SUNDAY AM: Disney’s G rated tween/teen audience pleaser High School Musical 3: Senior Year sounded the right note at the box office this weekend to become what the studio boasted was the biggest musical ever both internationally and domestically, and the first global #1 opening since The Dark Knight. HSM3 opened with a big $16.9 million Friday from a very wide release into 3,623 North American theaters. But then it surprisingly fell 9% Saturday to make $15.3 million. So now its domestic weekend total, counting Sunday’s estimated gross, is a hefty $42 million. Overseas, it did another $40 million after launching day and date in 19 territories through Sunday, including the UK, Germany, Spain, France and Brazil. Clearly, the HSM TV franchise’s huge Disney Channel ratings translated into HSM3‘s theatrical ticket sales. Let’s dance and sing and win one for the senior class! (That tried and true wholesome upbeat formula succeeds at the start of the holiday movie season yet again.) Advance sales had been off the hook for a while. Friday night, for instance, tween girls in Kalamazoo, Michigan, planned their birthday bashes around the movie’s debut.
One group, accompanied by a mother, showed up in homemade HSM T-shirts (photo below). Disney knew that HSM3 would be a hard film to track since no one can recall a TV movie (as opposed to TV series) that has been made into a theatrical motion picture sequel. One for the record books. But the pic easily made the transition from the small to big screen thanks to Kenny Ortega’s direction and Peter Barsocchini’s script and stars Zac Efron, Vanessa Hudgens and Ashley Tisdale. HSM3 also beat its musical genre category comps, opening much better than Mamma Mia and Hairspray which also went after predominantly younger and female audiences. Internationally, HSM3 still has 35% of the world left to open, including Mexico, Italy and Belgium.
In 2nd place, Twisted Picture/Lionsgate’s revolting torture porn gorefest Saw V made a $14.1 million debut Friday from 3,060 venues, then fell 30% Saturday for $9.9 million for a $30.5M weekend — on a par with the $31.7M-$33.1M that this franchise’s sequels have reliably generated even though this kind of Hard R-rated crap is increasingly repulsive to teen women on Date Night. Yet Lionsgate boasts it’s on its way to becoming the top-grossing horror franchise of all time. The five Saw films have now grossed a cumulative $316.2 million to date at the domestic box office and will pass the $317.8 million hauled in by the eleven Friday the 13th films Monday or Tuesday. The Saw franchise also passed Halloween, whose nine films have grossed a cumulative $307.4 million, this past weekend. The Saw franchise is already one of the most profitable in box office history. The original Saw cost only $1.2 million to make, and the franchise now has achieved worldwide box office of more than $550 million and combined worldwide theatrical and home entertainment grosses of more than $1 billion.
But New Line/Warner Bros’ been there/done that crime drama Pride And Glory starring Edward Norton and Colin Farrell made a pathetic $2.3 million Friday and $2.4 million Saturday at 2,585 plays for No. 5 and a $6.2M weekend. Then again, neither Norton or Farrell have the star power to open a movie.
Tim Burton’s The Nightmare Before Christmas in 3-D, the 2008 re-issue playing in 284 runs, took in $372K this weekend. Universal platformed Clint Eastwood’s Oscar-touted The Changeling starring Angelina Jolie at 15 theaters in 9 markets for $502K from Friday-Sunday, a terrific start.
There’s been tremendous interest by the public in the box office fate of Oliver Stone’s W. for its second weekend in release. Well, it ran out of steam. QED International/Lionsgate’s Bush biopic sank 58% to No. 7 with a $5.3M weekend from 2,050 dates and new cume of $18.7M. The $30M negative cost film should end up with $23M domestic box office gross by the end of its North American run. That means, with a $25M P&A investment and Lionsgate’s distribution fees, the film won’t recoup.
The rest of the Top 10 were veterans. 20th Century Fox’s Max Payne starring Mark Wahlberg in the video game-turned-movie dropped 57% from a week ago for a $7.6M weekend from 3,381 dates for 3rd place. With a new cume of only $29.6M, this film is looking like an underperformer. Disney’s Beverly Hills Chihuahua keeps hanging on and earned another $6.9M this weekend from 3,190 theaters for No. 4 and a solid $78.1M cume. In the 6th spot, Fox Searchlight’s heartwarming The Secret Life Of Bees took in $5.9M (-44%) for the weekend from 1,630 venues for a new $19.2M cume. DreamWorks/Paramount’s Shia LeBoeuf actioner Eagle Eye raked in another $5.1M this weekend from 2,558 runs for a new cume of $87.9M for #8. Warner Bros’ thriller starring Leonardo DiCaprio and Russell Crowe in costly Body Of Lies came in No. 9 with a $4M Friday from 2,150 theaters and weak new cume of $30.8M. And in the 10th spot, Screen Gems/Sony’s Quarantine scared up another $2.5M this FSS from 2,228 plays for a fresh $28.7M cume.
Overall, this was a great weekend for Hollywood at the box office with $136M, up 35% from last year.
For more estimates listed by title, see box office results here...Editor-in-Chief Nikki Finke - tip her here.


Nikki, what’s the last horror movie you liked?
I always suspect people who throw around the term “torture porn” have not actually seen most of the movies they’re talking about. It’s as though they actually believe it’s two hours of watching people get tortured without regard to story, character, theme, etc. I’ve seen the first “Saw” movie and thought it was neither great nor terrible. It was certainly more clever than most horror movies.
Whether or not women like seeing them on date night is irrelevant. They clearly go whether they like it or not. Maybe you need to encourage women not to continue going to movies to please their significant others rather than wasting your breath railing at Hollywood for a blatant cash grab.
Why should anyone defend Nikki on her incredibly wrong-headed attacks of the SAW franchise? We all know she’s a good reporter on most subjects, but when she has a bias about something, she has a very hard time seeing past it. (Anyone remember her propping up the flop THE WOMEN?) The fact is the SAW franchise makes alot of money so they must be tapping into some audience consistently. They are better than average horror films, not sexist “torture porn” movies. I would at least respect Nikki’s position if she took the time to see these films rather than just condemn them from a position of ignorance.
CinefileX said:
“There are still some truly scary films out there and they don’t need to lop off a head to unsettle you:
MIDNIGHT MEAT TRAIN (Fantastic!)”
…ummm, in MMT they DID literally lop off a head (among other gory scenes).
Nice try, though.
W sank like Stone?
Who knew. NIXON cost $55 million in ’95 and made $13 million. ALEXANDER tanked. Oliver Stone is the last person on earth anyone would turn to for historical accuracy and credibility.
And yet W got made and released. How? What Hollywood moron would invest in that? No one. Stone financed his hit job with Chinese money. Maybe Stone’s next movie can be a conspiracy picture about the CIA trying to bankrupt China by using their money to finance Hollywood propaganda bombs.
You people in Hollywood simply have no idea how many out here in the hinterland despise and loath the leftists in Hollywood. Since 90% of your city are socialists, Marxists, traitors, appeasers, pacifists, hedonists, and America haters, except, of course, you don’t hate the American dollar, a strong detest for you and your movies has grown out here.
When someone like Oliver Stone loses money on one of his leftists propaganda pieces, we are happy.
Keep bashing down these disgusting horror flicks, Nikki! They create depraved thoughts and feelings in young people. They’re the sort of filth that plants the seeds of future Jeffrey Dahmers and John Wayne Gacys. It’s great to see someone connected to Hollywood whose aesthetic tastes aren’t 100% corrupted.
“Everyone was in the aisles dancing and singing”
Luckily, I will be spared of witnessing such retarded behavior, because I’m not planning on seeing HSM 3. I’d rather have my teeth pulled without any anesthesia.
Disney must be really happy, though. I bet they’ve already greenlighted High School Musical 4, 5, 6, 7, 8, 9 & 10. It’s like their own version of the Saw franchise. Saw is about torture and HSM is a torture to watch.
CinefileX you clearly have NEVER watched a Saw film. With the exception of 5 minutes in III and an unfortunate subplot in IV (which was exacerbated on the otherwise superior DVD release) these films are completely devoid of sexualized violence.
And lets stop and think here for a moment. The vast majority of slasher films are about sexual awakening. They feature various modes and models of female sexuality and the dangers that come with each. Then in the finale, the “survivor girl” defeats the killer (usually after traveling through a yonic tunnel) and self actualizes into the ultimate version of herself.
It is of note that the audience for these films is primarily young women.
And yet you have unilaterally determined that they are “demeaning”? So what? Women are supposed to like RomComs? An entire genre dedicated to the hypothesis that women are incomplete without men?
Is it surprising a film like “W” would fade fast? Stone and Moore make these kinds of films to satisfy their liberal elite friends. We see how mainstream America treats this drek. Its those idiots who are out of touch.
Jack Brooks
Keep bashing down these disgusting horror flicks, Nikki! They create depraved thoughts and feelings in young people. They’re the sort of filth that plants the seeds of future Jeffrey Dahmers and John Wayne Gacys. It’s great to see someone connected to Hollywood whose aesthetic tastes aren’t 100% corrupted.
Yeah sure, except for the fact that there is not a SINGLE statistic to support this. Sure, “I Spit on Your Grave” was arousing to convicts, but that is also basically the only movie ever made that doesn’t “sexy up” rape to make it palatable. And the fact of the matter is that fictitious violence is totally separate from the real thing.
Hell, teen violence began its decline in the same year that the ultra violent Doom II was released. If you wanna make a link between media and violence you could just as likely say that Doom II made people LESS violent.
Correlation without causation.
Well “W” bombs at the box office. Another anti-Bush, anti-USA movie from Hollyschmucks that will lose a ton of money. When are these Hollywood leftists going to get it….NO ONE CARES ABOUT THERE POLITICAL AGENDA!!!!!
If The Messiah, The Number One Brother, wins the presidential election, Hollywood will make damn sure the “right wing” watches its movies, by forcing them into theatres, taping their eyelids open, and making them watch lefty movies til they “get it”.
Just like in “Clockwork Orange”.
Hollywood will continue to bleed money until people begin losing their jobs and the right people come in and make entertaining films. You can start with Earnest Ed Norton. If his family wasn’t filthy rich, he wouldn’t be bombing in crappy movie after crappy movie. He’s well respected because most of the people in Hollywood are uneducated.
For those of you looking for entertainment, look outside Hollywood to foreign films or rent old movies you’ve never seen.
Aw man, I don’t want to live in a world where HSM 3 and SAW V take the top two slots at the weekend box-office!
Ultra-violence and musical numbers? *vomits*
Oliver Stone hasn’t made a good film since “Platoon.”
And that was how many years ago?
Maybe if he’d put down the coke spoon and get his head
outta his leftist ass, he could remember how to make
movies for “the people” instead of all his commie
buddies at the Polo Lounge.
Walter — you’re drinking the kool-aid pal, and you don’t even realize it.
First – 90% of Hollywood are Socialist – I laugh in your face. Probably the biggest discrepancy in wealth in the entire nation is right here in Hollywood. Yeah, there’s lot’s of millionaires. But there’s an even bigger boat load of poor people trying to make it in this business who don’t earn crap, and aren’t getting any handouts. Trust me, socialism is NOT BREATHING out here.
Traitors – Hmmm…didn’t Karl Rove actually give out an undercover CIA operatives information to the press in order to compromise her identity???? And if you’re gonna go Ayers on that – please note – OBAMA was a kid when that shit happened. I don’t care if they were drinking buddies from 95′ til today, OBAMA still never had anything to do with comprimising this nations security (which is a traitor).
Appeasers – paaa-leeeze. Mccain, circa this summer, has insiders up the wazoo saying – it’s gonna be a landslide, and not us. Let’s appease the christian right and get a nutcase on the ticket with you. Done. Palin. APPEASER.
America Haters – sorry pal, you couldn’t more off the mark here. Most people out here want to see America restored to the place it was when we were all coming up. A place of progressive thinking. Of freedoms. Rights. WE’VE LOST MORE RIGHTS in the last 8 years then we have in any presidents reign over this country. And not to mention our ECONOMY SUCKS.
WALTER – You’re close minded. All you’re doing is hating on people who are sick of the state that we’re in. And yes, we’re blaming the current administration and who the hell wouldn’t.
I am still envious of you on one thing. You’re in a better situation then me. Mccain wins, you’re happy. Obama wins, you’re better off in four years then you are now. So I’d be a little more grateful if I were you.
Go Nikki! I’m with you. These horror flicks are devoid of redeeming qualities. They are made by sickos for sickos. They negatively influence the minds of impressionable young people. They appeal to man’s baser instincts. Too bad the money used to make this garbage can’t be used for uplifting purposes. But as long as there are people our there willing to plunk down ten bucks to be grossed out, they’ll keep making them. And we’ll keep sliding a little further down the slippery slope. Don’t expect SAW lovers to care or think about such things. Their only interest is self.
Wow Nikki, you are being a little harsh on Horror flicks aren’t you? They are way better than that pop crap Disney turns out (which is the real horror, to the music industry)
Are you going to be saying the same for My Bloody Valentine and Friday the 13th? When they come out next year?
I don’t do Horror flicks, all that often.. Most of the time because the plot sucks, and the acting sucks! But at least they are more entertaining than High School Musical. *GAG*
As usual I will wait for the DVD, cheaper just to buy it than go to the movies, pay for parking, pay to get in, and pay for popcorn and coke. Sheesh a night out costs like $40.00 for two, and that’s not counting dinner.
OK, kiddies…want the real snuff?
Ever since I was 16 years old, the best way to get a gal a bit gooey was to take her to a horror flick, coitanly a drive-in movie if possible.
Something about being on edge that transfers to a woman’s level of excitement as she reacts to an all-of-a-suddie scene.
That is Mom Nature at work, so you idiots who are criitcizing the value of such entertainment, ask any 17 year old guy…and then stand back…
As long as there are hormones there will be horror & slash-n-gore garbage to feed this needy market…
Matt C:
Hold me accountable for my “Twilight” and “Watchmen” predictions, but be reasonable.
I think “Twilight” will underperform. The production cost is under $40 million. If the overall cost stays under $60 million, the movie opens with $25 million or more, and the second weekend doesn’t drop more than 50%, it will do okay. Only one of those three things is likely to happen.
“Watchmen” has a “massive” fanbase? Oh, please.
Diamond Comic Distributors is the world’s largest distributor of comics in North America. About 1/4 of total comic sales are from direct market retailers that receive distribution from Diamond. These are Diamond’s Watchmen sales to those retailers in 2008:
01/2008 – 2,601
02/2008 – 1,806
03/2008 – 2,075
04/2008 – 3,115
05/2008 – 2,383
06/2008 – 3,213
07/2008 – 19,104 (confusing trailer released)
08/2008 – 43,370
09/2008 – 8,133
This equates to about 330,000 sales so far in 2008 which is over three times the total sales in 2007 and almost 15 times the total sales for Watchmen in an average year. In July and August 2008, DC printed one million Watchmen copies.
What can we learn from this?
1. Even when graphic novel sales are great, they’re still relatively low.
2. DC is not immune to its own hype. It printed one million copies of Watchmen because of demand resulting from the trailer. Demand that began to dissipate significantly in September 2008.
When you write “we’ll see in a few weeks whether your ‘prediction’ holds true for Twilight,” I would agree that attention should be paid to the grosses for that movie.
Because Watchmen isn’t beating that number.
Oh, look! Even Watchmen-friendly sites are beginning to express doubts – http://www.scifi.com/scifiwire/index.php?category=15&id=61133 .
I don’t agree with all of those reasons in that article, but a lack of familiarity (hurts generally), a lot of exposition (hurts foreign sales), and long runtime (hurts grosses) are all valid.
After ripping on Ebert for reviewing a film he didn’t watch in its entirety, it’s a bit hypocritical to call Saw V “(a) revolting torture porn gorefest” and “crap” — unless, that is, you actually saw it?
Personally, I think HSM is far more revolting, gruesome and scary than any horror movie could ever be.
Well, “W” may not have done well here, but that’s okay…maybe it will do better with our enlightened friends in Europe. Soon our “O” will be in the “WH” and the revolution will begin! If Stone makes a movie about “O” in 2012, I bet it rivals the top records.
Nikki, although I haven’t read your rants on horror films, I agree with you that they are bad…and serve to inspire those who are sick among us, thusly harming our society as whole–in one way, or another, it manifests. Although most people don’t act on what they see in movies, many do…just look at all the people who are attracted to the porn industry and copy the acts that they see in those films…and I can’t say that I haven’t been influenced by the latter in my sexuality…the truth is I have, and it is hard to unring the bell once you see it??? But I digress, back to the subject at hand.
In regard to horror films or graphic violence in general, I have no interest in blood and guts gore, on screen, or off…as I am a non-violent person. However, I have written several scripts, all spec…and none have made it to the screen, or even to an agent’s desk, still among them, is a fully completed script for a scary movie, and another, lost through a computer crash midway…some years ago. I wrote them because they are cheap to produce with high profit potential, something most producers or studios would be quickly interested in; still, I wanted something more, something better.
In terms of my latest full script, it plays on scares, but I wrote it to steer away from the blood and guts gore fair, although it is implied, it is not shown, the implication of violence being far scarier and more dramatic. I am a big fan of Rod Serling, the creator of the Twilight Zone, and the most frightening writer of all time, as he could scare you with shadows…and a play on the unknown. The scares were often generated in our, the viewers’…collective minds, Serling just provided the breadcrumbs for us to follow our own inborn psychological prejudices and impulses, which often proved wrong, and we, the audience, became the villains, or the fools of the piece…even those whom are intelligent among us. His works were about smart suspense, and the big “I didn’t see it coming!!!” story twists. All this, absent the chronic misogyny…and sex and pornography dressed as violence, as seen in modern television and films. That is how I write, like Serling, and how I hope any films that I may be fortunate enough to be involved with or make, including in the suspense/fright genre, would be executed, in the most responsible fashion…as scary films that avoid all of the blood, guts and rape that populate todays films and tv series, the latter, forced sex (rape), often transposed as slashings and torture scenes targeting women, and or, children!!!
I’d rather press for more toward fantasy and thriller elements, like classic fair from the 30s and 40s, or even my favorite of the master works, a television series, again, that being Rod Serling’s original Twilight Zone–not the irresponsible Horror, Gore, and Torture Porn trash that has been produced over the last 35 plus years…which, as I said before, only serve to give sick minds ideas…not that they don’t have sick ideas of their own, but we don’t need to give them something extra…that they haven’t already thought of yet!!!
With all of the continued advertising and raving reviews,it is great to see the Results of the pitiful box office receipts of W. Who really cares about seeing our President whom has kept this great nation safe these last years get hammered. The libs that want to see it are still waiting at home for their free tickets.
And what about that idiot Bill Maher and his movie Rigulusosy? We also had to suffer through his continued advertising and it also BOMBED.
Oh Well.