TV Week staffers from top to bottom seem to think so. They’re calling around Hollywood looking for jobs and saying things are so bad there that bosses at Crain Communications may pull the plug. Too sad, especially since this is its 25th anniversary. The print publication, previously known as Electronic Media, also has a full-frills internet presence and custom e-newsletters.
Is TV Week’s Print Version Going Under?
By NIKKI FINKE | Monday March 23, 2009 @ 9:51am PDTTags: Hollywood, Networks, TV
This article was printed from http://www.deadline.com/2009/03/is-tv-weeks-print-version-going-under/
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Two Weeks of Posts Comments 1 Paula Abdul Won’t Return To ‘X Factor’ In 273 2 RECORD-BREAKING WEEKEND! 4 Films Open $20+M: ‘The 190 3 Why Actors Hate Agents At Pilot Season… 161 4 ‘Chronicle’ Tackles ‘Woman In Black’ For 121 5 SAG-AFTRA: Exclusive Post-Merger Details 120 ‘New Girl’ Music Video
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Title Studio Gross 1 Chronicle FOX $22.0M 2 The Woman In Black CBS $20.9M 3 The Grey OPRD $9.3M 4 Big Miracle UNI $7.8M 5 Underworld: Awake... SNY $5.5M 6 One For The Money LGF $5.2M 7 Red Tails FOX $4.7M 8 The Descendants FSL $4.6M 9 Man On A Ledge SMT $4.4M 10 Extremely Loud & WB $3.8M 11 Contraband UNI $3.4M 12 The Artist TWC $2.6M 13 Beauty And The Beast DIS $2.6M 14 Hugo PAR $2.3M 15 The Iron Lady TWC $1.9M 16 Mission: Impossible - PAR $1.7M 17 Joyful Noise WB $1.5M 18 Haywire REL $1.2M 19 Alvin And The FOX $1.0M 20 Sherlock Holmes: A WB $1.0M SOURCE: RENTRAKBox Office Poll
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I was a reporter for Electronic Media twenty years ago. Even then, the weekly occupied a strange niche, primarily serving station programming executives. It was certainly the most informative publication out there when it came to syndication news (I was the first to break the news about Paramount reviving “Star Trek” in first-run with a whole new cast, an item that was picked up by newspapers around the country). In the mid-to-late eighties, first-run and off-network syndication was still very big-business and there was plenty of glossy, full-page, full-color ads to justify the magazine’s existence and support its editorial offices in LA, Chicago, NY and DC. EM, later TV Week, could never successfully compete with Daily Variety or the Hollywood Reporter when it came to “breaking news,” so what they offered was more indepth business reporting…offering the story behind the news. And, for the most part, they did it very well…and got very little credit for it, though their stories were often poached by the other trades and newspapers. I didn’t read TV Week much over the last few years, but whenever I did stumble on a copy, I was impressed with the detail and depth of their coverage…even if they were clearly stumbling for relevancy in a TV landscape that has changed massively since the magazine’s inception.
Lee