(Keep refreshing for the latest updates…)
SATURDAY UPDATE: I’ve just been told that the Hollywood/Big Media CEOs who belong to the AMPTP are furious at MGM chairman Harry Sloan for ”allowing” this WGA-United Artists deal to go through.
FRIDAY NIGHT: This is big. This is BIG! Because WGA sources just told me that the guild has clinched an “Independent Agreement” with Tom Cruise’s and Paula Wagner’s re-started United Artists. This now means that small and struggling UA has a leg up on every other Hollywood studio because it will be able to hire the striking writers.
This is to date the first so-called side deal cut by the WGA with a movie studio since the strike began on November 3rd as part of the guild’s newly articulated “divide and conquer” strategy. The WGA’s first side deal with a production company was an “interim agreement” with David Letterman’s Worldwide Pants which owns both The Late Show and the Late Late Show airing on CBS. Granted, given how tiny UA is — only six executives — and how limited their movie development can be, this is more of a symbolic than a significant development in the ongoing WGA strike.
I’m told that, like Letterman’s company, UA has accepted the very same proposals that the WGA presented to the media conglomerates when the Alliance Of Motion Picture & Television Producers walked out of contract negotiations back on December 7th. ”It’s the same kind of agreement that the guild made with [David Letterman's] Worldwide Pants. But ‘interim agreement’ is not the right word,” a WGA insider explained to me. “At the end of the day, once an overall agreement is done between the WGA and AMPTP, if the terms and conditions of that agreement are more favorable to UA, they will be able to enjoy that. This essentially means that UA has the ability to be in business with the WGA.”
The official announcement will be made on Sunday in order to get maximum media coverage on Monday, I understand. My sources had no information about which UA movies stalled because of the strike might get re-started. Cruise’s movies-only studio is partnered with MGM, which knew about the negotiations underway, I’ve learned.
I’m told the deal was hammered out under the utmost secrecy by UA’s Paula Wagner, who has long been Cruise’s producing partner, and WGA leaders Dave Young and Patric Verrone. Guild sources said it definitely helped during negotiations that Cruise is a longtime SAG member and Wagner also started out as an actress before she became an agent then producer and then UA studio mogul. ”They said, ‘All we want to do is make movies. And we know that you can’t do that without the artists, especially the ones that create the stories. And those are the writers.’ ”
Of course, UA was originally founded some 86 years ago by movie greats Douglas Fairbanks, Charlie Chaplin, Mary Pickford and D.W. Griffith who wanted to get out from under the moguls’ control and start an artists-friendly studio. After a long time when the studio was essentially dormant, Cruise and Wagner announced the rebirth of UA in November 2006. They followed that up about 9 months later with the news that Merrill Lynch set up a $500 million revolving credit to finance UA’s film production.
Editor-in-Chief Nikki Finke - tip her here.








Whoo-hoo!!!!!!
Best new years present the writers could ask for.
Thank you, Tom and Paula! United Artists indeed!
“Just a Viewer”,
How will I feel?
Triumphant.
Why these “interim deals” do not break the union:
Yes, some writers get to go back to work while I am still standing out on that picket line. Well, you better believe that my agents are going to try to get me into to pitch to UA and Worldwide Pants since they are no longer struck.
There will be fewer people hired for a bit of time. And there will be fewer projects made. However, UA now has a leg up and may be able to secure more financing for more productions. More writers hired. There’s nothing to stop me from being hired by these two companies. Some people seem to forget that.
This strategy will work if they can get enough people on board.
Very exciting. Thanks for the good news, Nikki.
It makes sense that a SAG member and former actress would do this, because as actors they know people are constantly trying to get away with things even with a union.
- Go get your money in cash in the alley out back, oh, the money isn’t actually here yet, but for the record you were wrapped 30 minutes ago, and PS it’s raining, PPS if you can make change you’ll get paid faster…
- 15 hours and 59 minutes, that’s a wrap…
- Yes, these are real cigarettes. Everyone light up…
The machine knows the wings are waiting with thousands of people who are willing to do anything for a job. It is a thin union line that stands guard against unfair and unlivable wages and working conditions.
Say what you will, Tom Cruise is a movie star, and he and Paula are doing UA’s history proud.
Sweet.
PS: Just A Viewer, aka Just Too Obvious–
Whatever.
Why does everyone on here who has a differing opinion from the WGA on here have to be a shill? It seems that some people just like to dismiss people who have a different opinion as shills so that they don’t have to really take to heart that some people just don’t agree with them.
With all of the talk about the WWP and UA deals, could someone from the WGA enlighten us as to what this deal actually is? Both sides were quick to release their respective proposals in the last round of talks. Now that we have two signed deals, shouldn’t we know more? Also, these deals were set after the WGA/DGA consult on the Ziffren new media report. Did that info play into these deals? For everyone in the dark in this town (which is everyone but Nikki, it seems), it would be nice to know.
Hey, wait.
You guys may have broken off United Artists, but we broke off John Ridley!
John Ridley’s gotta count for something, right?
Right?
dick clark productions is NOT getting a deal unless NBC does.
This is thrilling. I hope this is the start of Tom Cruise really sticking it to former boss Redstone. (I’m not a huge TC fan, but…)
United Artists? Perhaps the most desperate studio in Hollywood.
“Lions for Lambs?” that makes “The Golden Compass” look like a blockbuster. Maybe Valkyrie will fare better.
I don’t think there is anything wrong with making the deal. Embarrassing maybe, wrong no. Heralding it might be the mistake. Its history is nothing but impressive but in its current incarnation, well, Scotty mostly said it for me.
Just A Viewer,
I don’t think that it will cause any jealousy or bitterness between writers whatsoever.
Here’s what the AMPTP site has as their latest news that’s supposed to knock the writers on their ass. Damn, they got em! Got ‘em real good!
January 4, 2008
The WGA this morning engaged in a failed effort to stop the City of Los Angeles from issuing four separate permits for film production. Although the WGA was rebuffed by the L.A. Board of Public Works, the WGA’s attempt to derail production on films with completed scripts — and thus to throw hundreds and hundreds more people out of work — shows that the WGA’s organizers are continuing to do whatever they can to make good on their boast to “wreak havoc” on our industry.
Ooh! Is there a pool going on the next AMPTP member to sign a deal and get the leg up on its competitors?
Because if there is I’m going with Lion’s Gate or Sony.
And thus Nick Counter’s castle starts to crumble…
@Anonymous Dreamworks poster:
Katzenberg can make an agreement for Dreamworks Animation, but not for Dreamworks SKG. They don’t have any TV series on the air right now…
But you’re right — he should still make a side deal. If for no other reason than so his studio can hire some writers to start churning out something to make them money that isn’t Shrek-related. They need some other projects that can pull in Pixar numbers if they want to last.
manna from heaven…
Dear Hopeful,
See this is why it is so good that the AMPTP PR folks are so bad. If that story (if it is true) was on the evening news it would look extremely bad for the WGA. But they are so inept they just put it on a site that nobody really cares about. Also, they ruin their intended message by adding stupid phrases like “make good on their boast to “wreak havoc” on our industry” which merely makes it sound like propaganda.
By the way, I really hope that story isn’t true. You can’t try to demonstrate the lost revenues the city is losing at the hands of the strike due to the AMPTP by WGA members dog-piling on it. Very counter-productive if it is.
Or very Counter Productive…
Sign up one more big studio or production company and I feel like the floodgates will open (fingers-crossed). None-the-less, we can now show the DGA that we have a viable contract in hand. It should help with those negotiations. But, man, anything can happen.
This is great news! Personally, my bet is that Dreamworks will be the next to stumble and side with the WGA.
I think it’s only going to take a few more studios to fall before the AMPTP comes back to the table willing to bargain in good faith.
This helps the movie writers. What about the television writers?
“These independent deals are what is going to break the guild. How are the writers that are not fortunate to work for these studios suppose to feel when thier friends and co-workers are going back to work and they are still walking the line?”
Like adults instead of 5 year olds? “Damn, I hate walking the line, but if only Susie were here walking with me. If she were suffering, my lot in life would be improved more than it would be improved by actually ending this on our terms. Everybody suffer, it bring me joy for I am eaten up with resentment and faulty logic.” Yeah, I’d wish I worked for Susie’s company, but neither she nor her bosses are to blame for how greedy and intractable my employers are.
Fantastic news. Tom Cruise and Paula Wagner deserve a special Oscar for balls! As for the commentator who said, “Perhaps the most desperate studio in Hollywood,” every studio has had its problems at some point in its history, but that has rarely led to courageous action. Cruise and Wagner have to live in this town and take the heat for this decision. May they be the first (well, second, after the equally courageous D Letterman) of many to break from the pack – and the pack-mentality of the AMPTP.
While it’s gret they’re doing this, I’m afraid won’t help them immediately. It will still be very hard to put together a movie with a March start date (which they would need to get bonded with the threat of the actors strike).
great news….solidarity….still a ways away, i think
Bravo.
It boggles the mind how anyone can say “these deals are going to break the union” when it’s clear to anyone with half of a brain cell that these deals are going to break the *AMPTP*.
I predict…
a classified ad in the trades appearing Monday…
“Script readers needed to start IMMEDIATELY at UA.”