THURSDAY AM UPDATE: The IATSE ballots are in the mail now. I am hearing that the package does include the 17-page Memorandum of Agreement. However, members tell me that the Local 600 website is claiming it will post info on the proposed IATSE/AMPTP Basic Agreement ”as soon as we have access to it”. Yet the Memorandum of Agreement has been available on the IA website since Monday morning. “We do not know how long the Locals have been sequestering it. As of midnight Wednesday the MOA has not appeared on the 600 website or been sent to the members,” one ICG “Vote No” activist tells me. “Denying access to the MOA while sending out ballots on this most controversial contract in years, and preventing a more informed and detailed discussion and debate on the merits of a contract having enormous repercussions on each and every member and their families, is unconscionable – and raises serious questions as to our leadership’s integrity and fitness to serve.”
WEDNESDAY PM: The ballot package for the proposed IATSE/AMPTP Basic Agreement is being mailed out this week for all 17 “Hollywood” locals with a return due date around March 18th. It will include this letter from IATSE President Matt Loeb who lies to the membership that “a vote against ratification is a vote to authorize a strike”.
That elicited this response from the anti-contract forces inside the Hollywood locals like the 400hours.com website:
We’ve heard that The Current IA VP (VP Division Director of Motion Picture and Television Production, the arm of the IA that controls the BA Locals) has said that there will be no renegotiating the current contract proposal. He has said, in essence, that if the membership does not ratify this contract that he and The Current IA President will call a strike.
The leadership of the IA is using fear to coerce the members to ratify a deeply flawed contract proposal. We feel that refusing, in advance, to abide by the will of the membership (prior to the votes being counted) is absurd. It flies in the face of the most basic foundation of trade unionism: the vote of the membership, the will of the membership. A union is not some sort of corporation to be run by CEO’s. The Current IA President and VP have a responsibility is to fulfill the will of the membership… regardless of their personal opinions. If they do not have the confidence that the contract will be ratified on its merits, they should be preparing a plan “B”. It is wrong and possibly illegal to bully the membership into accepting a contract. We are deeply disappointed to say the least.
Here is the link to the IATSE/AMPTP Memo Of Agreement which opponents are calling “the worst concessionary contract” that the Hollywood locals have ever seen. As one activist in the International Cinematographers Guild emailed his IATSE Local 600 members: “So far as I’m concerned, the MOA gives away employment opportunities in New Media, guts our health plan, and gives no security to those who work on a day to day, or part-time, basis. This contract gives away every reason I can think of for belonging to a union. On top of that, it sews up ‘jurisdiction’ over the Internet which means that no group can create an alternative union that might fight for realistic wages and reasonable terms and conditions of employment.”
Nervous leaders like Steven Poster, ICG Local 600′s national president is telling members, “This is not a deal that I am celebrating. We all know what the downside is.” That’s a reference to the increase from 300 to 400 hours to qualify for health care takes place in August 2011 that will by IATSE’s own estimates hurt as many as 15% of the membership. Poster claims that “we as a Guild will work relentlessly over the next 2 1/2 years to put in place programs and procedures to help every single member keep their coverage. We have already created a task force lead by Director of Photography John Lindley to work on this issue.”
But the “Vote No” forces say that’s not good enough and are advising members:
“The Producers have NEVER faced a rejected Hollywood Basic. Our leadership tells us it would be a crapshoot to reject this contract, but they have no problem asking us to bet on the crapshoot of the IA renegotiating this contract in three years. It is far better to bite the bullet now, and for ONCE tell the Producers: WE’RE MAD AS HELL AND WE’RE NOT GOING TO TAKE IT ANY MORE, than to swallow this poison pill of a contract and die a slow and humiliating death later.”
- Smoke & Mirrors For IATSE & AMPTP, Too
- Remember IATSE/AMPTP Tentative Pact? There Looks Like Lotsa Trouble Ahead…
- IATSE/AMPTP: Controversial Health Plan Eligibility Rollback Causing Complaints
- Details Of AMPTP-IATSE Tentative Deal
Editor-in-Chief Nikki Finke - tip her here.







I have about a million words printed up on the Facebook site if you would like to read my response there. If you have a FB account and aren’t on that group friend request me and I’ll invite you.
Well, John, if that’s your real name, if you really think the IA was so prescient in 2008 as to forecast the economic disaster of 2009, why can’t the IA foresee the DISASTER in 2012 it is agreeing to in 2009?
And John, whatever you may think of the deals the DGA, WGA, and AFTRA settled for, they are way better than the deal the AMPTP is making its bitch, the IA, swallow.
And yes, John, it is far better to work under the current contract than the horrorshow the proposed contract represents.
Yeah, John, I’d rather keep working under the old contract than agree to increase the 300 hours to 400 hours a quarter necessary to get the six-month eligibility, because I’m going to be among the hard pressed to keep my medical insurance. And I’m sure the measly 3% they are offering will be eaten away by the 2.5 times rather than 2 times monthly co-pay on prescriptions that will become mandatory through the mail, let alone overwhelmed on those times you have to go on Cobra when you don’t make the hours. Makes me wonder if you even belong to the union or are just an outsider trying to force us into a bad contract.
The IA didn’t choose to negotiate when the economy was stronger. Tom Short chose to negotiate a year early as a final feather in his cap before retirement. I thought it very ominous that after he started negotiating, he decided to retire without finishing the negotiations rather than try to shove this contract down our throats. That should tell you something, if you indeed belong to this union.
I don’t want to strike, but I also never authorized the union leaders to make these kind of concessions and the only way we can be heard on that is to vote ‘no’.
If that means that we lose our pay raise (which I sincerely doubt will happen when you are talking 3%… what are they going to do, drop it to 2%?), we’d still be better off with keeping our grasp on 300 hours. Have you priced Cobra payments recently?
And you should think seriously about that, because even if you are working every day now, that can easily change, with new media and runaway production, but once you’ve given away the farm…
this contract sucks ass! why do you think Kutak and everyone else is trying to shove it down our throats and threatening us with lies about “a no vote is a vote to strike”??? They know it’s a piece of shit and that’s why they rushed the meetings with the membership before the MOA was made available…so they could dictate the terms to the membership and no one would be able to question it.
It’s total crap.
has anyone else noticed that union reps are increasing their presence at union facilities??? funny that they only come around at times like these!!!
A contract by law should be fair and equitable for all parties concerned, clearly this has not been the case for too many years.
When I first joined the union they stressed the fact that I could not bargain for any rate lower than the prevailing scale pay; why did my representatives take it upon themselves to negotiate for all of the lower rate contracts we are now working under? Currently my income is less than I was making in the nineteen eighties.
As a member of Studio Utilities Local 724 I better not see a Cameraman sweeping the stage or a electrician dead-striking a set. Local 724 is not part of IATSE.
Our union has done everything possible to help the AMPTP undermine those in the Camera Guild and divide the Camera Guild from the other Guilds. It’s sent out newsletters criticizing other unions (WGA, SAG) for not just rolling over and taking what the AMPTP served up. It’s blamed the WGA’s strike and not the AMPTP’s forcing of the strike for the current woes in the business. I’ve never once received any criticism of the egregious AMPTP from Local 600 leadership but I constantly get mailings criticizing anyone and everyone who dares stand up to them.
The most recent mailing sprinkled fear in with the overall pro-AMPTP propaganda. “We better agree to these rollbacks or they’ll take more away from us!” They send out a ballot without linking to the document even IATSE has posted that really spell out the ‘new media’ implications of this offer. They seem to have the resources to send out anti-SAG and anti-WGA propaganda. Why can’t they get this vital memorandum out to members?
What is the point of paying dues to a union that’s so willing to let the AMPTP use ‘new media’ to destroy whatever power that union had? It’s truly unbelievable.
Members are screwed whether they vote yes to this contract or no. At least a no vote will get us all a DIGNIFIED screwing!
Part 4. Productions Made for New Media
A. Recognition
The Producers recognize the IATSE as the EXCLUSIVE representatives of
employees..
D. Terms and Conditions of Employment on Original New Media Productions are FREELY negotiable between the Employee and the Producer…
Translation: All the IA gives a shit about is collecting money (dues and initiation fees) from its members. Period.
To Billy,
Out of all the comments left so far, my earlier one included, yours is the most concise and prescient. All of us working and non-working IATSE members continue to pay DUES to an organization which does not represent our best interests. (Kinda like “protection money” in Godfather 2.”) Vote NO.
Umberto
The problem is everyone wants to WORK-but there are NO jobs-
The Producers GREED has now CUT many jobs.
If they want us to get 400 hours then MAKE MORE JOBS-
Don’t shoot in another country. Don’t cut the crew back.
Allocate enough money in Post Production to hire a competent crew.
The Post Production Crew once had a crew of 15 is NOW reduced to 6.
The Camera Assistants and Sound Assistants are reduced to one person taking on a job that was a 3 person job-
If they want to insure we all have jobs then I don’t mind the 400 hours-
BUT there is NO WORK!! SO HOW DO WE GET THE HOURS?
We want to work to put food on the table and send our kids to college BUT the Hollywood Greed is slowly Killing the UNION.
This all leads down the road to NON UNION work-
Okay, now I’ve read this memo and it’s worse than I thought. Anything falling under this enormously broad definition of “new media” essentially leaves members working under NON-UNION CONDITIONS AND TERMS but PAYING DUES for the privilege.
Once more: working under NON-UNION CONDITIONS AND TERMS but PAYING DUES for the privilege.
PLEASE: Every member, take 25 minutes and READ the memorandum from the POV of someone who intends to use the “new media” definition to hire union crews for rates below anything you’ve ever seen. Read it from the POV of someone who will make demands of you that would once have had you screaming foul to your rep. It doesn’t take much imagination. Got buddies working non-union reality shows? Imagine you’re getting the same deal AND paying ICG dues.
Nikki, if there’s any public awareness of this stuff beyond the Guild and AMPTP leadership and a handful of wonky members, it will be because of you. The “trades” won’t touch on how bad this contract is. The MSM doesn’t care. I’d assumed, “the contract’s probably shitty but it’s not worth voting no over.” And I would have voted yes and assumed that until it was too late if you weren’t covering this.
I’d like to hear what Local 600 and IATSE leaders have to say about the changes this contract represents. So far as I know, they’ve taken a page from the Bush/Cheney book and just said, “No need for a lot of confusing INFORMATION, just TRUST US.”
It would be sad if IATSE rank and file voted yes because this contract seems like the least worst option. Maybe it is and that would be sad. But it would be tragic if the rank and file voted yes because they didn’t know what a yes vote was really giving up. “Old Media” is over. “New Media” is the future. And this contract gives away the future.
I especially like the part in the agreement that states that if new media starts to become profitable,”then the parties mutually recognize that future agreements should reflect that fact.”
Is this along the same lines as the HBO agreement that got so much better for us once HBO started making money?
The only reason that our union and the producers treat us with such contempt is that we let them. We have consistently voted to compromise our own working conditions contract after contract and it should come as no surprise that our own union should consider us stupid enough to accept this insultingly bad proposal just as we always have. At some point we must stand up for ourselves no matter how tough it might be in the short term because to not do so will be painful for the rest of our lives.
Vote NO