Oscar ballots go out today from the Academy Of Motion Picture Arts And Sciences to its 5,810 members and are due back on January 12th. Nominations will be announced January 22nd with the Academy Awards telecast held February 22nd. I know people love to endlessly speculate about who’s going to get nominated, and who might win, but I must say this year’s Oscars is shaping up as rather suspense-less. According to my AMPAS voter gurus who constantly talk to other Academy members, consensus already is forming around Fox Searchlight’s Slumdog Millionaire for Best Picture. Also, I don’t know why opinion is focusing on Cate Blanchett in The Curious Case Of Benjamin Button over, say, Meryl Streep in Doubt for Best Actress. And Heath Ledger in The Dark Knight for Best Supporting Actor is considered a lock.
I’m told by Academy members that David Fincher would have a better shot at Best Director for Benjamin Button if only he wasn’t considered such a jerk (yes, that factors in unless a pic is the absolute frontrunner), so Slumdog‘s Danny Boyle is the favorite. Which means the only real mystery surrounding the Oscars is the Best Actor category with Sean Penn for Milk, Frank Langella for Frost/Nixon, Clint Eastwood for Gran Torino, and Mickey Rourke for The Wrestler all seen as having an equal chance to win. My insiders say Langella may have the edge right now among the older voters, and Penn with younger voters, but Rourke is also starting to be singled out. It’s too early to speculate on other categories since the vast majority of Oscar voters don’t even start screening most DVDs until after Christmas. I just hope Academy members throw some major category nominations to the year’s more popular pics so it’s not a repeat of the last Oscars where mostly grim little-seen films were rewarded – and, for that reason and others having to do with yet another lousy telecast, ratings were the worst since Nielsen started tracking them in 1974.






I saw Slumdog Millionaire yesterday and I was BLOWN AWAY. I got choked up a few times through the movie. What a wonderful, splendid movie.
somebody give Danny Boyle an Oscar NOW!!!
“I’m told that David Fincher would have a better shot at Best Director for Benjamin Button if only he wasn’t seen as such a jerk”
Since when are awards handed out based on how nice somebody is? If this were the case, almost nobody would ever win, as most good directors are pricks anyway.
Proof that these “awards” are a complete joke and I’m glad viewership is down, as that’s what the public is finally waking up to.
Anne Hathaway in Rachel Getting Married was far superior to Cate Blanchett. Nothing against Curious Case at all, but Cate Blanchett’s role here is nothing as intense or demanding as her other recent performances (e.g., Notes On a Scandal, Babel) and certainly does not stack up against Hathaway’s.
Whatever u may think personally of him, Mickey Rourke’s IS the best performance of the year. I’ve seen it 3 times now: subtle, insightful and not a FALSE note played. While the others are good, I felt Penn at times was ‘acting’ and Langella simply didn’t show enough range with the character given.
If the Academy had the balls to give someone like Rourke the Oscar, I just might believe in them again.
I’m gonna make a prediction right now. MILK will win best picture.
I agree. Rourke should win best actor. No question.
“Slumdog Millionaire” for best pic? Booo…!
I’m surprised “Che” isn’t getting much attention at all – not even for Benicio as “Best Actor.”
Clint Eastwood shouldn’t even be nominated in that category (Best Actor)for Grand Torino. Give me a break! There are more deserving performances.
MILK for Picture
D. BOYLE for Director
SEAN PENN for Actor
MERYLL STREEP for Actress
VIOLA DAVIS for Supporting Actress
HEATH LEDGER for Supporting Actor
BENJAMIN BUTTON for Cinematography
Others TBD…
Nikki, if they’ll give the Best Director Oscar to James Cameron, they’ll give it to anybody! Fincher is more benign than Ron Howard in terms of temperment compared to JC. Fincher always seems like a really pleasant guy in interviews and stuff so maybe this reputation he has for being an exacting tyrant on-set has been stirred up by people he’s worked with who didn’t like being subjected to hundreds of takes to appease his rigid specificity. For the record I thought Benjamin Button was somewhat problematic but still a very good film that I would be happy to see win several top honors at next February’s Oscar telecast.
Sean Penn was fantastic in Milk but the film surrounding the performance perhaps wasn’t good enough to warrant another victory for him so relatively soon after Mystic River. I’m not alone in saying that I don’t think the voters will be able to resist seeing Rourke’s comeback story come to full fruition by having him wind up at the Oscar podium. What a long, strange journey it’s been for him throughout his career. However, it would be foolish to count out dues-paying guys like Langella, Pitt or Dicaprio, all of whom the voters would love to reward. Eastwood could also have a sentimentality factor on his side since he’s been around forever without prevailing in this category. From afar this definitely seems like the juiciest race of the field…all the other categories may become afterthoughts.
Milk is a great, great film. Penn or Pitt for best actor. Streep or Hathaway for best actress. Winslet best supporting actress. Ledger best supporting actor. Slumdog or Milk for best movie and their director will also win.
I thought Ledger and Downey Jr gave the years best performances…that was until I saw the Wrestler. If there’s justice in the world Mickey Rourke should take the gold. End of story. His performance was as good as anything Marlon Brando or Meryl Streep have done in their entire careers. It really is all that and then some.
Uttering the words BENJAMIN BUTTON and OSCAR in the same breath is a joke… Brad and Cate on screen were cold fish… hell Tilda deserves the award over Cate, and even she wasn’t that good.
FROST/NIXON is where it’s at.. Ron Howard ya done good.
And DOUBT should be a front runner too…
SLUMDOG was good but it wasn’t all that…
How about THE DARK KNIGHT for best picture? Or WALL-E?
Why is the Academy so focused on making itself increasingly irrelevant by systematically ignoring great films that actually reach a wide audience?
Slumdog’s second half was quite average and perhaps even formulaic. Overall it felt like the feelgood version of City of God.
Just for banter, but OSCARS are nothing more than another film critic group award as the Academy bends over and select the favorite consensus of film critics as to what is best of the year and the reason more times than not we wind up with “tripe”, films that are message loaded, boring and talky and preachy and whatever else Liberals filmmakers like to do that has nothing to do with entertainment. On the other hand I suppose some would call these films entertaining. I am always amazed that the majority of the time the pics that come out just a couple of weeks before the qualifying deadline are almost and with few exception always considered the best of the year. I suppose this cements the thought that the studio know beforehand all the “crap” they dish out to the masses during the year. I suppose also that just maybe we shouldn’t go to the movies until two weeks before the Academy qualifying deadline so that we can show the Academy, we the public, are also sophisticated enough to know what is best. Maybe I am just all wrong in this thinking but it sure seems this way when OSCAR time comes around.
Fincher is fine to deal with. All the bad press about him was generated from inside Paramount to distance themselves from him and the movie in case it tanked. (It DOES have to make a lot of money to show profit)
I just saw Gran Torino and Eastwood is a joke..literally growling in the film like a dog when he’s angry.
I’m sad IFC has no money to buy ads to support Benecio’s fine performance in ‘Che.’ He did win in Cannes for his performance, but since they don’t have the money to take out ads in the trades, the trades never mention him on their lists. love hollywood!
Mickey Roarke was indeed good in the Wrestler, but the film itself is handily this years most over-rated.
Hmmm…a note to all the people who think “Che” is being passed by for recognition, gosh could it possibly be because Che Guevara was a cold-blooded murderer who routinely had innocent people executed? Maybe because it’s sort of like making a sympathetic film about Hitler? Hmm….
Regarding DARK KNIGHT. I really didn’t think it was all that and a bag of chips. I thought it was about 15-20 minutes too long. I thought Iron Man was a much tighter screenplay and a better film in terms of pacing and pay-off.
If you take out the Ledger tragedy, the B.O. would have been less.
Not a Best Picture film in my books. A good film, but not great.
Well said Cathy. 2nd half of SLUMDOG does not hold up – it’s a gimmick. The film is not even among my 10 best of the year.
Here are my guesstimations:
PICTURE:
The Curious Case of Benjamin Button
Slumdog Millionaire
The Dark Knight
Doubt
Frost/Nixon
ACTOR:
Frank Langella
Mickey Rourke
Sean Penn
Richard Jenkins
Clint Eastwood
ACTRESS:
Meryl Streep
Cate Blanchett
Melissa Leo
Anne Hathaway
Sally Hawkins
“The Dark Knight” has to be in the mix for Best Picture (and a surprising number of other categories) because of the ratings (70% decline over the last ten years) issue they’re with the TV bradcast, the revenues of which basically underwrite all of AMPAS.
Fuck, Hugh Jackman should just walk out dressed as Wolverine in full leathers to open the show. Pandering to the comic book dork audience just might be a way to young-up the numbers.
As for Slumdog, I know a lot of people who see right through its sentimentality and predictability. But Danny Boyle is really emerging a true A-Lister so I see the reasoning behind his front-runner status.
You will know “Dark Knight” has real deep support if Aaron Eckhart is nominated for Best Supporting actor along with Heath.
But Warner Bros should have gone for it and Run Heath as a lead. He had a load of screentime — certainly more than Anthony Hopkins did in ‘Silence of the Lambs”
I don’t understand why Seven Pounds is not in contention. The title’s cumbersom. The marketing for it was lousy and that’s why a lot of people are not seeing it. But, the Oscar voting usually does not reflect the feelings of audience members anyway. However, even as a jaded veteran Hollywood writer, I was so emotionally wrapped up and invested in the outcome of Seven Pounds whereas Benjamin Buttons was visually beautiful, but emotionally vacant. Both the writer and Will Smith deserve Oscars. Don’t you agree Nikke
Slumdog Millionaire should win best picture, especially over Milk which was basically just another soapbox film.