I’m told that January saw a lot of pushback from the various guild members and even board members angry over negotiated terms of the IATSE/AMPTP tentative contract in advance of what will be ratification votes this month. The result is that leaders of the individual guilds that comprise IATSE may have to ram through the pact. For instance, I’ve been told that, at the Special Membership Meeting on January 24th for the Motion Picture Editor’s Guild IATSE Local 700, Executive Director Ron Kutak stated that the union ultimately will rely on members’ votes, once cast, ” ‘represented’ as a sort of electoral college, instead of treated as a general election.” So if ratification had to rely on one member, one vote — it would fail.
I first disclosed the terms of the tentative IATSE/AMPTP pact over Thanksgiving weekend even before union leaders had bothered providing details to members. The most controversial rollback is still this: that, effective 07/31/2011, the Health Plan will change the standards for continuing eligibility from a change of 300 to 400 qualifying hours over a 6-month period. Even the union reps are admitting this will cause 7% to 15% of the various IATSE Guild members to lose their insurance. (And if these are the official figures, you can bet the numbers will be higher.)
It’s little wonder then that the individual guilds that make up IATSE are having trouble spinning this to members. Several “No 400 Hours” websites started up like http://www.400hours.com/ and these two on FaceBook here and here. And suddenly circulating among the membership are emails opposing the contract, like this one: “IATSE Members from many of the locals are banning together for the first time, as a collective, to fight the proposed AMPTP contract. Our mission is to reach out to as many of the 35,000 members under the Hollywood basic agreement and let them know what this contract means. The increase of 400 hours will cause over 3,500 members to lose their health insurance. The ‘New Media provision is the other main reason for a “NO!” vote. The terms weaken our Union’s Basic Agreement and open the door to major losses in every Local of hourly rates and working conditions. Remember, what you give away today, you are not likely to get back ever…. We want our members to VOTE NO! We are GROWING and we are MAD!”
Meanwhile, informational meetings held by the IATSE Guild leadership have been angry and nasty. To answer the disappointed and disgruntled members’ outcry, the Guild leaders have begun using their websites to post “Vote Yes” testimonials, like this one from the International Cinematographers Guild IATSE Local 600′s national executive board member John Toll: “400 hours? Lets face it. It sucks, but what are our options? Voting ‘no’? Even if all IATSE locals voted against ratification, then what?” I’ve already reported about fireworks inside the ICG meetings on the tentative deal’s rollbacks. Now, at the Special National Executive Board meeting held January 11th, the NEB voted to recommend that members cast ballots to ratify the new contract. But 39 voted “for”, and 18 voted “against”, with 1 abstention. “The sole purpose of this bullshit ‘special’ meeting was to get the NEB’s approval so that Local 600 can now start selling this piece-of-shit to its members,” one angry member emails me. “I can only hope individual Local 600 members show more courage and backbone than their elected representatives showed that day.”
There were just as many fireworks at the Special Membership Meeting on January 24th for the Motion Picture Editor’s Guild IATSE Local 700 at the DGA. Although held at 7:30 PM (which makes it difficult for the working members to attend due to an editor’s 12-hour day, thus ensuring a smaller and more controllable crowd), there still were plenty of members there. “Well, if we were expecting sympathy or even clarity from the leaders of our local, we got little,” one attendee emails me.
“We members were far less interested in the numbers crunching than what will be the human cost. Ron Kutak, Executive Director, and the Guild president, Lisa Churgin, would not address that [400 hours] issue at all and got very defensive, even rude, to the members when asked questions related to that. Many of the Editor’s Guild members said that they were willing to sacrifice some of the pay increase to maintain their health insurance as is, with no rollbacks. Ron was adamant that was not possible and gave no explanation as to why. We are not asking to re-negotiate our share of the pie with the AMPTP, we just want our union to divide our share so that we don’t lose our medical benefits as they stand now. As we all know once you give in and lose medical benefits, we will never get them back.
“And Ron stated that our votes, once cast, will be ‘represented’ as a sort of electoral college, instead of treated as a general election, which is what the membership has always been led to believe.” Indeed, each local has “votes” based on the number of convention delegates they are allowed, one for every 100 members. Whatever way the majority of members in any local votes, so go all their delegate votes on the contract. And even if all the locals vote “no”, the president of IA can force the contract on members.
The problem is that, because of the way that IATSE is configured, each of the locals affected by this contract know little about where the other locals stand on this. But now the disaffected members are starting to communicate with one another, and even meeting together independent of their leadership. They’re united in their anger that none of their leaders even discussed the 400-hours rollback with them while its terms were being negotiated. Instead, they were prsented with a fait accompli. “It is not that the Editor’s Guild doesn’t expect to make sacrifices in our current economic client. It is that the studios are trying to break us,” one angry Local 700 member emails me. “We get no respect, are expected to work through meals, stay past our 12 hours, not put in for turnaround or overtime. This was the same union that gave up the right to have an assistant editor with every editor on a show. Now editors commonly do the work of two. We can’t even get the equipment or staff we need to do our jobs. Or we will never work for that studio again if we ask! Yes, blacklisting still exists today if you stand up for your rights. I thought that was the job of a union.”
Attempting damage control, Ron Kutak sent his Editor’s Guild members on January 19th two emails — see below — explaining how the Health Plan is funded, and why IATSE made the deal it did regarding the 400 hours rollback. (It’s very similar to this December 4th email I reported that ICG Local 600 members received from national president Steven Poster.) But as an angry member emails me: “Note the fuzzy math. In the past, we were asked to take minimal wage increases to keep the Health and Pension plans funded. (Ron alludes to this.) So we were taking net pay cuts (when inflation is factored in) during the flush times to head off just the problem the funds are facing now. Note also how Ron points to the 3% wage increase as a coup when in fact AFTRA, DGA and WGA all received equal if not greater wage increases.”
I’ve excerpted what Kurak said in his emails to members about the Health Plan below:
From: Ron Kutak
Date: January 19, 2009, 8:01:47 PM PST
Subject: Part 1 – Basic Agreement SummaryHEALTH PLAN
We faced a $587 million shortfall projected over the three years of the new agreement.
$200 million will be contributed by the producers into the Health Plan based on the reserve levels during the life of the contract.
The reserves in the active Health Plan will be spent down from 12.5 months to 6 months. The retiree reserves will be spent down from 16 months to 8 months, contributing $189 million towards the shortfall.
Some benefits needed to be changed, including a participant out of network co-insurance increase from 30% to 50%, introduction of mandatory mail order drugs for maintenance medication, increasing co-pays on doctor visits to $30.00 for those in the MPTF area not using MPTF services, introduction of a $5.00 co-pay on MPTF services, and in the final year of the agreement, beginning August 1, 2011, an increase in the eligibility requirement from 300 to 400 hours.
The bank of hours is preserved at 450.
—
Part 2 – Background and ExplanationThis entire negotiation was really about two things: first and foremost, our Health Plan, and secondly, securing the jurisdiction over new media work in the same way the DGA, WGA, and AFTRA did.
Our Health Plan is in severe trouble due to the so far unabated rise in costs. Over the last three years, costs to the Plan have increased an average of 9.67% compounded each year. While this was happening, residuals and hourly contributions, two direct funding mechanisms, were essentially flat.
The residuals income is always used to first fund the Pension Plan, and whatever is left is then given to the Health Plan. Due to the Pension Protection Act, recently passed by Congress, the rules surrounding pension plan funding have changed. One aspect of these changes requires us to count all participants who have had contributions made on their behalf counted as if they will receive a pension when they ultimately retire. This is different than it used to be for us, as we only had to count vested participants (five or more qualified years) prior to the enactment of the new law. This means that our minimum funding requirement has increased, and there is even less from the residuals going into the Health Plan.
So, with hours and residuals essentially remaining flat, and a projected 9% compounded increase in health costs going forward, we have a projected $587 million shortfall to the Plans over the next three years. When the negotiations started, the producers claimed we had a $780 million shortfall. Why the difference?
Due to an extremely poor investment climate, the producers claimed an additional $200 million was necessary to make up for the 20% in losses the Pension Plan incurred for 2008.
We managed to nullify that claim. Because the Pension Plan has different investment returns each year, we have an 8% projected return that we use each year to “smooth out” variations year to year. Looking backward, we have made our 8% to date, and on a go forward basis our investment advisors, employed by the Finance Committee of the Plans, assure us over time we will continue to meet our 8% number. Our Pension Plan, as I have written before, is secure, and our returns are in the top 1% of all Taft Hartley Plans for 3-, 5- and 10-year periods.
The producers have agreed to put an additional $200 million into the Health Plan over the course of the next three years by way of increased hourly contributions.
This, coupled with our wage increases, gave us a comparable money package to those recently obtained by the DGA, WGA and AFTRA.
This left us with $387 million still to “find.” The reserves in the Health Plan, currently at 12.5 months in the active plan, and 16 months in the retiree plan, will be spent down to 6 and 8 months, respectively. This will provide $189 million toward the $387 million. (1 month of reserves equals the amount the Plan would spend providing coverage if all contributions ceased.)
The rest needed to come from Plan modifications. (The main ones outlined in my previous email.)
No one likes this. For us to keep the Health Plan intact, we did what we could to minimize the effect on all the members. This is not a “give back” to the producers, but a deal crafted in the face of rising costs in a terrible economic environment, based on what the consultants and actuaries, employed by both labor and management, as well as the Plans’ administrators, told the bargaining parties they needed.
The economics of the negotiation was all about the Health Plan. We needed, in a sense, this $587 million before we started, while still retaining a 3% wage increase per year. With inflation abating for the moment (the government number is .1% for 2008), we negotiated this 3% a year to make up for the years in other agreements where we had a $.50 or $.75 increase, when at that time, all the other money also went into the Health Plan.
Members have asked if an increase was necessary in the third year from 300 to 400 qualifying hours, why didn’t we increase the bank of hours? This would have increased costs, not decreased them. Raising the bank to 600 hours would have increased our shortfall by an additional $150 million. Remember, in 2000, the bank was increased from 300 to 450. Likewise, a two-tiered plan, if this were instituted, would result in a higher number of qualifying hours to qualify for the Plan we have.
Hopefully, the badly broken health care system in this country can be fixed, but in the meantime, every available dollar we can find has to go into our own health care.
It is still free to individuals and families, requiring work approximately 30% of the year.
As a Trustee and Co-chair of the Finance Committee of the Plans, I struggle with the economics of the Plans on an ongoing basis and assure you we are doing everything we can on all fronts.
- IATSE/AMPTP: Controversial Health Plan Eligibility Rollback Causing Complaints
- Details Of AMPTP-IATSE Tentative Deal
Editor-in-Chief Nikki Finke - tip her here.







Folks wake up – the leadership in IA -Mr Short and cohorts have already sold us out. If every member voted NO, it would be overturned, our union is not concerned with protecting its members or standing up and supporting each other. What happened to us standing up and supporting other Unions- backing each other and creating a strong brotherhood?. Infighting and complacency have whittled us down. Hell i get better service and support from AAA and it only costs me $40 a year!
The AMPTP calls the shots, its time to “unionize” and band together, get some leaders in that can negotiate, stop giving and get fair deals, after all its not a negotiation if one side is dictating to the other, both parties have to get something out of the deal.
Stop bickering and lets support each other, talk with each other…..unite. (its nothing new, just forgotten)
Dear BTLer’s…
How do you like it now that the shoe is on YOUR foot?!
Is working 8 weeks out of every 24 instead of 6 really that much to get upset about? I have the sneaking suspicion that as bad as this deal may be, it’s a million times better than most people outside of the entertainment business will be getting over the next couple years and we’re liable to get zero sympathy from the public and press when the signs start going up.
-IATSE Member who will probably vote for ratification
Nobody is answering the real question about the 400 hours question… why is someone entitled to 6 months of full health insurance coverage for themselves AND their families when they only work @ 7 weeks out of the 6 months? (for editors, 60 hrs per week = 6.7 weeks to get to 400 hours)
How can anyone expect that kind of system to sustain itself when health care costs are going up 9-10% per year?
You’re not putting enough money into the system when you only work 6.7 weeks. So it has to come from somewhere. Nobody likes it, but it’s the real world.
What you forget is that the MIGHTY OBAMA said that he was going to fix the health industry. The studios are only helping him out. Anyone who thought that the studio complex would not take advantage of this doesn’t know the studios very well. After al, why would the studios pay for your medical when the government is planning to do it. So this is only the beginning. Any cost that the studios can get someone else to pay they will be all over it. Obama-Biden 08′–you suckers!
Nobody is answering the real question about the 400 hours question… why is someone entitled to 6 months of full health insurance coverage for themselves AND their families when they only work 7 weeks out of the 6 months?
They are our union brothers and sisters. When work is slack for some, the rest of us should help out.
You’re not putting enough money into the system when you only work 6.7 weeks. So it has to come from somewhere.
It does. It comes from all the money those of us who work more than 300 hours every six months pay into the system.
How can anyone expect that kind of system to sustain itself when health care costs are going up 9-10% per year?
Well, gosh – why do you think labor unions even exist in the first place? Everything is going up – including our employer’s profits…
For every dollar the Studios earn from home video sales, they currently kick in ONE CENT toward the health and pension plan. On their current take of over $30 billion a year, that amounts to $300+ million.
The shortfall in funding is projected to be $580M over three years, or $193M a year.
By increasing their contributions by ONE CENT per dollar, they could guarantee the plan for decades to come.
The time is long overdue for the working members of this industry to join forces, sync up ALL contract expiration dates, and negotiate from a position of strength.
The WGA’s fight is the SAG’s fight is the IA’s fight is the Teamster’s fight.
We must support each other and educate the pathetic “go along to get along” types in all the unions. They are as dangerous to our future as the bean counters.
It always surprises me how several people can read one sentence and all walk away with different interpretations.
I for one have always believed that what SAG is fighting for is right and fair- but that the way it has been ‘handled’ has been embarrassing to watch.
I also believe that IATSE is pretty much owned and operated by the AMPTP- but since SAG, WGA or DGA didn’t have sections for BTL crew, we had no choice but to join the union that would accept us and give us health insurance.
Now- when the WGA went on strike- my crew stood outside and held fists in the air out of support as they all drove away. SAG- hasn’t actually done anything but fight with each other- so we have gotten a little frustrated with the stagnation of an entire community because SAG can’t get their own ducks in a row. And now to add insult to the delays- SAG members who are frustrated that IATSE members are frustrated- want to wish us ill will before we have gotten to our signing date?
This treatment from some SAG members started long before anyone got frustrated with your negotiations- it happens during production all of the time- you treat us poorly- but we should support you. We get treated poorly by our own union, and you think that saying ‘I Toldja’, will inspire support now?
I think that SAG should clean up its own mess- and then maybe if they can do it by oh I don’t know… AUGUST- ask us to stand with you- when you can all stand together, maybe someone else might want to stand with you.
As for IATSE, we will be lucky to get a vote on our contract at all- you see we don’t have the option of getting rid of people that botch our negotiations- because we didn’t get to choose our leadership in the first place. We are held hostage by our union more than any of you, we get paid less, treated with less respect and we have more members- however, our past President Mr Short made sure that we could do nothing about it- ‘no-strike clause’, loop-holes for non-union members to work and join, and of course the fact that you can’t work on a project that pays a liveable wage without being IATSE.
So, excuse IATSE members for having been frustrated by the things that we don’t understand… choice of leadership, being paid multiple times for a single days work and oh yeah a little RESPECT.
zackery,
Getting tired of kissing all that ass yet????
“Eric” nailed it.
Lombardini is pissing in her panties with glee as we fight among ourselves.
Hell, I support IATSE 100%, even if some of them want to roast Alan Rosenberg on a spit.(who I support 100%).
I’ll walk on any picket lines they set up, if they’ll have me.
And I’ll only cross an IA line if by some chance I get hired on a show they’ve struck and I’m threatened with a lawsuit for not showing up. (Sorry — these no strike clauses are a bitch).
But that doesn’t mean I can’t forget my words, blow some takes, and join crew Members on a picket line before and after I work.It also doesn’t mean that I can’t smuggle out a call sheet so the IA folks can try and i.d. any scabs working on their shows. It also doesn’t mean that if I’ve got money in the bank I can tell my Agent I’m taking a vacation while the IA is on strike.
The AMPTP is the bad guy — not the other Unions.
The real question is this: In the unlikely event the contract is voted down, and in the equally unlikely event negotiations are reopened, and in the further unlikely event the Hollywood locals that opposed keeping the number of qualifying hours for healthcare coverage at 300 withdraw their preference, then can a better deal be worked out?
The history of this round of contract talks points to consistant “pattern bargaining,” so if there is any rejiggering of this deal it would, at best, shift the terms, but not increase its value.
I call it a long shot with a considerable downside. What if the membership votes down the contract and the AMPTP refuses to reopen negotiations? Not a pretty picture. Then we’d probably continue with our current contract and suffer with the plans being grossly underfunded. Remember, the AMPTP is injecting $200 million new dollars into the plans.
Don’t listen to the Chicken Littles. Vote for the contract.
As an IATSE member, and the only one I know that actually supported the WGA and supports SAG, it is shameful to me that the divisive strategy employed by the AMPTP actually has worked to keep our unions and guilds apart. I am keep reading all the statements in these comments that say, “Now see how YOU like it,” and don’t expect any support from us.
I know there are clear headed IATSE, SAG, DGA, and WGA members out there who actually can see past all of this. I appreciate their kind words and support. But, the voices of the mob mentality are drowning out what really is the problem here.
Our leaders are telling us to take a bad deal. Every contract for us has been a step back. HBO is STILL getting a sweetheart deal (pay off). There create this gigantic Safety Passport machine and yet there is no mention of severe financial penalties for long days or an enforced weekend turnaround so that we can enjoy some semblance of quality of life.
Finally they have gone far enough that I hope it enrages enough of the IATSE membership to vote NO and remind these IATSE negotiators that we ELECTED them. And they work for us. And if they can’t get the job done then we’ll get someone who can.
P.S. Vote Killface for President. Unrelated.
Isn’t this the same IA that:
Accepted a 30% pay cut for Movie of the Week’s?
Accepted a 3% pay cut for 1st year 1 hour shows?
Accepted giving up vacation/Holiday pay for some shows?
I remember one show that got the 1st year deal for 5 years running. It was called Strong Medicine.
Don’t listen to the Chicken Littles.
You write a 100% Chicken Little note, and then suggest we don’t listen to the Chicken Littles?
Duh!!
What if the membership votes down the contract…?
Let me predict the future for you. Since democracy does not exist in the IA, its president will sign it anyway.
WHAT IT ALL BOILS DOWN TO IS: SOMEONE MUST LEAD. WHO SHALL STAND AND SPEAK? WHO IS WILLING TO BECOME A LIGHTNING ROD FOR THE FEAR AND HATRED THAT HE OR SHE WILL INEVITABLY FACE? AND WHO HAS THE COURAGE TO FACE DOWN THE ARMIES OF LAWYERS, THE VINDICTIVE EXECUTIVES AND THOSE MEMBERS, LIKE EDITORBOY, WHO SOUNDS A LOT LIKE MY GRANDMA.
THERE ARE SO FEW OBAMAS, KINGS, GHANDIS MANDELAS. FORGIVE THE HYPERBOLE, THIS IS NOT ON THAT GRAND A SCALE. BUT WE HAVE A PRESIDENT WHO MEANS TO STAND AND FIGHT FOR ALL AMERICANS. BUT WE MUST ALSO FIGHT FOR OURSELVES.
DOES SOMEONE AMOUNG US HAVE THE COURAGE TO TAKE COMMAND? OR SHALL WE FOREVER AGREE WITH EACH OTHER ANONYMOUSLY WHILE THE AMPTP AND THE IATSE LEADERSHIP SCOFF AT US? IT WOULD BE EASIER FOR THOSE WHO ALREADY HAVE POWER. YET MOST LACK THAT COURAGE. THE RED SCARE OF THE FIFTIES PROVED THAT.
IF ONE STANDS, MANY OTHERS SHALL FOLLOW.
IT IS NO SMALL THING TO MAKE THAT CHOICE.
Dear Backbone who does not leave his/her name. (odd)
There doesn’t have to be a leader!
What is needed has ALREADY taken place. It’s a movement, An awareness or perhaps an Awakening of the IATSE members!
Folks are, for the first time getting the idea of what’s going on. WE ARE MAD AS HELL AND WE AREN’T GOING TO TAKE IT ANYMORE! (Seems to be their moto.)
Remember the 60′s? I don’t because I’m too young but I remember what it was about.
It was about CHANGE and what has happened is, members from different locals are really talking to each other now. It’s amazing! They are organizing.
400hours has email blast going out to thousands.
They also have people emailing in and saying that they have emailed 50 to 100 of their co-workers.
MEMBERS are spreading the word about how horrible this contract is and to vote no. No one is telling them to do it. It’s an organic being all on it’s own Member for members!
That’s all this thing is about. It’s about the members not about 1 person. (thats why we are in the mess in the first place.. )
The campaign is already on man, it’s happin’n, they are on the case.
That movement is http://www.400hours.com
400hours.com is the captain and she’s taken us to the promised land Hallelujah!
Peace out!
Until recently we in the IATSE had an International President who very publicly trashed other Unions (and some Locals in his own jurisdiction!), and was on record as saying that the IATSE would never strike. He is gone, but nothing has changed. Therefore, when your negotiators sit across a table from the AMPTP, what you are engaged in can hardly be termed collective bargaining. It is pleading, with hat in hand. How far have we come, then, from our historical beginnings as a “company union”, making sweetheart deals?
As long as the Studios show a profit margin, we who create the wealth should not have to give back wages, conditions or benefits. But we need a position of strength, of solidarity – foregoing infighting, internecine warfare, and fear of standing up for ourselves when confronting both our employers and our own hired staff. Sometimes standing up also requires some walking, with a picket sign in your hand. At the very least, it requires the balls to leave the possibility of striking ON THE TABLE.
A couple things:
The IATSE is made up of more than just the 18 locals whose contracts are negotiated as the Hollywood Basic Agreement. This means that the leadership isn’t very interested in our contract – and they’re especially not interested because they’re not elected leaders. There’s no democracy in the IA.
In my opinion, the vitriol towards SAG from the other guilds has to do more with the fact that the SAG leadership has failed to bring the actors union together, as well as the lack of preparation and strategy that, from the outside, seems to be clearly plaguing the SAG, and preventing them from making a deal. The reason for the ‘take the deal’ stance is that we’re ne 7 months past the expiration of the contract and the lack of a SAG contract has all but created a de facto strike. Most IA members, although they may make a decent living, can’t afford to weather a WGA strike, a de facto SAG strike, a potential real SAG strike, and then their own potential work stoppage. The idea of not working, and giving the producers even more of a reason to take the work out of town and our of country, terrifies those of us who could be wiped out financially by the time all of this is settled. We just want to get back to work, and the perception is that if SAG signs, and our own contract is worked out before it actually ends, then the rest of the year should be smooth sailing.
Thanks to all of the commenters who have pledged to stand with the IATSE in this fight. Thank you for recognizing that we deserve the support of the guilds, that we aren’t just laborers and do highly skilled work that allows the ‘talent’ to work with as little interference from the process as possible. We try to make your job easy – help us keep doing that by convincing your guild to stand with us against the AMPTP.
I still remember IATSE’s incredible support of the Writer’s Guild when we were on the picket line. Those HONKING HORNS were deafening!!!! Karma is beautiful, huh?
There was a popular saying many years ago. I’d like for us to apply it to our current situation regarding IATSE/SAG/WGA/DGA vs. the AMPTP:
All for one, and one for all.
We need to vote as a solid, single entity. We are a large powerful group of people in this town and we know who needs to hear us express our dissatisfaction with the problems across all contracts. They will not concede anything, unless we speak with one voice.
BTW, I fully support the idea of making all the contracts expire on the same schedule.
Every contract for us has been a step back. HBO is STILL getting a sweetheart deal (pay off).
The IA has made more than 1000 of these “sideletter” deals. One member sued to get copies, but only managed to obtain slightly less than 300 of them.
An interesting question amidst all this is who owns,
say, HBO, and are they a signatory to the Basic Agreement?
There [sic] create this gigantic Safety Passport machine and yet there is no mention of severe financial penalties for long days or an enforced weekend turnaround so that we can enjoy some semblance of quality of life.
We once had them. Double time after 12 (still a California state law), nighttime differential pay, double time on weekends, significant meal penalities (also still a state law), etc. The list of things lost is long, indeed.
The main function of this program is to limit the liability of the employers. That’s not to say it’s all bad, but to explain why things like Brent’s Rule (regarding an IA member who died from lack of sleep) have not gotten any traction.
Until recently we in the IATSE had an International President who very publicly trashed other Unions (and some Locals in his own jurisdiction!), and was on record as saying that the IATSE would never strike. He is gone, but nothing has changed.
Short remains “President Emeritus.” Those of you unfamiliar with the term would do well to look it up.
Speaking as a member of local 600, it would be great if all of us (and I mean ALL of us – SAG/AFTRA actors, DGA directors/asst directors, IATSE editors, crew) were represented by the teamsters. We could finally have some actual collective bargaining power. Unfortunately, it’ll never happen. As long as the AMPTP keeps our different groups squabbling amongst ourselves, they will keep laughing all the way to the bank, and canada, and right to work states…
But the unemployed actor can still feel a little more important than the unemployed AD who can feel a little more important than the unemployed editor who can feel a little more important than the unemployed grip – after all, we’re not working class – we’re in a GUILD…
Equally egregious is the following provision (copied from Ron Kutak’s first e.mail to Editor’s Guild Members):
“Some benefits needed to be changed, including a participant out of network co-insurance increase from 30% to 50%, … increasing co-pays on doctor visits to $30.00 for those in the MPTF area not using MPTF services…”
To illustrate what this means: The MPTF medical services do not include pediatric and there are few in-network participating general pediatricians (let alone specialists). A visit to a “non-participating” (out-of-network) pediatrician usually runs around $100. With a 50% benefit (50% of $100 = $50.00) and a $30 co-pay ($50.00 minus $30.00) a member will be reimbursed only $20 for a child’s visit.
The fantastic health benefits IA members have enjoyed have long mitigated the less than stellar wage base and the lack of advantageous benefits other craft guilds have been able to negotiate for their memberships. We need to raise a stink.
As a SAG actor I will stand with the IA members though they’ve not supported us until now. We all must unite to save our livelihoods from global corporations.
I agree with all the dissenters. The IA looks ridiculous & has almost no power/position unless the actual working IA members show it (btw, re: wga support etc–plenty of IA crew showed WGA support–including many reality shows I was on–IA isn’t one entity).
As it stands now, I have very little reason to work under IA if most of the shows go Non-Union–with the added rainbow of 400 hrs tacked on–that is simply called “union busting”. There is no reason to have a “union” negotiate terms like that. and especially so now that the Locals don’t even have elected officials representing them, nor is there any collective bargaining (or strikes) with the other guilds.
What’s worse is that the tighter these Union belts get, the more expensive the dues/fees become—w/ less and less benefits. That creates a vacuum of “freelancers/vendors” doing a majority of the work–sometimes paid less, sometimes more. Buying their own health insurance–etc. Why would you organize if you’d just get something worse?
Again–what does that look like? A busted union is what.
As someone said above, it’s either “all for one, one for all”, or welcome to the world of freelancers.