EXCLUSIVE: I’m told that so far Double Feature Films, Scott Aversano and Kevin Misher won’t have their production deals renewed at Paramount because of the draconian cost-cutting there. “The studio will no longer be providing overhead on a continuing basis on these,” an insider tells me. Michael Shamberg and Stacey Sher started Double Feature when they left DeVito’s Jersey Films at Universal. So these were the people that made Erin Brockovich, Pulp Fiction, Get Shorty.
For Paramount, they did Freedom Writers and World Trade Center. (“They have amazing taste. They deserve protection,” one of my sources noted.) Double Feature had been exploring equity financing for movies that the studios don’t want to make or fund fully, yet Shamberg recently acknowledged that “a strong studio relationship just makes life easier for movies we like to do. [But] nobody can survive just using a studio deal these days.”
Scott Aversano made an overall producing deal with Paramount after exiting as president of the Nickelodeon and MTV Films labels. (Where he decided not to purchase Twilight when no studio picked it up after Brad Weston put it in turnaround in January 2006. Aversano was Paramount’s one last shot at it in mid-2007 when the rights were going to expire… But I think both guys weren’t wrong: this was a 1 1/2 quadrant pic about a tired subject based on a popular book series that’s still no guarantee of a hit movie. Whereas a start-up mini-major would roll the dice.) Aversano has had a long relationship with Paramount since before that he worked for Scott Rudin on the lot for seven years including as president of production at Scott Rudin Prods.
Kevin Misher made his 3-year, first-look producing deal in 2005 just four months after Brad Grey took over as Paramount’s chairman so it was about to expire. ”I am tremendously excited about working with Paramount’s dynamic new management team during this important evolution in the studio’s history,” Misher said at the time.
True, it may only seem as if Paramount’s production deals will soon consist of only Brad Pitt’s Plan B and J.J. Abrams/Bryan Burk’s Bad Robot. But still being carried, for now, are Blue Shirt (Karey Kirkpatrick), Di Bonaventura (Lorenzo di Bonaventura), Dickhouse (Spike Jonze, Johnny Knoxville, Jeff Tremaine), Evans (Robert Evans, only because he’s a longtime pal of Sumner Redstone’s), Gary Sanchez (Will Ferrell, Adam McKay), Important (Matt Stone, Trey Parker), Michaels/Goldwyn (Lorne Michaels, John Goldwyn), Christine Peters (a longtime galpal of Redstone’s), Rat (Brett Ratner), Ripcord (Mike White), and Sikelia (Marty Scorsese).
Editor-in-Chief Nikki Finke - tip her here.






Georgine: it’s true Michael and Stacy haven’t had a great run since their Paramount deal — sometimes quality producers get too serious, and forget the smart, fun films they once did — but Shamberg was already a player pre-Devito. A Fish Called Wanda, Big Chill, etc. They just need to get back to making Out of Sight and Get Short as opposed to trying to get Bong Hits 4 Jesus off the ground.
And though Misher is a controlling prick, there is no doubt that he at least tries to put into play interesting material — his development slate at Par was far more engaging that most.
I can’t understand how Brad Grey can survive much longer. He was brought in, primarily, for his “taste.” Yet he’s never been able to make a decision, and now with DW gone, it looks like Lorenzo is not only Par’s sole major producer. He’s soon going to be running the place as well.
I’m a writer with a project with Misher/Paramount. He’s been nothing but positive, patient and helpful with me. I like the guy.
what does “1 1/2 quadrant pic” mean
Looking at that list of remaining term deals, you realize why Paramount is so fucked. Does anyone there make movies?
Byebye Kevin,
Thank you for your statement. It is true. We don’t need “producers” like him. The term producer means many things. Unfortunately I have worked with many producers and Kevin, you are not a producer.
Bye Bye Kevin.
Thank you.
Considering that How To Lose A Guy in 10 Days made over $200 million and counting, Christine Peters deserves to have her deal. In fact, if Paramount let her make more romantic comedies, their bottom line might improve.
Please. Failure to Launch had to be one of the worst rom com scripts made that year!
I can’t believe that NOW is the time they’re questioning taste…
And that is why Scott Aversano (producer for Failure to Launch) is on his way out and Christine Peters is still there.
Misher is not only a bully but a master of “Over Promise, Under Deliver.” He surrounded himself with a Yes Man and a Dissenting Voice that he never listened to, which is a damn shame because the Dissenting Voice had great ideas and an obvious passion for making any project (no matter how ridiculous) as good as it could possibly be.
You had your chance, Gorman.
200 million? I believe “How to Lose a guy” made over 500 million. Not to mention the Blu-ray re-release of the movie coming soon. What a cash cow!!! Pure pofit off a 40 million dollar film! When’s the sequel?
Medley –
500 Mill????
where are you getting your numbers?
per boxofficemojo…
TOTAL LIFETIME GROSSES
Domestic: $105,813,373 59.7%
+ Foreign: $71,558,068 40.3%
= Worldwide: $177,371,441
and a blu-ray copy isn’t going to make a B-comedy any funnier…
Scott Aversano is as good as an executive and producer as this town could hope for. We are lucky to have him among us and he will have his choice of scenarios for his next step. He’s a really smart but kind guy and treats people with respect. He also had the capacity to work for Rudin and old school Par execs which is the best training ground in the world. He’s totally creative and joyful about collaborating with talent. It is Paramount’s loss to not have him on the lot and they will come to see that in the very near future. This guy should and will be writing his own ticket.
With his attention to detail, impeccable taste, and enviable access to privileged information, commenter Medley has shown that his rise to the top of a major motion picture studio is just shy of inevitable. Who among us would disagree that Failure to Launch was more successful than Star Wars or The Dark Knight? We need more tastemakers like Medley in positions of power. Medley, can I be your number two?
I agree with the Aversano supporters. Such a creative and beloved talent that knows how to treat actors and directors- all of the people on set. He can really get stuff accomplished in Hollywood. Watch out folks! Who knows what he’ll do.