It’s been brought to my attention that hedge fund meister Mark Rachesky now controls about 17% of beleaguered Lionsgate through his MHR Fund Management. He previously had almost 16% but just bought 1.7 million shares over the past few days to up his ante. Why should Hollywood care? Because Rachesky was Icahn’s chief investment officer from 1990 to 1996, and they are pals. (Rachesky is often described as Icahn’s former protégé, and I’m told the pair are “very aligned”.)
So… if you included his 17% share, and added Carl Icahn’s 10.5% share, then this twosome owns 27% of Lionsgate. And that’s almost enough to take control of the whole company — if they want. (Not that Icahn has been shy about telling the public companies he invests in what to do: he wanted to oust Time Warner management and break up the troubled media giant.)
There also may be a 3rd act to this shadow play. I’m told that Michael A. Steinberg’s Steinberg Asset Management also has a very large position in Lionsgate now – 14.72% as of October 2008. Then there’s also this Lionsgate stakeholder: Gordy Crawford’s Capital Research Global Investors, which has held its 9.5% a long time. Now, Crawford has almost always been supportive of the managements of the media companies in which he invests. But, last summer, Crawford was thinking of siding with Icahn during the Yahoo mess.
So why all this interest? Well, that Lionsgate library is a very valuable property. As the mini-major itself says about it to investors: “With nearly 12,000 titles, including such evergreen hits as Dirty Dancing, Reservoir Dogs, Terminator 2, Basic Instinct, Total Recall, The Blair Witch Project, the Saw franchise, Crash, Monster’s Ball, the smash television series Weeds and the Tyler Perry catalogue, the Lionsgate library generates more than $250 million annually in recurring revenue and approximately $90 million a year in positive free cash flow, covering the Company’s corporate overhead and serving as a foundation for the disciplined growth of its core businesses. The stability and reliability of library cash flow differentiates Lionsgate from its independent competitors and provides the Company with the foundation for continuing to grow its motion picture pipeline without taking the larger budget risks common throughout the industry.”
Let’s face it, each of these really rich barbarians at Lionsgate’s gate – separately or together — could exert tremendous control. ”But what can they do to change things in a realistic manner?” one of my financial sources wonders. “They can make Jon Feltheimer’s and Michael Burns’ lives miserable. But I’m not sure they have a strategic answer to the problems at Lionsgate. Lionsgate ain’t Time Warner.”
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Editor-in-Chief Nikki Finke - tip her here.


fuckin’ a it’s not time warner…
6,500 films in their library,…really ???
Icahn’s been on a bit of a crusade lately for management that’s more open and responsive to shareholders, and Lionsgate may be his testing ground.
It has a sizable library, resources, but isn’t as huge and lumbering as Time-Warner, and its corporate culture may not be as deeply ingrained.
And remember k4kafka, Lionsgate library encompasses not only their own productions, but Artisan Entertainment, Republic Pictures, Carolco, and Vestron. So 6,500 films isn’t that much of a stretch of the imagination.
I would like to see Lionsgate survive all this and maintain itself as a viable independent company. Xenu knows we don’t need another New Line.
There is little value to their film library. The majority of the titles (which one would find in the bargain bin at your local video outlet) were acquired from LIVE, Artisan and other small independents.
Strike suit attorneys take note, they “forgot” to file their 13D group filing.
there’s no value in the library??? Are you kidding me?
Dirty Dancing, American Psycho, Reservoir Dogs, Crash, TERMINATOR 2, the entire RAMBO collection,the Saw Franchise, the Tyler Perry Franchise, tons and tons of popular old school horror titles, funny movies like Waiting, 3:10 to Yuma, Bank Job, TV titles like Weeds, Mad Men, plus titles like JUNO that revert back to them in about 5 years through their ownership of Mandate Pictures.
Jon Felt, you listed about 20 titles out of a library of approximately 6,500. Did you ever stop to think why the original companies like Vestron, Artisan and LIVE went out of business? Lousy product. One hit followed by a bunch of duds. The reason why the libraries of the major studios have value is the quality of the films that viewers will see over and over again. I don’t see films like Waiting or The Bank Job producing that type of sustainable residual cash flow.
As he has done with Yahoo!, Icahn is doubling down on a bad bet. The *last* thing Icahn wants — or is capable of doing — is running Lionsgate. Remember his brilliant stewardship of TWA?
Icahn and his cronies are still doing business as if it were the 1980s. Who do they think will bail them out of their losing bet on Lionsgate? “The Japanese?” Redstone?
Ain’t gonna happen.