
Ashley Gable is co-executive producer of The Mentalist and has been supervising producer on Crossing Jordan, and co-producer on The Division. A former attorney, and a working writer for 10+ years, she was a picket coordinator at Fox during the WGA strike. Last year, she ran for the WGA’s board of directors.
The Conglomerates’ biggest mistake during the strike was, well, forcing us to go on strike. Not because the deal we got was so great. But because of that damn picket line. The Conglomerates have achieved the unthinkable: writers are kind of… united. And… organizing. Writers! The people who spend at least an hour a day arguing about where to order lunch. The people who make that Hurricane Katrina FEMA guy look like a great manager. And yet a year after the strike, writers are strengthening ties with each other, we’re keeping a watchful eye on the Congloms, and we’re reaching out to help organize reality writers. The Conglomerates accidentally taught the cats to self-herd.
What the Congloms didn’t realize is that when you walk in a circle with someone for three hours a day, for one hundred days, you get to know that person. Better even than if you’re in the writers’ room with him on a show. Because in the writers’ room you don’t get to see if a writer’s got your back when that asshole in the green SUV decides he can’t wait 15 seconds to begin his joyful day as a junior executive and tries to run you over by the Galaxy Gate. In the writers’ room you can’t see if the writer’s still going to be funny and helpful and strong when his wife just lost her job and he hasn’t brought in money since two mortgage payments ago and his overall deal just got shitcanned by his “friends” at 20th Television.
But on the picket line we got to know each other and know our collective strength. Strength20to change stuff. And a year later, we’re still doing something about it: I recently asked fifty writers to help with this new Guild diversity program and forty-five said yes. The show captains at my studio (yes, the captains system lives) continue to meet to discuss things like internet residual payments and how to track how the Congloms are failing in their obligations to pay up.
Don’t get me wrong: writers are still arguing – about organizing, where we go from here, and whether three days of cobb salad constitutes a lunch rut. But you know what? On Wednesday, February 18 at 3:30 sharp, some red-shirted writers rallied at the Genesee Gate at CBS TV City near the Grove in support of the shat-upon non-union writers of American Idol and other Fremantle reality shows. We will continue to rock the red shirts with our reality writer siblings and demand that Fremantle treat their writers with respect. (And, not incidentally, give them a WGA contract so that ALL writers on network television can have health care and a pension.)
That wouldn’t have happened in October of 2007.
WGA Sets Record Straight On Its Strike: “We Achieved Most Important Objectives”
Editor-in-Chief Nikki Finke - tip her here.
The Conglomerates’ biggest mistake during the strike was, well, forcing us to go on strike. Not because the deal we got was so great. But because of that damn picket line. The Conglomerates have achieved the unthinkable: writers are kind of… united. And… organizing. Writers! The people who spend at least an hour a day arguing about where to order lunch. The people who make that Hurricane Katrina FEMA guy look like a great manager. And yet a year after the strike, writers are strengthening ties with each other, we’re keeping a watchful eye on the Congloms, and we’re reaching out to help organize reality writers. The Conglomerates accidentally taught the cats to self-herd.

“The Conglomerates accidentally taught the cats to self-herd.”
I love that line. GO SPEED WRITERS GO.
And while you are at it. I hope the writers Tyler ( MO MOney) Perry fired, get better jobs.
And by the way, two dozen writers showed up today at a picket at Vermont Hand Wash — yes, a car wash — in support of workers struggling to be unionized.
The picket is ongoing, with all the unions around town pitching in to sponsor a picket day.
The WGA’s a union, y’all. I don’t think many of us would have called it that a year and three months ago.
Those pesky writers can teach the actors a thing or two about organizing.
Many of you who think we are organized are going to be surprised by the number of us who strongly supported the strike and will never do so again.
That’s terrific. Now, do you think you could show some public support for SAG, whose members were “getting to know you” on the WGA picket line, even though the WGA NEVER EVEN ASKED SAG to help?
I’m a writer too. I’ve written two screenplays that have been produced and a novel currently being shopped around by a lit agent, as well a play and a couple pilots.
The WGA is the ONE guild I’m NOT in. Yet. And, through ALL this writing I’ve been doing about this patently absurd deal SAG was offered, oh, nearly a year ago? I’ve been waiting for one, high-profile writer to come to SAG’s aid with a hard-hitting, unambiguous, passionate piece of writing in support of SAG actors.
I’m still waiting.
Well, at least the article writer admitted that writers spend little time writing and more time focusing on the important things, like food. Not that most of us didn’t know it already.
Congratulations to the WGA for making the tough choices and for benefiting from them.
All SAG members should take these 1 Year Strike Anniversary notices to heart. This is how it’s done.
Ashley Gable, I love your post. Mostly because, as I see it, we humans tend to believe that we need to figure things out first, or raise our consciousness — and then act — but the reality is that we act when we must and it is in the process of acting that we figure things out — that our consciousness evolves.
I am so inspired by this account of your experience, and the experience of your sisters and brothers in the WGA. It is rich with the value of the battle you waged — gains that can only be accomplished through struggle.
I am a proud member of the Screen Actors Guild; and, I was also on the lines with you writers — sometimes at Fox — mostly at Paramount — as often as I could. Since then, I’ve heard a lot of talk about how your strike was for nothing — about how people lost their homes, their health insurance, etc. and the contract was still not that great.
Since that time, the AMPTP has struck a blow to our union too – seeking to destroy it. It’s no secret that we’re fractured– at this point it would seem, into a million pieces. The hopes and dreams — the hard work, sacrifice, and perseverance of thousands of working-class actors, stands to be blown to the winds.
Perhaps it is the economy — your strike took place at a time when people were not so afraid. But now, the grasp of the owners of industry moves with ever increasing naked aggression. They want it all. That was clear then; and, their intentions have not swayed in their course.
So, perhaps we actors will pay for our unlucky timing…BUT, in the midst of the dust and the wind, I thank your for your words of inspriation — for so eloquently describing the bonds that are formed in the trenches and the power of the fight itself. And I can say that, although we actors may not have the opportunity to wage a strike this time around, some of us will still refuse to go down without a fight.
That is why I’ll be going to a rally called by Scott Wilson at Fox Studios on Wednesday, March 4th, from 11 am to 2 pm. If you can make it, we would love for you to join our picket line too. We have also posted on a website called http://www.400hours.com where IATSE sisters and brothers are fighting for a better contract; and some of these union members may be attending as well.
Please spread the word as much as you can. Because of the split in our leadership, we don’t have a union apparatus to help us get the word out. We will fight back anyway, and, if we need to fight later too, we will. We will continue to fight because the AMPTP is obviously out to take our very lives away.
In solidarity and struggle,
Jennifer H Caldwell
Dear “Want to Keep Working”…
It’s called humor. It’s not real.
Get an education.
Oh Dear Fuzbaa,
Really, I would have never known that, just as my comment was sarcasm, get a grip. Although, I guess in reflection, maybe I wasn’t being so sarcastic, since maybe the writer meant it to be humorous, but it was more truth telling than writers would like to admit.
Get a life.
Indeed the writers are united for the first time in a long time.
Now WGA if you can just find the balls to say out loud what you say in private about transforming the industry by getting rid of the racism and sexism that permeates the business and causes creative destruction.
I’m rooting for you.
fuzbaa, if that’s humor, no wonder sitcoms are dead.
I very much wish that some SAG members could see beyond their need to be liked and remember the solidarity of the WGA and RECOGNIZE that the Media Corporations are not “going to take care of you” after all this and are rather concerned with getting rid of you and your Union.
The ENITER REASON you’ve been paying your dues all these years is in order that you could belong to an organization that would bring you strength in numbers when you stand up for your own financial survival.
But many of you want to take the worst deal that has ever been offered SAG.
Why?
Where’s your Quid Pro Quo for giving up almost the entire SAG Basic Agreement? What are you getting in exchange?
Why?
Go to http://www.membershipfirstgroup.com for more information about your professional future.
Think. For your own sakes, THINK.