'Slumdog' Director Danny Boyle Wins DGA

By Nikki Finke | Category: Directors, Guilds | Saturday January 31, 2009 @ 11:31pm

Question: Does the Slumdog Millionaire team have a big enough mantel for all these awards? The DGA says its Award for Outstanding Directorial Achievement in Feature Film has traditionally served as "a near-perfect barometer" for the Academy Award for Best Director. Only 6 times since the DGA Award's inception in 1948 has the winner not gone on to receive the Academy Award for Best Director (1968: Anthony Harvey DGA for The Lion in Winter/Carol Reed took home the Oscar for Oliver!; 1972: Francis Ford Coppola-The Godfather/Bob Fosse-Cabaret; 1985: Steven Spielberg-The Color Purple/Sydney Pollack-Out of Africa; 1995: Ron Howard-Apollo 13/Mel Gibson-Braveheart; 2000: Ang Lee-Crouching Tiger, Hidden Dragon/Steven Soderbergh-Traffic; 2002: Rob Marshall-Chicago/Roman Polanski-The Pianist).

Here are tonight's winners of the Directors Guild of America Outstanding Directorial Achievement Awards and the recipients of the Guild's 2009 Career Achievement Awards held at the Hyatt Regency Century Plaza in Los Angeles:

Feature Film -- DANNY BOYLE
Slumdog Millionaire, (Fox Searchlight Pictures and Warner Bros Pictures)
Mr. Boyle's Directorial Team:
Unit Production Manager: Sanjay Kumar; First Assistant Director: Raj Acharya; Second Assistant Director: Avani Batra; Second Second Assistant Director: Sonia Nemawarkar
---
Movies For Television/Miniseries: JAY ROACH
Recount, HBO
Mr. Roach's Directorial Team:
Unit Production Manager: Scott Ferguson; First Assistant Director: Michael Hausman; First Assistant Director/Second Assistant Director: Peter Thorell; Second Assistant Director: Tudor Jones; Second Second Assistant Director: Rob Dickerson Jr.
---
Dramatic Series Night: DAN ATTIAS
The Wire - "Transitions", HBO
Mr. Attias' Directorial Team:
Unit Production Manager: Nina Noble; First Assistant Director: Eric Henriquez; Second Assistant Director: Xanthus Valan; Second Second Assistant Director: Tim Blockburger
---
Comedy Series: PAUL FEIG
The Office - "Dinner Party", NBC
Mr. Feig's Directorial Team:
Unit Production Manager: Robert Rothbard; First Assistant Director: Kelly Cantley; Second Assistant Director: Jennie O'Keefe; Second Second Assistant Director: Jasmine Alhambra; DGA Trainee: Alicia Cho
---
Musical Variety: BRENT (BUCKY) GUNTS
Opening Ceremony Beijing 2008 Olympic Summer Games, NBC
Mr. Gunts' Directorial Team:
Associate Directors: Carol Larson, Brian Orentreich; Stage Manager: Steve Hollander
---
Reality Programs: TONY CROLL
America's Next Top Model - "1002", CW
Mr. Croll's Directorial Team:
Associate Director: John Downer
---
Daytime Serials: LARRY CARPENTER
One Life to Live - Episode #10,281, "So You Think You Can Be Shane Morasco's Father?", ABC
Mr. Carpenter's Directorial Team:
Associate Directors: Teresa Anne Cicala, Paul Glass, Tracy Casper Lang; Stage Managers: Alan Needleman, Keith Greer, Brendan Higgins; Production Associates: Kevin Brush, Beth Kravitz
---
Documentary: ARI FOLMAN
Waltz with Bashir, Les Films D'ici, Razor Films, Sony Pictures Classics
---
Commercials: PETER THWAITES
Production Company: Gorgeous Enterprises
"Waterslide", ... Read More »

Comments (7) Email This  |  Print This Article  |  Bookmark and Share

Over 200 RSVP's To SAG Hollywood's Open Board Meeting On Monday Night

By Nikki Finke | Category: Actors, Guilds, SAG | Saturday January 31, 2009 @ 10:24pm

OPEN BOARD MEETING

When: Monday, February 2, 2009
6 p.m. - 9 p.m.
(Light meal will be served beginning at 5:30 p.m.)

Where: James Cagney Boardroom
5757 Wilshire Blvd.
Los Angeles, CA 90036

The Hollywood Division board will open its February 2, 2009 meeting to members-at-large for observation. This is part of the policy the board passed that calls for all future meetings of the board to be open, giving Hollywood Division members-at-large the opportunity to see their Hollywood board at work.

Space is limited. Reservations are a must and will be accepted on a first-come, first-served basis (subject to stated requirements). All members who would like to attend must be in good standing, affiliated with the Guild's Hollywood Division and willing to comply with observation procedures. Minors must be accompanied by a parent or guardian.

If interested, please email hollywoodrsvp@sag.org or call (323) 549-6029. Be sure to include your professional name, SAG membership number and contact information. Only accepted observers will be contacted with confirmation and details.

In order to allow everyone interested the opportunity to attend, members may only be confirmed for one meeting during the election year (October 2008 through September 2009).

Comments (12) Email This  |  Print This Article  |  Bookmark and Share

Revenge Of The Nerds: Oscars Boycott

By Nikki Finke | Category: Oscar | Saturday January 31, 2009 @ 5:35pm

Good for the geeks! I'm told that movie sites dedicated to comic book heroes, Star Trek sequels, and everything else sci-fi, action-oriented, and gory are promising to boycott all promotion of this year's Academy Awards because The Dark Knight wasn't nominated for Best Picture. Why, they're even refusing to display the new 1-sheet Oscar poster. Now stop laughing. You know that males under/over age 25 who hero-worship Batman and Spock and Jigsaw can't wait to watch Hugh Jackman step out of his Wolverine makeup and start singin' and dancin' to open the Oscar telecast. In other words, Dark Knight's hardcore fans make up the Academy Awards audience only for Lord Of The Ring or the technical awards. But I definitely agree with them -- as I complained when the Oscar nods were announced -- that Chris Nolan (who wasn't nominated for Best Director) and his pic were both robbed.
(Photo of DK fans by Jim Stevenson)

Comments 37 Email This  |  Print This Article  |  Bookmark and Share

BUT IT WASN'T EASY: NBC Sets Record And Sells Out Super Bowl Ads For $201M

By Nikki Finke | Category: Advertising, Networks, Sports | Saturday January 31, 2009 @ 3:58pm

NBC announced on the eve of the Super Bowl that it has sold the last two of the 67 advertising spots for the game and now 32 advertisers will be represented, pushing total ad revenue for the event to a precedent-setting $206 million. The ads sold for between $2.4M and $3M per 30-second slot this year. Ad revenue for the football-related programming all day broke another record for $261M. But here's what NBC didn't announce (but the advertising trade press did): that Super Bowl stalwarts General Motors and FedEx are sitting on the sidelines this year. That NBC was still hawking unwanted inventory a week before the event. That there was a “buy a Super Bowl ad, get an ad for the pregame show cheap" incentive. That some advertisers are micking their rivals for throwing money away on extravagant Super Bowl ads. Meanwhile, NBC will put up the ads almost immediately at NBC.com, Hulu.com and Superbowl.com.

Comments (8) Email This  |  Print This Article  |  Bookmark and Share

Text: SAG Board Majority's Written Assent

By Nikki Finke | Category: Actors, Guilds, SAG | Saturday January 31, 2009 @ 3:50pm

Pursuant to the Screen Actors Guild Constitution, Article V, Section 1. (J.) (4.), the following actions are hereby authorized through written assent by a majority of the members of the SAG National Board of Directors.I. Effective immediately, Doug Allen is terminated as an employee of Screen Actors Guild. Upon receipt of this document, he is to cease and desist in all work on behalf of this union. He is no longer the National Executive Director and has no authority to take any action, make any statement on behalf of this union or direct any Guild employee to take any action. Nor may he authorize the expenditure of any moneys which the Guild possesses. He is to immediately vacate the premises under the supervision of Bob Bush or, in his absence, such other person that the General Counsel may select, and may remove only his personal effects. Further, he is no longer Chief Negotiator of the TV/Theatrical or Commercials Contracts. The compensation due him under his contract will be paid in full, through its expiration date. This order will commence and satisfy any notice period regarding his employment termination applicable under his employment agreement.II. Effective immediately, David White, former General Counsel of Screen Actors Guild, is hereby engaged as the Interim National Executive Director of Screen Actors Guild. In light of the vacuum created by the termination of NED Doug Allen, and the precarious position the Guild finds itself in, we deem it critical to hire an Interim NED with the industry experience, professional skills, and familiarity with the Guild’s operations to immediately help us return this union to a stable footing.

III. Effective immediately, John T. McGuire, the Senior Adviser to Screen Actors Guild is hereby named Chief Negotiator for all contracts. In light of the vacuum created by the termination of Doug Allen, we deem it critical to appoint a Chief Negotiator with the professional skills, and standing in the industry to immediately step in and successfully complete the TV/Theatrical negotiations, the uncompleted Basic Cable, Animation and Interactive Agreements, and lead us through the imminent Commercial Contract negotiations. Mr. McGuire will, in consultation with Mr. White, be responsible for all contract negotiations and enforcement.

IV. Effective immediately until the October 2009 National Board Plenary, Guideline II of the National Committee Guidelines (dealing with Taskforces) is suspended.

V. Effective immediately, the TV/Theatrical Negotiating Committee is disbanded and is no longer authorized

... Read More »

Comments 20 Email This  |  Print This Article  |  Bookmark and Share

Text Of AFTRA/SAG No-Insult Agreement

By Nikki Finke | Category: AFTRA, Actors, Guilds | Saturday January 31, 2009 @ 2:25pm

As you are aware, late last year, the SAG and AFTRA National Boards both approved in principle the terms of an agreement concerning the conditions for negotiating the commercials contracts under the Phase One Agreement (the "Commercials Contracts Agreement"). The Commercials Contracts Agreement has now been finalized and approved by both unions. Copies will be distributed to both National Boards on February 7. You are receiving this communication because you are one of the union representatives covered by its termsIn addition to the provisions binding both unions to conduct the negotiations jointly, the Commercials Contracts Agreement contains a commitment to no-raiding and non-disparagement between the two unions and their representatives, including all staff, elected officers (on, for AFTRA, both the National and Local Boards, and for SAG, the National Board, the Division Boards, and the Branch Councils) and all national committee members.With respect to the no-raiding obligation, neither union nor its representatives as defined above may engage in any activity that could be construed as raiding under the AFL-CIO Constitution, beginning from the date of the union's recognition or certification. For example, neither union may seek to represent or hold itself out as available to represent performers on any production as to which the other union is the bargaining representative. Similarly, neither union may encourage any performer working on any production to abandon representation by the other union.

The non-disparagement obligation prohibits either union or its representatives from disparaging the other union in communications to the public, the media or the membership. This prohibition is to be interpreted broadly to include /any /communication that is critical of the other union, that portrays the other union in a negative light or that is otherwise reasonably likely to diminish the other union in the minds of the membership or public, regardless of whether the person making the statement believes that it is true. There is a strict prohibition on all disparaging comments about the other union which are made or sent to members, the media or the public. There are certain limited exceptions, such as for comments made in informal, private conversations or in confidential, private governing body meetings and for candidates during union election campaigns.

In order to ensure that this rule is enforced, both unions have agreed that any non-joint communication to the membership, the public or the media that refers to the other union (or its officers or staff),

... Read More »

Comments (19) Email This  |  Print This Article  |  Bookmark and Share

Paradigm Sends People Packing Today

By Nikki Finke | Category: Agents | Friday January 30, 2009 @ 10:08pm

I hear 2 agents -- one lit, one marketing -- and 10 assistants gone in one fell swoop.

Comments 25 Email This  |  Print This Article  |  Bookmark and Share

TBS Wants George Lopez Late Night Talk

By Nikki Finke | Category: Late Night | Friday January 30, 2009 @ 8:50pm

This year, Telepictures did a pilot for former ANC sitcom star George Lopez in his own late night talker. But the syndication arm of Warner Bros couldn't sell it. Now I'm told that a deal is about to close for the Lopez talker to air at either 11PM or 11:30PM on TBS. My source says to expect an announcement shortly.

Comments (17) Email This  |  Print This Article  |  Bookmark and Share

NATPE Floor Space To Be Eliminated...?

By Nikki Finke | Category: Studios | Friday January 30, 2009 @ 8:50pm

So the folks returning from NATPE are telling me that "this will be the last year of NATPE as we know it". Because they say NATPE couldn't fill the floor space so the powers-that-be will eliminate it next year. Once upon a time, that floor space had quite a storied tradition when independents like King World and Rysher and the major studios took giant booths. "It used to be P.T. Barnum when everyone was there -- Jerry Springer, Barbara Walters, Oprah. Remember when Wolfgang Puck used to cook?," one of sources recalls. Then, about 5 years ago, studios slowly stopped participating and exorbitantly paying, culminating when Warner Bros' Telepictures took a series of hotel suites and did meetings with affiliates there instead of on the floor. NATPE tried to turn the corner by attracting the digital biz and making it into a crossover convention. But then the dot.com bubble burst, and NATPE was never able to replace those companies on the floor. Then the TV syndication business just atrophied. I'm told Warner Bros went so far as to suggest to prez/CEO Rick Feldman that NATPE give free floor space to the majors in an effort to attract independent distributors in the same way that department stores anchor shopping malls. But he said no. This year,  pretty much only CBS Television Distribution (aka Paramount Domestic Television as it was known before CBS and Viacom split) stayed loyal and on the floor. NBCU Television Distribution was also on the floor promoting the fall launch of The Office. Now NATPE is about to be a casualty of the economy. "It's not official yet, but it will be official that the floor space will be gone next year," my insider tells me. "Studios will still have suites, but NATPE will be downsized tremendously."

Comments (5) Email This  |  Print This Article  |  Bookmark and Share

LA Times Bringing Back "Company Town" And Pushing Calendar's Deadlines Later

By Nikki Finke | Category: LA Times | Friday January 30, 2009 @ 4:47pm

According to an internal memo from new publisher Eddy Hartenstein, the Los Angeles Times Business section beginning March 2nd will be "enhanced by bringing back the 'Company Town' feature, which will serve as the anchor for our 'business of entertainment' coverage". And it's now official that Calendar's "deadlines to be pushed deep into the evening (aka 'second-daily'), allowing us to make our primary space for entertainment coverage more news-driven. This will enrich this current 'must read' section even further, enabling us to add features such as overnight reviews." But who's gonna staff both showbiz sections? Also announced were 300 more layoffs coming, 70 of them newsroom positions. (See my previous, Late Night Deadlines For LAT's Calendar?)

Comments (4) Email This  |  Print This Article  |  Bookmark and Share

Kyra Sedgwick Signs With United Talent

By Nikki Finke | Category: Actors | Friday January 30, 2009 @ 3:20pm

First, I should explain that someone close to the star of TNT's The Closer clarified to me that "her team is completely intact except for Gersh. She has the same manager, same lawyer, same publicist, same assistant. Everything's the same but Gersh." And, further, that her rethinking her agency "has nothing to do with Bernie Madoff." So, now that's clear, she took meetings with various agencies and chose UTA.

Gersh Loses Two Actors, Signs Two Actors

Comments (0) Email This  |  Print This Article  |  Bookmark and Share

Paramount vs Sony On 'Eat Pray Love'

By Nikki Finke | Category: Books | Friday January 30, 2009 @ 11:04am

So this was a hot book but it's been a cold movie in development at Paramount. Two years ago, Brad Pitt wanted the project for his Plan B production company. Then a year ago, Julia Roberts attached herself to play the lead and develop it. And most recently, Ryan Murphy came on to direct. But now Paramount is about to put the project in turnaround, and Sony is about to pick it up. Some are telling me that Paramount will chalk up another Twilight turnaround humiliation. Others say that Sony will overspend for a chick flick that should cost only $25M to make, is currently budgeted at $60M, sends out 15% of the gross off the top, would have to earn $150M worldwide to make money, and ends up with a 1-quadrant movie starring a has-been actress helmed by a mediocre director. How I love it when Hollywood studios bitchslap one another!

The book by Elizabeth Gilbert is subtitled, "One Woman's Search for Everything Across Italy, India and Indonesia" and the content is just that. One big fan of the soul-searching travelogue tells me that Paramount "didn't get it. It's a girls' book,  and they didn't know what it was. All of them, from Brad Grey to John Lesher, looked at it and said no."  Another tells me, "They're nuts. They're only making guy movies, and I don't know how they can ignore this best-seller after the success of Mamma Mia and Sex And The City."

On the hand, sources tell me that after the exec championing the project, Pam Abdy, left the studio, Paramount bigwigs decided that the pic should only cost $25M but was too hard to make cheaply because it takes place all over the world and therefore the budget would balloon to $60M with 15% of the gross out the door. As a source put it to me, "The concern is it's a 1-quadrant movie that would have to make over $150M worldwide to make money. So my question for you is: when was the last time a Julia Roberts-lead movie grossed that much? (And Oceans Eleven doesn't count.)"

The fact is that Paramount bought the book initially because of its relationship with Pitt's Plan B, which felt that because Eat Pray Love had sold well in America that a movie would have built-in appeal. Even so, I heard Paramount's marketing department doesn't ... Read More »

Comments 27 Email This  |  Print This Article  |  Bookmark and Share
More Deadline | Hollywood »