The AMPTP set up a new website tonight labeled WeWantTheAwards.com. Its mission? “Please urge the Writers Guild to allow the awards shows to go on as planned.” This is what happens when the WGA hits a nerve among the entertainment establishment and when an out-of-town PR firm hired by the AMPTP gets something terribly wrong. Because the truth as we all know it is that most of Hollywood dreads every awards show, hates all the hassle involved, and would love nothing better than to not attend.
Only people who don’t know anything about showbiz could think this town would go into withdrawal if, say, the Golden Globes show wasn’t held. True, that phony baloney spectacle in the past has proven a valuable marketing tool for the studios and networks pushing their movies and TV series (even if the Hollywood Foreign Press Association behind it is bogus and ethically challenged). But last time I looked, scripted TV will be off the air any day now for the forseeable future. And the films already can boast Globes nominations in their advertisements so it can’t really matter which won or which lost because now every pic looks like a potential winner. Besides, I’ll gladly take talent and producers and even writers at their word that all this competition is meaningless. So what’s the problem?
I’m sure the owners of the fashion labels, and the limo companies, and the hotel ballrooms, and all the other ancillary businesses that depend on the awards shows for business are right now wringing their hands and understandably so. But the reality is that every studio and network (often one and the same thanks to media consolidation) are still gonna be stuck with their already rented space for their Golden Globe parties, including the catering and florist bills etc, whether or not the awards show is held. And, anyway, the AMPTP can’t be concerned about the impact of the strike on the local economy or else it wouldn’t have been a no-showat the LA City Council hearing on that very subject.
The big loser will be NBC, whose parent company GE/NBC Universal is one of the 8 Big Media companies that make up the AMPTP. The same is true of the Oscars broadcaster ABC, whose parent company Walt Disney. Surely, it’s no surprise to the AMPTP that the WGA wants to hurt Big Media financially. But trust the AMPTP to over-react.
The organization trotted out the respected David L. Wolper to put his name on a Variety letter comparing the WGA’s “boycott” of the Golden Globes and Oscars to America’s boycott of the 1980 Moscow Olympics. (This is uncomfortably reminiscent of the time Miramax secretly penned an endorsement of its Gangs of New York director Martin Scorsese and attributed it to filmmaker Robert Wise. I’m sorry to say this, because Wolper has always been lovely to me, but his article is crapola. The Soviet Union invaded Afghanistan. The writers didn’t even picket Brentwood.
For the AMPTP to expect a groundswell of Internet anger aimed at the WGA for threatening the Golden Globes or the Academy Awards is naive not to mention downright laughable. The ratings for these shows keep going down almost every year so the public doesn’t much care. Especially when the only excitement during the evening is the lame possibility that a nominee will be declared the winner while he/she is in the bathroom.
Right now, just thinking that the Golden Globes might get cancelled has a lot of the Hollywood moguls muttering “Thanks, WGA,” under their breaths. (I know this because I’ve heard a few say that already this week.) And agents, managers, journalists, etc.
But here’s an excellent idea: perhaps if the AMPTP went back to the bargaining table and began real negotiations instead of just delivered ultimatums, the WGA might relent. Then maybe the Back 9 of the TV season wouldn’t be lost. Or the 2008/2009 pilot season. Or the movies slated to come out in 2010. Or the below-the-line workers and everyone else associated with Hollywood have a rotten holiday. Now that’s worth a website.
Editor-in-Chief Nikki Finke - tip her here.


Kudos to whoever got the wewanttheawards.net and wewanttheawards.org
I really enjoyed the “Statemint” by the AMPTP.
Here’s a little poetry to brighten the Xmas/Strike season…
‘Twas the strike before Christmas, when all through Hollywood
Not a creature was writing, and that is not good;
Studio executives hung in their dungeons with care,
In hopes that their Dominatrix soon would be there;
The big stars were nestled in each other’s large beds,
While visions of Oscars danced in their heads;
TV was all reruns or reality show crap,
And the audience gave up for a long winter’s nap,
When out on the street I heard a terrible clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Pulling up my pajamas to cover my ass.
The moon on the breast of the new-fallen snow
Gave the luster of mid-day to objects below,
When, what to my wondering eyes should appear,
But a stretch limousine ran over my plastic reindeer,
With a big passenger, both well-dressed and slick,
I knew in a moment it must be Counter-comma-Nick.
More rapid than eagles the other moguls they came,
And he whistled, and shouted, and called them by name;
“Now, Lynton! Now, Meyer! Now, Brad Grey and Chernin!
On, Zucker! On Sloan! On, Iger and Moonves!
To the top of the heap! To the top of them all!
Throw cash away! Cash away! Cash away all!”
As critics from a junket preview do fly,
To escape a bad movie just mount to the sky,
So up to the house-top the moguls they flew,
With the limo of bad contracts, and Counter, Nicholas too.
And then, in a scurrying, I heard on the roof
The prancing and pawing of each executive hoof.
As I drew in my hand, and was turning around,
Down the chimney Counter, Nicholas came with a bound.
He was dressed all in gold, from his head to his shoes,
And his paycheck was massive despite bad box-office news;
A net full of profits he had flung on his back,
And he looked like a burglar just opening his pack.
His eyes — how they twinkled! His botoxed dimples how merry!
His suit was hand tailored, his contract demands scary!
His droll little mouth was drawn up like a bow,
But Variety says he’s as white as the snow;
Peter Bart’s leash he held tight in his teeth,
And it encircled Bart’s neck just like a wreath;
He had a shrewd face and a personal trainer toned belly,
Hollywood shook when he laughed, like a bowlful of jelly.
He was hard and was tough, and not jolly old elf,
But I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon told me that I had everything to dread;
He spoke not a word, even though that was his work,
And left negotiations; and writers called him a jerk,
And giving writers the finger & thumbing his nose,
And refusing to pay them for online downloads;
He sprang to his limo, to his team gave a whistle,
And away they all flew treating writers like gristle.
But I heard him exclaim, ere he drove out of sight,
“Happy Christmas to all, and to all a good strike!”
“Charity Problems — you can also find AMPAS listed on the WGA’s list of struck companies, here.”
Thanks, Stuart, but I preferred to list AMPTP’s own list. The WGA struck companies list is basically the AMPTP membership, but there are more companies listed there than on the AMPTP membership list. Some people that know no better might think AMPAS was added to WGA’s list of struck companies AFTER WGA denied AMPAS’s waiver request for film clip use. AMPAS appearing on the WGA list could be dismissed as “propaganda” by the trolling clueless.
“But here’s an excellent idea: perhaps if the AMPTP went back to the bargaining table and began real negotiations instead of just delivered ultimatums, the WGA might relent.”
You’d think so…there’s no way in hell the WGA will stand down about this unless the AMPTP returns to the table and actually negotiates. And they absolutely shouldn’t stand down — this is the best piece of leverage they’ve had since the strike began.
Stay strong, guys! We’re with ya!
If the amptp would spend some time negotiating instead of worrying about awards shows maybe this thing would end sometime.
I’m happy it’s shut down. I’m happy that the writer’s are creating disruptions. Cancel everything! Once again, maybe this thing will end sometime.
Do I sound like a broken record? I want this thing to end sometime.
If there is a nice side benefit to the strike, it’s that it looks like it will cramp the style of some of the ubiquitous awards shows. Works for me.
Charity Problems: “Thanks, Stuart, but I preferred to list AMPTP’s own list. The WGA struck companies list is basically the AMPTP membership, but there are more companies listed there than on the AMPTP membership list. Some people that know no better might think AMPAS was added to WGA’s list of struck companies AFTER WGA denied AMPAS’s waiver request for film clip use. AMPAS appearing on the WGA list could be dismissed as “propaganda” by the trolling clueless.”
Only the clueless would not know that the WGA has been on strike against AMPAS since 12:01 AM Eastern on Nov. 5.
I wonder if AMPAS will simply skip over the writing categories at this year’s Academy Awards. No matter — I’m certain that any WGA member worth his or her salt will refuse an award from a struck organization.
Wow that AMPTP website just cracked me up. the posted a link to an article comparing this incident to US boycott of the olympics to deter the Soviet invasion of Afghanistan…
Basically, on their own website, they’re comparing themselves to Soviet Communists!!!!!
I just read David L. Wolper’s and the AMPTP’s postings regarding the Golden Globes and Oscars.
I’m numb, are they really comparing the 1980′s Olympic Boycott, in which the Soviet Union invaded Afghanistan, and as in any war….people died; to the Golden Globes and Oscars.
This comparison turns my stomach. This should feed into any public thoughts of “Hollywood” being out of touch with the real world.
I was starting to get a little “pissy” about this strike (just frustrated), now I’m back to my “WGA stand strong”.
On a below the line site, a New York Times piece was quoted:
“Writers, he [Patric Verrone] said, were looking to restore a sense of leverage and status that had been lost as ever-larger corporations took control of the entertainment business. ‘I think if they could do this business without us, they would, and so making our task as mechanical and simple and low-paying and unartistic as possible,’ Mr. Verrone said.”
Verrone, please shout this from the rooftops. Maybe if this thing drags on we’ll start talking about the real issue: Restoration of Authorship.
ROA!
I just want to be clear, but it seems like in Wolper’s analogy:
Writers = USA
AMPTP = the Soviet Union
Golden Globes = 1980 Olympics
Is a letter that compares them to the Soviet Union c. 1980 really the AMPTP’s idea of good press?
Ha! Good point, Another Viewer.
But these are the guys who screwed up the “pound the table” quote, so what do you expect?
I’ll bet you they got the 1980 Moscow Olympics mixed up with the 1984 L.A. Olympics — the ones the Communist bloc boycotted in a fit of retaliatory pique.
So the AMPTP wants to destroy the business but bathe in back patting?
If this whole WGA Strike was a movie, the AMPTP would definitely be cast as the evil antagonist. However, their moves have now become so outrageous that it’s verging on being a spoof of a movie about good vs. evil. I mean, seriously, do these guys think anyone’s buying this bullshit? They should just stop trying to come up with written material to combat the writers. Doesn’t matter what high-priced PR firm you hire, AMPTP, you’ll never win when it comes to spinning words. We’re writers. We crap more creatively than you. So, next time you pull a move like this, can you at least attempt to be clever?
Bill, I hate to say it, but Nikki is dead on with this quote:
“Because the truth as we all know it is that most of Hollywood dreads every awards show, hates all the hassle involved, and would love nothing better than to not attend.”
Any time I’ve heard any a-list actor, top agent, or studio exec discuss the award shows, the sentiment was always a variation of, “I hate these things.”
Furious D,
That was one heckuva terrific poem! Just loved it!
Thanks for posting.
“The Soviet Union invaded Afghanistan. The writers didn’t even picket Brentwood.”
Good for you Nikki. Talk about being right on the money.
It is absurd to think that that anyone would even find any substance in Wopler’s letter. I read on the following blog one person who really didn’t. His brother was an olympian that was affected that year.
Man…how many more guys are in the AMPTP pocket?
First of all, I’m sad that there will be no Awards. My wife’s a costumer, and it’s a delight to hear the take on what looks great, and what looks like shit. But these awards, it’s more than just Stars, Writers, Directors, Producers, ad nauseam, that will miss out, it’s all the workers who work behind the scenes: Grips, electricians, set dressers, Makeup artists, Set makers, Caterers, Drivers, etc, AKA the working folk, the backbone of this industry. Shame on the producers being controlled by the 6 major media companies; shame on the writers for not keeping focused on the big issue: Streaming media. Shame on all of us for letting the middle, working class being marginalized by this corporate culture and it’s drive to make us hit the bottom. Sad.
Baxley – excellent post! So the Hollywood A-listers and producers dread the awards and the writers here seem to think thay are a joke, they remain very popular with the American public as well as being VERY good for the local economy and BTL workers.
AMPTP – Focus on streaming media and kick the DVD rate up a bit. Come on back and look at the WGA counter offer.
WGA – Focus on streaming media and organize Reality and Animation AFTER a contract is reached the way all other unions organize and aquire expanded jurisdiction. I bet the AMPTP might want to come back and look at the counter offer if you drop the Reality and Animation for now.
BOTH OF YOU – please don’t kick the middle any harder than we have been kicked already.