James Schamus is really pissed at that Hollywood Reporter story carried by Reuters yesterday on the eve of the San Francisco premiere dissing the marketing strategy to supposedly not focus on the political significance of Focus Features’ Milk. Here’s the complaint Schamus sent to the trade:
To the Editor:
Slow news day, eh? As the CEO of Focus Features, I read with interest your October 28 front page article “Politics? Focus won’t ‘Milk’ it,” about our marketing of director Gus Van Sant’s film about Harvey Milk, the first openly gay man elected to major public office in America. The author’s thesis is simple: because the film was not, like Brokeback Mountain, screened at festivals, Focus is somehow hiding the film and is thus avoiding openly presenting its political content. That’s a pretty serious charge, especially made by a reporter who did not call us to get his facts, so to speak, straight.
First of all, to the charge of “hiding” the film (for which, given its post-production schedule, we have only had finished prints at hand for a couple of weeks – a fact conveniently missed by your reporter), I can only say that I happen to be writing this while on my way to the airport for a flight to San Francisco, where we shall world-premiere the film tonight at the Castro Theatre, across the street from the storefront where Harvey began his political career. We determined early on that the only appropriate place for the world premiere of Milk was San Francisco. The event is a benefit for four LGBT youth groups; our benefit committee is chaired by San Francisco Mayor Gavin Newsom, and includes every major LGBT leader in Northern California and virtually every major statewide elected official, including Senator Barbara Boxer, Assemblyman Mark Leno, and Treasurer José Cisneros. The premiere is timed to the final week before a crucial election, one which includes an anti-gay state proposition much like the one Harvey Milk vanquished 30 years ago. The after-screening gathering will be held at San Francisco’s City Hall, and today has been proclaimed “Focus Features Day” by the Mayor – who clearly didn’t get The Hollywood Reporter in time to understand our underhanded, apolitical approach to marketing the film.
Immediately on the heels of the premiere, a series of word-of-mouth screenings will be held over the next few weeks in every major city across the country. We will also be holding premieres of Milk in New York, Los Angeles, and Portland.
But if a journalist is to write about our marketing campaign, might he consider actually talking about…our marketing campaign? The trailer for Milk, for example (see it for yourself at www.milkthemovie.com) is, not just in my opinion, probably the most inspiring piece of movie marketing about genuine (as well as out) politics ever created. It has been the most explosively received and appreciated trailer in the history of our company, posted on hundreds of sites, and played and playing in theaters nationwide in front of more than a dozen movies.
Following the debut of that trailer way back on September 12, our marketing campaign mobilized an early online media push timed to all four presidential race debates – the mornings after, we had specially commissioned Milk ad buys on the political pages of the websites of The New York Times, The Los Angeles Times, National Public Radio, The Huffington Post, and many more. Our banner ads and 60-second spots were all about the film and what it and Harvey represent. Speaking of which, beyond the trailer, check out the rest of our website; it’s already filled with scores of stories from people across the country, linking their own lives to Harvey Milk’s transformational politics.
I expect that more thorough journalism on our Milk campaign will be published in THR soon.
James Schamus
New York City
Editor-in-Chief Nikki Finke - tip her here.
Slow news day, eh? As the CEO of Focus Features, I read with interest your October 28 front page article “Politics? Focus won’t ‘Milk’ it,” about our marketing of director Gus Van Sant’s film about Harvey Milk, the first openly gay man elected to major public office in America. The author’s thesis is simple: because the film was not, like Brokeback Mountain, screened at festivals, Focus is somehow hiding the film and is thus avoiding openly presenting its political content. That’s a pretty serious charge, especially made by a reporter who did not call us to get his facts, so to speak, straight.

hey look on the bright side. at least FOCUS Features got more free publicity for MILK. Ain’t no such thing as bad publicity. Now I’m waiting for MILK to come out soon. Whoo, boy on boy lovin’!!!
“Our print was still wet from the lab,” or whatever variation; oldest excuse in the book.
Personally, I’d love to know why Sean Penn has so far done zero publicity for the film. Especially considering some have been saying this movie is Oscar bait.
What’s he afraid of?
Meanwhile, James Franco is shilling for the movie in The Advocate.
This is hilarious. Clearly James Shamus has never read the Hollywood Reporter. He used the word journalism in the same sentence.
James,
Thank you. First, I am straight. Second, I hope this film is terrific. Looks like an Oscar worthy performance from Sean Penn. He is amazing. Please keep bringing us great films. At least keep trying. You are one of the few who have done this.
Thanks again.
What?? A trade publishing inaccurate information? Accused of shoddy journalism? How could this be?
Saw a cut of the film. It’s terrific and Sean Penn will be nominated. With the dearth of film in competition, I think Milk could take it all.
And hey lets be honest, Focus got robbed on “Brokeback Mountain.”
James had plenty of factual backup for this rebuttal without resorting to all the smarmy bitch-slapping. I’ll never understand reactionary execs who can’t either a) keep their adolescent emotions at bay or b) find a good copy editor.
Hey Atwater Village Newbie,
You should look up the definition to the word “reactionary,” especially when James Schamus is the diametric opposite of the word.
Find a good copy editor yourself, you ignorant pedant.
The Hollywood Reporter has gone from B+ to … well, cancelled, at my office.
Shoddy journalism, and no time for fact-checking.
Better to have that sassy editorial attitude…it’s so, so….check-out aisle cool…..THR.
Hear hear! to James Schamus — one of the few producers in the biz to actually realize that an audience is made up of diverse people (read: NOT ALL STRAIGHT) and actually does his part to put out thought-provoking entertainment for grown-ups.
If only the Majors would ante up to this select group that generates — as a whole — billions of dollars in annual disposable income.
And trust me, THEY know about MILK, and have for months. They WILL spread the word. And they’ll most certainly show up.
Right now I’m based in Toronto, so obviously the following isn’t overly representative but i’ll observe that as of last weekend Changeling was in limited here…there was a Milk trailer prior to Changeling and from the trailer the political and sexuality issues were very apparent in the trailer.
Of course, as above you have to leave aside the issue of a trailer prior an early limited release film in a region which is accepting to the point of indifferent of the hot button issues which vex us distributors.
I’l be interested to see how it’s received in Canada…i understand there were recently issues with release date. Of course, box office here is usually insignificant but keep in mind this is the country that didnt’ get why Brokeback was all that controversial so we’ll see.
Problem with Milk is that the political aspects have no traction in Canada…but i think Good Night, Good Luck went over fine.
Okay…I’m just blabbing…but now i’m spending 60-75% of my time in toronto with TIFF related stuff i figured i’d throw out an anchor.
Great letter.
Actually, the Castro Theater is on the same side of the street as Harvey’s old camera shop.
Can’t wait to see the film.
Will Sean Penn receive an Oscar nomination for “Milk”?
Is the Pope Sinead’s real enemy? Please!
a) Sean Penn — uber-liberal bastion of enlightened celebrity-hood.
b) Sean Penn — exceptionally talented actor.
c) Harvey Milk — beloved leader of the homosexual community.
d) Harvey Milk — martyred leader of the homosexual community.
e) “Milk” — an “important” Oscar-season release absolutely throbbing with subjects, characters, and issues so near and dear to the enlightened Hollywood community — liberal theologies, homosexuality, hypocrisy, bigotry, evil conservatism, pent-up rage, rioting, hot man-on-man anal and oral sex, and really, really good cinematography.
Sean Penn could play Harvey post-assassination as a lifeless corpse, and he would still receive a nomination for his “brave,” “groundbreaking” performance.
This movie is a Hollywood wet dream, and the poster over the bed is a cover blow-up from a 1980s issue of “Blue Boy.”
I yawn. I blink with glassy-eyed aloofness. I turn on MSNBC and giggle like a little schoolgirl.
This kind of thing would never happen at my paper!