You can’t pay me to watch Fox’s American Idol where the singing sounds like strangled cats. But it’s been no secret that the network and the show’s producers are planning changes to reverse its declining ratings. This morning, Fox officially announced that Grammy-nominated songwriter Kara DioGuardi will join Simon Cowell, Randy Jackson and Paula Abdul as a judge. But Fox sources tell me there will be ”more significant things happening in the small massaging of the format itself” as the network and producers look for ways to “shore up” the ratings. That doesn’t mean the bigwgs intend to present a whole new Idol. For instance, there’s no plan to get rid of host Ryan Seacrest (darn the luck…). Instead, I’m told the powers-that-be think the early rounds where viewers watch wannabes fall on their faces have become “too repetitive”. Instead, this season will spend more time with the contestants once they arrive in Hollywood. Says my insider: “The strength of the show is that the audience wants to meet those 20 contestants. So we’ll spend more time with them.” Other changes are a result of Nigel Lythgoe stepping down as executive producer of American Idol and stepping back from the day-to-day producing. That now means the show’s music can be more updated. “At one point, we had Neil Diamond on, and Andrew Lloyd Webber and Dolly Parton. Nigel wanted to be old school. But the show needs younger music,” a Fox source informs.
DioGuardi’s background as an award-winning songwriter and producer should help bring an Industry perspective to critiquing the contestants when the 8th season gets underway in January. “We are turning the heat up on Idol this year and are thrilled to welcome Kara to the judges’ table,” said creator and executive producer Simon Fuller. “She is a smart, sassy lady, and one of America’s most successful songwriters. We know she will bring a new level of energy and excitement to the show.” Executive producer Cecile Frot-Coutaz claims the show ”originally intended” for the U.S. version to have four judges like the international series do. Fox non-scripted guru Mike Darnell made it into a gender bender. “For the past seven seasons, Paula has had to endure the experience of being the only woman at the judges’ table. She’s been as an island of consideration and gentle criticism between Randy and Simon, offering her invaluable expertise as a performer and No. 1 artist to the thousands who have competed on American Idol. With Kara by her side, Paula finally has some back-up and now there is going to be a lot more ‘girl power’ on the show.”
According to the press release, DioGuardi’s songs have appeared on more than 100 million records and her songs have been recorded by Kelly Clarkson, Christina Aguilera, Gwen Stefani, Celine Dion, Faith Hill, Carrie Underwood, Santana, Pink, Britney Spears, Avril Lavigne, Pussycat Dolls, Miley Cyrus, The Jonas Brothers, Natasha Bedingfield, Jewel, Ashley Tisdale, Katharine McPhee, Taylor Hicks, Bo Bice, Clay Aiken, Ashlee Simpson, Hilary Duff, Jessica Simpson, Kylie Minogue, Enrique Iglesias, Nick Lachey and Marc Anthony. Over the last four years, she has been awarded 10 BMI Pop Awards for having written the most performed songs on radio. From her catalog of several hundred songs, over 264 have been released on major labels worldwide; and over 165 have appeared on multi-platinum selling albums. DioGuardi co-owns Arthouse Entertainment, where she develops and mentors fellow hit writers, producers and artists.
According to her official Fox interview, DioGuardi says getting the gig was a shock. “My agent called me and he said you are on a short list to be the 4th judge on American Idol and I said ‘Are you calling for me or did you dial the wrong number?’ They were like, ‘No, seriously, this is going on. This can happen,’ and I was like. ‘There is no way they are going to pick me. Why wouldn’t they pick someone famous? Someone everyone knows?’ But you know, I guess they saw something about me that they thought was good and they wanted to put somebody who was from the industry on the show and so, I got the job.”
DioGuardi had a history with the show already. She’d written songs that have been performed and released by Idols. “I co-wrote Walk Away from Kelly Clarkson and with Kelly Clarkson. I co-wrote the Real Thing for Bo Bice. I’ve written with Katherine McPhee and for Katherine McPhee on her record. Clay Aiken and I co-wrote The Way. Taylor Hicks. Oh, and I actually have a song now on the David Archuleta CD that’s coming out, I think soon. I co-wrote with David Cook.”
She thinks she’ll bring to the show ”a unique experience in the sense that I sing and was a singer and I write and I produce and I sign talent and I’m very involved in the day to day of the music industry, like Simon. So I think I’ll bring that perspective, but I’m also very opinionated and pretty feisty and not afraid of a good confrontation, so I’m looking forward to it. Bring it on.” Here’s what she’ll for in contestants: ”I am gonna be looking for a unique spin, you know somebody who steps in front of me has something to say — who has a unique look; who has a great voice; a unique tone; isn’t trying to imitate everybody else that’s out there. And, has incredible self confidence because anybody who has ever really made it, steps on that stage and they own it from the minute they step out there. So I think it’s important that you know they really be themselves and that they’re interesting and that they keep me engaged.”
As for what makes an American Idol successful in the music biz, DioGuardi opines, “Well, I think there are a lot of things that go into being a successful artist. Obviously you know you have to have the right look, you have to have the right sound, but you have to have the right song. We’ve seen that even in the Idols some of them have been very successful and some of them haven’t. It’s about that winning song. You know Since You’ve Been Gone was a huge song that catapulted Kelly into absolute stardom. So, it’s really important that everything happen at the same time — great voice, great look, great stage presence and a great song. And all that coming together and just somebody who wants it that bad, because it’s a lot of hard work, it’s not easy.”
Editor-in-Chief Nikki Finke - tip her here.


First Zucker’s “end of pilot season” nets NBC just one bad pilot to promo during the Olympics, and now American Idol, the juggernaut that was supposed to help break the writers during the strike, is flailing badly. I’m having a nice morning.
“She’s been as an island of consideration and gentle criticism between Randy and Simon, offering her invaluable expertise as a performer and No. 1 artist to the thousands who have competed on American Idol.” Fox Pres Release.
Paula has been an island of prescription medication and hallucination.
Ratings are doing just fine. The season finale last year was the third highest rated in the show’s history. Ratings just go up and down depending on who the singers are.
I’m sure they’d like a boost in ratings, but it’s not like they need it, Idol continues to be one of the highest rated shows on TV and usually takes #1 and #2 for the week.
Isn’t this the Idol equivalent of Cousin Oliver joining the family?
She works on the winner’s albums, but ultimately means she is there to boost the pre-planted contestants.
They could have better used the money they’re spending on another judge to pay their employees fairly including their writers who they hide under different titles. This show is raking in mega bucks, Simon alone makes something like 50 million a year but they are abusing their employees who barely make enough to survive. You can read mmore about their mistreatment of employees and denial of writers at the WGA’s home page and going to the link about the WGA’s efforts to expose their unfair labor practices. American Idol is an American embarrassment.
Perhaps if they started showing Paula’s private tutoring sessions with the boys, it would entice more people to watch.
Julia, save your socialist rhetoric. Anyone who doesn’t like the pay at AI can go find another job.
ALTHOUGH KARA MAY BE CONSIDERED THE NEW DIANE WARREN, WHERE IS DIANE WHEN WE NEED HER? KARA CAN’T LIGHT A CANDLE TO HER.
DIANE WOULD BE A BETTER PICK UNEQUIVOCALLY.
OF COURSE AGEISM IS IN PLAY HERE.
NEXT THING YOU KNOW, THEY’LL GO LOOKING FOR A NEW JUDGE AT A KINDERGARTEN.
This will enable the show to have a talented song writer be able to craft a frigging decent finale song for the winner. Didn’t she have a hand in writing “Since You’ve Been Gone”?
OK, I don’t care for AI much at all. It’s all about young people wanting to be rock stars. And all the crappy stuff they’ll do to get there. And that’s the show. We all wannabe rock stars. That’s the premise. And that’s why it’s getting old now. Gotta know not to go to the well too often. Another judge will not save the show. The show has worn out the premise.
Dave wrote:
“Julia, save your socialist rhetoric. Anyone who doesn’t like the pay at AI can go find another job.”
I’m sure a Repuglican like yourself hates to hear about workers being denied their basic rights, especially when a big company can get away with abusing them. If you knew anything about reality and game shows you’d realize it is an industry wide problem and the alternative is not to just go and find another job. The only way to change things for the better is to stay and fight for your rights. Getting a more money, improved benefits and a better life is a very capitalistic concept. One that a greedy big business profiteer like yourself should be able to understand.
Turn off your caps locks, Grandma.
If Paula’s being taken off, it’s because she’s a ditz and a doper, not because she’s older.
This is just the first step in a plan to release Paula Abdul at the end of next season without seeming to have replaced her.
“Well, I think there are a lot of things that go into being a successful artist. Obviously you know you have to have the right look, you have to have the right sound, but you have to have the right song…”
Look, Sound, Song…something is not right about that. Guess?
One big problem with having four judges instead of three (forgetting the fact that there’s now less time for actual singing on the show) is that, when there was a dispute over which competitors deserve to proceed on the show, it came down to two out of three. So what the hell is going to happen if two want someone to proceed and other two don’t? Stale mate. Douchebags.
Can’t Take Anymore,
I enjoy watching Jeff Zucker (whose “death of pilot season” was a punitive attempt to punish striking writers) and American Idol fail. That’s all. And I’m a retail sales clerk at Gap. Can’t you tell?
“For the past seven seasons, Paula has had to endure the experience of being the only woman at the judges’ table. . . . . . With Kara by her side, Paula finally has some back-up and now there is going to be a lot more ‘girl power’ on the show.”
I’m kinda offended by this. Does it really matter that Paula’s the ‘only’ woman? Any more than it matters that Randy is the ‘only’ African American or that Simon is the ‘only’ Brittish guy?
That’s rediculous.
If any two of the judges tended to gang up against the third — it was Randy and Paula against Simon.
Try having contestants that can actually sing. And make them sing songs somebody actually wants to hear.
the network has been unhappy with song selection for awhile, the final straw: Andrew Lloyd Webber twice this season. the show started not being able to be controlled.. they’re taking back control.
I agree that this may be a way of waking up Paula. If she steps out of line, they have a replacement already there. But I must say that watching Paula each week adds additional drama to the show. There’s something compelling about which Paula will make it to the show. The drugged Paul, the crazy Paula, the sane Paula, or something inbetween.
I also agree that the season’s ratings depends on who the final contestants are. Last year, they could have cut out 6 of the final 12 in the first week of finals. Too many were just hanging on each week. Of course, that would have ended the show before the May sweeps.
I don’t think the format needs to change much. The problem with the early shows was the producers were showing mostly losers, and then at the end of the show they would tell you 17 kids went through, and we didn’t see 15 of them! It’s difficult to pull for someone you haven’t met.
I would say that I would like to see more on how the kids are coached. Everyone knows they don’t just start picking up dance moves on their own.
And you’re right about the musical guests. Everybody was over 60!! Most of these kids probably don’t even know who some of those people are.
So I think the show just needs a few tweaks instead of any wholesale changes.
DioGuardi is the person who wrote the abyssmal song, “the Real Thing” for Bo Bice that took a southern rocker and made him sound like castrated kitten. Why can’t they get someone who actually writes a body of work that people not only know but like?
Dianne Warren wrote that power ballad for Aerosmith. For that reason alone, she should have been out of consideration.
If you are going to go for an obscure choice, wouldn’t Sheila E. or Liz Phair or Kim Deal been more witty?
I hope that a 4th judge will stop American Idol from sucking so much.
The reason AI ratings have dropped is because people like me – Who actually want to hear GOOD singers get a chance, have tired of watching the idiot parade.
The first season, this was a “Talent” contest, pure and simple, and it was great. Every year since, it has been less and less about talent, and more and more about idiocy and sob stories, and the people who wanted to hear good singing have watched less and less.
Sure, the idiot shows garnered good ratings for a while, because at least they were still watchable with the kids, but eventually even kids and morons tire of watching people making an A$$ of themselves, and crying about how tough their lives are. I sure did.
Now, I don’t watch at all, until several weeks into the season, and I NEVER watch the results shows. What a lame show that is. I can catch the last 30 seconds and get the answer, so why watch 90 minutes of crying leading up to it. I don’t even watch the talent shows, anymore. I record them, so I can fast forward through the baloney. I watch a 2 hour show in about 30 minutes.
After year 1 I watched only after the “final 12″ came on the show. By year 3 I waited till the “final 6.” Last year I recorded the last 4 shows and fastforwarded to the real deal. Another judge won’t help. Gotta get rid of (1) Seacrest, the embarrassment, and (2) Paula, a worse embarrassment. Don’t see how Coca-Cola puts up with them and foots all those expenses. It would also help to revise, revamp the voting system. There is really something crooked going on there. New talent is great but the pricetag is getting to be too much.
Why did AI mess with success? I find Kara totally annoying. Makes me wonder if there is truth to the “casting couch” theory. I think the reason AI has been such a success is because Randy, Paula and Simon compliment each other and Kara has thrown a wrench into what has been working so well. I hope the producers wise up and get rid of Kara before their viewers get fed up and stop watching.