First, here’s the AFTRA’s press release with that guild’s statement by president Roberta Reardon. Then below it is SAG president Alan Rosenberg’s statement. At the very bottom is the AMPTP’s statement. (I’ll have my own analysis later…)
From AFTRA tonight:
LOS ANGELES (July 8, 2008) – The American Federation of Television and Radio Artists (AFTRA) announced today that AFTRA members ratified a new three-year primetime television agreement (Exhibit A of the AFTRA Network Television Code) reached with the Alliance of Motion Picture and Television Producers (AMPTP) by a 62.4% margin.
AFTRA—the nation’s second largest performers’ union—represents more than 70,000 actors, recording artists, broadcasters, and other talent working in the entertainment and media industries.
AFTRA National President Roberta Reardon made the following statement: “Today’s vote reflects the ability of AFTRA members to recognize a solid contract when they see it. Despite an unprecedented disinformation campaign aimed at interfering with our ratification process, a majority of members ultimately focused on what mattered—the obvious merits of a labor agreement that contains substantial gains for every category of performer in both traditional and new media.
“Clearly, this was not a typical ratification process, and it would be disingenuous to pretend otherwise. To those of us for whom labor solidarity is more than just a slogan, the idea that politically-motivated leaders of one union would use their members’ dues to attack another union is unconscionable. Working people do not benefit when their union is under attack.
“For the sake of our members, organized labor must be united, especially in a world of ever-increasing corporate consolidation. Given this, AFTRA leadership is eager to focus on several important initiatives in the months to come: Building on the suggestion of our valued supporters, we will seek to organize a summit of top actors, performers, and union leaders to engage in a thoughtful, constructive discussion of how we can achieve unity among performers—and ultimately, if feasible, merger of the performers’ unions.
“Given that working men and women accomplish more when we work together with trust and mutual respect, we will ask the leadership of the AFL-CIO AEMI ICC unions, the DGA, WGA and others in the labor community to come together well in advance of the next round of contract negotiations to explore ways of maximizing the leverage of entertainment industry workers.
“Finally, I intend to promptly review with our National elected leadership and the Presidents of all AFTRA Locals the conditions needed to restore trust to re-establish joint bargaining on our respective commercials contracts.
“I sincerely appreciate the committed work of the negotiating committee, elected leaders, the labor community, and individual activist members of AFTRA who worked tirelessly and publicly to secure this solid contract for television industry performers. I am especially grateful for the support of many joint members of SAG and AFTRA—such as those in Chicago, Florida, Houston, Nashville, New York, Portland, San Francisco and Seattle—who displayed courage in the face of potential retribution, by taking a stand against disunity with the power of truth and solidarity.”
Negotiations with the AMPTP over the AFTRA Primetime TV contract began on May 7. They concluded on May 28 with a tentative agreement that was unanimously recommended for approval by AFTRA’s 31-member negotiating committee. The AFTRA National Board of Directors overwhelmingly approved the primetime television contract on June 7 and recommended the deal to members, which was ratified today. The new contract is effective from July 1, 2008, through June 30, 2011.
And here is SAG prez Alan Rosenberg’s statement:
Los Angeles, July 8, 2008 — Screen Actors Guild National President Alan Rosenberg released the following statement today: “Clearly many Screen Actors Guild members responded to our education and outreach campaign and voted against the inadequate AFTRA agreement. We knew AFTRA would appeal to its many AFTRA-only members, who are news people, sportscasters and DJs, to pass the tentative agreement covering acting jobs. In its materials, AFTRA focused that appeal on the importance of actor members’ increased contributions to help fund its broadcast members’ pension and health benefits.Screen Actors Guild is the actors union with more than 95% of the work under this contract, jurisdiction over all motion pictures, and over 4 billion dollars in member earnings under the SAG agreement over just the last three years.
We thank the over 4,500 proud SAG members from all over this country who have signed the “SAG Solidarity Statement,” in support of their negotiators. The Screen Actors Guild national negotiating committee remains committed to our core institutional mission to improve the lives of actors and their families.
We will continue to address the issues of importance to actors that AFTRA left on the table and we remain committed to achieving a fair contract for SAG actors.”
And, finally, this is what the AMPTP has to say:
We appreciate today’s vote of confidence by actors in the agreement we reached with AFTRA, and hope that it demonstrates to SAG’s Hollywood leadership that there is support for the new economic relationships we have built with writers, directors and actors — and not much support for a strike, whether de facto or real.With this AFTRA ratification announcement, our industry has now achieved four major labor agreements within the last five months. These agreements — which offer both meaningful economic gains and groundbreaking new media rights for directors, writers and AFTRA members — are the result of difficult negotiations and many compromises by all sides. We hope that SAG’s Hollywood leadership will allow SAG members to vote on AMPTP’s final offer – which would give SAG members more than $250 million in additional compensation and important new media rights.
(See my two SAG/AFTRA/AMPTP articles in LA Weekly: here and here.)






Well, the big money studios beat the little guy again.
This contract MUST change drastically in 2011.
Prediction: In the bizarro world that is SAG, they’ll claim this as a victory.
This is all the goddamn DGA’s fault. They’re the ones that set the precedent of letting the AMPTP successfully pit one union against another, to the detriment of all.
Hold strong, SAG! Do not give up in your push for what is right and fair! Just because five other guilds ate a crappy deal does not mean you should too.
Well SAG the ball is in your court now. What are you going to do?
Hey Scott, you’re an embarrassment to the name. Don’t blame the DGA for being the adults.
Actually this isn’t DGAs fault at all. This is the fault of Rosenberg and Verrone not communicating with each other and the WGA not waiting for SAG to strike and a host of other ego related moves by union presidents. You want a better contract? Elect a better union president, SAG members. That’s what the WGA better do.
Shocked! Shocked, I say.
AFTRA those purveyors of all that is good and wise negotiated such a wonderful deal even the DGA is envious. And that’s saying something.
Now SAG and AFTRA will bury the proverbial hatchet (of course there’ll be the inevitable temptation to kill each other) and then fall in love with each other all over again…
Not.
All I hope is SAG has the courage of its convictions. Some guild in this town should.
So that means that almost 40 percent rejected the contract?? That is a huge rejection number in a union vote where leadership has recommended a yes vote. Most likely actors rejected the contract and all the weathermen and disc jockeys and newscasters voted yes so the actors would keep filling their pension funds.
How about a vote of ONLY AFTRA’s actors? They would never allow that.
All actors should be only covered by SAG and that’s it.
All dual cardholders should tear up their AFTRA cards and withdraw.
And so begins the near total collapse of SAG’s negotiating power with the AMPTP.
Thanks almost totally to the hubris and incompetence of SAG’s current negotiating team.
Exhibiting the most destructive kind of leadership, they try to decimate anyone who disagrees with them. And here’s what we have to show for it: A weakened and divided union. A shattered alliance between two acting unions where there should be unanimity in the face of powerful media interests. And a studio power structure that couldn’t have imagined a better scenario if they’d paid for it.
Negotiating with the heads of global, diversified entertainment corporations needs a calm, steady and professional hand. We have been ill-served by the school-yard amateurism of our leadership.
SAG’s leverage has been reduced to this: “We’re going to strike guys.” Two problems: the AMPTP doesn’t care (and they can do an end-around with AFTRA). And (and I think the AMPTP knows this as does SAG’s leadership) Alan Rosenberg et. al. probably can’t even get a strike authorization from the rank and file now. Wow.
For the current SAG leadership this must surely (hopefully) be the beginning of the end. Let’s just hope for all us “middle class” actors this is the end of our beginning.
SAG has to take the deal now. If they don’t watch all tv shows switch from film to HD and all AFTRA.
Scott-
This is actually all the WGA’s fault. They should have stayed out and gone on strike with SAG but David Young’s strategy failed again. That’s 0 for 2 Young.
And SAG can start accepting responsibility now. Read this article http://www.variety.com/article/VR1117988607.html?categoryid=18&cs=1 in Variety by Cynthia Littleton.
Everyone can say its only 62% but its ratified and producers are ready to make shows AFTRA rather than deal with drama from SAG.
Hold out and watch SAG lose TV forever. That includes made for DVD features-same contract(TV Long form).
While I’m sure all you impotent doomsday naysayers will get up and scream “SEEEEE!” I would say 38% of the membership against the contract is a positive sign that the labor force in America is not as willing to roll over and play dead as some would like to believe. I would also say divide and conquer is a useful technique throughout history in winning battles and AFTRA’s eagerness to play into it is surely a sign they will give in to AMPTP in the future to undermine the better working relationship SAG is working toward. For those of you who are struggling to make it on SAG wages, wait till you see the day rate on “DIRT”–oh, canceled I think? (How will Courtney pay for that HUMMER? The same way Arquette does, silly-the money from FRIENDS.)Well how about the new “90210″ or Sony Picture TVs “Drop Dead Diva” both primetime shows AFTRA has poached. Thanks for the crappy contract AFTRA membership! And please check my other pockets.
OK, the current SAG leadership lost. They had only one strategy and it failed. It’s time for the adults on the negotiating team, if there are any, to make a deal. Take the AFTRA deal, work out force majeur, and get what you can on the feature side.
With luck, the next SAG election will put people in charge who understand why merger is the only sensible option.
All unions must make a pact for 2011 to work together … after this is over.
SAG Negotiators: Listen to the membership. Settle, stop the intra-union war, and get on with the business of being a great union instead of being hornswoggled by a bunch of punch-drunk has-beens who are going to be voted off the Hollywood SAG Board in 60 days for the waste they’ve charged to members.
I can only guess at how they’re dreaming of spinning this 62.5% mandate to stop being stupid.
Hold your head up high, Reardon, you pulled in a whopping 62%. Thank God weathermen in Peoria were able to vote on our acting contract. You sold us down the river. You’re weak, inneffectual and a tool of the studios. But, hey, you got that contract passed, so you must feel awesome.
Hopefully SAG will kick AFTRA out of the offices they own. Or up the rent, so the 2nd rate undermining union will be forced to stand on its own – seeing how it is so powerful.
Hey Scott we are in bizarro world. Did you check out Allen’s statement. Where do SAG go from here.
Let the nightmare end.
I voted NO on the AFTRA contract. The membership has spoken and ratified our contract. Now SAG, my other union must do the right thing and not inflame the situation by going at it all alone. Pretend to make nice to AFTRA, while building up a war chest to prepare for a battle to the death with the AMPTP in three years. Be the MOSES here and let my people go. Back to work.
Take the contract back to us, SAG members and let us vote on it without your strong recommendation, in fact don’t give a recommendation just let us decide now.
This way our leaders will be back in pocket with the strength of its membership and not what everyone else speculates us to do. That will protect SAG leaders from any fall out.
We will vote in the contract and be back to work by July 23, 2008.
Well, if this stands as is, actors can bend over and kiss residuals as they know it goodbye.
Viacom is in a legal fight right now to gain access to all Youtube members records. why? to look for copyright infringement, the business model of lots of these sites (clips of TV shows, whole episodes, clips of movies, whole movies). And Viacom will win. The courts are leaning heavily towards copyright protection in these type cases.
BUT – Viacom is already making its library available to sites like Veoh, Hulu, MySpace, etc., to run entire episodes of its shows. The sites are ad-suppoted, money goes to Viacom. I have a series I did for four years running 24/7/365 on all these sites. I wasn’t asked, let alone paid.
Translation: Viacom sues Youtube for copyright infringement, then Viacom gives away previously protected content of actors without paying the actors, or even asking them.
The other issues were all reasonable and overdue, but they’re all peanuts compared to this one, and the AFTRA deal cites a “mechanism” by which AFTRA and the AMPTP will work this out. Here’s how it will work out – you watch. AMPTP neither asks nor gives any residuals to actors for internet clip use. They’re already doing it folks. AFTRA has a “sunset clause,” after which they can go back at the issue of clip consent. Here’s how that will work out – you watch. The sun will set, and it will get very dark for actors.
hollywood reporter:
Still, some industry watchers view AFTRA’s clip consent agreement to be irrelevant.
“The actors don’t actually have any meaningful way to not consent because the negotiation takes place at the same time they’re hired,” Handel said. “If there’s a deal and the studio says ‘We want your consent’ and the actor says no, the studio can say: ‘Fine. We’ll hire someone else.’
“The actor has no leverage,” he added. “It’s a fig leaf put over the issue.”
If AFTRA had merged with SAG then none of this would happen and Rosenberg wouldn’t find himself in such an untenable position. SAG can’t blame AFTRA for acting in its own best interest, not after spurning their desire to join forces and merge unions.
Well SAGsters, time to think about what you can gain next time your contact is up. Probably best to begin by canning the current SAG leaders and negotiators and find some who are able to negotiate and bargain through intelligent research and early planning. Let Alan Rosenberg star in the Barretta Movie and Allen to make another crappy sprOts deal (NFL) and see if you really can get some true solidarity going in the industry between now and then.
As for anyone claiming victory from the 37.6% no vote, a no is a no and the AFTRA deal is ratified by the 62.4% yes. No victories here – just a deal in place for 3 years when they can try again.
I’m almost sure that the SAG negs will try and pull one more rabbit out of the hat but unless they truly think they can get a 75% strike vote the rabbit will be a face saving capitulation.
Remember when merger failed by just a narrow margin, less than one percent, and the same MeFirsters called themselves SAVE SAG?
Back then they claimed defeating merger by less than one percent was a huge margin of victory. Now they’ve lost two to one and they’re saying they won.
They can’t get their story straight, they can’t get a contract straight. They’re idiots who’ve led us into a war against ourselves, and it’s time for them to go.
Although the deal for AFTRA and proposal for SAG is just another example of corporate greed it is in everyones best interest to get a deal done with SAG now. Until the unions learn to work together , negotiate as a group, and understand that the Rupert Murdochs, Sumner Redstones and Brad Greys of the world play hard , than they will always be on the losing end. The producers backed them into a corner because SAG never has a strategy and can’t negotiate at this level. In there defense the producers are the best in the world at negotiation. The unions now need to consider working together for a real deal in three years. It was over when the producers successfully divided Aftra and Sag.
After being a production assistant for longer than I care to say and now finally a member of the DGA (and also SAG,) I’ve seen the inanities of SAG upclose: from their silly “three voucher” rule for background to join, which, by the way is dubbed the “blow-jobs for vouchers program” on a lot of sets I’ve worked on, to the ridiculous popularity contests for board membership conducted in background holding areas. The reason SAG is going to lose this battle; and they will lose is because they conduct themselves like a high school clique than a professional organization of craftsmen.
Sure you can blame the DGA for settling their contract quickly; how dare they come to the table armed with facts! Or you can take it out on the WGA for not waiting to negotiate their contract with SAG, and after seeing the way SAG has conducted themselves in regards to AFTRA, can you blame them? But the problem solely rest with SAG. How can you take this Guild seriously when so many of its voting members and so many on its negotiating committee haven’t worked in YEARS? If SAG wants to be taken seriously it needs to take itself seriously first.
And by the way, I can’t wait to find out which way the 100+ Skid Row residents who became SAG members on The Soloist are going to vote on the contract. Mr. Rosenberg, start courting the “junkie-block.”
“How about a vote of ONLY AFTRA’s actors? They would never allow that.”
Funny–wasn’t it the SAG leadership that opposed “affected member” voting?
“If AFTRA had merged with SAG then none of this would happen and Rosenberg wouldn’t find himself in such an untenable position. SAG can’t blame AFTRA for acting in its own best interest, not after spurning their desire to join forces and merge unions.”
Sad but true.
62%?
There is support for a strike in this town. SAG, you are the most powerful union in Hollywood. Don’t be afraid to do what you have to do.