So this was a hot book but it’s been a cold movie in development at Paramount. Two years ago, Brad Pitt wanted the project for his Plan B production company. Then a year ago, Julia Roberts attached herself to play the lead and develop it. And most recently, Ryan Murphy came on to direct. But now Paramount is about to put the project in turnaround, and Sony is about to pick it up. Some are telling me that Paramount will chalk up another Twilight turnaround humiliation. Others say that Sony will overspend for a chick flick that should cost only $25M to make, is currently budgeted at $60M, sends out 15% of the gross off the top, would have to earn $150M worldwide to make money, and ends up with a 1-quadrant movie starring a has-been actress helmed by a mediocre director. How I love it when Hollywood studios bitchslap one another!
The book by Elizabeth Gilbert is subtitled, “One Woman’s Search for Everything Across Italy, India and Indonesia” and the content is just that. One big fan of the soul-searching travelogue tells me that Paramount “didn’t get it. It’s a girls’ book, and they didn’t know what it was. All of them, from Brad Grey to John Lesher, looked at it and said no.” Another tells me, ”They’re nuts. They’re only making guy movies, and I don’t know how they can ignore this best-seller after the success of Mamma Mia and Sex And The City.”
On the hand, sources tell me that after the exec championing the project, Pam Abdy, left the studio, Paramount bigwigs decided that the pic should only cost $25M but was too hard to make cheaply because it takes place all over the world and therefore the budget would balloon to $60M with 15% of the gross out the door. As a source put it to me, “The concern is it’s a 1-quadrant movie that would have to make over $150M worldwide to make money. So my question for you is: when was the last time a Julia Roberts-lead movie grossed that much? (And Oceans Eleven doesn’t count.)”
The fact is that Paramount bought the book initially because of its relationship with Pitt’s Plan B, which felt that because Eat Pray Love had sold well in America that a movie would have built-in appeal. Even so, I heard Paramount’s marketing department doesn’t believe this is another Momma Mia or Sex And The City and turned thumbs-down on its commercial viability. And there’s thinking that 41-year-old Julia Roberts is too old to play the 31-year-old lead. Plus, the biggest hesitation was Ryan Murphy, who failed to make the transition from TV showrunner to film director with the stillborn Running With Scissors. “Had some genius filmmaker been doing it, then Lesher would take the leap of faith and hope for alchemy on an untraditional real-life narrative,” my source explains.
Still, putting any film in turnaround is a risk. Look at Twilight. “You never want to put anything in turnaround because it’s ‘schmuck insurance’ so you don’t give anyone the opportunity to make yourself look bad. But Lesher saw that Brad Pitt was very passionate about it. So he’s doing a good thing and being a friend to the project and letting Sony have it.”
It was Julia Roberts who personally brought the project to Amy Pascal. And I hear Sony still is worried that Paramount may want to keep it, especially because of this publicity. But I also hear Paramount’s mind is made up. Now we all wait to see who gets the last laugh.
Editor-in-Chief Nikki Finke - tip her here.


I am waiting for Julia Roberts to make another movie. She is terrific and would be great in Eat Pray Love. None of the so called romantic comedy actress’ can touch her.
I have to say I find it amusing that there is all this discussion about whether Julia can still carry a film (she can, if she made better choices), if the director is worthy(like they are going to let him direct it), instead of the bigger issue of the economics of it.
60 mil which will balloon up to 80+, then the P&A, and as mentioned after all the stars and like take their percentages, it doesn’t make any sense.
And since when did you actually need to go “On Location” to shoot a film based somewhere else? This is Hollywood right? Land of make believe. There’s no reason to go on location other then second unit.
This is what’s wrong with this industry right now, no common sense, apparently being run by the same people that run the banks and wall street.
And if it is as great script as another wrote (I haven’t read it, but now I will) than maybe everyone should start by making that script instead of what usually happens and everyone sticks their grubby little fingers into it and makes it a mish mosh of what it once was and we all sit around afterward and wonder why it didn’t work.
Why not try this, tell Julia she gets paid what she did on Mystic Pizza, tell everyone else to do it for the minimums and give them all a percentage of the NET profit and see what everyone really thinks of the film.
I’m all for making Art, but in the end this is a business and this doesn’t make sense anyway you look at it.
Folks,
Women are not a quadrant. They are half the population. Some material appeals more to females of any age than it does for the default perceived-audience, teen-age boys.
According to the MPAA, 50% of all movie tickets are bought by women. And THAT’s to the paltry few movies out there that might recognize they exist. Sex and the City was not the Valhalla. Its success was the result of pent up demand to see female characters on screen.
The book “Eat, Pray, Love” is an international best-seller– with more than 7 million copies sold– with mostly WOMEN. No doubt it will be presented and discussed on any talk show (TV, cable, and radio) that appeals to women. Additionally it will book editorial layouts and spreads in every women’s magazine and website. The buzz/PR/word-of-mouth will far exceed the book-buying audience and most of the women who aren’t typically book-readers, who don’t have time to read, or haven’t gotten to it yet despite the hoopla, will find that it is the only movie to come down the pike since Sex and the City and Mamma Mia that is addressed to them. (I don’t count SATC2 as it bore none of the original series’ DNA, charm, and wit. Plus, it factory-made to shove brands and logos down our throats.)
“Eat, Pray, Love” is a story that, no, men just don’t “get.” But women do, and the movie already has a built-in audience on the concept alone. I’ll stand in the middle of Sunset wearing a cone-shaped hat if my predictions are off, but I bet this movie does very well indeed.
Just think of the million$ that studio execs AREN’T collecting because of their refusal to acknowledge half the audience. The Internet and new media will slowly pull ahead of you in servicing this “segment.” Maybe it’s better suited. After all, it’s much more democratic…
Sooooo….Adela. Got any pics of you in that cone-shaped hat?