Your coverage has been fantastic, and everything today is much appreciated, however . . .
Just curious –
Any word whatsoever on the negotiations?
Just to add to most others’ opinions, Nikki, thanks for offering the truth on this major news. You are the lifeline in a constant sea of ignorance and spin. I study film academically but follow happenings in the industry closely. I’ve been aware of the issues creeping up of internet (re)use of episodes. As an American currently abroad, I appreciate your constant updates, Nikki (I was glued to my computer all weekend; this stuff was more suspenseful than any New Year’s or Season Finale). And I support YOU, my under-appreciated scribing friends, and I am on the picket line in spirit.
Sadly, the Below-the-Line crew are the ones who will suffer the most. They don’t get residuals, internet money or a strike fund.
Some of us are at the living week-to-week stage and some are not, but we are the ones who are also out of work and will not get anything from this strike but hard feelings to the writers that cost us a way of living.
Yes, the IA & Teamsters deal with contract issues but tell me the last time THEY went out for 4-months or the last time they whined about not being paid enough.
Writers make 1,324/week, for example, on a television series. Don’t give me the “if it weren’t for us you’d have no show.” If you didn’t have a crew, actors or director you’d be writing scripts for your own enjoyment.
I can’t say that I condone “running someone over”, but if that person’s experience at Sunset Gower was anything like mine, I doubt the writer was trying to get out of the way.
Writers on the picket line here are hitting cars as they enter/exit. Remember, there are a lot of productions here at SGS that have nothing to do with the WGA.
P.S. – Of course, it didn’t have to be that way. Way to go, WGA, on getting us reality writers into the fold!
Of the photo from Sunset/Gower…
How ironic.
Nike.
It’s the single word uttered by Pheidippides after running non-stop to Athens from the battlefield at Marathon: “Victory.”
I walked the picket line at Sony this morning (9am-1pm) and the turnout was great and many, many people honked their car horns for support. I have to grin when people say “get ready for a long one” because let’s be honest, no one knows. I won’t be surprised if it is over rather quickly or if it drags on into the new year, but the WGA is truly asking for something they totally deserve. No one wants to strike, many WGA members cannot afford a long strike but we have to do this. I just hope that they continue to try and negotiate and work this thing out. (The epsom salt inndustry will make lots of money from this strike – let’s admit it – writers arent usually the buff, in shape type and walking for 4 hours will send many to soak in a tub.)
Mad Hatter.. Thanks for explaining… As a 399 member and fourth generation in the film industry..(I’m the only teamster in a line of producers LOL )I will support you and all that your guild is fighting for..
I’ve heard UPS (teamsters) is not crossing picket lines. So it’s not just film drivers standing with you..
Joining our group at Raleigh today… Ugly Betty. Thanks: I’ll support your show when this is all said and done. Vanessa Williams brought us snacks… and that was cool, too.
Kudos to the SAG folk who joined us as well.
And to you SAG people who say, “I support you guys!” as you cross the line on the way to your audition? Don’t. It makes you look really lame. Just pretend that you work on the lot… and keep moving.
wooo, my feet hurt.
Here’s the question I have for other writers — how many of you were approached by red shirted managers marching the line to poach writers?
Nick Counter stated on NPR this afternoon that successful writers make more money in a week than they stand to gain by striking for internet participation. To me, this illustrates the AMTPT’s total misunderstanding of the situation. Since they are motivated by greed, they believe everyone else is too. The truth is successful writers aren’t striking only for themselves, but for their fellow members — the majority whom fall somewhere between “struggling” and middle class. We’re not greedy, Nick, we just want what’s fair.
I hope someone is sending that picture to all the news outlets.
What the hell? WGAE said they were going to strike at midnight, and they did. What did they expect? The WGAE to call off the strike just because the companies were finally making minimal concessions? Utter BS. They can’t possibly believe what they’re saying.
Wait a minute. The moguls were suprised that their 11th hour stall tactic didn’t stop the strike? Even in light of the fact that they had put nothing real on the table? This isn’t about last minute talks on Sunday. This clock has been ticking for MONTHS. Maybe this was the only way to make sure they really heard it.
I work on the disney lot and I went through the picket line. No things aren’t the same here its an odd sense of a family torn in two.
We have a son and dad on opposite sides. Those of us who only make 500/wk need paychecks. we don’t get residuals. If the writers want to support us then we will def be on that picket line. I do support writers and hop this ends quickly for everyones sake
Just want to say thanks to our cast for showing up and being part of the team
Ahem. The cast of this hit show I’ll soon be laid off from will be getting 1/2 checks for a while (six-eight weeks), then they’ll either be paid to keep them under contract or let go. (to do their movies.) Me? I’ll be laid off next week. No nuttin. I’m on episode 11, (s’posed to be 24) but I’ll bet I’m on the last ep of the season. I just wrote to the Guv, our Senators to get the hell busy to end this. I also wrote to Google, to pitch them the idea they pick up these shows when the networks dump them, produce them, give the writer’s what they want, and then stream them. What kind of ad dollars would McShow get if it were exclusive to the web? Prob as much as it does on TV. I think that Google should just ANNOUNCE they’re interested in that idea, and maybe it would scare the AMPTP shitless. And they’d settle. (pause) This is how a freaked out crew member tries to convince himself that EVERYTHING WILL BE OKAY….
(repeat)
“Nick Counter stated on NPR this afternoon that successful writers make more money in a week than they stand to gain by striking for internet participation.”
I am a young writer on a show full of veteran TV writers. They’ve told me all along during this that this is for ME. For the next generation’s writers, not for them.
If Nick thinks we’re in this for a zero sum, short term game, he’s wrong wrong wrong.
“The moguls are convinced they were played all Sunday…”
Sorry but you must question their sincerity on this. It’s a blatant ploy to twist the media coverage in their favor.
Yes, technically it was after midnight but nobody was picketing yet, they had all just gone to bed! A good eight hours to go! Why wouldn’t they keep talking if progress was being made? Wouldn’t the goal be to get it done before morning? Or at worst, keep talking and maybe hold the strike to a day or two?
All of those scenarios make sense. Theirs does not.
The companies said DVD was a non-starter. We swallowed and took DVD off the table. That’s HUGE. Many writers pissed off about this.
The companies returned the favor by offering next to nothing and then walking out for no good reason.
these “moguls” are shrewd — evil but shrewd — they will keep zigging and zagging, distorting every incident to make themselves look reasonable while dragging this strike on until it suits the bottom line
don’t expect any genuine neg.s for a while — meanwhile, it’s effective to have other artists jump on board
there’s no rational reason why good faith negotiations couldn’t continue while a known, long scheduled strike kicks in — it’s not like the moguls were ambushed with a strike, but have had ample time to commence good faith negotiations — it was no accident Wells was brought in, made the moguls appear open minded, with a chance the guy might do in the writers a second time around
writers made a major concession on dvd’s yesterday to no avail — those negotiations were a sham.
hope the writers can steer the pr ship rather than be reactive to the moguls’ manipulative tactics — doing a good job so far, just need to sustain it
it’s the souls vs. the soulless
I am speechless. I just wanted to vent at how appalled I am at the AMPTP for saying that they can’t trust the WGA at this point.
Verrone may have had a “strike at all costs mentality,” however if they did indeed pull DVD resids off of the table, and couldn’t get the AMPTP to move an inch on Internet, why on God’s green earth would they postpone or delay a strike. All of a sudden they can’t negotiate during a strike. This reeks of out and out bullshit on the side of the studios and networks. They want this strike, and if they could break the union they would.
Up until last night I thought both sides were just cock blocking each other, however the negotiating tactics of the CEOs are appalling. We’ll see in 6 weeks when the studios and networks can force majeure the shit out of the over-bloated producer/showrunner deals that haven’t produced squat, and then want to come back to the table.
This is all about cutting overhead. Nikki is right, this strike isn’t going to be settled by Verrone and Counter, this strike will end when Zucker, Redstone, Iger, etc…say this strike will end, and not a moment before.
Can’t negotiate with people they can’t trust…if that were true agents and studios would never be in negotiations with each other. I can’t tell you how many times I’ve negotiated with people I don’t trust, both in this line of work, and even buying a car….UNF’INGBELIEVABLE. Where were these guys the last 3 months…all of a sudden the AMPTP wants to negotiate…ARGH!!!!
Ridiculous.
I’m an actor that marched at CBS/Radford main gate. Support from folks passing by was high, and I was glad to see several other SAG members there.
I plan on going to work early so I can leave in time to give the WGA at least an hour each day…and until the AMPTP knows we ALL mean business.
By the way: TO SAG/AFTRA/AEA/WGA/TEAMSTERS: I’m one actor who has never crossed a picket line and never will.
The WGA called the AMPTP’s bluff last night when they pulled DVD’s off the table. Verrone and Young were prepared to make a deal if that was truly the big sticking point with the studios. But, it was the Guild who was played because the producers HAD NO INTENTION OF GIVING UP ONE F-ing DIME on internet streaming. If anyone needs any proof about how much money the studios stand to make, just look at how the studios are trying to protect their next cash cow from “greedy overpaid writers”. Ever since the days of LB Mayer, Darryl Zanuck, et al, moguls have been lying for a living.
To all those that say this strike is for “the next generation of young writers”, well let me just put forth a little proposal. How about you offer that the new media residuals kick in starting in 2017, since this is for that next generation?
No takers? Hello…?
Please…I’m starting to gag again…you narcissists are looking out for numero uno and you know it.
Oh please –
While I think that a good portion of WGA members obviously want to receive compensation for their work, it makes sense that they are also looking out for the future. Plenty of writers have sacrificed in the past for things current membership enjoys now. But only a true narcissist wouldn’t understand that.
And btw, last time the WGA agreed to postpone the residual issue as it pertained to home video(in ’88) they got screwed big time – no, they’re still getting screwed. They have to fight for new media NOW or risk losing that fight forever. If they don’t, there’s no way in hell that studios are going to give up a penny(hell they won’t give up a penny NOW!) when new media is more profitable in the future (and it will be).
Is it me – or does the WGA West have much better looking picket signs? What’s up with the sharpie on the WGA East signs?