Studio scorecard: Paramount 28 (Paramount 14 + Paramount Vantage 6 + DreamWorks 6 + Marvel 2), Warner Bros 21, Universal 20 (Universal 6 + Imagine 5 + Focus 9), Disney 14 (Walt Disney 8 + Miramax 6), Fox 13 (20th Century Fox 1 + Fox Searchlight 12), The Weinsten Co 6, Sony 5 (Sony Classics 5), Marvel 2, MGM/UA 0
My analysis: As usual, the Academy Motion Picture Arts & Sciences voters got it wrong. That they could ignore a Best Picture nod for The Dark Knight and a Best Director nomination for Chris Nolan, nor show any love for Iron Man which was a very satisfying film as well, shows just how out of touch the mostly geriatric members who decide the Oscars really are. The result is that this year's broadcast, lacking any movies that smack of blockbuster in the major category, should be low-rated yet again. Wall-E was robbed for Best Picture, too. It's long overdue for an animated film to win that category. And overlooking Darren Aronofsky for Best Director was absurd, though he's honored indirectly for both Mickey Rourke and Marisa Tomei's nods. And what's the deal for ignoring Bruce Springsteen's swell song for that film?
But the madness of today's nominations for the February 22nd Academy Awards goes on and on...
The voters blanked Clint Eastwood for Best Actor, despite the fact he's never won in that category, and for Best Director, which he's won twice. I'd suspected since December that the Gran Torino story, dialogue and message wouldn't appeal to the Oscar elite because it's too blue collar. But, as I've said before, if you want to properly handicap the Oscars, just figure out who is envied or hated most by the Academy voters. This year, Clint certainly deserved a major category nomination, and the geriatrics love the guy cuz he’s still got a prostate and balls. But Hollywood is also jealous of him because he’s won too many times. The community figures if he wins any more Oscars, then the awards might as well be renamed the Clints. So the Academy pries the viewfinder from his liver-spotted hands and picks from younger directors to make that walk to the podium. Although the well-deserved nod for Angelina Jolie in Changeling is an indirect tribute to Eastwood.
So many major category nods for The Reader also bewilder me. Yes, I thought Kate Winslet would get the nomination for that movie because 1) people who vote for the Academy Awards seemed to hate her in Revolutionary Road as well as disliked that pic overall, and 2) the thinking was she'd be nominated for Best Supporting Actress and win, and 3) she's now in first position to win Best Actress. I think The Reader's popularity with the Oscar balloters was all about Harvey, but not as a reward for The Weinstein Co asshole. This is a sympathy vote for Scott Rudin and Stephen Daldry and Kate Winslet for having to put up with that nasty oaf during the tortured post-production and release of the movie, and for Sydney Pollack and Anthony Minghella for passing away before their time.
It was heartening to see that, unlike the Academy voters' diss of Brokeback Mountain to win Best Picture after barely screening the pic because of its guy-on-guy action (albeit tame), the balloters were not scared off Milk. Terrific that both Anne Hathaway and Mickey Rourke won nods: the Academy could have blamed her for appearing in that crappy pic Bride Wars, and him for opening his mouth too much and opining about everything. (Less is more, Mickey...) And fortunately, Heath Ledger, the 7th posthumous nominee, is undisputed frontrunner for Best Supporting Actor and fittingly nominated exactly one year to the day since his death from an accidental drug overdose.
Back on December 26th, I raised the question whether this year's Oscars as shaping up as rather suspense-less. See my Oscar Ballots Mailed: Are Best Picture And Other Major Categories Already Decided? Despite the huge money (too much) which Paramount is spending to sell Benjamin Button because Brad Pitt was Brad Grey's former client, I'm still certain that Slumdog Millionaire is a shoo-in for Best Pic. And the only major categories in any real doubt at this point are Best Actor which is slightly less competititive now without Eastwood, and Best Supporting Actress which is wide open now that Winslet isn't in it.
Nominees for the 81st Academy Awards
Best motion picture of the year
The Curious Case of Benjamin Button (Paramount and Warner Bros)
A Kennedy/Marshall Production
Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers
Frost/Nixon (Universal)
A Universal Pictures, Imagine Entertainment and Working Title Production
Brian Grazer, Ron Howard and Eric Fellner, Producers
Milk (Focus Features)
A Groundswell and Jinks/Cohen Company Production
Dan Jinks and Bruce Cohen, Producers
The Reader (The Weinstein Company)
A Mirage Enterprises and Neunte Babelsberg Film GmbH Production
Nominees to be determined
Slumdog Millionaire (Fox Searchlight)
A Celador Films Production
Christian Colson, Producer
Performance by an actor in a leading role
Richard Jenkins in The Visitor (Overture Films)
Frank Langella in Frost/Nixon (Universal)
Sean Penn in Milk (Focus Features)
Brad Pitt in The Curious Case of Benjamin Button (Paramount and Warner Bros.)
Mickey Rourke in The Wrestler (Fox Searchlight)
Performance by an actress in a leading role
Anne Hathaway in Rachel Getting Married (Sony Pictures Classics)
Angelina Jolie in Changeling (Universal)
Melissa Leo in Frozen River (Sony Pictures Classics)
Meryl Streep in Doubt (Miramax)
Kate Winslet in The Reader (The Weinstein Company)
Achievement in directing
The Curious Case of Benjamin Button (Paramount and Warner Bros) David Fincher
Frost/Nixon (Universal) Ron Howard
Milk (Focus Features) Gus Van Sant
The Reader (The Weinstein Company) Stephen Daldry
Slumdog Millionaire (Fox Searchlight) Danny Boyle
Performance by an actor in a supporting role
Josh Brolin in Milk (Focus Features)
Robert Downey Jr in Tropic Thunder (DreamWorks, Distributed by DreamWorks/Paramount)
Philip Seymour Hoffman in Doubt (Miramax)
Heath Ledger in The Dark Knight (Warner Bros.)
Michael Shannon in Revolutionary Road (DreamWorks, Distributed by Paramount Vantage)
Performance by an actress in a supporting role
Amy Adams in Doubt (Miramax)
Penélope Cruz in Vicky Cristina Barcelona (The Weinstein Company)
Viola Davis in Doubt (Miramax)
Taraji P. Henson in The Curious Case of Benjamin Button (Paramount and Warner Bros.)
Marisa Tomei in The Wrestler (Fox Searchlight)
Original screenplay
Frozen River (Sony Pictures Classics) Written by Courtney Hunt
Happy-Go-Lucky (Miramax) Written by Mike Leigh
In Bruges (Focus Features) Written by Martin McDonagh
Milk (Focus Features) Written by Dustin Lance Black
WALL-E (Walt Disney) Screenplay by Andrew Stanton, Jim Reardon
Original story by Andrew Stanton, Pete Docter
Adapted screenplay
The Curious Case of Benjamin Button (Paramount and Warner Bros) Screenplay by Eric Roth
Screen story by Eric Roth and Robin Swicord
Doubt (Miramax) Written by John Patrick Shanley
Frost/Nixon (Universal) Screenplay by Peter Morgan
The Reader (The Weinstein Company) Screenplay by David Hare
Slumdog Millionaire (Fox Searchlight) Screenplay by Simon Beaufoy
Best animated feature film of the year
Bolt (Walt Disney) Chris Williams and Byron Howard
Kung Fu Panda (DreamWorks Animation, Distributed by Paramount) John Stevenson and Mark Osborne
WALL-E (Walt Disney) Andrew Stanton
Best foreign language film of the year
The Baader Meinhof Complex, A Constantin Film Production, Germany
The Class (Sony Pictures Classics), A Haut et Court Production, France
Departures (Regent Releasing), A Departures Film Partners Production, Japan
Revanche (Janus Films), A Prisma Film/Fernseh Production, Austria
Waltz with Bashir (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel
Best documentary feature
The Betrayal (Nerakhoon) (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
Encounters at the End of the World (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser
The Garden, A Black Valley Films Production, Scott Hamilton Kennedy
Man on Wire (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn
Trouble the Water (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal
Best documentary short subject
The Conscience of Nhem En, A Farallon Films Production, Steven Okazaki
The Final Inch, A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant
Smile Pinki, A Principe Production, Megan Mylan
The Witness - From the Balcony of Room 306, A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde
Achievement in music written for motion pictures (Original score)
The Curious Case of Benjamin Button (Paramount and Warner Bros) Alexandre Desplat
Defiance (Paramount Vantage) James Newton Howard
Milk (Focus Features) Danny Elfman
Slumdog Millionaire (Fox Searchlight) A.R. Rahman
WALL-E (Walt Disney) Thomas Newman
Achievement in music written for motion pictures (Original song)
"Down to Earth” from WALL-E (Walt Disney) Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel
“Jai Ho” from Slumdog Millionaire (Fox Searchlight) Music by A.R. Rahman, Lyric by Gulzar
“O Saya” from Slumdog Millionaire (Fox Searchlight) Music and Lyric by A.R. Rahman and Maya Arulpragasam
Achievement in art direction
Changeling (Universal)
Art Direction: James J. Murakami, Set Decoration: Gary Fettis
The Curious Case of Benjamin Button (Paramount and Warner Bros.)
Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
The Dark Knight (Warner Bros)
Art Direction: Nathan Crowley, Set Decoration: Peter Lando
The Duchess (Paramount Vantage, Pathé and BBC Films)
Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway
Revolutionary Road (DreamWorks, Distributed by Paramount Vantage)
Art Direction: Kristi Zea, Set Decoration: Debra Schutt
Achievement in cinematography
Changeling (Universal) Tom Stern
The Curious Case of Benjamin Button (Paramount and Warner Bros) Claudio Miranda
The Dark Knight (Warner Bros.) Wally Pfister
The Reader (The Weinstein Company) Chris Menges and Roger Deakins
Slumdog Millionaire (Fox Searchlight) Anthony Dod Mantle
Achievement in costume design
Australia (20th Century Fox) Catherine Martin
The Curious Case of Benjamin Button (Paramount and Warner Bros.) Jacqueline West
The Duchess (Paramount Vantage, Pathé and BBC Films), Michael O’Connor
Milk (Focus Features) Danny Glicker
Revolutionary Road (DreamWorks, Distributed by Paramount Vantage) Albert Wolsky
Achievement in film editing
The Curious Case of Benjamin Button (Paramount and Warner Bros.) Kirk Baxter and Angus Wall
The Dark Knight (Warner Bros) Lee Smith
Frost/Nixon (Universal) Mike Hill and Dan Hanley
Milk (Focus Features) Elliot Graham
Slumdog Millionaire (Fox Searchlight) Chris Dickens
Achievement in makeup
The Curious Case of Benjamin Button (Paramount and Warner Bros), Greg Cannom
The Dark Knight (Warner Bros), John Caglione, Jr. and Conor O’Sullivan
Hellboy II: The Golden Army (Universal), Mike Elizalde and Thom Floutz
Best animated short film
La Maison en Petits Cubes, A Robot Communications Production, Kunio Kato
Lavatory - Lovestory, A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit
Oktapodi (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand
Presto (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland
This Way Up, A Nexus Production, Alan Smith and Adam Foulkes
Best live action short film
Auf der Strecke (On the Line) (Hamburg Shortfilmagency), A Media Arts Cologne Production, Reto Caffi
Manon on the Asphalt (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont
New Boy (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie
The Pig, An M & M Production, Tivi Magnusson and Dorte Høgh
Spielzeugland (Toyland), A Mephisto Film Production, Jochen Alexander Freydank
Achievement in sound editing
The Dark Knight (Warner Bros) Richard King
Iron Man (Paramount and Marvel Entertainment) Frank Eulner and Christopher Boyes
Slumdog Millionaire (Fox Searchlight) Tom Sayers
WALL-E (Walt Disney) Ben Burtt and Matthew Wood
Wanted (Universal) Wylie Stateman
Achievement in sound mixing
The Curious Case of Benjamin Button (Paramount and Warner Bros) David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
The Dark Knight (Warner Bros) Lora Hirschberg, Gary Rizzo and Ed Novick
Slumdog Millionaire (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
WALL-E (Walt Disney) Tom Myers, Michael Semanick and Ben Burtt
Wanted (Universal) Chris Jenkins, Frank A. Montaño and Petr Forejt
Achievement in visual effects
The Curious Case of Benjamin Button (Paramount and Warner Bros) Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
The Dark Knight (Warner Bros) Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
Iron Man (Paramount and Marvel Entertainment) John Nelson, Ben Snow, Dan Sudick and Shane Mahan
PREVIOUS: At 5:30 AM PT. (I'm traveling for family business on the East Coast so, for once, I don't have to cover this at the crack of dawn...) Nominations for the 81st Academy Awards will be announced by Academy of Motion Picture Arts and Sciences President Sid Ganis and Oscar-winning actor and Academy member Forest Whitaker at the Academy’s Samuel Goldwyn Theater in Beverly Hills.
So happy for Richard Jenkins and Melissa Leo.
Hard to believe The Reader got in for Best Director and left poor Christopher Nolan out in the cold for The Dark Knight… and no offense but there really isn’t anything extraordinary about Gus Van Sant’s direction of Milk either…
Ah well, at least I have SLUMDOG MILLIONAIRE to cheer for in a few categories… overall disappointed with the lack of big films and surprises represented with this years batch of nominations.
Congratulations Oscar… you just keep getting less and less interesting and out of touch with the majority of your viewers…
What no Darren Aronofsky? And Ben Button over the Wrestler? Truly saddening.
And no Springsteen for “The Wrestler?” I thought he had the WIN wrapped up, let alone the nomination…
Three words come to mind:
RECORD LOW VIEWERSHIP
I admit, this is a really dissapointing, almost Golden Globes type list. There are no real interesting picks beyond “Slumdog”. Best Picture category had chances to break some ground, and it didn’t.
The CCoBB getting 13 noms .. argh. I may be one of the few people who thought that film had absolutely no heart. Oh wait, Box Office results tell me I’m not alone in that category. Further and further out of touch.
Best Actor race is now two men (Penn & Rourke), and I expect Slumdog to dominate elsewhere.. but two song noms for Slumdog? No Springsteen for Wrester? No Eastwood for Torino? Terrible.
WOW…
So only a screenplay nomination for In Bruges??
Nolan shut out, Eastwood shut out and 13 nominations for Forrest Gump 2.0??
BEST FILM:
“The Reader” NOMINEES TO BE DETERMINED!!!!
What the hell does that mean?
A nasty touch of Harvey in the night?
The supporting actor category looks to be one of weakest in years. I mean, how else to explain Robert Downey, Jr. being nominated for Tropic Thunder?! First, this movies, while funny, isn’t Oscar worthy. Second, if they were going to pick an actor out of this movie, Tom Cruise was far more deserving than Downey, Jr. I thought Dark Knight was great and Heath Ledger was great in it, but in my opinion Josh Brolin should be the winner in this category. Interesting choices in Best Actress, as well. I hope Kate Winslet take home the Oscar. She’s an excellent and underrated actress, and she was great in The Reader.
Best Supporting Actress looks to be the most interesting of the four acting categories. It’s interesting to see Taraji P. Henson and Marisa Tomei nominated in this category. Henson is probably the long-shot, much like Tomei was when she won for My Cousin Vinny (which I still believe was undeserved). All the actresses nominated here gave excellent performances this year.
Agree with Benjamin’s comment about ‘The Reader’ over ‘The Dark Knight.’ What a joke! Good to know Harvey Weinstein still owns Hollywood.
In the long run, known of this matters, because ‘Slumdog’ will win Best Picture.
No Kate for REVOLUTIONARY ROAD???
I love Hollywood. “Hey, we’ll snub a comic book movie but let’s throw the dead guy a bone.”
Damn you SAG block. I really thought the Academy would nominate ‘The Dark Knight’ for Best Picture. ‘The Dark Knight’ received just as many nominations as ‘Milk’, and more than ‘Frost/Nixon’ and ‘The Reader’.
The omission of Christopher Nolan for Best Director baffles me. I’m gobsmacked. Gus Van Sant directed a SOP bio-pic and Ron Howard just showed up: Christopher Nolan directed a genre masterpiece.
‘The Dark Knight’ was the most important film of the year. It grossed a billion dollars. It proved that mature, political, and intelligent films can also ENTERTAIN. Ten years from now, no one will remember ‘The Reader’ or ‘Frost/Nixon’, but they still be watching and talking about ‘The Dark Knight’.
Benjamin Button gets 13 nods, are you kidding me? I could see a few tech noms but major ones? Winslet gets shut out for that phenomenal performance in Revolutionary Road? and Haaz Sleiman was the best thing in The Visitor!
Glad Melissa Leo got nominated, the noms aren’t a total loss. I think this is the first time I’ve gone with the audience and think Dark Knight was a much better film than Button turned out to be. The Academy really thinks Button and Frost/Nixon had more artistic merit than Dark Knight? Or is this a case of a summer film that’s been forgotten?
WTF! Nolan — Eastwood — shut out! C’mon! Well its safe to say that Slumdog is taking best pic — best director and adapted screenplay. The actor race is a two man show. Supporting actor, have a funny feeling Heath is gonna get shut out, doesn’t feel like a lock anymore. Supporting actress — it’s Cruz to lose. The only certainty I see for TDK is an oscar for cinematography. Wow…I’m just not feeling this list.
This is going to be one of the lowest rated Academy Award shows ever…not one crowd pleasure among the nominees (I liked SLUMDOG but it’s no E.T.) can’t believe they shut out DARK KNIGHT and gave the Best Picture nom to THE READER.
I mean even THE TOWERING INFERNO got nominated for Best Picture in ‘74.
Very dissapointing year – although I am happy for Heath Ledger, Frank Langella and Mickey Rourke.
I think they got it right. I don’t care how much money the Dark Knight made, it was not the best comic adaptation of the year. That went to Iron man, in my opinion; ess preachy, MUCH tighter script, the plot wasn’t riddled with leaps of faith and it ended where it should have.
If Heath hadn’t died, I don’t know if the BO and reviews would have been as generous.
I think the Oscars got it right.
(Now ducking from the bricks.)
Yay for best original screenplay nod for In Bruges. That film should have been nominated way more.
The rest – boring. Not a good year for cinema.
And Baader Meinhof? Really? That was awful.
I’m part of the Internet Generation, and I’m a gigantic comic book nerd. I’m laughing. Those ‘Titanic’ rating numbers ABC and the Academy hoped for — not going to happen. They were so close. Wolverine’s hosting the show. Iron Man vs. The Joker for best supporting actor. Batman nominated for Best Picture (thus proving he is the ultimate superhero bad ass by succeeding were his colleagues Superman and Spider-man failed). I was definitely excited.
Now, Meh. I will watch Christopher Nolan accept Heath Ledger’s post-humorous Oscar on YouTube the following Monday. Sorry, ABC. You are not getting my 18-45 demographic share…
Unless Hugh Jackman performs the opening monologue, in character, with Robert Downey Jr and Christian Bale, in character. That I will watch.
Benjamin Button got 13 nominations, Gran Torino none, and Springsteen’s “The Wrestler” was beaten out by “none of the above.” When did the Oscars become more embarassing than the Golden Globes? Nice job, fools!
I thought they changed the rules this year, so only one song from a movie could be nominated. What happened to Bruce?
Nikki –
You are missing the point COMPLETELY on the reader. This has nothing to do with Harvey or Scott Rudin.
Did you notice that the movie was produced by Sydney Pollack and Anthony Minghella, two absolutely beloved and supremely talented men who have passed away in the past couple of years?
This is the last chance for Syndey and Anthony, who left us too soon, to win and Oscar. I guarantee you that’s what was going through the minds of the Academy voters in regards to this movie.
Maybe YOU are the one who’s out of touch.
On the other hand, I completely agree with you regarding WALL-E getting robbed for Best Picture.
Then again, Forrest Gump robbed Shawshank Redemption for best picture back in the day, so maybe Forrest Gump II (Brad Pitt Boogaloo) will win this time too.
Why is the Academy obsessed with films that drag? Benjamin Button…snoooooooooze. The Reader? The last half of the film felt like it lasted for days. It reminded me of The English Patient. Oh, wait…
I’m very disappointed in the nominations. Benjamin Button is now officially one of the most overrated films of all time.
Ben Button is a blockbuster, has earned over $100 million (threshhold for blockbuster). It is the only film up for best that has done so. I enjoyed it greatly as did the many others who also have seen it. It deserved all the nominations it received.
Tuesday we innaugurate Obama and on Thursdsay this happens. Wow. But actually quite brilliant. Many folks will make the same observation. There will be articles written and TV segments cut. This to be controversy may actually drive up ratiings for a normally unwatchable show!
Please strike now SAG. As there are no films I care about you should strike and make the horrible Oscars go away and be a simple press conference to announce the winners.
No Dark Night. Not watching again.
Oh Nikki!
So much conjecture, is it really necessary?
Your theories about Oscar voters being too old to vote for Batman but too jealous to vote for old man Clint and about voters hating Harvey enough to award his film The Reader’s crew sympathy Oscars were particularly amusing.
Not everything can be analyzed.
Especially not the Oscars.
I’m with Anya. I found Benjamin to be a wonderful movie, old fashioned storytelling in the best way. I’m thrilled it received all of those noms. But the three actors in Doubt. And Anne Hathaway. Well, each to his own..
Aronofsky getting robbed was a tragedy. Eastwood’s won before, for Million Dollar Baby and Unforgiven so his snub there wasn’t heartbreaking. He was amazing though in Gran Torino. That definately was a crusher! And what’s the deal with the reader?! Was it even that great?
Nikki indirectly supplies another reason why the Oscars are so irrelevant – movies get nominated not because of their quality but because of behind-the-scenes turmoil, sympathy, grudges, jealousy and crushes. Or worse, who’s won too many times or whose turn is it. Pathetic. How are the Oscars any more legit than figure skating?
I can think of a dozen movies I enjoyed more than any of the 5 ‘best’ on this list.
Prostat & Balls…wonderful.
“Get away from my dog”.
It’s gotta be some sort of crime that ‘The Dark Knight’ didn’t get a nod for Best Picture. It’s one of the best crafted, fully satisfying blockbuster films ever. Christopher Nolan was snubbed, indeed.
The rest of the nominations fall in my place with my expectations. I’m kinda-sorta glad that ‘Revolutionary Road’ didn’t get all the nods it was rumored to get. It’s one hell of a downer movie (although well acted by Leo and Kate). Though, it’s neat that the Michael Shannon got a Supporting Nod for his assholeish, mentally unbalanced mathematician.
I’ve yet to see ‘Slumdog Millionaire’… and its awards train is now moving full steam ahead into the Academy Awards. I really got to make some time and see it.
I went to three showings of The Dark Knight. Contrary to the apparent opinion of the Oscar voter, there were people of all ages sitting in packed theatres. Old couples sat next to teenage lovers. They weren’t there to see Batman; they were there to see one of the best-reviewed movies of the year. They were there to see a great FILM.
For The Dark Knight not to get even a nomination is a travesty. How can anyone take seriously the idea that the Best Picture winner is the year’s best movie when TDK isn’t even in the top five? The Oscars are voting themselves into irrelevancy, and I guarantee you it will be reflected in the ratings for this year’s show.
Harvey must be stopped! Enough is enough!
Agree with you about Dark Knight, disagree about Wall-E. As you probably know, each branch nominates for its own branch (or in the case of foreign films and animated features any member can vote if they attend the screenings). Every member gets to nominate for Best Picture and I included Dark Knight as one of my five selections. However, it’s really not that hard to believe that too few other members did as well since the majority if the Academy members are in the Actors branch and they tend to be a bunch of out-of-work blue hairs who tend to vote for ’serious’ films instead of great films. I suspect that very few of them even watched Dark Knight or if they bothered to turn it on probably didn’t make it through the end of the first ten minutes. Oh well…
Isn’t it amazing how closely the nominations (in applicable categories) match the SAG Awards nominations?
What I love most about the Oscars is the way Hollywood celebrates Hollywood, but the producer accepting the Best Picture award invariably says, “Nobody wanted to make this movie…”
What a turdpile of a nominations list. No TDK in Picture, Director or Adapted Screenplay, no peace. And the five nominated films making about 40 million $ less than TDK made in its OPENING FRAKKIN’ WEEKEND. Academy to mainstream moviegoing public: F-U.
CCoBB was HORRIBLE Gump 2.0…look for the YouTube side/by/side comparison…Roth should be ashamed…Pitt cribbed everything from Hanks except heart…only good thing about it–and she was GREAT–is Taraji…believe it got all the noms and Angelina’s best actress so that they’ll add some glam to the awards…no Springsteen, wtf?! Agree that Dark Knight should have gotten a pic nom, and Gervais nailed it: go Holocaust or mental and get rewarded.
I do NOT understand the hoopla over THE WRESTLER. Except for being a decent inside look at a Wrestler’s life — the STORY was abysmal.
Mickey’s good but not brilliant maybe cuz the script sucks.
The script is a cliched ridden bowl of lukewarm soup.
Cliche #1:Substitute Boxer for Wrestler and its Requiem for a Heavyweight. And every other boxing movie.
Cliche #2: Marissa is the stripper — with a heart of gold!
Cliche #3: Plot twist: she has a kid (which goes nowhere by the way). Guess what – EVERY stripper has a kid.
Cliche #4: Mickey lives… in a trailer park!
Cliche #5: he cant pay his rent – and has been locked out!
Cliche #6: his daughter is mad at him because “he was never there!”
Cliche #7: He screws up because he’s late to take her to dinner bec he was out partying! (sheesh – he was only 2 hrs late)
Cliche #8: She’s a lesbian – another plot point that goes nowhere.
Cliche #9: Mickey has a cute dog – oh wait, he doesnt have a dog but he plays with the neighborhood kids… Ahh, he must be a nice guy.
Cliche #10: Mickey gets a real job but gets recognized.
Oh, this is not a cliche – but Mickey’s speech at the end before he fights?? What was that? A clunky expositional summation of all his thoughts and feelings – it felt like Mickey’s thank you speech to the cast and crew at the end of the shoot that Darren decided to cut in, not something the character would say and do….
The oversight of the Academy to have no best pic or director nomination for “Dark Knight” is not only insulting but stupefying. I don’t want to place the film in the same league as “Ben-Hur” or “Lawrence of Arabia” but it’s in that arena of epic, large, and powerful spectacles. I wouldn’t expect it to win but the neglect here is more shocking than a win would be.
WB may have been well to re-release it on IMAX and have Academy voters see it as it was intended. I haven’t had my jaw drop for a movie since seeing the big boat in Titanic sink.
Really? ‘Curious’ gets 13 nominations? It’s nothing more than a Hallmark movie of the week so long it literally has a scene where you watch paint dry.
Why such a hater, Nikke? Wouldn’t a sympathy vote for Rudin and Winslet be to, oh I don’t know, nominate REV ROAD instead?
I couldn’t agree more Nikki Wall-e deserved best picture. That movie almost made me cry
Gran Torino was a bad tv movie starring Clint Eastwood. It deserved what it got.
Original Joe – Iron Man had no leaps of faith? Just the whole building an Iron Man suit while stuck in a cave. Good thing those guards never went in the cave! TDK and IM were movies and both required a leap of faith.
Best Pic – TDK, The Wrestler, Slumdog, WallE, & Benji Button – with winner going to either Wrestler or Slumdog. Everything else is just awards filler that no one cares about.
As a member of the visual effects branch, I think we got our three movies exactly right.
I agree that Wall-E should have been a best picture nominee, and even the best picture. I felt that way, even more strongly, about Pixar’s previous The Incredibles.
Well, we’ll see how it goes. I don’t see Button taking very many of those 13 categories — but we’ll just have to wait and see.
You may have known too much of what happened behind the scenes to enjoy it but I thought “The Reader” was a terrific film.
Go CCBB, Finch & Claudio!
What’s with the song category?
Last year, 3 from Enchanted.
This year, two from Slumdog. And only one other?
As if there weren’t a slew of good songs to choose from?
How about the song from Gran torino? Bruce’s song from The Wrestler?
RIDICULOUS.
Clint was robbed a best actor nod–I just saw gran torino and thought it was an incredible performance. He was much more interesting than Pitt who was the beneficiary of several actor’s performances to create the role of Button.
Amen Nikki.
If Clint deserves a nod, why not give it to him? Just proves that after all these years, not only does he still have it, but he has it better than many.
And I completely agree on the TDK stuff, why do all the Best Picture nods need their directors to be nominated too?
It’s pretty sad when the Hollywood Foreign Press is more in touch with Hollywood than the Academy. Very sad indeed.
Wow,,, This is pathetic. No Dark Knight? No Iron Man, No Torino? It’s sad. I’m glad for B Button, but I agree, it’s the most overated movie of the year,,,, I have but one thing to say:
“Get off my Lawn”
Chris
This is UNREAL!! And I can’t believe this list. Dark Knight not even recognized?? WALL-e passed up for Best Picture? Why would anybody watch this telecast?? The Academy has cut out the entire movie going population. Yes, it’s true that movies can open in limited release in order to qualify for an Oscar, but if you fill the entire nomination list with limited release movies then you ultimately exclude the movie going audience from the process. Which is insane, that’s why movies are made — for an audience.
This is a travesty in my mind. The Oscars would be better served airing on a specialized cable network. Broadcast TV has enough trouble reaching an audience without a niche cinema-oriented event like this.
This is why awards shows like MTV’s Movie Awards rate the way they rate and why the Webby’s get the buzz they get. Because they’re relevant to what’s currently happening on our planet.
slumdog is overrated! The only reasons why the stupid american critics like it is because they have not seen slums/dumpsite or poor people like that in America.
Those scenes in the movies and the plot are so common in third world countries, there is nothing that great in the movie. It has a very shallow plot.
Where’s Kristin Scott Thomas? Seriously?
What was Iron Man supposed to be nominated for? Being a huge-business comic book movie? Let’s not kid ourselves, it wasn’t “good”, it was popular. Nolan probably should have gotten a Director nod for Dark Knight. I’m not crushed that he didn’t – doing a massive special effects movie is more a herculean test of organization and administration rather than of real directing skill. But then you don’t see Roland Emmerich getting nods. And the movie was 40 minutes too long (from an artistic sense – obviously it didn’t hurt the box office). And again not necessarily “good” (very entertaining, but every time it switched from action to dialogue/story it was clunky), but popular.
What mainly bugs me about this year’s choices is that it panders to the people who make movies specifically as Oscar bait. The Reader, Revolutionary Road, Benjamin Button, etc … these are movies created specifically to try to win Oscars. Why encourage this sentiment? Maybe I’m naive, but in my mind an Oscar should be a reward for having created a great film (of whatever genre), not something you try to manipulate the achievement of by specifically picking a certain genre, tone, book to adapt, group of actors, etc. The tail is wagging the dog.
This is the most pathetic oscars ever. THE READER?????? are you old farts joking me??? lowest ratings ever. The oscars are dead.
Potential audience just dropped by about 15 million. It frees up another night for me anyway. Don’t get me wrong; I love Slumdog and hope it wins all its nominations, but even as someone who is usually supportive of the Academy’s picks, the oversight of Wall-E, Gran Torino, the Dark Knight, and Christopher Nolan is unbelievable. No way am I watching this travesty. I’ll catch what I want on youtube the day after.
Lowest rated Oscars EVER this year…think they’ll go under 30 mil.
If they think not announcing who is presenting is going to get people my age (26) in the 18-49 demo to tune in, they are WRONG.
For shame Academy, in not recognizing Aronofsky and Nolan. FILM-making at its finest.
gran torino did not make the picture accessible to voters. only academy screeners went out. no screeners went out to the guilds. no free admission in the theatres and the screenings they held around town were porly organized and people got shut out (me included). companies that make the films available do better. simple fact.
This is the last chance for Syndey and Anthony, who left us too soon, to win and Oscar.
Aside from the fact that both of them ALREADY HAVE OSCARS, you fucking idiot.
Goodbye, Oscar show – it was nice knowing you.
The five films nominated for Best Picture will barely be remembered five years from now while The Dark Knight will forever be mentioned as one of the groundbreaking films in history. I’m not even convinced the lazy voters even saw Benjamin Button. To them, it just seemed like an Oscar movie.
Acting branch got it right for the most part – good on them for recognizing Richard Jenkins, Melissa Leo, Michael Shannon. Although those names minus The Dark Knight in Best Picture will ensure that around just 10 people will watch the Oscars. Good luck to ABC and the Academy in selling ads.
I hated Slumdog, but I understand why it’s nominated. I don’t get The Reader at all: It’s a shallow, mediocre drama that trivializes a profound subject. Dark Knight, Frozen River, Wall-E . . . they could have gone mainstream or indie with nom for any one of a number of films better than The Reader.
I’m so happy The Dark Knight wasn’t nominated. There was the fear among us liberals that too many people might identify it as a “conservative” movie, and likened Batman to George Bush (sometimes you have to go into dark places and do bad things to get the bad guys).
As a closed-minded, intolerant liberal, I don’t want anybody thinking positive things about conservatives, EVER, even if it’s in the subtle form of identifying with a movie character.
I support “Milk” all the way. It helps further our leftist agenda (even though Sean Penn’s performance could be called, “I am Sam, or Harvey Milk, take your pick.”)
So what if nobody watches this lame, self-congratulatory home movie.
Mission Accomplished comrades!
Really surprised that Revolutionary Road got snubbed. Thought Kate was amazing in it.
While I’m not particularly surprised about Benjamin Button’s nominations, considering the pedigree of the people involved, I have to say that it’s sad to see a low-rent Forrest Gump getting such lavish praise heaped on it.
Certainly feel like Slumdog Millionaire is deserving, but would have liked to have seen Dark Knight and Gran Torino at least in the mix. Marissa Tomei…I’m not saying her performance was bad, but…was it really one of the top 5 of the year? Really? Felt like she had about 15 minutes of screen time and that was it.
Would have liked to have seen an outside-the-box nomination too. Maybe Ed Norton for actor for his performance in The Hulk (not saying the film was great – just his performance).
I guess I’m in the minority about Wall-E. It was enjoyable, but as animated films go, felt like it was far inferior to The Incredibles and certainly Beauty and The Beast.
GRR The love for Benjamin Button pisses me off because the movie is soo overrated. Sorry, but Brad pitt is not a good enough actor to star in that type of Movie.
his Oscar Nomination is a sham!
BEN BUTTON’S NOMS MAKE IT LEGIT.
SLUMDOG IS A BONA FIDE HIT.
CLINT EASTWOOD ESCHEWED,
CHRIS NOLAN GETS SCREWED,
AND THE READER PROVES IT’S ALL BULLSHIT.
And they wonder why people have stopped watching the Oscars.
Has anyone considered that TDK wasn’t nominated for best pic simply because it’s not a good film? Nolan deserving best director is a joke! He’s responsible for Bale’s unintelligible delivery, Eckhart’s over-the-top performance to hide his inability to grasp the nonsensical motivation of his character, the epileptic editing to hide the messy, shoestring narrative, the pretentious/preachy dialogue, and the bombastic score. Granted the film is entertaining the first time around, it becomes a total bore from then on out. Ledger’s performance is the only reason the film succeeds as well as it has (and even his performance is one note and motivation iffy- for a guy without a plan he sure plans well).
The film is so confident it what it’s presenting that most audiences are duped into believing it. Please take another look and then explain why it merits a best picture nod.
10 for the most overrated SLUMDOG and none for GRAN TORINO?
REVOLUTIONARY ROAD got what it deserved. Not b/c it’s a downer pic, but b/c it had nothing new to offer, no new insights, only showed what we already know and have seen many times over (and from a more interesting variety of viewpoints, thanks to Mad Men, for example). It felt dated. I wasn’t impressed. I prefer Kate Winslet’s other suburban nightmare, LITTLE CHILDREN.
THE READER on the other hand – did you watch it with your eyes and mind open? – was both intellectually and emotionally engaging. In the very beginning it had a couple of scenes (with the young man) that felt forced and awkward, but it more than made up for them. It had a nice rhythm and good balance.
Not to mention that THE READER had the most impressive sets, fabulous props. They seemed to get all the little details right, truly amazing. I loved it and I cried. There.
Pic – Benjamin Button
Actor – Frank Langella
Actress – Kate Winslet
Supporting – Heath Ledger
Supporting – Penelope Cruz
Director – David Fincher
Adapted Screenplay – Slumdog
Original Screenplay – Milk
Song – Slumdog
So it is written.
Shocking that GRAN TORINO got blanked. Here’s a serious film with mainstream success that deserves recognition, so of course it’s ignored. Nobody’s going to see THE READER. And they wonder why the Oscar telecasts suck more air every year.
Random thoughts Larry King style…They were right not to include Batman in the best picture category. The story was choppy and convoluted. They were wrong to not include Wall-E though. That movie was brilliant in concept and execution. Marissa Tomei is a great actress and the academy loves it when great actresses get naked repeatedly. The Wrestler is a very conventional movie but was made well none the less. The unfortunate truth is that no matter how many awards you give Heath Ledger it’s not going to make him come back. Heath played The Joker well but it is a one dimensional comic book character and really can’t compare to what Philip Seymour Hoffman did.
We [almost] all work in the film industry and we all know how hard it is to make a film, even a mediocre one. It amazes me then, how easily some of us are trashing films that have genuine merit. I have seen most of the films on the list, and found both compelling and poorly conceived components in most of them, and of course, there are some that I PERSONALLY enjoyed more than others. If you love a film, it doesn’t help your case to trash another one.
No nomination for Sally Hawkins in Happy-Go-Lucky? She actually won Best Actress at the Golden Globes and Berlinale but can’t even get nominated for the Oscar? What’s up with that?
They got it neither right nor wrong. The Dark Knight had some good moments but it was overlong. Gran Torino was an immature mess of cliches, pat (itself on the back for its diversity) scenes, uninspired performances and Revolutionary Road was American Beauty Redux.
But since when does “geriatric” become the wry little swipe at the voters. It seems to me a lot of the talented writing & performances & directing is coming from the over 40, over 50 and over 60 crowd these days. But thats the way it is with the West Coast – the faces we see are pulled zipped tucked and botoxed in a desperate attempt to look young and the people behind the scenes are ridiculed for being geriatric (all while an assisted living facility goes under) – Ageism=Bigotry – who didnt get the memo?
Where is David Kross? He was terrific in ‘The Reader,’ and he and Kate Winslet had excellent chemistry, and both of them exposed their souls and bodies for that movie.
I like Robert Downey, Jr., but I would have replaced his name with David Kross on this list.
I don’t understand the boohoo over Wall-E, this movie has been nominated in it’s proper category “Best Animated Feature”…um, because it’s animated.I LOVED, LOVED, LOVED IT.
Stop turning Heath Ledger into the poster boy of sorrow, the lost creative soul, who left us to early. This is a full grown man who made the choice to do drugs and paid the horrible price. It was an accident and my proof is that he would NEVER have left his beautiful daughter, and his last breath was probably at the horror of what was happening. To everyone who’s worked with him, IT WAS A SHOCK…BUT NOT A SURPRISE. Where were the Studios, and close friends who saw this happening, and just stood by? Afraid good old Heath may not like you any longer? Guess it doesn’t matter now, you weak fools. But hey, Heath was more interesting as the “bad boy, the wild one”. My heart breaks for him, his wife, and his baby girl…BUT PLEASE DON’T MAKE THIS SOMETHING THAT IT’S NOT, IT’S UGLY, WHAT HAPPENED, AND GIVING HIM THE OSCAR DOES NOT CHANGE THE FACT THAT MANY IN THIS INDUSTRY JUST STOOD BY!
I never thought I’d say this especially less then 48 hours after Obama’s inauguration.
Hollywood just made this die-hard movie fan feel like a Republican. My conservative friends and family are on to something with this institution. I may consider boycotting the Oscars.
Not only was this a horrible business decision, it shouldn’t have been THAT hard to nominate ‘The Dark Knight’ and Christopher Nolan for Picture and Director for the skillful, flawless film making.
Nikki, I agree with everything you said in this article. You are a great writer and intuitive to the business. I am posting this article on my facebook profile. Expect more complaints to come.
The love for The Reader has nothing to do with Harvey or Scott or Sydney or Anthony. It has everything to do with the Holocaust. The Academy loves Holocaust movies.
Seriously, Kristin Scott-Thomas got shafted.
I would love an upset like Sean and Mickey splitting the vote and Richard Jenkins pulling an Adrian Brody upset and winning. Sweeeet.
Go Slumdog!
Overall a pretty decent listing. The fanboys for The Dark Knight are getting annoying. Not everyone thinks it’s the second coming.
I’m really happy that Melissa Leo and Richard Jenkins hooked up with films that got the right attention at this time in their careers.
Nikki, your venom for Harvey really comes through in the column today. Take a deep breath, step back and be non-biased for a second. Agree that the movie isn’t going to win best pic but it had a better strategy than than Rev Road. The Paramount team was too busy focusing on Benny Buttons and let Rev Road fall through the cracks in terms of box office and awards season. How can you release an academy movie so late!
Take it easy baby.
I’m not surprised about The Dark Knight snubs. Saddened, but not shocked. There is still a stigma around comic book films, and that has more to do with it then old voters. Wall-E being snubbed is inexcusable and is another fine demonstration of why “Best Animated Film” is a horrible category. As long as it’s around no animated film will ever get another nod for Best Picture.
I’m also gonna disagree with you Brokeback Mountain comment: it wasn’t homophobia, the film was underwhelming. It looked nice, acted nice but the writing was underwhelming.
I think we can debate the pros and cons of all the movies nominated — except “The Reader.” There are those who think “Milk” and “The Wrestler” are mediocre films that feature extraordinary performances, while others have been blown away by both movies; some think “Slumdog Billionaire” is a virtuoso piece of filmmaking that tells a classic story in a modern way that is moving and exciting and engaging, while others feel its effect evaporates the minute the movie ends. But “The Reader”? Maybe a handful of people I’ve encountered think it’s okay, while the rest of us see it going off the rails at about the half-way point, never to recover. It’s no wonder its nomination is redolent of the Golden Globes.
Oh, yeah, and there’s another movie a lot of people felt strongly about, The Dark Knight. Most people loved it.
Dark Knight as a Best Picture nod and Nolan as best Director? Are you serious? Its a good film, and I enjoyed it quite a bit, but sorry, its not on the same level as those nominated (although I do have an issue with Frost/Nixon).
The biggest snub… By far… is The Wrestler. The film, the director and Bruce Springsteen’s song written for it.
Dark Knight was a masterpiece. Oh wait, no it wasn’t. It just wasn’t as awful as almost every cartoon event movie (and that awful list includes the overrated Iron Man). That said, I’d much rather watch Dark Knight than pompous Oscar bait like The Reader, Curious Case, Revolutionary Road, etc. But kudos to Harvey for pulling off a miracle for that garbage The Reader.
Nobody has commented on the fact that Richard Jenkins got nominated for THE VISITOR, which really, really makes me happy. He was WONDERFUL in that movie as were all the cast. One of the greatest movies I have ever seen
The Reader over WALL-E, Wrestler and Dark Knight? The Academy continues on its path towards complete irrelevance.
“A comedian at the Oscars, is the loneliest, saddest alcoholic clown…”
Congrats Robert Downey Jr., for reminding everyone our beloved genre exists!
GRAN TORINO was terrible and THE DARK KNIGHT was impossibly boring. They didn’t get overlooked, they sucked.
I have odds on favorite for Mickey Rourke to win Best Actor. People love a good comeback story and Hollywood is all about the story.
The Dark Knight is the most overrated movie of 2008: The story rambles on and on, has inexcusable lapses in plot logic, ends on a completely false note (Batman has to be the “dark knight” because there is no one else to take the heat… um… what about that Joker guy?–the guy actually responsible for the all the 2-plus hours of crime we’ve just witnessed?), and is super-pretentious to boot. I don’t know why so many people swallowed the kool-aid on this one.
No idea why either The Reader or Benjamin Button are nominated for any award much less so many. Talk about a circle jerk! Rourke and Ledger will win the actor awards. The actress awards are way more open though Jolie deserves to win but probably won’t seeing as too many think of her as more tabloid fodder than actress anymore.
Hopefully indie kids Jenkins and Leo can parlay this attention into some more good roles.
ANNIE, THANK YOU!
I have been saying this. Travel and see what India is really like and the slum story won’t seem as “charming” and “novel”. Not that the boy and love don’t triumph, but part of this was a low rent travelogue that makes you feel like you’ve been exposed to an “exotic” world. You think people aren’t being beaten and killed and women and kids aren’t being abused for a few rupees? You think people aren’t actually using such shit holes as shit holes – believe me, I’ve used a few Indian shitholes in my day. In a country where someone with a decent job can make $20 a month, this “exotic” journey isn’t so heartwarming – it’s filled with horrors – TRUE TO LIFE HORRORS.
Also, Anne Hathaway is not a great actress in any sense of the word. She lacks nuiance and telegraphs anxst in this performance. Rosemarie Dewitt was the best performance of Rachel Getting Married, an overlong movie filled with way too many wedding toasts and way too much music.
Don’t even get me started with all that’s wrong with Benjamin Button.
The oscars are devaluing themselves.
At least Michael Shannon’s performance was recognized.
Dark Knight was pretty great, but I preferred Iron Man – I thought it really as well made and well acted. When will people stop depressing us with a handful of limited release dramas at the end of every year and then congratulating each other on making these boring films to the exclusion of all the otehr films in the year from all genres?
However, I’d like to remind everyone that low viewership doesn’t mean the oscars are “over”, it means the telecast, at least on primetime is stupid. People shouldn’t make oscar picks based on popularity with the general public just to get better ratings, but they also shouldn’t circle j**k the same 5 films that came out at the end of the year.
Also, Gran Torino is a terrible script filled with bad acting except for Clint, so thank god some sanity won out.
Provocative analysis right on the money Nikki. Well done.
VOTERS now just PRETEND to have seen all of the movies right?
No Dark Knight or Wall-E for Best Picture. These nominations prove how irrelvant the Oscars are becoming to the movie public. I gues the elite in Hollywood are determined to have the lowest Oscar tv ratings on record.
“What mainly bugs me about this year’s choices is that it panders to the people who make movies specifically as Oscar bait.”
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This year? Every year. You can usually tell what’s going to be a contender just by reading the description of a movie. “Historical drama,” Oscar contender. “Mostly-happy stuff about a dog,” not gonna happen.