The sad truth is that the new tax breaks agreed to by the California Legislature this week will just be used by the Hollywood studios to play one state off another since now lawmakers in 40 states have enacted some kind of filming incentives. This is driven home by today’s incredibly arrogant press release issued by their trade group, the Motion Picture Association Of America, and timed to the Oscars with the sole purpose of boasting about runaway production. Read it and weep.
ANOTHER BIG WINNER ON OSCAR’S® NIGHT:
THE AMERICAN WORKER
Nominated Films Brought Jobs, Revenue to StatesWashington, DC – What do Brad Pitt, Anne Hathaway and Mickey Rourke have in common? Yes, they are all nominated for one of Hollywood’s biggest awards – an Oscar®. But, all three of these actors were also a part of an “on location” film production that helped bring jobs and revenue to several states not necessarily known for red carpet events.
On Sunday night, Americans all across the country will settle into their living rooms to find out who will be going home with the coveted Academy Award®. But, beyond the glitz and glamour, some of the biggest winners already are the workers and small businesses in states where several of the nominated flicks were filmed – from Connecticut to Louisiana and New Jersey to Hawaii.
In the category of “on location” productions, an estimated $225,000 per day is added to the local economy where film production occurs. In Illinois alone, Batman was a hero for Chicago when production of The Dark Knight injected $35 million in jobs, taxes and other revenue into the local economy in about two months.
A sample of some of the other winners in this category are:
· Louisiana (The Curious Case of Benjamin Button)
· New Jersey and Pennsylvania (The Wrestler)
· Connecticut (Revolutionary Road and Rachel Getting Married)
· Hawaii (Tropic Thunder)
· Nevada (Iron Man)The Red Carpet is just not big enough for the nearly 1.5 million people that comprise the motion picture industry. These workers range from truck drivers to set designers and caterers to animators. They earn more than $30 billion in wages each year. No wonder more than 40 states have enacted incentives to lure these “Hollywood” productions to their cities and towns. So, as you watch Sunday night’s awards show, keep in mind that there are more winners than those who take home a golden statuette.
Editor-in-Chief Nikki Finke - tip her here.


Wow.
Fuck them. Fuck. Them.
That’s so great that an industry we built up here has benefited all those souls in other states.
Now only if all the states would generate their own stimulus to pull the remaining work out of Hollywood I could have a good reason to move out of this fucking town.
…And despite receiving incentives, the industry will continue to “outsource” production to the lowest bidders.
Every business contributes to its local economy through taxes and wages, it’s just that one industry in particular is mobile and able to locate anywhere at a whim.
Therefore it seems to think the rest of us have to subsidize it through enormous tax breaks.
Hooray for Hollywood!
Okay, now that the initial anger has passed:
While I’m the last believe in grass-roots by-the-people-for-the-people movements, I just called the MPAA’s DC office, asked their main switchboard for anyone in Public Relations, and received a voice mailbox, where I proceeded to articulate the enormous indecency of this press release.
In this time of economic strife, with the California debt at an unprecedented size, it is completely reprehensible for the MPAA to be offering this – OUR – industry as a means of easy money.
There are myriad other problems (largely resulting from this useless Schwarzenegger administration) that are bleeding our bedrock industry dry, but to twist the knife by saying ‘Hey! Take our jobs, please!’ is enormously insult to injury.
I don’t know if the mailbox I received was the correct one, but the number for the DC MPAA office is 202.293.1966. I asked for Public Relations. I encourage you to take a minute and voice your concerns. This is really unfathomably indecent and insensitive. It absolutely should not go ignored.
[And for any haters that have too-oft labeled me a shill for the corporations, they're the capitalists. I understand their watching the bottom line. But our government should be watching out for us, dammit.]
That’s it. MPAA-DC: 202.293.1966.
This was lost nearly 10 years ago when the initial march on Sacramento achieved little while the brain drain north of the border continued.
Once Key Crew members began divulging their secrets out of the city, the writing was on the wall. ie – hot water on creaky floors fixes dolly sound issues…
15 years ago, Canada could crew maybe 3 films at once. Now, they can handle 30, such is the growth of their talent base.
That’s capitalism for you, no one is owed anything, especially if others are willing to be more competitive.
I think people in California are compeltely clueless. They think the world revovles around them. Nikki, you are in Cali right…
Read the incentive people. It is designed to draw back shows that have gone elsewhere (only TV that comes relocates gets the incentive) and the other incentives are designed for local spend. Besides, each of the films cited, with perhaps the exception of Iron Man, belonged in the locations used. Part of why they are good is that they’re in real locations and not on back stages. No offense but shooting Brokeback in Burbank would suck.
With the exception of “Iron Man,” all those movies were very much about the location they were set in, and would have suffered greatly from an artistic standpoint had they not been shot on location. You can certainly make the case that many runaway productions are just shot in places that are cheap, but the specific ones they center their protest on could not have just been shot anywhere. Questionable tactics…
I am supportive of the producers desire to get the most bang for their buck. That’s how I understand yet question the human-ness behind the whole anti-SAG/residuals/unions action. And that’s also why I’m conflicted over the whole shooting in other states and countries issue. I remember twenty years ago or more when almost all the cop shows were shot in LA it looked like the whole town was about 50 square blocks. It had become just one big back lot.
Shooting elsewhere in this large, diverse, beautiful country of ours brings a whole palette of locations that can’t be achieved in California alone. There’s also the alturistic side of things in allowing some other areas of the country to have an influx of revenue to raise a few more boats.
The argument for me revolves around the fact that the industry is based here in LA, most of the workers are here in LA, and there can be a cost savings if shows are shot in the LA area. Not to mention that families aren’t separated for weeks or months at a time. The same could be said for the NYC area.
Incentives put up by any state, CA included, might be better spent on other more dire needs than bringing productions into their region. I kinda believe that there should be no incentives allowed anywhere to bring business of any type to an area, it smacks of payoffs and corruption. But then the capitalist in me is all for tax breaks for businesses in order to stimulate growth for that business.
Oh, the push and pull of the politics of our world.
The IRON MAN location shooting is somewhat bogus– they also shot in the California desert and shot most of the stagework in Playa Vista, here in Los Angeles. In fact, I think Jon Favreau insisted on keeping it local.
How bizarre to see Nevada listed as the IRON MAN state! Sure, the film may have shot in Vegas for a day or two, but more than 90% of the film was proudly shot in the great state of California (director Jon Favreau is known for keeping production at home). The fim’s Middle Eastern desert scenes were shot around the Alabama Hills, outside of Lone Pine, the Olancha Sand Dunes and Cerro Gordo, so maybe they meant to say IRON MAN was shot in the “SIERRA Nevada”?
Hooray for Michigan
That screwy, potholed Michigan
Where any union or young mechanic
Can be a panic, with just a good-looking pan
Where any farmer can be a star
If he dances with or without a cow.
Hooray for Toronto
Where you’re cold, if you’re even stuck there in June.
Where anyone at all from Windsor
To Chatham is equally understood, eh
Go out and try your luck, you might be a Mountie
Hooray for Toronto
Hooray for New York
That phoney, super coney Brooklyn
They come from LA and Hollywood
With their blackberries to get their names up in lights
All armed with photos from a camera phone
With their hair in versace and legs in prada.
Hooray for Hollywood.
You get the point and with a song like that these guys( the producers) will make-off with all the money and the film biz will die like the car biz, KEEP IT MADE IN HOLLYWOOD.
Nothing says “outsourcing” like handing the Best Picture Oscar to a film made in India.
Gee, maybe if Hollywood didn’t continue to pay $20 million (plus points) to “actors” to Will Smith and directors like Steven Spielberg could keep his paws out of the production till, there’d be enough money to make movies in LA and NY. I’m surprised everyone’s too stupid to realize that, if you’re going to pay over-inflated fees to people, a producer has to cut costs elsewhere otherwise there’ll be no profit to speak of.
I don’t quite get the outrage about shooting in other states in the USA. Have the audiences been bitching and moaning for decades about how so much of the price of their ticket leaves their local economy and flies off to LaLaLand? Is it not smart business for the industry to remind the Average Joe that Hollywood movies might just contribute more to their local economy than the minimum wage jobs the pimply-faced teens get selling and ripping tickets or serving concessions?
Of course, if you’re just raising holy hell as a preemptive measure to keep the truly worrisome from happening, please continue…