(Breaking news… keep refreshing for latest version…)
The long-time Hollywood maxim is that he who loses his temper first, loses. Well, the AMPTP has pitched a hissy fit today after days and weeks of defiance and needling by the WGA and its members. What did the moguls expect: that they could issue an ultimatum and then walk away from the post-strike negotiations (as News Corp. No. 2 Peter Chernin and the other Big Media CEOs had planned all week and told their pals privately), and the writers wouldn’t portray them as total douchebags?
The AMPTP’s new PR idiots Fabiani & Lehane may be fond of talking tough, but in the entertainment biz the powers-that-be who bully usually end up losing their jobs because no one on the creative side wants to work for them. On the other hand, today’s two whiney missives make the CEOs look like putzes. They do know this strike will eventually end then they’ll have to face the bigwig writers, right?
That’s why I’m now insisting that the moguls need to take back these negotiations from their loathesome spinmeisters and their labor lawyers and their lapdog Nick Counter and start meeting face-to-face with a self-selected group of Hollywood’s top showrunners and screenwriters and work this thing out. As for continuing to demonize the WGA’s Patric Verrone and Dave Young and John Bowman, sure they’re far from blameless. I, too, have written that the strike never should have happened. I, too, have posted that jurisdiction over Reality TV or animation writers — while an important issue because they’re now an oppressed and exploited underclass of Hollywood — isn’t a central issue of this strike, not with New Media formulas so vital to their members’ incomes. On the other hand, it can also be argued that including these writers strengthens the WGA ultimately, so in a sense it does benefit all members. But the WGA leaders can’t be expected to stop pushing on contract terms like those (which have been long-time parts of their proposals) without some inducements from the moguls beyond, “Because we told you to.” Get real. These aren’t your yes men, like IATSE local boss Tom Short.
(Actually, the AMPTP letter below reads as if it were dictated by Short who’s been butt-kissing the AMPTP at every twist and turn of this strike. How utterly embarrassing for him that only 300-500 below-the-liners showed up for the big weekend march intended to speak volumes on their behalf. It turned into just a whisper. I swear more BTL’ers come on my site and make comments than walked in that rally. It’s inexplicable.)
Note to thin-skinned moguls, I can’t believe you’re sweating the small stuff. Note to prankster writers, keep it up. Note to me: Keep posting and try not to get thoroughly sick of both sides in this awful mess they’ve created.
A letter the AMPTP Board of Directors sent today to Companies represented by the AMPTP in the 2007 WGA Negotiations:
By now you know that those in charge at the WGA have injected substantial new doses of vitriol into the important and continuing debate on our industry’s future. On Monday, in a letter to members of the WGA East, the president of that organization wrote: “They lie. And then they lie again. And then they lie some more.”
Then, someone from the WGA offices happily distributed the link to a hijacked parody website that even many rank-and-file WGA members felt was over-the-top. All of this is happening right along with the WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.
Amidst this alternating mix of personal attacks and picket line frivolity, we must not forget that this WGA strike is beginning to cause serious economic damage to many people in the entertainment business. While the WGA’s world-class health care benefits remain secure, tens of thousands of below-the-line workers are seeing their health insurance jeopardized by the
continuing strike. In addition, our entire Southern California community is beginning to feel the effects of the grinding shutdown of an industry that is the lifeblood of the region’s economy.We believe that the best way to end this economic harm is for everyone to understand, in detail, the significant issues involved in this dispute. That is why we will continue to explain our position at every opportunity and promptly refute, with facts, the mistaken assertions made by the WGA’s spokespeople. We will also continue to emphasize what we believe: writers
should be compensated from the revenues created by new media and we have backed this up with several new proposals in this area.In addition, we believe everyone impacted by this strike should know that negotiations have broken down over the WGA’s jurisdictional demands — demands which have everything to do with increasing the union organizers’ clout, but very little to do with the real needs of working writers. We also want to make clear our determination to do what is right for this industry by making a fair deal that allows us to compete successfully in a rapidly changing marketplace. We recognize the importance to your employees and shareholders in creating a modern economic system that works for all of us.
That is our paramount goal — a goal we will continue to work for until it is achieved.
Sincerely,
AMPTP Board of Directors
Since that wasn’t enough, the AMPTP spokesman issued this statement today. Note how it calls Verrone’s event a “concert”. In truth, Tenacious D performed two songs — one written for the occasion — at a rally about Reality TV writers outside of Freemantle, one of the biggest makers of the fare. Among those speaking at the rally were Patric, and writer/producers from two Reality TV shows, Temptation and America’s Next Top Model, about the working conditions Also read was a press release from California State Senator Carole Migden, chair of the Labor & Industrial Relations Committee of the Senate. The release announced that she and her committee will be holding hearings starting February 1st on widespread and systemic abuses of wage and hour laws by the Reality TV producers. Hardly a “concert”:
Talks between the AMPTP and WGA broke down Friday over jurisdictional demands that would expand the power of the Guild’s organizers and have little bearing on the issues that matter most to working writers. As reported in Hollywood Today, the organizers’ focus on union power and not negotiating on new media will be once again demonstrated today at a labor action in Southern California involving Arden Realty and its security personnel that has nothing to do with the core issues of new media. The WGA’s jurisdictional demands have been rejected repeatedly in these negotiations, and in negotiations past, yet they were still front and center at Friday’s negotiating session and at the concert that WGA’s Patric Verrone attended on Friday while the negotiations were going on, as the attached video link - -and subsequently reported comments from Mr. Verrone demonstrate.
For further reference on the WGA organizer’s insistence on their jurisdictional issues, see WGAW President Patric Verrone’s comment from the concert on Friday (Daily Variety, Dec. 10, 2007, “Strike’s war of words resumes”): “And it’s notable that negotiations melted down a few hours after WGA West president Patric Verrone insisted at a Friday rally outside FremantleMedia’s Burbank offices that reality jurisdiction had been part of the guild’s negotiating package contract from the start and had never been taken off the table. ‘It will be in our next contract,’ Verrone flatly told the crowd.
Editor-in-Chief Nikki Finke - tip her here.


Translation:
WE’RE GETTING OUR ASSES KICKED– DO SOMETHING!
What a bunch of dicks.
Wah!
They really are annoyed about those mock exorcisms aren’t they?
And the pencils. And Star Trek.
And that website. The one they forgot to register.
They’re so annoyed, that they forgot to mention the central issue, how this is all about a fair deal for New Media. They forgot to talk about that.
But, it’s understandable. You get annoyed, you get confused. You get forgetful.
You even forget that you’re supposed to be at the negotiating table, instead of farming out press releases.
Cos you know the funny thing? All that stuff that’s annoying them, is by writers who can’t do their normal jobs, because the AMPTP won’t set a decent contract. Writers who have time on their hands because they have nothing else to do.
Whereas all the AMPTP’s stuff is coming from people who should be at the table setting a decent contract. And instead they’re huffing and puffing.
When AMPTP started these negotiations with RIDICULOUS demands that they clearly intended to pull off the table so that they could say they were “negotiating” with the WGA, well that was just fine by them. The WGA didn’t leave the table. Now the WGA does the same thing back (reality jurisdiction will fall away, it’s just a negotiating card), and AMPTP storms out of the talks like eight-year olds. Can’t take your own medicine, huh, boys?
For every non-supportive comment AMPTP struggles to dig up, there are a hundred anti-AMPTP, pro-WGA comments out there. Plus, it’s hilarious that the quotations they’re forced to use include comments like “and I am no friend of the producers,” or “So why did WGA leaders think they could mobilize against a bunch of cutthroat billionaires.” That’s the best AMPTP could find? Comments that call them cutthroat billionaires? Priceless! Keep trying to sway the public, cutthroat billionaires. Lucky for them they have deep pockets, because that’s clearly all they have.
al•ba•tross
Pronunciation [al-buh-tros]
1. Any of several large, web-footed sea birds of the family Diomedeidae that have the ability to remain aloft for long periods.
2. A seemingly inescapable moral or emotional burden, as of guilt or responsibility.
3. Something burdensome that impedes action or progress.
eg: The albatross of the current WGA/AMPTP negotiations is the WGA’s jurisdictional (and secondary) claim for organizational authority over reality television and animation.
…IMHO
These AMPTP guys are not going to change public opinion or divide the WGA membership on this. The above is pretty funny. It’s as if they’ve spent their time since walking away from the table writing and rewriting this crap. Maybe they could make a statement for 22 minutes, run it on a network website and sell some Tide Detergent or a new Lincoln!
- writer, not in the guild, but very, very gifted
“All of this is happening right along with the WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.”
Hmmm. Given that the last two events mentioned are fan-supported/initiated events, I for one really do not appreciate the implied slight.
Dear APMTP: Antagonizing the fans is rude.
When AMPTP started these negotiations with RIDICULOUS demands that they clearly intended to pull off the table so that they could say they were “negotiating” with the WGA, well that was just fine by them. The WGA didn’t leave the table. Now the WGA does the same thing back (reality jurisdiction will fall away, it’s just a negotiating card), and AMPTP storms out of the talks like eight-year olds. Can’t take your own medicine, huh, boys?
For every non-supportive comment AMPTP struggles to dig up, there are a hundred anti-AMPTP, pro-WGA comments out there. Plus, it’s hilarious that the quotations they’re forced to use include comments like “and I am no friend of the producers,” or “So why did WGA leaders think they could mobilize against a bunch of cutthroat billionaires.” That’s the best AMPTP could find? Comments that call them cutthroat billionaires? Priceless! Keep trying to sway the public, cutthroat billionaires. Thank god you have deep pockets, because that’s clearly all you have.
All this and ANOTHER press release too… all chaff, to disguise the fact that they walked out of the negotiations.
By the way, Nikki, in their latest press release they put up a bunch of quotes from the comments here and said they were ‘blog posts’ on DHD.
You might want to ask them about that.
yeah WGA!!! We are totally winning this thing!!!!
What assholes, seriously. If they respected Writers in the first place and offered us a fair deal, we wouldn’t be in this situation.
It is truly sad. For those who don’t believe this is about respect, listen to WGA Negs like John Bowman, it is EXACTLY what this is about, respect and fairness.
I am trying to restrain my anger, but it is fueled by the behavior of these people. When are they going to get the message that we are United like never before BECAUSE of the way we have been treated in the past, hoodwinked, bullied, lied to, stolen from and are being dealt with to this very day.
When will THEY learn the cost of this Strike is already more than the price of settling it?..
… and that number will grow exponentially over the next few months. By March, at least 350 million in lost Ad revenues by the Networks, by May, well over a half billion, all because they want to control Mew Media instead of share it. Why?…
Because they got away with it before and they don’t give a shit about Content Creators, the very one’s they profit from…
I’m sorry, But EVERY WRITER I know is dug in for the long haul, they are tired of this shit and want a fair deal, whatever it takes… and these suits spend their money hiring swarthy dirt merchants to try to divide us, well, it won’t work, it won’t even make a dent. The only dent being made is that their incredibly myopic behavior is resulting in cratering the local economy and the Industry in General.
It is inconceivable Nick Counter will survive this process, he is driving it into the ground… because we no longer trust him. I said at the very start of this strike, nothing good will happen with him around, that he should be replaced, it is more true every day…
I think our guys should zero out EVERY concession made thus far, and in rebuttal to their “ultimatum” put everything back on the table and demand Counter be replaced. That means no more DVD concessions to start with. We removed them and look what happened, he fucked us, therefore if he is bargaining in bad faith there is no more trust between us, the single MOST important aspect needed to continue.
We cannot and should not bow to any more of this bullshit, which is what it is, bullshit bullying.
One more thing: Bryan Lourd is NO friend of the WGA, he gets paid by the Studios. If he pulled our Negs aside to whisper to us that this is our best point of leverage when we were in the process of being skewered, well, he ain’t any good to us. When Bryan pled to David that we need to “trust” these guys when they were planning all along to screw us, well Bryan, at the very least your judgment is severely impaired, and at the worst, you are our Judas.
And as far as the way David, Pat and John have conducted themselves I say Thank God. Keep it up.
And Nikki, you are an Angel to us. Thank God for you too Darlin’.
CliffsNotes version of the story: And then the AMPTP went, “Waaaggghhh!!!”
Fred Armisen’s last video 1, F&L’s move to label us a bunch of commies, 0.
Up next, “The WGA wants to ruin your Xmas!”
If expanding health care and pension and overtime protections and minimums to writers who work in reality and animation is an issue that doesn’t matter to working writers, as the AMPTP keeps insisting, then does that mean that reality and animation writers aren’t… working? Aren’t writers? Those things actually do directly affect working writers, (which, by the way, is a larger group than just WGA members) I’d argue even more so than new media residuals. The AMPTP isn’t even making sense now.
Why not just ask the reality and animation writers if they want to be covered under the wga contract?
I would bet a million bucks if I had it they would overwhelmingly want to be under the wga jurisdiction.
Nikki, any chance you could do a poll of these folks?
It’s all “white noise” at this point. Who was where when who said what and the way they said upset whoever… That was all kinda entertaining at first — But now can we get some bodies back in a room and hash out the real stuff?! Agents, executives, show-runners, the janitor; doesn’t matter who. LET’S GET GOING!
I work on “ER”. Yesterday was our last day of production. John Wells came down to the set to tell the crew that he believes the DGA will settle in January — before WGA negotiations begin anew. There continues to be far too much vitriol on both sides of the WGA/AMPTP dispute. With so many people’s financial futures in stake, how can both continue to play this game? We can only hope that the DGA can negotiate their new contract in a more responsible manner. I would love to get back to work in February — which now seems to be the best-case scenario. Happy Holidays!
I notice they are following the Fabiani & Lehane playbook and have stopped calling us “negotiators” or “writers” and have started using the oh so Commie-like “organizers.”
“We believe that the best way to end this economic harm is for everyone to understand, in detail, the significant issues involved in this dispute. ”
Or, you could try negotiating.
“In addition, we believe everyone impacted by this strike should know that negotiations have broken down over the WGA’s jurisdictional demands ”
And because we walked out.
I decided to go to Variety’s website today to give them one last chance and here’s the first headline I came across:
“AMPTP keeps its promises: Another press release”
Insuating, of course, that the WGA doesn’t stick to their word. With this type of biased coverage I now see no reason to differentiate them from the tabloids.
To: Steve Schmidt, Chris Lehane
Re: Notes on AMPTP Release
While we are pleased with the progress made in this most recent draft, we believe much work remains to be done if we are to present a lively and intelligent press release we can all be proud of.
1. Cut quote from WGAE. “They lie. And then they lie again. And then they lie some more.” (This only serves to reinforce the public’s opinion of us!)
2. Cut link to parody website. (Why call the public’s attention to http://www.amptp.com??? This could backfire on us.)
3. Cut reference to “WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.” (Makes the strike sound “fun” and only reinforces public’s perception that writers are clever and creative.)
4. Rewrite or eliminate phrase, “Amidst this alternating mix of personal attacks and picket line frivolity … (etc.) (Frankly, it sounds stuffy and pretentious.)
5. Change or cut the phrase: “That is our paramount goal –” (Why bring up Paramount and not all the other studios? Remember, they’re all paying for this.)
We hope these suggestions are helpful and we look forward to the final draft.
Nick Counter,
AMPTP
I’ve understood that some writers feel that these “jurisdictional demands” (reality writers, right to strike) are NOT important to them, and should not be in the way of negotiations. Any idea where that idea lies on the truth/crap spectrum?
>Talks between the AMPTP and WGA broke down Friday >over jurisdictional demands that would expand the >power of the Guild’s organizers and have little >bearing on the issues that matter most to working >writers.
Reality show and game show writers think it would have a lot of bearing on them…and YES they are working writers. So that’s yet one more lie on the growing mountain of lies from the fat cats.
Okay, AMPTP, we read it — so you wanna play nice and get back to the table or just send out these press releases? Put your money where your mouth is. Hanukah is over but we can still salvage xmas and kwanza.
Wait a minute… isn’t this the next step in your AMPTP strike-breaking playbook? Sow discord amongst the rank-and-file by pointing out how the WGA leadership is screwing up the negotiations?