He’s accepted Summit Entertainment’s offer to direct the movie adaptation of the second book in Stephenie Meyer’s Twilight series of vampire novels, New Moon. (I first broke the news that Weitz had received the offer here, and the news that Twilight director Catherine Hardwicke was off the sequel here.) The offer went out to director Chris Weitz in part because he’s a longtime pal of Summit’s president of production. Now comes a letter that the director will be sending to Twilight fans (below) with his selection endorsed by Stephenie Meyer (below that). Fan approval is very important to Weitz, who initially resigned from directing The Golden Compass, also based on a popular book, because he feared getting dissed by devotees. Despite that, Summit has put its first valuable franchise in his hands. Weitz has successfully worked with tweens and teens in About A Boy as director and writer, and in American Pie as producer and uncredited director. I’m told Summit wanted Weitz because the studio liked the look of The Golden Compass (he was writer and director) even if it didn’t heat up the domestic box office. Here’s the Weitz letter to fans:
Twilight book series author Stephenie Meyer endorsed Weitz today and published his letter on her website:
December 13, 2008
Hey guys,There’s been a lot of worry and speculation on the boards lately, and I want to let you know what’s going on.
First of all, like you, I’m sad that Catherine is not continuing on with us for New Moon. I’m going to miss her, not just as a brilliant director, but also as a friend. She has such a distinct, authentic voice that did amazing things for Twilight. I’m looking forward to every movie she does in the future.
And she didn’t leave us empty handed. We still get the benefits of her amazing casting and the beautiful visual world she created. This foundation puts us in a good place for New Moon.
Summit Films is moving forward with a new director for New Moon. They’ve asked Chris Weitz, director of American Pie, About a Boy, and The Golden Compass, to join us, and I am very pleased to announce that he’s agreed to be a part of our Twilight world. I’ve had the chance to talk to Chris, and I can tell you that he is excited by the story and eager to keep the movie as close to the book as possible. He is also very aware of you, the fans, and wants to keep you all extremely happy. (Torches and pitchforks are not going to be necessary.)
I’m excited to work with Chris and I think he brings a lot to the table, not the least of which for me is that he wrote the screenplay for and directed one of my favorite movies of all time, About a Boy. I’m really looking forward to seeing his vision for New Moon.
Below is a letter from Chris to you. I think you’ll get a glimpse in this note of how cool it’s going to be having Chris as part of our community.
Editor-in-Chief Nikki Finke - tip her here.



I can hardly wait to see ABOUT A VAMPIRE…..
I hope he keeps Taylor Lautner as Jacob. The fans are used to him and most love him as Jacob. It would be very distracting to see someone else.
Well as long as he trims that boring flat repetitive mid section of New Moon I’ll be happy. I hope he also fleshes out Edward’s time away from Bella as his emotional journey is just as important.
I loved Chris’s work on About a Boy. I hope he has the opportunity to tweak Rosenberg’s script. I’m not a fan of her earlier work on Twilight. New Moon is fundamentally flawed with a boring mid section. You can only read so much about motorbike repair chats between Bella and Jacob. The Cullen’s are far more interesting and I do hope we learn more about their time away from Forks. Edward and Carlisle’s relationship is particularly interesting. Also Edward’s time with the Volturi needs fleshing out.
If the director only focuses on fans of the book the franchise wont do as well. He needs to build a bigger fanbase. Try and get guys to like it too.
I was rooting for Weitz until I read that he included “Jacob” on the same level as Bella and Edward. The four books are a series about B/E. Jacob was always a lame plot device. So he is already off on the wrong foot to me.
Plus, I don’t want a faithful adaptation of that book when it has awful pacing and almost no Edward. I might be skipping out on this movie.
Ah well. Its official now.
No Alfonso Cuaron.
Will Mr. Weitz stay true to the story line or not?
Will he improve it? (one can only hope that they replaces the screenwriter as well).
Or, will this turn out to be “the Cullens meet American Pie”.
As he say’s the proof will be in his “pudding”.
I do think however from his statement, that he understands the “emotional” investment of the fans that the books have and that’s a good thing.
And, it rather interesting to note that he’s gone out of his way to make such a statement.
I say give him the benefit of the doubt and see what happens.
Good luck to you Mr. Weitz.
I am SO happy he’s directing !
I have faith in you Chris!
Ok, Summit. Now just don’t replace Taylor and I’ll be happy.
That is a lovely note Mr. Weitz wrote. Stephenie Meyer gave her “permission”, so that should suffice for the fans.
Looking forward to seeing “the pudding”. Thanks for posting this.
Chris seems like a real mensch.
Classy enough to be concerned for the fans. That’s okay in my book.
Good scoop Nikki!
Kudos to you (once again!).
Ah, well. So its a man telling the story.
I think Ms. Hardwicke is a big girl and she can roll with the punches this business can dish out. You have to or you get out we all know that.
I don’t think a story teller’s sex (in this case the director being; male) really has any bearing on this at all. We’ve seen crappy movies directed by male as well as female directors.
I’m in agreement with the above statements; give the man a shot and cut him a break. Lets see what he can do. He gets the fan base, and hopefully he’ll improve the story line so that he can grow it as well.
I thought you didn’t do geek, Nikki. Why the wall-to-wall coverage of every minute detail of this movie? This is not nearly as big a deal as this site is making it out to be.
Too bad that the New Moon script is atrocious. Summit had to the “good” sense to take one look at it and give Rosenberg the threequel script job too.
Summit will go the way of New Line but not because of Chris Weitz but because they seem to share the same kind of hubris. I cogratulate them for believing that spending a 50 million dollar on a crap script is a good way to keep a hit franchise alive.
Chriz Weitz is the suckiest choice for this ever! He hasn’t got a cinematic bone in his body. He knows only boring realism – which is why he’s alright with About a Boy, but also why he totally screwed up Golden Compass. That would have been an awesome film if they had gotten someone decent to direct it.
He should stick to stuff he’s good at. Fantasy and horror is best left to people who like that stuff – they live it.
Of course Alfonso Cuaron wouldn’t do this. The studio couldn’t afford him. The only times Alfonso works cheap is when he’s doing his own material. As it is with most people in this business. No idea why, if Weitz is such hot shit, the studio didn’t get him in the first place. I’ll never understand why the chose Hardwicke as her strengths have nothing to do with what Twilight calls for. Almost as bad as Woody Allen being chosen to direct a remake of Salo.
Kudos to Chris. He will be great. I agree with Caro that the Cullens must be in the middle of the movie and that Edward’s absence will not sell tickets, so I know that script improvements are in the works. Rob Pattinson is the best actor the sequel has at this point. It is a big deal, folks, because we have been saddled with stupid movies for the past four months and the excitement that Twilight has captured worldwide says how important the sequel is to everyone around.
This letter makes me feel kind of dirty for him. Because I don’t think he should have to write something like that to appease a bunch of overly obsessed 17-year-olds (and their moms) who know nothing about moviemaking. Shut up and let the man do his job, for goodness sake. He shouldn’t have to feel the need to justify why he’s a good choice for the movie. And frankly, I’d be surprised if anyone could make New Moon into a good movie, considering the source material is so shoddy.
Dear fans of Twilight, New Moon, Bella, Edward, and Jacob,
In the past few days I have been involved in a whirlwind romance with Stephenie Meyer’s extraordinary books. And I am very grateful to have received her permission to bring New Moon, the sequel to the blockbuster vampire film Twilight, to the silver screen.
For many fans of the books and of the film Twilight, this might seem like an odd choice. You might feel like someone with my background and experience may not be equipped to take on such a beloved saga. On top of that, the fact that I am male has led many fans to openly question whether or not I have the chops to tell the story of Bella’s emotional journey.
To these people I can only ask: Please, go fuck yourself. Please.
Seriously.
Oh – are you worried that I’m not going to bring to this project the integrity or reverence required of your precious teenage vampire books? Well, your worries are justified. I could not give less of a shit about these “novels”. Do you have any idea how much money they are paying me? Do you? Let me put it this way: If I had a nickel for every pre-teen girl and gay pre-teen boy who will holler at the screen in tears when, in my version of New Moon, Count Chocula shows up to fight a mummy, it would still be many millions of dollars less than I will actually have after I make this movie.
It was originally my intention to sleepwalk through this thing. On a movie this big, I would pretty much just need to show up. But after the reading the outcry on the internet – the name calling on the IMDB boards, the online petitions to pull me off the project – I have decided to make it a personal mission to ruin New Moon. To the point that any other sequels would be direct to DVD AT BEST. Hey – remember everything you liked about New Moon when you read it? I will make sure that none of that is in my version. But remember the scene where The Count from Sesame Street accidentally drinks a fart potion and goes fart-crazy at the vampire picnic and it takes up around 35 minutes of screen time? I assure you, you will not soon forget it.
I thank you for this opportunity and for your faith.
Very best,
Chris Weitz
Chris Weitz destroyed The Golden Compass story with a convolouted and hollow adaptation of a great book. Expect him to do the same with New Moon
I hope his directing has more flair than this emetic, servile letter.
So much for the auteur theory of cinema. How pathetic is it that director’s are now writing politically correct letters to the fans before they’ve even lit the first scene, and then cnsidered a “mensch” for it. Tha’ts probably why Cuaron didn’t do it; is the paycheck worth having every artistic decision being determined by whether the fans will approve (of me?) This isn’t fimmaking, this is fear, and isn’t talking about the Marky Mark movie. People complain that movies suck now, well here’s the reason, this letter represents the very worst of Hollywood’s pandering tactics.
All I can say is, I hope Chris does a better job with “New Moon” than he did adapting the “Golden Compass.” The Compass film was a travesty, but perhaps it was the writer’s fault (although the director should’ve caught it). I’ll be waiting nervously…
carol – how can you say the new moon script is “atrocious”? have you read it? since it just came in and is being considered a conf script i would find that hard to believe but maybe you have.
mr. hollywood – you just sound bitter and angry.
i am worried about weitz directing but i am willing to give him the benefit of the doubt as he as done some great films in the past. i am glad that he reached out to the fans. it shows that he realizes that addressing them on some level is important. i can wait to see the film he present to the audience.
What a joke. This is a very big deal. It is an example of the corruption and sexism in Hollywood. Really? They gave her low low budget hoping to make a “quick buck” return for minimal investment on a hit book with a female fan base that “would not know any better”. Then, with budget cuts, ridiculous time constraints and practically no-name (low cost) casting—Catherine manages to dish us an entertaining film that serves true to those romantic notes we all hoped for, not to mention raking in 70 million for those Summit men. The profits might have surprised the Pres. of Production at Summit, but it should not escape anyones attention that when raises and pay bumps are due, he dumps that “difficult female” for his best bud from the boys club to rake in some dough on a sure fire sequel that Ms. Hardwicke paved the way for. As for Ms. Meyers’ endorsement, that is clouded by legal issues that are so entangled in red tape, I am sure her hands are still sticky and she is just praying for the best. “The Golden Compass” was my favorite book for a decade and even with a 180 million dollar budget and Kidman and 007, Chris screwed it up. It was horrible. Laughable. I think it’s made 70 million to date and “Twilight” beat that it’s OPENING WEEKEND. lol. Doesn’t that just tickle you?