SAG and the AMPTP met throughout Thursday and will continue meeting Friday, I’m told. There were no formal announcements by either side, thus indicating another news blackout. The federal mediator had arranged the first formal face-to-face in months between the two parties. But, given the history of their stalled negotiations, it’s not surprising that they don’t expect any real progress. The question, just as it was before the economic climate collapsed, is what has to happen to force a resolution for a new contract. The AMPTP clearly thought it could further marginalize the big actors union with Wednesday’s announcement that Big Media had reached a tentative contract agreement with IATSE. But I know there’s been real consternation within SAG over Wednesday’s other news: that Big Media have failed to comply with the WGA contract negotiated to end the 100-day writers strike by not making New Media payments to the writers. And that the WGA has filed for arbitration against the AMPTP. Seeing the writers get stiffed was a giant wake-up call for SAG and undermined the AMPTP’s own argument that the actors could have been collecting New Media residuals all this time if only they’d signed the Hollywood CEOs’ supposed “last best” offer many months ago.
Meanwhile, I learned Thursday that at least two major agency heads want to help the WGA secure those unpaid New Media residuals from the Hollywood CEOs. Tenpercenters played a pivotal early role in getting the writers and moguls to talk to each other during the strike. And let’s not forget that the studios and networks still owe SAG nearly $60 million in contractually mandated force majeure payments left over from the writers strike and, astonishingly, expect the big actors union to forgive that debt entirely once (or should I say, if ever) the AMPTP and SAG reach a new pact. I just don’t know if Hollywood truly understands that its employer-labor relations increasingly look as if they’re on the brink of breaking down after more than a year of bullying by the AMPTP and battling back by the Guilds. And when agreements already reached aren’t even respected — well, then, the whole system is falling apart. This is beyond shameful.
SCANDAL! WGA Goes After Big Media For Reneging On New Media Payments
Editor-in-Chief Nikki Finke - tip her here.





Why the rebuff? You’d think the WGA would like to have as many folks harping on the AMPTP as they could. they have their 10% invested in getting these payments too.
Also I don’t think the moguls really see the sheer tonnage of the bad karma they’re generating. They’re becoming increasingly resented by everyone in the industry that isn’t a mogul, even their own investors.
While they may not be as “important” or “powerful” as moguls these people vote, these people raise money, and like I said before, all it takes is one over-ambitious prosecutor to cause the moguls some serious hell, the way Spitzer terrorized Wall Street.
It’s like the glamour of being a media mogul has blinded them to their own survival.
Why on Earth are agents even asking if they could help clients gather $$$ owed them?
It’s already in the job description for crying out loud!
The fact they offered it makes me think they are looking to cover their mogul BFF’s hides while at the same time looking to come off as altrusitic to their talent.
Remember the WA-WA-WA-WA-WA-WA sound of the “adults” talking, but never seen, in the Peanuts Specials?
SAG… get into court NOW with that signed collective agreement to force AMPTP to make a deal before they lose the case (which they will – it’s a slam dunk).
“what has to happen to force a resolution for a new contract?”
Easy answer. SAG needs to accept the last and final made by the studios.
Does anyone (i) with a real gig, or (ii) who has had a real gig in the past 12 months, still believe the all the polemic to the contrary?
That’s right, Jeff, anyone who’s worked two days on “Ugly Betty” is obviously smarter and more qualified to have an opinion on this issue. What’s the point in accepting their deal? They’re already showing they have no intention to honor it by what they’re doing to the WGA, and by not paying the $60 million owed to SAG. Stop being short-sighted and see that an honest deal has yet to be struck with anyone, and the producers can’t be allowed to get away with it.
The WGA needs to send their lawyer in front of a judge and get a court order halting all new media use of TV shows and movies until the studios live up to their contract (payments and transparency). That will get them to comply fast!
“Easy answer. SAG needs to accept the last and final made by the studios.
Does anyone (i) with a real gig, or (ii) who has had a real gig in the past 12 months, still believe the all the polemic to the contrary?”
Hah. Ha-ha… Ha-ha-ha-ha.. HA-HA-HA-HA-HA… BWAAAAAHHHH-AH-HA-HA-HA…. *slapping hand on desk*
That cracked me up, Jeff R. Thanks, fool!
If the AMPTP does not do a good faith deal with SAG before mid-December, then SAG will call a strike vote and then strike before the Oscars. This will be just in time to kill pilot season and also put all studio films (which are expected to be greenlighted in January/February due to investor money running out) at a halt. Then, the WGA should completely stand by SAG and also keep up the outcry about no payment for New Media, while SAG can also step up the PR re: no force majeure payments.
Combine all of this with the SAG Live Cable Agreement expiring the end of December, we can strike with real power and scare those moguls into a deal — as we picket Wall Street and hold press conferences for shareholders and analysts.
If only idiotic AFTRA really were looking out for its actors then AFTRA would be striking with SAG. I will never forgive AFTRA for breaking with SAG during negotiations and hope their leadership burns in hell.
Once a deal is done, I believe all major efforts should be on:
- Dismantling the mogul monopolistic power
- Finding a way to unite with AFTRA again (gag me, burn in hell again) so that there isn’t a separation during negotiations
Yes, Jeff R…
I’ve had plenty of gigs this year, and no, I don’t want my union to cave and destroy my future. If we don’t get internet taken care of now, we’re gonna end up in the same crappy place we were with DVD, and I’m tired of getting those stupid $4 checks.
When the studios make money from my work, I deserve to make money too, plain and simple. SAG is right to keep at it and not wimp out like the other guilds did. This race to the bottom garbage isn’t gonna do anything but drive most of us out of the business for good.