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The long-time Hollywood maxim is that he who loses his temper first, loses. Well, the AMPTP has pitched a hissy fit today after days and weeks of defiance and needling by the WGA and its members. What did the moguls expect: that they could issue an ultimatum and then walk away from the post-strike negotiations (as News Corp. No. 2 Peter Chernin and the other Big Media CEOs had planned all week and told their pals privately), and the writers wouldn’t portray them as total douchebags?
The AMPTP’s new PR idiots Fabiani & Lehane may be fond of talking tough, but in the entertainment biz the powers-that-be who bully usually end up losing their jobs because no one on the creative side wants to work for them. On the other hand, today’s two whiney missives make the CEOs look like putzes. They do know this strike will eventually end then they’ll have to face the bigwig writers, right?
That’s why I’m now insisting that the moguls need to take back these negotiations from their loathesome spinmeisters and their labor lawyers and their lapdog Nick Counter and start meeting face-to-face with a self-selected group of Hollywood’s top showrunners and screenwriters and work this thing out. As for continuing to demonize the WGA’s Patric Verrone and Dave Young and John Bowman, sure they’re far from blameless. I, too, have written that the strike never should have happened. I, too, have posted that jurisdiction over Reality TV or animation writers — while an important issue because they’re now an oppressed and exploited underclass of Hollywood — isn’t a central issue of this strike, not with New Media formulas so vital to their members’ incomes. On the other hand, it can also be argued that including these writers strengthens the WGA ultimately, so in a sense it does benefit all members. But the WGA leaders can’t be expected to stop pushing on contract terms like those (which have been long-time parts of their proposals) without some inducements from the moguls beyond, “Because we told you to.” Get real. These aren’t your yes men, like IATSE local boss Tom Short.
(Actually, the AMPTP letter below reads as if it were dictated by Short who’s been butt-kissing the AMPTP at every twist and turn of this strike. How utterly embarrassing for him that only 300-500 below-the-liners showed up for the big weekend march intended to speak volumes on their behalf. It turned into just a whisper. I swear more BTL’ers come on my site and make comments than walked in that rally. It’s inexplicable.)
Note to thin-skinned moguls, I can’t believe you’re sweating the small stuff. Note to prankster writers, keep it up. Note to me: Keep posting and try not to get thoroughly sick of both sides in this awful mess they’ve created.
A letter the AMPTP Board of Directors sent today to Companies represented by the AMPTP in the 2007 WGA Negotiations:
By now you know that those in charge at the WGA have injected substantial new doses of vitriol into the important and continuing debate on our industry’s future. On Monday, in a letter to members of the WGA East, the president of that organization wrote: “They lie. And then they lie again. And then they lie some more.”
Then, someone from the WGA offices happily distributed the link to a hijacked parody website that even many rank-and-file WGA members felt was over-the-top. All of this is happening right along with the WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.
Amidst this alternating mix of personal attacks and picket line frivolity, we must not forget that this WGA strike is beginning to cause serious economic damage to many people in the entertainment business. While the WGA’s world-class health care benefits remain secure, tens of thousands of below-the-line workers are seeing their health insurance jeopardized by the
continuing strike. In addition, our entire Southern California community is beginning to feel the effects of the grinding shutdown of an industry that is the lifeblood of the region’s economy.We believe that the best way to end this economic harm is for everyone to understand, in detail, the significant issues involved in this dispute. That is why we will continue to explain our position at every opportunity and promptly refute, with facts, the mistaken assertions made by the WGA’s spokespeople. We will also continue to emphasize what we believe: writers
should be compensated from the revenues created by new media and we have backed this up with several new proposals in this area.In addition, we believe everyone impacted by this strike should know that negotiations have broken down over the WGA’s jurisdictional demands — demands which have everything to do with increasing the union organizers’ clout, but very little to do with the real needs of working writers. We also want to make clear our determination to do what is right for this industry by making a fair deal that allows us to compete successfully in a rapidly changing marketplace. We recognize the importance to your employees and shareholders in creating a modern economic system that works for all of us.
That is our paramount goal — a goal we will continue to work for until it is achieved.
Sincerely,
AMPTP Board of Directors
Since that wasn’t enough, the AMPTP spokesman issued this statement today. Note how it calls Verrone’s event a “concert”. In truth, Tenacious D performed two songs — one written for the occasion — at a rally about Reality TV writers outside of Freemantle, one of the biggest makers of the fare. Among those speaking at the rally were Patric, and writer/producers from two Reality TV shows, Temptation and America’s Next Top Model, about the working conditions Also read was a press release from California State Senator Carole Migden, chair of the Labor & Industrial Relations Committee of the Senate. The release announced that she and her committee will be holding hearings starting February 1st on widespread and systemic abuses of wage and hour laws by the Reality TV producers. Hardly a “concert”:
Talks between the AMPTP and WGA broke down Friday over jurisdictional demands that would expand the power of the Guild’s organizers and have little bearing on the issues that matter most to working writers. As reported in Hollywood Today, the organizers’ focus on union power and not negotiating on new media will be once again demonstrated today at a labor action in Southern California involving Arden Realty and its security personnel that has nothing to do with the core issues of new media. The WGA’s jurisdictional demands have been rejected repeatedly in these negotiations, and in negotiations past, yet they were still front and center at Friday’s negotiating session and at the concert that WGA’s Patric Verrone attended on Friday while the negotiations were going on, as the attached video link - -and subsequently reported comments from Mr. Verrone demonstrate.
For further reference on the WGA organizer’s insistence on their jurisdictional issues, see WGAW President Patric Verrone’s comment from the concert on Friday (Daily Variety, Dec. 10, 2007, “Strike’s war of words resumes”): “And it’s notable that negotiations melted down a few hours after WGA West president Patric Verrone insisted at a Friday rally outside FremantleMedia’s Burbank offices that reality jurisdiction had been part of the guild’s negotiating package contract from the start and had never been taken off the table. ‘It will be in our next contract,’ Verrone flatly told the crowd.
Editor-in-Chief Nikki Finke - tip her here.





The AMPTP responds just like bullies usually do when you poke fun – they get all hot and bothered and defensive and cranky-pants.
And just for the record, I’d be interested to hear in person from actual WGA writers who thought the AMPTP.com site was anything but brilliant parody. I was with a bunch of ‘em yesterday at NBC/Disney/Universal yesterday, trying to deliver a load of pencils, and I have yet to hear from one that they thought it “over the top.”
Nice try, AMPTP – the only thing it was “over the top” of was your heads. It must suck bigtime to have funny, funny writers as the other side, huh? I’d suggest you hire a writer for your PR team, but… oh yeah… kinda tough for you at the moment.
I agree with you about how the moguls should meet the writers and showrunners and hash out a deal, because the so-called ‘experts’ are just making things worse.
But all the moguls seem to have these days are contempt, greed, and absolutely no common sense on how to run a business like Hollywood.
Hollywood’s business is in the telling and selling of stories.
You need writers for that.
Note to AMPTP:
1) When you make a colossal PR blunder (like neglecting to secure your own domain name before you pick a fight with 12,000 comedy writers), don’t call attention to it by issuing a hysterical press release. This only guarantees that the story will extend into another news cycle.
2) No professional publicist would have written something as ill-advised as this, so it’s clear that some higher up, such as Nick Counter himself, drafted it in a fit of pique. Your publicist, Chris Lehane, should have advised strongly against releasing it. That’s part of what publicists do: they protect you from yourself.
3) Fire Lehane. Hire a good PR firm. Obey them. Get your act together. You’re embarrassing yourselves and your whole industry.
I find it completely entertainting that these old stuffy white guys somehow think that constantly saying that Verone was at a “rock concert” instead of in the negotiating room is some sort of terrible thing.
Could you be any more old school and out of touch?
First, he was at a rally for his union, and second…were any of the studio or network presidents in the negotiating room? LOL. No, they don’t go to negotiate, you send negotiators.
The fact is, if Verone and Young were actually incompetent fools, the AMPTP would be slurping them day and night. Haha.
If the moguls were really worried about the effect on the crew and the LA economy, they would still be in negotiations.
In case you haven’t realized it yet, Fabiani & Lehane’s AMPTP message will continue to be the following, in every release:
-Divide the WGA from the BTL’s: Hey BTL’s, the writers make a lot more than you do. Worse, you’re out of work because they want to make even more. How does that make you feel? These guys aren’t your friends. The writers aren’t taking this seriously. They don’t care that you’re all out of work. Haven’t you seen them on the picket lines? They think this is one big joke. But it’s not a joke to you, is it? You have maybe a couple more months before you can’t pay your mortgage. And they’re just laughing at you.
-Divide the WGA leadership from their base: Hey guys, we want to make a deal. We want to compensate you for your work. But your leadership isn’t letting us. They don’t care about you, they’re just pursuing their own agenda and it’s tying our hands. Guess you’ll have to get a more agreeable leadership, huh?
As mentioned infinitum, this is standard FUD (fear, uncertainty, doubt.) mind games. They’re so confident in their position that they are just toying with you. The brilliance of this strategy is that they don’t have to actually present their own alternative argument to win, they just have to make you question yours.
Prepare yourself to hear it. Know why they’re saying it, and make sure others know too.
If the AMPTP is going to demonize Verrone for attending a WGA rally while negotiations were in progress, I think that writers should find out and publicize exactly what Chernin, Murdoch, Moonves, Zucker et al are doing every day while the WGA waits for the AMPTP to cool down from its indignant hissy fit and come back to the table. All those cozy gondola rides at Vail would look great up on YouTube while the BTLers starve and the WGA waits. All these so-called moguls have such a contemptible sense of entitlement they act offended when someone has the gall to put up a fight.
So now they are trying to foist the blame for the breakdown in talks on the WGA when they were the ones who issued a unilateral ultimatum and stormed out like little brat kids. Ultimatums are never negotiating and nothing is ever non-negotiable. I can only imagine what Counter and his PR dogs would say if the WGA issued such an ultimatum.
When the AMPTP writes that “talks between the AMPTP and WGA broke down Friday over jurisdictional demands that would expand the power of the Guild’s organizers and have little bearing on the issues that matter most to working writers” they only refer to the working writers already in the guild, and even in that they are wrong. Having a stronger union would help all writers, none more so than the working writers called “animation writers” and “reality writers”. Beyond that, having a strong WGA helps all unions and, in fact, everyone who works in Hollywood, as a check against the unbridled greed of megaconglomerates.
I think it sucks that the AMPTP spends so much money on high-priced hatchet PR men and so much time drafting these disingenuous press releases to vilify the WGA instead of spending time talking to the guild negotiators. How do they expect this to end if they refuse to deal? It’s more of a lockout than a strike right now.
I think its so nice of the AMPTP spokesman to articulate what the WRITERS really want. They have clearly been the Real spokesman for the WGA rank and file, not the negotiating committee or the board.
Having fought legal battles with a AMPTP member Company for years over funny accounting practices, which would never be tolerated in any other industry by the IRS, I find it absolutely appalling that they are playing this cry baby game about how poor they are and how honest they are. They have proven time and again how they will try to rip-off honest workers, both above and below the line, at every turn if they can get away with it. And sharing the wealth with the people above and below the line is necessary and right – if they need to save money, stop paying the execs so much. They could cut every CEO’s salary in half and they would still make more then 99% of all workers on the planet. Millions more.
If Reality and animation writers don’t want to be in the WGA -Then let them vote on it. IF they choose not to join the WGA fine. If they do – Then sign a contract. And stop framing the view of the “average” writer as the 200 out of 12,000 who make big bucks – and pay up fairly to the rest of us!
The issues are constantly being examined from the POV of the tiny percentage of Show runners and writers who make big money. The issues that are being fought about here matter to the writers that are not able to name their own deal. And It is wonderful that the big name writers are throwing their weight behind this fight for ALL members of the WGA. That’s what solidarity and union/guild membership is about!
The WGA presented a fair proposal in its last presentation. If there are details to hash out – do it from that place – not from a take it all off the table and do what we tell you stand point.
All this game playing by the AMPTP is good in one sense – More writers are realizing the entrepreneurial stance they need to start taking to own what they create on the internet and circumvent the studios all together.
None of the writers I know thought the AMPTP.COM website was “over the top”. We all think it’s funny! We also think it’s funny that the AMPTP is battling us over the future of technology when they aren’t even smart enough to reserve other domain names!
“Picket line frivolity.” Suddenly the AMPTP sounds like a spinster librarian in a 1940s movie.
Well said Nikki.
So the AMPTP demanded that the WGA pull six of its proposals off the table in exchange for, well, nothing… and the WGA didn’t go for it? That’s weird.
Now, I am not a brilliant negotiator like Nick Counter, but perhaps, if he would like the WGA to give up on these proposals, he should offer us, well, something.
Just a thought.
Writers are fighting with their best weapon, creativity. Every parody, joke, insight and action is simply writers doing what they do best. The Internet is new to the ugly business of a strike. I say continue to use it, needle away. I have honestly found some of my years best entertainment from following the strike and I have incited many to check it out only to find simmilar reactions. Writers should be using every tool to express themselves as it furthers insight to the viability of the Internet for true entertainment. See how that fits into the “unproven business model” of new media. EXPRESS ON!!
We all know that talks broke down last Friday because the AMPTP had planned to walk out, they had prepared their press release in advance blaming the WGA!
The AMPTP wants to divide and demoralize the writers, and they will keep trying to blame the writers for not accepting less pay, and no residuals for running shows on the internet laden with advertising.
The studios and networks think they own the news, and in large part they really do, but the lies – out and out lies – being told by the AMPTP will continue to be exposed online!
TV viewers like me will continue to support the writers, post online, and engage in any kind of frivolity which will help keep the strikers’ spirits high.
Jurisdiction is an extremely important guild issue regardless of whether the WGA achieves its goals in area of reality and. Animation may be a more complex matter because of the history, but everyone’s well aware that there’s a whole lot of writing is going on with these reality shows that continue to gobble up significant chunks of prime-time television real estate. Now, I don’t care what you call the guy that drives the grip truck to the set, but at the end of the day, he’s a teamster. The same should be true for writers.
Now I’ve got a sleek, flat-screen computer monitor on my desk right next to an old Quasar television monitor. I can watch re-runs of shows on either one. Now you’re going to tell me that if I watch it on the quasar a writer gets paid but if I watch it on flat-screen with the nicer image, a writer gets nothing? And if somebody writes a show specifically for my nice flat screen and I watch it, a writer still gets nothing? If the AMPTP weren’t behind this lunacy, they’d call it piracy, and everybody knows how hard they’re pushing to stop piracy in China and around the world. Well, I say piracy stops right here. If a writer writes, he gets paid regardless of which monitor I choose to view his efforts.
Copyright was created to protect individual creators over an average human life span, but now the corporations are gobbling up copyrights and pushing to extend their duration well beyond anyone’s normal life span. They are trying to perfect the protection of their own intellectual properties so that they get paid no matter what. But the poor individual for whom copyright law was created to protect, well, they’re shit out of luck.
$250 for a year of streaming and free promotional use is not compensating writers for their work. I can easily make more than the AMPTP is offering for a year of use in two slow nights of bartending.
I should not be able to make more bartending than I would for an entire year of one of a LOST episode streaming on the net.
If there’s anyone with a brain left over at the AMPTP, they’d recognize the PR value in just shutting up. Say nothing. Nothing, at this point, is preferable to what they come up with. Every time they respond, they wind up looking more infantile and agitated.
Jesus, does anyone proofread this stuff? To wit…
“All of this is happening right along with the WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.”
The AMPTP has pulled off the impossible: making a strike sound fun.
“Then, someone from the WGA offices happily distributed the link to a hijacked parody website that even many rank-and-file WGA members felt was over-the-top. All of this is happening right along with the WGA’s continuing series of concerts, rallies, mock exorcisms, pencil-drops and Star Trek-themed gatherings.”
Translation: “How dare you writers have fun! Stop it RIGHT NOW!”
I’ve said it before. I’m saying it again.
Everybody in this business, in this town brace yourselves for a long, long, long strike.
And to all unions, if the WGA loses, you too will lose in the future. Because the AMPTP is trying to break unions. This is just the beginning for them.
The number one reason for the ever dwindling middle class is erosion of unions. Read about this fact. Google “disappearing middle class.” It’s happening all over this country.
IATSE and DGA ask yourselves this – when they start reducing contributions to your unions and they will if the WGA loses now – do you really want to pay a thousand dollar deductible before your kid can see a doctor? Because that is what will happen when they reduce contributions to your unions. SAG’s health fund is already having problems and money has not been taken away from them yet.
Again, this is not about putting companies out of business. This is about sharing a tiny portion of the profits.
Get behind the WGA and suffer now for a few months, or suffer FOREVER if unions are divided.
First of all, the producers will NOT have to do this all over again with the DGA and SAG. The DGA deal will get done first and the WGA will be in the exact position they didn’t want to be in — bargaining off the DGA contract.
Second, Short is not the AMPTP’s “yes man.” He represents all the btl folks that have lost their jobs to ridiculous posturing on both sides. He wants his people working. Too bad the same can’t be said for the WGA.
If they keep calling our negotiators “organizers” can we start calling theirs “running dog imperialists?”
Gotta ring to it…
Awww. Poor babies. It must be hard to be a billionaire. We’re sorry the nasty mean bad writers stood up to to. There there. Here’s a stuffed toy we had custom-made to look like David Young. Hit it with a hammer. You’ll feel better.
Now wash your hands before dinner or no num-nums for you.
To me this seems to be the biggest stumbling block with all of the media companies under the control of a few corporations, essentially they are colluding against the writers. Unfortunately, the writers struggles aren’t that dissimilar from a miners strike, there are the miners striking against the mine owners who have banded together to essentially form a monopoly – I think this may become more than a simple or complex labor issue into a industry monopoly issue which the SEC or FCC may ultimately have to deal with.
On the bright side other than the fact that the “fat cats” are large contributors to both political parties, I don’t think the Dems want to loose the unions going into an election year (as demonstrated by the debate being called off) …. So there may be some light at the end of the tunnel…..lets just hope it’s not an oncoming train……
It was also interesting to see the AAMP citing Variety who has remained steadfastly neutral on the whole strike issue (sarcasm intentional).
Sorry not a writer (but supporting them)….
just a viewer (or previous viewer)right now….
and I hate “reality TV”…..so I am really hurting…
You know, I find it rather amusing that the AMPTP takes such insult at the WGA’s taking lemons and trying to make lemonade – having fun while striking.
Note, I’m not making light of the situation. I feel for the writers, the actors, the BTL people, the reality/game show/animation writers, et al. But I think it just shows the spirit of the unions and their supporters that much more profoundly.
Go WGA and friends!
I am a member of IATSE, but I have also done some non-Guild writing, and my sympathies definately align with the Writers here, though it has put me out of work.
One quote from Tom Short about the WGA rankles above all else (and virtually EVERYTHING Short says rankles): “These guys don’t know how to negotiate a contract.”
Well, sure, from the AMPTP’s POV, Short is the perfect ‘negotiator’ on the opposite side of the table — throw Short a few crumbs and he’ll accept the AMPTP’s offer. NO NEGOTIATION. Take it or leave it — and Short accepts the offer and his members take it in the shorts every time. Double our Prescription co-pays? “Yes,” says Short. Take away our Saturday pay after midnight Friday? “No problem!” Short replies. Work into a Holiday, without Holiday double time? “You got it!” Short tells the AMPTP. etc etc.
FINALLY, a labor group stands up to the AMPTP and you see the conniption fit they are in. NOBODY ‘wants’ a Strike, but, there are times when you have to stand up or else you will NEVER be taken seriously again at the bargaining table.