Few Hollywood folks have picked as many showbiz fights as Spike Lee. So I was amused when I read in the coming New Yorker magazine (article not online) that he was ending one feud and seeming to start another. I can’t remember all the spats. But a very public one took place back in 1997 when Lee criticized Quentin Tarantino for using the word “nigger” in movies. More recently, Spike started an international battle with Clint Eastwood. At a press conference at the Cannes Film Festival, Lee accused him of omitting black soldiers from his two recent movies about Iwo Jima, Flags of Our Fathers and Letters from Iwo Jima. Eastwood explained that he had left the black soldiers out because none had actually raised the flag, adding that “a guy like that should shut his face.” Lee shot back, saying Eastwood sounded like “an angry old man,” and that “the man is not my father and we’re not on a plantation either.” (So Lee’s new feature opening this month, Miracle at St. Anna, answers eastwood: it’s a WWII film about the U.S. Army’s all-black 92nd
division that battled the Nazis during the Italian campaign.)
Lee tells The New Yorker that he ended the feud with Eastwood at a Lakers game (presumably during the recent basketball season’s playoffs). He said he saw Jeffrey Katzenberg, Steven Spielberg, and Eddie Murphy sitting together, so he went up to Spielberg and said, ” ‘Steven, it’s over with Clint Eastwood.’ Steven laughed and said, ‘I’ll call Clint and tell him in the morning.’ I said, ‘It’s over.’ He said, ‘Good.’ ”
But during the interview Lee may have started another feud, this time with Judd Apatow. During a break from scoring his new film with Terence Blanchard, a Sony Pictures Studio employee approached carrying a cardboard tube that contained a poster of Miracle at St. Anna and asking the men to sign it so it could be mounted in the hallway next to posters for other movies whose scores had been recorded there. ” ‘Yeah, O.K.,’ Lee said, brusquely. He added, ” ‘Don’t put us next to Judd Apapoe [sic], whatever that guy is,” Lee interrupted. ’We gotta be next to Spielberg and Williams!’ “
Editor-in-Chief Nikki Finke - tip her here.


As pompous as Lee may or may not be as a person, he frequently has a point; i.e. “Driving Miss Daisy” best pic over “Do the Right Thing?” Huh?? And Tarantino – Mr. “Homage” – using the n-word for no special dramatic reason other than flimsy shock value? Sorry, but I’m on Lee’s side.
Spike only picks fights with people in order to get his name in the papers. Other people actually achieve things. Go figure.
Can’t blame Lee on this one. Do the Right Thing vs. Anchorman? No contest.
Oh, yeah, Spike, way to man up. He doesn’t even have the guts to end the feud himself directly with Clint. Way to end the feud!
Clint was right, Spike ought to just shut his face.
Hmmm…sounds more like Nikki is starting a feud between Spike Lee and Judd Apatow. I’m sure Judd would be the first to suggest that Spike’s one-sheet should go closer to Spielberg’s than his own. Did Spike say anything derogatory towards the man or his films or just mispronounce his name? What kind of a crazy post is this anyway? Did Matt Drudge ask you to write about this?
Newsflash
Spike is full of himself.
Spike Lee: the Man, the Legend … of mediocre films and insufferable douchebagery.
Is the New Yorker article out yet? I can’t find it anywhere…
I wouldn’t mind having my poster next to Apatow’s, in the hope that my film might absorb some of that Apatow money-making magic by osmosis.
I sense that Lee feels that if he’s not in a feud with someone more successful, he’ll be forgotten by Hollywood and won’t be able to land another studio deal.
Huh? Something doesn’t compute. Spike calls Clint out at Cannes in May, then calls it off at a Lakers game? The NBA season doesn’t start till November. How is this possible?
Yeah, Spike is an untalented jerk. He made one good picture. Good for him. But he hasn’t done a damn thing but run his mouth for 20 years.
Spike lee is a talented director who deserves credit for pushing the envelope constantly and cultivating the audience now supporting Tyler Perry’s films. BUT his biggest problem has always been his inability to get out of his own way, i truly believe that the Academy would’ve already given him an Oscar already if he wasn’t such an abrasive blowhard, and this is coming from an african-american DGA member who has worked on 3 of his films. That being said Miracle at St. Anna is a GREAT film, let’s hope the academy can look past Lee’s personality (the same way the “overlooked” Polanski’s pedophilia and fugitive status) and give him a director nomination, he deserves it.
Spike Lee should shut his yap until he makes another good film. Do The Right Thing came out 20 years ago. Also, I find is amusing that Spike attacks Tarantino for using the N Word, but refuses to acknowledge his cariatured, and some might say racist, portrayals of Jews and Italians in his own films.
Spike Lee bullied Norman Jewison off Malcolm X.
Norman Jewison would have made a better film.
The last good movie Spike made was Clockers.
Spike Lee is a turd, plain and simple. His recent movies have been pathetic. He only picks fights with other directors in order to get publicity. His movies’ failures certainly don’t warrant the ink he gets.
Hey Spike, STFU.
You know, Spike needs desperately to make a good movie, and stop this trash-talking stuff. Go make a great film, Spike. I know you have it in you.
So in Hollywood, having a feud is simply criticizing someone, and to apologize, you have to go to Steve Spielberg? Very strange.
C’mon, Nikki. Really? A feud with Judd for Spike saying he wants to be next to Spielberg and Williams? I know you love to call Judd Apatow the new mogul but I don’t think you can really argue that his films aren’t exactly in the same cinematic ballpark as Spielberg or Spike. (Although Spike also isn’t in the same box office ballpark as Apatow).
I’m not sure if this is about Lee starting a feud with Apatow or you trying to start a feud with Spike.
Apatow films always seem revolve around men with an inferiority complex landing the hottest women around, so you’d think Spike would find some kind of kinship with Judd.
But hey, if you’re a Knicks fan, you too would be miserably bitter.
Anyway, Spike is just an arrogant jerk. I remember when he gave a speech at my alma mater Emory University years ago and he went on this rant about the studio not wanting him to portray Jewish executives negatively in “Mo’ Better Blues” but he was like “Fuck you, I’ll go after Jews if I want”. After that inane comment, there was an exodus of students out the doors of the gym (where the speech was held). Absolute class, that guy.
I’m not really a Spike Lee fan. That being said Inside Man was a great movie. He captured New York brilliantly.
That’s all he’s good for: capturing New York. spike Lee doesn’t capture anything that speaks to or appeals to a lot of Black OR White people. Do the right Thing was brilliant but the rest of his films were TERRIBLE!!
Doesn’t sound like a feud. Sounds like a joke.
And I will be seeing The Miracle of St. Anna the first day. Clint left black soldiers out of his war movies, as Spielberg left black soldiers out of Saving Private Ryan.
Yes, we KNOW the military was segregated then, but the image is a powerful thing. And somehow, Americans must be reminded that ALL Americans died fighting for freedom in that war.
So thanks for the movie, Spike. I will be taking my whole family.
Nikki – stop starting sh*t!! Spike is brilliant and outspoken, but someone has to be!! God Bless SPIKE LEE.
Even Spike Lee is sick of being Spike Lee. Go to one of his college appearances. He’s bored and boring, there to grab a paycheck and run. His Q & A section is especially awful. Answering questions from his (admittedly tiresome) fans seems to torture him…
There was a time when Spike’s whining at least had some validity.
I agreed about his complaints about Tarantino using the N-word. Remember this is the upper-middle-class white kid from South Bay who was trying to tell interviewers that since he hung out in South Central in the 70s and watched blaxploitation movies, he REALLY understands black culture and DEMANDS the freedom to use racial ephitets.
It was b.s. from day one and I’m glad Spike called him on it. Even if he came off as whining (which Samuel L. Jackson pointed out), at least his intentions were there.
Now, Spike seems to open his mouth whenever he’s trying to promote a new film.
Would ANY of us be talking about Spike’s new film if this Clint-Spike feud didn’t provide the groundwork? Would any of us even know that the film was coming out?
Spike knows what he’s doing, but he should’ve learned a long time ago that can’t bully the audience into seeing your movies. He should look no further than the lackluster grosses for his rather prolific body work as evidence of that.
It’s a shame too, because I think he’s a very talented filmmaker. Buried in that massive filmography are some really solid films (Clockers, 25th Hour, Do The Right Thing).
It would seem that Lee is simply unaware who Apatow is… and considering Apatow’s critical and commercial success, that’s significant. Lee clearly has CHOSEN to avoid these films, seemingly because he just doesn’t like people who aren’t “like him”- isn’t there a word for that sort of attitude?
You’re rather poorly informed about Spike Lee if you think he only sees film by or about people “like him.” Spike’s tastes in film as a viewer are in all probability far more wide-ranging and cultivated than your own.