SUNDAY AM: All the major Hollywood studios avoided opening movies wide this weekend because the Friday-Saturday-Sunday grosses following Thanksgiving weekend are considered some of the weakest of the year. (“This, and the weekend after Labor Day, are the ones nobody’s been able to crack,” mused one exec.) So, instead, it’s déjà vu all over again. Friday’s top films were all holdovers, and the weekend rankings will depend on how well the top pics hold up. As expected, the Warner Bros’ holdover laugher Four Christmases starring Vince Vaughn and Reese Witherspoon stayed No. 1 for a second weekend, earning $5.8M Friday and $7M Saturday for an $18.1M weekend (-41%, including Sunday estimates) and new $70.8M cume.
But Imagine/Universal’s debut of Frost/Nixon logged the best opening weekend per-screen average of 2008 — expected since this heavily Oscar-buzzed drama is directed by Ron Howard, written by Peter Morgan (whose comparable The Queen didn’t do this well), and starring shoo-in Best Actor nominee Frank Langella. It made $180K this weekend from just 3 runs (NYC, LA and Toronto), or $60,049 per theater. Exit polling showed that the audience breakdown was 54%/46% male to female and 31%/69% under and over age 35 years. The main reasons cited for choosing to see Frost/Nixon were the “story” (66%), followed by the “scandal/political theme” (54%) and “it’s based on a true story” (51%).
Summit Entertainment’s low-cost blockbuster Twilight was #2 with a $13.1M weekend and new cume of $138.5M. (The vampire romance’s negative cost was under $40M.) Disney’s pooch toon Bolt rack up more good Saturday matinees for a $9.6M weekend and $79.2M cume. Twentieth Century Fox keeps hoping its Nicole Kidman-Hugh Jackman epic directed by Baz Luhrmann, Australia, will keep benefitting from word of mouth; it placed 4th with $2.2M Friday, which is -61% from a week ago. (“Moulin Rouge fell 46% and Romeo And Juliet fell 22%, so no Baz magic this time,” a rival studio exec told me. It added $2.8M Saturday for a $7M weekend (-53%) and new cume of $30.8M. And No. 5 was MGM/Sony’s month-old Bond film Quantum Of Solace which finished with a $6.6M weekend and new cume of $151.4M. But the 007 pic starring Daniel Craig has passed the magic $500 million mark worldwide! The DreamWorks Animation toon Madagascar: Escape 2 Africa distributed by Paramount came in 6 with a $5.1M weekend and hefty new cume of $165.6M. It also lit up the international box office this weekend and grossed $50.2M from 5,129 locations across 35 territories. This brings the foreign cume to $125M still early on in its run.
Lionsgate’s Transporter 3 placed 7th with a $4.4M weekend and fresh cume of $25.3M its second weekend out. But Hollywood was perplexed why Lionsgate would open its Marvel Comics vigilante Punisher: War Zone (not a sequel to the 2004 film, but a fresh start on the Punisher franchise) only 9 days later since it’s also an action genre pic. (It had to do with space and availability.) So it didn’t come as a surprise that the R-rated pic debuted only 8th place to less than half what Hollywood expected, $4M as opposed to $9M in 2,508 theaters. Beyoncé Knowles’ star turn as Etta James in the Sony music biz pic, Cadillac Records, opened in 686 venues with a respectable 9th place finish and a $3.5M weekend. It also set the highest per screen average of the Top 10 films, $5,102, playing this weekend. Not bad for a film produced for a modest $12M. In exit polling, it scored 89% in the top 2 boxes which Sony believes should lead to solid word of mouth in the weeks ahead. Demos were 58% female and 58% of the audience over 30. Rounding out the Top 10 was Universal’s raunchy comedy Role Models with a $2.6M weekend from 1,907 plays and new $61.6M cume.
Meanwhile, Focus Features upped the number of theaters for Academy Award-buzzed Milk to 99 for $1.6M this weekend in 11th place and and new cume of $4.1M. Some of the strongest new markets included Santa Cruz and Austin (college markets), Salt Lake, Sacramento, Baltimore, Nashville and Columbus, Ohio — all of which exprienced sell-out shows on Friday and Saturday. The 46% increase from Fri to Sat indicates Milk’s meaningful appeal with Boomers –especially in the suburbs. The film ranks #1 in many of its theaters. Fox Searchlight expanded Oscar-touted Slumdog Millionaire into 78 venues for $1.4M this weekend in 12thplace and a new cume of $5.3M.
Editor-in-Chief Nikki Finke - tip her here.





So how much did Transporter 3 make yesterday, since you (or your “box office experts”) suggested that it was the reason why PUnisher (3) bombed so badly?
Good results, but how many threatres will have Milk on 12 th December, i hope 1000.
FOUR CHRISTMASES has been so successful because it is hysterically funny. I laughed until my face hurt. Reese Witherspoon gives a superb comic performance. Vince Vaughn once again delivers a comedic punch to the gut. Truly not only the funniest film of the year, but perhaps ALL TIME. Congrats to everyone involved for creating a modern-day masterpiece!
“Milk” is truly a revelation.
Four Christmases – what a joy to watch and enjoy with family. Gargantuan pickled fratboy Vince Vaughn cheers with icy assistance from Stepford sensation Reese Withering on standby – Hateful Hollywood Holiday degradation rituals have never been more complete! I laughed til my medication ran out!
Punisher was actually a shockingly entertaining guilty pleasure – the best no holds barred Hollywood action movie since Rambo. It’s funny that it took a female director from Germany to finally make a Punisher movie with real testicular fortitude. There’s also a lot of subversive and darkly humorous little flourishes in it too and maybe that’s reflective of a woman’s touch. I know it’s not saying much given the track record of the character on film but this is without question the best Punisher outing so far…and sadly judging by these receipts it may also be the last unless it cleans up on blu ray.
Also, it looks like Australia is going to be totally dependent on the overseas markets to cover its production costs. Hopefully it will someday become a stateside rental/cable-broadcast sensation and people will kick themselves for passing up on the chance to see it on the big screen when they had the opportunity. It’s too bad that it was DOA here since it means Hollywood will be hesitant and gun shy to allocate resources on this scale for something with throwback aspirations. At the very least I hope that Academy has the good sense to give it a cinematography nomination but I’m not getting my hopes up since nowadays the nomination process seems to directly correspond with box office.
Agreed about the guilty pleasure aspect. I was expecting something on par with a Seagal direct-to-video film, but it’s surprisingly fun. The audience I saw it with ate it up.
Of course, there were only about 20 people in the theater. Did Lionsgate even bother to promote this film? I never saw any of its trailers or posters at a theater. No Punisher film was ever going to open big, but it could’ve at least opened well. Lionsgate couldn’t have really believed this date would be a winner for them.
Gerald, I don’t know how you can say the Oscar nom process “seems to directly correspond with box office” when last year’s nominations were dominated by movies that were either flops or obscurities: “In the Valley of Elah,” “La Vie En Rose,” “Away From Her,” “Atonement,” “The Savages,” etc. In fact, the main reason Oscar telecast viewership is in free fall is said to be that the Academy dwells on films nobody’s seen or cares about. By that yardstick “Australia” should do very well from a statuette standpoint.
“Australia” is falling off dramatically in the US market as I predicted because it tries to involve Americans in a race relations issue they have no knowledge of or stake in. Parts of it are beautiful to look at (although I couldn’t figure out if the CGI was intentionally flat and surrealistic, or just poor), but with no stars or story to hook the audience, it’s over and out.
I’m sure it will get a cinematography nom though.
Just saw AUSTRALIA yesterday. Decent with some nice action set pieces. But way too retro and old-fashioned to work for today’s audiences. And while I usually like Kidman, some of her work here is misdirected and cringe-worthy. Although she does look smashing.
Baz’ best remains his first, STRICLY BALLROOM. He’s a talented guy but needs to go small again and stop with over-produced pictures like AUSTRALIA and MOULIN ROUGE.
Slumdog Millionaire made it to a theater near me this weekend so I went today to see it.
I was completely engrossed in this movie from the opening scenes and went through a whole range of emotions while watching this film. I found the ending very sweet — and I mean that in a nice way.
It certainly is easy to understand why I’ve heard so many positive things about this movie. I really enjoyed it and will be telling my friends to go see it.
yeah, Punisher looks WAY more creative/demented than expected. Going tomorrow. Great comic book style here, though it is amazing to watch the actors on tv talk about it like it’s dark knight – this is FROMAGE
This is obvious that there are plants on this site trying to market Four Christmases. I am disappointed that I saw this movie. Way too short, not funny enough and the script had tremendous problems. What a waste of legitimate talent. It’s movies like this that remind of why “good writers” are at a premium. If you’re great, all the better.
Saw Four Christmases – as much as I have enjoyed Reese’s work in the past, I thought this was an awful movie.
Truly a waste of my time and money and a waste of talent. I know Hollywood can do better – and “brick” above is correct. A good film needs to start with a good script. This one was mediocre at best.
I admit it. I’m a Four Christmases Plant! Here’s the email they sent me.
>>>>>>>>>>>>>>>>>
To: XXXXXXXXXXXXX
From: Moguls
Re: Finke Site.
Dear Operative:
Your blood sample and retina scan has cleared. Your funds have been deposited in Euros.
Your mandate is to pump up our subversive film.
1. Say it’s funny (Hilarious is good too)
2. Say Ms. Witherspoon is adorable, cute or something with charm. Refrain from “sexy” or “hot.” This is a family movie and besides, she’s not.
3. Say Mr.Vaughn is Hilarious. We paid him too much money to just be “funny.” Also, no references to whatever the hell is going on with his hairline. (You can refer to this as the Nick Cage rule)
4. Talk about how big stars even in bland, stupid aimless films do well at the multiplex. We need to keep covering our asses with big money casting and don’t need our shareholders to realize we don’t know shit.
5. Make a reference to how it’s good for families. Our research has found that people don’t care if a movie is crap as long as they can spend a couple of hours not talking to each other. Also don’t mention out movie is only 88 minutes.
Sincerely,
Mogul
I don’t understand the fuss over Langella’s performance in Frost/Nixon, nor the appeal over the film.
Langella doesn’t even remotely sound nor look like Nixon. He seems to be channeling Sean Connery more than anyone else.
Just confounding.
I agree Kelly, I haven’t seen Frost/Nixon, but seeing the commercials, I’m surprised how much Langella not sounding at all like Nixon bugs me.
After the 3rd weekend at the box office, Meet the Robinsons was at 72.
BOLT is at 79.
Is this really an improvement for the NEW Disney animation studios?
No way this covers the cost of the studio.
I am sure there is no way Lasseter is going to be forced to cut staff in Burbank, but this can’t be considered a very good result. Who takes the blame this time?
Got “Milk?” Nah, nevermind. I’ll pass.
#
I agree Kelly, I haven’t seen Frost/Nixon, but seeing the commercials, I’m surprised how much Langella not sounding at all like Nixon bugs me.
Comment by sara — December 7, 2008 @ 1:24 pm
Well, sara, having just come back from seeing Frost/Nixon, I can say this much. If you’re expecting to see an impersonation of Nixon, then by all means stay away. If that was was Ron Howard and Imagine wanted, they would have hired Rich Little or someone like him. Since you seem to be the sort who judges a book by its cover, then you’re a mile wide and an inch deep anyway.
Frank Langella’s performance was an acting tour de force. He fully inhabited Nixon. He became Nixon. There was one scene toward the end that sent shivers up my spine. It’s worth the entire movie.
Yeah I hear what you’re saying LivedThroughIt, but I have to agree with Kelly. Maybe it’s because there was so much Oscar buzz that I really expected to like Langella in Frost/Nixon but I was totally unmoved by his performance. The high expectations of the buzz will probably really hurt the audience reactions, although I’m sure the Academy will love it, because let’s face it, they don’t like Nixon. Contrast that with the other political film being released and as much as I’m not a Harvey Milk fan (what happened to him was tragic, but I don’t dwell on it endlessly like many) but Sean Penn was just amazing as Milk. Back to Nixon: for some reason, Hollywood has had a hard time getting a hold on Nixon. I was also disappointed in Anthony Hopkins as the President. Surprisingly, I might have to say that the best impersonation of Nixon I have seen is in the underrated “Dick” with Dan Hedaya.
I liked Four Christmases, and I even thought Reese was hot. Guess that makes me a plant too. Maybe i’m just not sophisticated enough for what the peeps on the internets think is cool.