The following message went out today from the Writers Guild West and East to their members. No WGA scribes may new write for the Ozzy Osbourne show (tentatively titled The Osbournes: Loud And Dangerous) being produced by FreemantleMedia North American. The email also reminds members that no WGA scribes can write for any of Tyler Perry’s production companies which are being struck by the guild:
October 8, 2008
To Our Fellow Members,Last week, you may have become aware of our ongoing dispute with Tyler Perry’s production companies, which fired four writers because of their efforts to organize Perry’s series, House of Payne. Pickets were up at his new studio’s grand opening Saturday night in Atlanta.
Now, we write to inform you of another labor dispute.
Fox has ordered a primetime comedy-variety show featuring Ozzy Osbourne and his family, and has engaged FremantleMedia North America, the company behind American Idol, to produce it. Because they wanted to hire WGA members to write the show, Fremantle contacted the WGAW to see if we would agree to a sub-standard contract. Attempting to pay as little as possible to the writers on the show, Fremantle asked to treat it as “half-scripted” and pay greatly reduced writing fees to those writers who wrote skits, interview material, intros, and “outros.” Although all of the writing on the show is of a type traditionally covered by our MBA (in such shows as The Carol Burnett Show and Laugh-In), Fremantle wanted to treat certain portions of the show as “reality content,” not cover the writers who create it, and lower the compensation of the WGA-covered writers, arguing that they would only be responsible for writing part of the show.
We refused to agree to such a deal because it would drastically undermine hard-won minimums and standards. While we have covered some shows produced by Fremantle, they insist that other shows, including American Idol, The Price is Right, and Million Dollar Password, do not have writers and should not be covered by a WGA contract.
Now it is clear that Fremantle’s intention is to bring their low cost, non-union business model into traditional genres – first game shows, then comedy-variety. Soon, no WGA-covered writing will be safe from their aggressive undermining of our contract. We cannot allow this encroachment to continue.
Accordingly, WGA East and West members may not write for the Osbourne variety show (working title: The Osbournes: Loud and Dangerous). Any members who perform writing services on that show do so at their own peril as they will be violating WGA Working Rule 8 and could be fined up to 100% of their compensation for that work. Both Guilds notified agents and other representatives of this development through an Action Alert issued yesterday.
The alert also reminded agents that they cannot send clients who are members of either Guild to write for Tyler Perry’s production companies. The WGAW has filed unfair labor practice charges based on the unlawful discharge of the House of Payne writers and continuing bad faith bargaining. Members who accept these jobs will also be in violation of Working Rule 8.
We believe that denying Fremantle and Tyler Perry members of the Writers Guilds East and West may convince them that they will be unable to produce professional quality entertainment content and that they will see the wisdom and creative advantages of signing a WGA contract.
There is already far too much writing done in our business by men and women without WGA benefits. We cannot let writers of sitcoms and comedy-variety programming join their ranks, as we also work to reduce the amount of animation, reality, nonfiction, and other so-called “non-scripted” writing not covered by a WGA contract.
Thanks for your attention and your continued support.
Best,
Patric M. Verrone
President, WGAWMichael Winship
President, WGAE
Editor-in-Chief Nikki Finke - tip her here.



Fox considers it “half-scripted” because people can only understand half of what Ozzy says.
How many others came up with that joke? Raise your hands.
Anyhoo… They’re not going to get the good writers they need to make the show work, if they offer a substandard deal. They’re guaranteeing has-beens and never-weres, and they’re not going to get any experienced hands to keep it all together.
Penny wise, pound foolish.
Yikes. It’s now officially open season on comedy writers. First the Sit Down/Shut Up writers were fucked by Sony, then Tyler Perry screwed his writing staff, and now Fremantle is attempting to lowball writers for its PRIMETIME comedy-variety show.
The conglomerates are like wolves circling now that the half-hour is in trouble and they think they can pick off comedy writers from the WGA herd.
This shit has got to stop.
Meanwhile the WGA turns a blind eye to every reality show put out by Freemantle. Does that dipshit Verrone actually think anyone has an ounce of respect for him anymore?
Also, the WGA writers that were working for Tyler Perry aren’t the only WGA writers working for non-union shows. Everyone knows that (including agents and the WGA) but, as always, a blind eye is turned.
Good for Patric. Now hopefully the OTHER unions will respect the fact that WGA is trying to shape this situation up and be respectful. The union system protects artists from rapacious commercial interests. Collective action works!
Crystal Diane Stevens –
The WGA and its Network Organizing Committee, made up of Guild and non-Guild members, is working very hard to organize reality shows. Particularly at Fremantle. Unfortunately, very few reality writers are participating in the reality campaign. We’d love to have your involvement since you seem very passionate about the issue. Contact Jayson Pope at the Guild for more information.
C.D. Stevens,
The only dipshit here is you. Verrone rarely “turns a blind eye” towards anything — usually he’s being lambasted on these boards and elsewhere for being TOO aggressive (“How could he call a strike during a recession?!”)
And, yeah, HOUSE OF PAYNE isn’t the only non-WGA shop in town and…? Your point? Do you have a point? Do you EVER have a point?
Or does the bile just turn on and off with a spigot?
I’m sure Sharon Osbourne won’t do anything to push to have writers treated fair on this show because she doesn’t with her other show “America’s Got Talent.” Another Fremantle show that lies about having writers and refuses to give them a contract. While she and other alleged stars fo these shows make millions, the writers don’t even get health insurance. What is it going to take to get this company to admit they have writers and give them industry standard compensation and benefits? F Fremantle.
And to the Patric haters. Get a clue. He has been very aggressive with organizing issues and the guild is trying to do all they can. Sure, if all people writing on reality and game shows just walked off the job the companies would then be forced to go guild. But that’s easier said than done.
Consider me unimpressed by the threatening email. I had no intention of trying to get the job, but the tone was bullshit.
The WGA lost me after the strike for being cowards. The only reason I don’t go ficore is because it would harm my ability to get work. The WGA is now dead to me.
gene simmons show is scandalous..no one seems to look at their pro. company
The way Freemantle and others are trying to squeeze WGA writers out reminds me of why Bill Clinton admitted he did the Monica thing – “Because I could.”
Bully to the WGA for saying, “No you can’t.”
i hope this will be the start of declining popularity for “unscripted” reality TV show crap.
As someone who’s worked on three reality shows, one which the WGA aggressively tried to unionize 8 years ago (see below) all I can say is “good luck.” While I think Patric Verrone is doing all he can to organize reality, I’m afraid to say it’ll never happen and here’s why:
A) The WGA and its members openly say that reality shows are garbage and require no talent to work on (and you all know you feel that way)
B) The WGA is insisting reality show producers hire them.
Okay, why should they? Fremantle is thinking, “if the WGA says our shows are crap, then why hire their members? They’re clearly saying they’re too good for us, which means we can hire anyone. So that’s what we’ll do.”
Fremantle’s pathetic offer to the Guild was likely meant to be unacceptable. They knew Verrone, et. al. would reject it so they can go, oh well, we tried but the WGA said no. Guess we’ll have to make Ozzy a non-Guild show, which was their agenda all along because:
1) The networks and studios are largely owned by huge conglomerates that have stockholders to contend with. Agreeing to a WGA contract that guarantees standard fees, health benefits and pension contributions will drive up a reality show’s budget exponentially. They’ll never agree to it and it’s not a point worth discussing especially now with the economic crisis at full swell. Beside, they know no one will ever “force” them. Because:
2) Let’s all admit that absolutely nobody, companies and WGA included, thinks of reality & game shows as “art.” They make sitcoms look like Shakespeare. They’re strictly assembled entertainment, and I’m saying that objectively, not negatively. I endured more than a few sneers from WGA members who felt I must be a hack working on a reality show as a “story producer” (‘course, this didn’t stop anyone from coming to work on them when their scripted work disappeared).
This condescending view of shows like “Dancing with the Stars”, “Big Brother”, “Survivor”, rating successes all, is noticed by companies like Fremantle. If they’re shows are so lousy, why bother hiring union writers? Doing so won’t make them better, just way more expensive.
Which leads to:
3) There They Go Again wrote: “If all people writing on reality and game shows just walked off the job the companies would then be forced to go guild.”
Sorry, but you’re wrong. Every year, thousands of college grads move to LA to try and break into the Industry. They’re more than happy to make a flat $800/week working 80 hours on these shows. Sure, the rest of us know they’re undercutting the organizing effort but they don’t care and there are plenty of them available. The Fremantle offices are overloaded with resumes from radio/TV/film grads who’ll do anything to work on one of their shows.
Besides, look at what happened on “America’s Next Top Model.” All 12 story producers walked out and went on strike. Nothing happened. The show carried on with just the editors and it did just fine (actually better since they saved thousands in salaries they didn’t have to pay anymore).
The point, I’m afraid, is that the WGA has lost this one. They lost it 8 years ago when I worked on Dick Wolf’s “Arrest & Trial”, a non-Guild strip show that was completely scripted and staffed by many WGA members who needed a job. Seriously, we cranked out 250 episodes in seven months, which now air in syndication. If any reality show should’ve been organized it was that one yet the effort failed miserably (however, IATSE and DGA succeeded in unionizing the editors and re-enactment directors.)
The only thing anyone can do is make scripted shows more viable than reality. Right now, that’s not happening as the ratings clearly show. Reality is loads cheaper to produce and currently has a bigger success ratio. There’s an enormous demographic of young viewers who grew up on “Real World” and the like. They’re not waiting for the next “Seinfeld.” I know most readers of this blog swoon over “30 Rock” and “Entourage” but the rest to the country doesn’t watch those shows because they don’t care about Industry navel-gazing. Their low ratings prove that.
As for Tyler Perry, while I think he’s rotten, I suspect he’ll get away with what he’s doing. So what if the WGA forbids its members from working on his shows? Again, judging by all the insults I’ve read on this blog about “House of Payne”, how badly written it is, you’re only reinforcing the point that Perry doesn’t need Guild writers. Why pay extra money for people who insist it’s garbage? It’s a rating success.
The moment the WGA PROVES that reality shows and Tyler Perry need WGA writers to succeed, that’s when the organizing will begin. So far it hasn’t and I doubt it ever will.
Once he does, it’ll open the door for other producers of scripted shows to do the exact same thing because they’ll Perry as the guy who paved the way to saving a lot of money. And that’s what it’s all about nowadays.
Gotta love it. The WGA is again telling its members (who don’t have any choice about whether they want to join the WGA or not) that they can’t work on certain jobs and if they do, the WGA is going to sue them for any wages they earned.
They want to pay substandard rates to writers because the show is only “half scripted”? bwahahahaha
Hey, if Fremantle wants to save money here’s a better idea. Cut Sharon’s pay on America’s Got Talent and only pay her for the few minutes she critiques the acts. Same with the other judges on that show (ironic that those no-talents are judging others). They could do the same with Simon, Randy, and Paula on American Idol. They only work about 5 minutes on those shows, so just pay them for the time they actually work. Simon makes about 50 million a year…if they paid him for what he actually does they’d save about 49 million and could use some of it to provide all their employees health insurance.
Tom is right for the most part. Fremantle-North America isn’t going to hire WGA writers for its game and reality shows just because they can. They will do it because there are people that refuse to do the writing for $800 per week due to the economy making things much more expensive. For example, lets say that a hamburger at McDonalds goes for $20 and at 80 hours per week, that isn’t enough to feed a family of three when you add in $21 milkshakes and $22 fries. (This is in the near future, maybe by the middle of next year.) Especially when you have a family car that gets 15MPG in Los Angeles and Gas costs about $3.72 and you are filling a 20 gallon tank, have a weekly food bill at Safeway, gets super cheap and easy to tear clothing from Wal*Mart, and lower quality big ticket items from China. Maybe, just maybe those writers can save by picking up bargains while slamming into each other at their local Wal*Mart on Black Friday (The Day after Thanksgiving), or when Circuit City is in the final days of its national Going out of Business sale.
In short, the point is that the national day of Reckoning is coming and it is either going to be reality TV and Gameshow writers joining the WGA and getting what is coming to them in backpay, or we will see Reality and Game shows leave Network TV due to falling ratings.
It’s disappointing that the WGA is selectively enforcing Rule 8, if it were enforced across the board (not allowing any WGA writer to work on any non-signatory TV show/movie), there certainly wouldn’t be this current problem. But there’s is the problem of us writers in general, in features we wouldn’t even think about undercutting–that is, working for a non-signatory–but in TV all those guys think about is fucking over any other writer who steps in there way to a quick buck.
It was the TV writers who fucked-up the strike and forced a lousy deal and they continue to keep acting in their own self-interest, while all the while screwing everybody else in the process. Personally, were I president of the WGA, I’d line up those scum-sucking non-signatory writers against a stone wall and shoot every last one of ‘em. And then I’d piss on their bodies.
Until we writers figure out it’s us against them and NOT us verses us, we’re never going to get what’s fair from the powers that be.
It should be pointed out that “Dancing With the Stars” is a WGA shop–one WGA member writes the intros and probably feeds Tom Bergeron one-liners during the show. Also, “Are You Smarter Than a Fifth Grader?” is now a WGA shop, with the interesting credit of a “host writer,” who I assume is on Jeff Foxworthy’s IFB giving him ad libs.
Anyone have a number for Fremantle?
I am repping twenty writers from India who are willing to write for any of their shows for $250 per week.
Call me!
I’ve never heard any WGA member berate and demean reality show writing as badly as Tom has. If he was or is a reality show writer he would never suggest that just any kid out of college could do it. He’s probably a shill from Fremantle and wants to put “garbage” like that out there in hopes of convincing people that writing on a reality show is something anyone can do. It’s time that the entire WGA membership take on stand and fight for the rights of all writers, not just those who think their work is better than someone else’s.
Tom’s response looks like a page out of the “Greedy Conglomerate” handbook. If he really was a writer he would direct his condescending words at Fremantle instead of writers who just want a fair deal.
actually, I think I remember Tom from the WGA’s basic cable organizing committee.
I think he was working at E! at the time, on some reality show.
While this move on Freemantle’s part is surely scummy it’s not surprising at all.
I do think the Guild has lost their shot at “reality” tv.
That said, I think they should go headlong after animation writing. The guys who wrote the billion dollar making Lion King made 100 grand total. The guy who created Sponge Bob (another billion dollar property) got a tiny piece of the net profits… so nada. Yes, they went into it with eyes open but I think it’s the kind of thing the Guild could shame the networks into changing (moreso than reality shows.)
This is exactly what the WGA is up against. If we don’t act now, then most of English speaking India can take writing jobs for $250-300 per week back home and upload everything to their bosses in Hollywood who only need to proofread their work before it gets made.
Anyone else laughing that the WGA actually has to tell its members NOT TO WORK ON A NON UNION SHOW when everyone knows, according to the WGA rules, they’ll be kicked out of the guild for doing so? The WGA is turning a blind eye to this shit, folks. Clearly. Honestly, they really shouldn’t have to even be telling their members this. Their members should just steer clear of non union shows. But we all know that WGA members will work through a strike and work on non union shows at the drop of a hat so long as the check clears.
I’m sorry, but there’s no writing on this kind of programming that any self respecting WGA writer would take (unless it was under the table and under a pseudonym). This is like busting strawberry farms for having illegal migrant workers.
Well, that expands the talent pool of writers significantly. Even money they end up getting better writing for less money.