This morning, a rival agent emailed me, “ICM party: Knuckleheads RSVP’ed 800 people for a 150-person capacity party 15 minutes away from Main Street in the middle of nowhere last night. Party started at 9, gate closed at 10, and anybody who got there after 10, whether client or not, didn’t even get near the house. Disaster. That’s why we don’t throw parties at Sundance.” Later, a source from ICM told me, “Nowhere near 800 people were invited. Unfortunately, we weren’t able to accommodate everyone who showed up, but all of our clients were allowed access. Everyone had a great time.”
Tonight, a top entertainment lawyer just emailed me: “Prediction: 500 Days Of Summer wins grand prize at Sundance… Crowd LOVED it.”
So Antoine Fuqua’s Brooklyn’s Finest starring Richard Gere, Ethan Hawke, Don Cheadle, Wesley Snipes and Ellen Barkin became Sundance’s first pickup. Senator Distribution with partner Sony Pictures’ Worldwide Distribution Group bought North American rights tonight after its world premiere Friday. Price was around $5M with a big marketing commitment. CAA and WMA did the deal. The film’s controversial ending will be changed.
War Room filmaker R.J. Cutler’s documentary about Vogue‘s 9 months of preparation for the September 2007 issue, appropriately titled The September Issue, was made with a four-person crew, 300 hours of film, and the full cooperation of the mag. It screened at Sundance yesterday, and Nuclear Wintour not only turned up to help plug the pic, but everyone admitted that she succesfully spun Cutler to film almostly exactly what she wanted him to film. Said Anna, “I’m thrilled that the agony and the heartbreak and the joy and the incredible hours and passion that everyone that works at Vogue puts into the magazine was what R.J. decided to focus on.”
Sundance tipster emailed me: “The big scuttlebutt is what is Warner Bros going to do about Spring Breakdown which has been on the shelf there for 2 years. Even though Amy Poehler couldn’t be hotter! Remember, as you reported, they didn’t love it and were sending this to home video. It was supposed to come out February 3rd on DVD, but Warners pushed it way back to April. But several acquisition folks went to Friday’s midnight screening on a whim (on the very lame 2nd night of Sundance) which was sold out. They have the E-ticket passes so they were fine. Now at least two buyers want it badly and are preparing the best kind of approach for this odd kind of situation.”
BNC PR emailed: “It was another eventful night in Park City at the T-Mobile G1 Diner at the Village at the Yard. The cast of Spring Breakdown, including Amy Poehler, Parker Posey, Rachel Dratch and Amber Tamblyn, all stopped by the G1 Diner for a cast dinner in their honor. John Krasinski and Emily Blunt came hand-in-hand to visit friends, mingling with the cast and crew of Spring Breakdown into the late hours. Newlyweds KayCee Stroh and Ben Higginson danced the night away. The entire party was kept going through the music of DJ Momjeans (aka Danny Masterson.) Ashton Kutcher visited the T-Mobile G1 Diner to support his friend, giving his former That 70′s Show castmate a huge hug upon arrival.”
From PMK/HBH: “You know a genre film is good when the sold out midnight premiere screening of Grace at the Sundance Film Festival was a success. Horrified by the gore, during the screening, two male audience members fainted in the lobby. The genre-loving fans were shocked by their extreme reaction to the bloody subject matter, commenting that they have never responded to this type of film before. First time feature filmmaker, Paul Solet’s horror film, based on his award-winning short of the same name, Grace is an unforgettable emotional and psychological journey into terror as a young woman is forced to make the ultimate motherly sacrifice when the stillborn child she carried to term returns to life with a horrifying appetite.”
Hollywood flack emailed me: ”In Sundance. Pretty thin crowd and slow in general.”
More as it comes in… By identifying who’s telling me what here, I’m just being more honest than most media outlets who regurgitate the Sundance PR without telling readers.
Editor-in-Chief Nikki Finke - tip her here.


It’s amazing what has happened with this movie. They tested it three times and the audiences just don’t like it. It’s clever but pretty badly directed and outside of Amy, Rachel and Parker, the acting is pretty crappy. They are on the hook for about $15M and add marketing the that and they’ll never get it back no matter how hot Poehler is. The part that no one will admit is that like his other film, Shiraki has made a gay movie. His point of view just doesn’t cross over. Home Of Phobia was on the shelf too until it killed at Outfest and got a almost zero money 1 theater release and DVD deal.
Why spend five million dollars buying a movie if you’re just going to change the ending? What about the filmmakers (the screenwriter was working in a tollbooth when he wrote the script)? What about the terrific cast of actors who signed on to tell THAT story? Does anyone involved really want a happy Hollywood ending slapped onto the end of it? Evidently, someone’s sold their soul for a buck. Everything I’ve heard about this movie and its script is they were great. What’s wrong with a controversial ending? It’s a movie that clearly wasn’t made for zit-faced teenagers so not put out the movie as is so an adult audience can enjoy it?
the problem with the ending of brooklyn’s finest (not to mention the rest of the movie…) is that it SUCKED. people in the audience literally guffawed out loud. and it’s not meant to be a funny moment. at all. it was a ridiculous ending to an overwrought piece of shit.
Ditto on the ICM party – let’s just say that agency should keep it’s day job. Vogue Docu is really another great piece of work by RJC. As for the street, a fair share of hangers of both sexes — more party bois than ever, but definitely less big swag all around. IndieVest throwing cool lounge parties with the best music. Oh, and some really tall drag queens…
to deadline hollywood
i’m a little confused and bothered that you seem to have either forgotten or ignored the Slamdance Festival….
have you or your crew seen any films scheduled there?
i always assumed that there was support for all filmmakers. Is it only about sellability in today’s film market?
you still have some time….
neil
Glamor, glitz and parties. Is this indie film or Hollywood?
Gimme a break, Cathy K., nobody, especialy the actors, signs on to an Avi Lerner movie as a labor of love. It’s all about the money. And so what that the writer was working in a toll booth? His script got bought, the film made and now he has a career, unlike 99% of the other striving screenwriters. Save your tears for others.
The horrible ending of Brooklyn’s Finest was Fuqua’s idea. I read the script and it’s nowhere to be found. The movie needs 15 minutes cut out but that with a new ending that any moyel could snip and it’s Academy Award time for Ethan Hawke, the writer and the director!!!! and Cheadle.
Jeff, what are you talking about??? There was a standing ovation at the screening of Spring Breakdown.
Shiraki blows. (Here, in the figurative sense.) No-talent gaysian. How did he ever get a twenty-mil feature? (Wait–don’t answer that.)
Hopefully this puts the kibosh on his film career, and he can start directing episodes of “True Blood” on HBO and be quickly forgotten.
Is Bert Parks the Grand Wizard of the KKK? What a weird comment.
Jasmine– His other movie was well received at Sundance as well and the distributors ran from it. Too narrow an audience. The Sundance crowd is a well informed, gay or gay friendly, retro loving, inside joke loving group. That’s not who’s paying to see movies these days. It’s just business. Non-Shiraki loving audiences don’t like the movie. No standing ovation from the test audiences. Did he do a introduction and say the word “pussy?” That always gets the audience on his side. All smart directors can manipulate an audience to be on the movie’s side. They don’t let you do that for test audiences, nor for critics.
“Is Bert Parks the Grand Wizard of the KKK? What a weird comment.”
Well, I was Kleagle of the Santa Monica chapter, but I was downsized and my job given to a Mexican. Zeitgeist, you know…
Oh, yeah: Ryan Shiraki still sucks (again, in the figurative sense). Ah, it would simply be kismet if ol’ Rye-bread were to end up helming a few episodes of one of HBO’s ‘mo shows.
Bert is a jilted ex-lover. As silly as that sounds, it’s true. He’s everywhere bashing Shiraki. When I was at WB, execs tried to find ways to get him to stop but he keeps moving from board to board with different identities. As the movie went from buzz to blah there, no one cared anymore.
Jeff, you’re confusing me with Lloyd Epstein. It’s an understandable mistake…but representative of the type that eventually got you fired. (I don’t mean to dredge up bad memories.)
Hugs, not drugs, Jeff.
Upon reflection, HBO might even be too upscale for Ryan Shitaki [sic]. Can’t you see him directing fellow gaysian Margaret Cho in one of her “comedy” specials for Logo? Or, indeed, the Sundance Channel? (Is that still on the air?) You know, one where there are two laughs and fifty applause breaks in an hour of (edited) material.
That seems like his niche…
Another confirmation the current Finest ending was not in the original script. This ending was Fuqua not the writer. Endings change all the time. You have an idea, you try it, you see if it works or not and sometimes it doesn’t. That’s the creative process. Experimentation is normal. This isn’t a compromise worthy of outrage. You’re only hearing about this one because the filmmakers went ahead and screened it for buyers even though they knew it would likely undergo some changes.