6 PM: Three of the Endeavor partners who will sit on the new WME Entertainment board -- Ari Emanuel, Patrick Whitesell, and Adam Venit -- are at William Morris offices right now introducing themselves to and shaking hands with the WMA agents and staff. "It's eerily quiet," one insider tells me. Earlier, Morris boss Jim Wiatt went to Endeavor and introduced himself.
2:40 PM: WME ENTERTAINMENT IS A GO! Here's the official statement:
ENDEAVOR AND THE WILLIAM MORRIS AGENCY MERGE
Two of the leading entertainment agencies reach historic agreement(Beverly Hills, CA -- April 27, 2009) In a landmark deal, two of the leading entertainment agencies, Endeavor and the William Morris Agency, today announced a merger of both companies. The new agency will be called William Morris Endeavor (WME) Entertainment. The transaction, which is subject to customary closing conditions, is expected to be completed in the second quarter.
The leadership team for the new agency will be Jim Wiatt, Chairman, and Ariel Emanuel, Patrick Whitesell and Dave Wirtschafter, Co-CEOs.
Wiatt, Emanuel, Whitesell and Wirtschafter join company directors John Fogelman, Peter Grosslight, Rick Rosen, Jennifer Rudolph Walsh and Adam Venit on the nine-member board that will guide the agency.
This historical agreement brings together two of the industry’s most respected entertainment agencies spanning motion pictures, television, music, theatre, publishing, commercials, sports, marketing and below-the-line production.
2:39 PM: WMA ALSO VOTED TO MERGE WITH ENDEAVOR.
2:15 PM: ENDEAVOR VOTED 100% TO MERGE WITH WILLIAM MORRIS.
An email went out to the entire Endeavor staff calling for a 3 PM meeting.
There was a point last month when the meetings between partners of the 111-year-old William Morris and 14-year-old Endeavor agencies had been fraught with tension and the merger hung by a thread. The reluctance to combine wasn't on the WMA side because CEO Jim Wiatt and President Dave Wirtschafter were eager for this deal to happen. Rather, it was from Endeavor's side because of fears there was too much risk and not enough upside. It took some time, but eventually both sides came together on the deal's economics. Adding to the problem was the polar opposite corporate cultures of the two agencies. WMA had been obstinate when it cames to the two agencies' discussions about who should stay and who should go if and when the two tenpercenteries merge. Endeavor's Ari Emanuel, for instance, was screaming at Wiatt, and battles broke out among some of their subordinates. Eventually, that too was worked out.
The rumors of a William Morris-Endeavor merger had been around for months and months, and I know some phone calls were exchanged after the end of the writers strike a year ago. But the reality is that these deals aren't done overnight: like everything in Hollywood that involves ego and money, they're complicated because they combine different agency cultures as well as partners and personnel. (Who else remembers back to 1992 when William Morris acquired Triad?
The two agencies had been talking for 17 months; and, even when those chats became very serious, the deal points took five months. And let's not forget the back story behind the ICM-Broder merger.) But I was the first to report that talks had heated up between upstart Endeavor and venerable William Morris to the point where I was being told by mid-February the odds were "70/30" that the two agencies would do a deal.
Endeavor's Ari Emanuel had been on the prowl: he even had several meals with ICM's investor Rizvi Traverse that didn't go anywhere. But Endeavor-WMA looked to be a great fit: William Morris with a powerhouse music division but also a motion picture talent department needing more marquee names and a flagging television department except for unscripted fare. Endeavor, on the other hand, had been signing marquee names and packaging primetime series galore and wanted that music money. One agency is strong where the other is weak. But the problem was what it's always been with these kind of mergers: the alpha male owners of major agencies always want to be in charge. After one particularly ugly meeting between the two agencies, a depressed Emanuel started using the phrase, "We all need a bigger boat."
Repeated battles even had broken out over what to call the new agency.
One of the other hurdles to overcome was the tax consequences of any deal. It all had to do with "LLC" and "S" corporations, which could have meant writing checks in the millions of dollars to the U.S. government. Also, I found out there was at one point a 3rd company involved as an investor and partner. Then I reported on March 13th that the tax issues had been resolved.
That the deal was proceeding became clearer when I heard that founding partners at Endeavor had been phoning clients to make sure they'd signed their agency contracts.
Both sides now realize that any newly merged company has to consist of only 150 core movie/tv agents at most. The mantra of these negotiations is "make it smaller". That means, of WMA's 150 agents, and Endeavor's 100 agents, about 100 from the combined total will have to be let go. And since CAA's Richard Lovett has pursued a policy of 100% marketshare when it comes to clients, the new WMA-Endeavor is making as its goal to rep only the elite Top 2%.
The prospect of inevitable consolidation has led to both agencies finding themselves Rumor Central and denying that wholesale layoffs have started when they haven't -- yet. But they will. (See below for all my merger updates.)
10 AM: I've confirmed there's an Endeavor vote this afternoon, which is when there'll also be the William Morris vote. That's right: the merger creating WME Entertainment has not yet officially been approved. Endeavor, now with Tom Strickler's resignation, is expected to vote 100% for the merger. But there still is speculation that the decision won't be 100% on the WMA side. (I understand that the William Morris side even held a Saturday session.) There will be a joint WMA-Endeavor meeting sometime this week with all the lawyers present. Then there'll be Guild and ATA and state and federal government approvals necessary for the two agencies to legally merge. So that's still at least 2 1/2 weeks away (as I've always reported). Don't expect some big whoop-de-do announcement today. Because it would rob both agencies of what should be a major media blitz in May when everything's official. Otherwise, both agencies will get swamped with media queries about who's staying and who's exiting -- which will make for a lot of uncomfortable conversations which might not be legally advisable. Today, the agency landscape historically changes.
8 AM NEWS: Endeavor co-founder Tom Strickler has just resigned from Endeavor. He sent around a gracious email announcing that he was leaving the representation of writers and directors. There was always known to be friction between him and Ari Emanuel over the direction of the agency, even though the two go back so many years and have been friends. Ari even got emotional when he told the staff about Tom's decision. Even though Strickler surprised everyone with his announcement this morning (he was at all the meetings and never hinted he wouldn't be part of the merged enterprise), it wasn't unexpected considering that Strickler was left off the newly merged company board. The word is that Robert Newman will run the new motion picture lit department. I hear that, as part of his resignation, Strickler savvily negotiated his share of the old company's receivables plus an exit fee of half what the other board members are getting going forward. Tom has been against the idea of Endeavor merging even going back to when the agency was in serious talks with United Talent -- and would have resigned then, too.
Speaking of United Talent, I've confirmed that one of the agency's owners picked up the phone to William Morris boss Jim Wiatt about a month ago and said, "If you're not too far down the road already with Endeavor, you might consider merging with us instead." Here's the thing: the other UTA owners didn't know this phone call was being placed. That said, it's unclear whether the goal was to really merge or to play with peoples' heads.
I reported last week that WMA motion picture lit agent David Lonner and Steve Rabineau didn't want to be part of the merger (WMA Agents Lonner & Rabineau In Play). Now Lonner is talking to Jimmy Miller and to Management 360 about coming on board as a manager, as well as about being an agent at United Talent. But I hear Lonner is being clear that he doesn't know if J.J. Abrams will come with him. (At WMA, Lonner reps JJ with motion picture head John Fogelman.) Meanwhile, WMA's Steve Rabineau is set to move to UTA.
I hear Mark Itkin, whose contract at WMA goes until at least 2012, is ready to make that move to CAA and fill the reality leadership position that has sat vacant all this time after Michael Camacho was pushed out. Since then, Camacho has been killing CAA in reality at UTA.
It will be at least 14 months before WMA's new building is ready to house the newly merged WMA-Endeavor agency. So, until then, both agencies will "mix and match" buildings, I'm told. I hear that television will be housed at Endeavor under Rick Rosen. And Endeavor's motion picture department will move to the old Morris building. And, yes, Ari Emanuel, will move his office to WMA to be near Jim Wiatt's. (Didn't I tell you this was going to get fun quickly?)
So I hear that, back in March, the first meeting between WMA book agent Jennifer Rudolph Walsh and Endeavor book agent Richard Abate went really, really badly. Apparently, the two hated one another. There was even an unsuccessful attempt by WMA to push Abate out. Ari pushed back. Soon everything calmed down. Why? I'm told it was because Ari saw that WMA has a $20 million book business whereas Endeavor's is still new. And that trumps personality conflicts.
- Aaron Kaplan's $11 Million/5-Year Deal
- The Name Of Merged WMA-END Is...
- The $300 Million Dollar Agency Merger?
- Board Of Merged WMA-Endeavor
- Endeavor Partners To Meet On Merger
- WMA Board Heard Merger Presentation
- WMA Agents Lonner & Rabineau In Play
- Another WMA-Endeavor Merger Update, Part II
- William Morris-Endeavor Merger: Latest
- Another Sign This Merger Isn't Done...
- WMA-Endeavor Merger Update: Bring On The Lawyers!
- WMA-Endeavor Meeting Inconclusive...
- WMA-Endeavor Merger: Today's Meeting
- URGENT! Endeavor-WMA Merger Hangs By Thread: Stop Or Go Decision Thursday
- Endeavor Finds Itself Rumor Central
- Will It Be WME Or EWM Or Neither?
- Endeavor/WMA Merger News Of The Day
- Look Who's Following An Agency Merger
- Endeavor And WMA Meeting Over Merger
- UPDATE: That WMA/Endeavor Merger
- IT'S FOR REAL: Endeavor And William Morris Talking About Teaming Up
- What's Really Happening Inside Morris?
- William Morris Agency Expands Board To Include More Music
Nooooooo! If Tom’s no longer agenting, will he still be able to wear those yellow suits while walking up and down Wilshire? Managers and execs don’t wear suits so I presume those colorful days are over. And the seasons, they go round and round, and the painted pony goes up and down.
that’s not true — ari and strickler are good friends, but disagreed over the direction of the company.
Let the bloodletting begin.. with Strickler gone all “his boys” who were agents only because of their closeness to him and joining him on the strickler vacations will be let go… He protected so many below average agents in MP Lit and even Talent.. I cant wait to see the bloodbath at Endeavor.
As for the UTA call, well don’t discount the entertainment value of messing with people’s heads when they’re in a situation like a major merger.
It can be very entertaining.
I’m sure he later called Endeavor’s office and said: “PSYCH!”
WMA has 5 votes on the board to Endeavor’s 4, how much is Ari really going to be able to run this ship? I am wondering how secure this is for him. He will spin that he is the man and Wiatt is just a figure head, but at the end of the day, the board controls and he has fewer seats that are 100% loyal to him.
I’m so tired of all this WMA Endeavor merger news. See you when they actually merge
I can smell the blood all the way up here in Burbank.
Nikki, your information is impeccable. You are reporting things now that some of us have been hearing from close friends in double-secret-probation pain of death lockbox type conversations. Very impressive reporting.
Impressive indeed. And a sad day for Endeavor.
If its that bad in Hollywood close a few agencies, merge, do a GM.
Secondly fix that website and change your policy on having a refferal to send in material to the agents.
Tom is one of the best guys I have met in this business. Endeavor and the business is a little sadder for this and if Tom were to “retire” this would be a tremendous loss for us all!
Richard Abate is a good guy and everyone hates Jennifer Rudolph Walsh. She should’ve been tossed long ago.
Where in the world is Norman Brokaw? Someone please find him. How can he let this happen? How can Norman Brokaw let Jim and Dave destroy his own personal legacy.
Totally F’ed WMA Employee
Why would Lonner ever want to jump ship and be a manager?
Being a manager is being an agent minus everything remotely cool about being an agent.
Lonner Rabineau Strickler et al should all wait a little longer not jump at the first open job and see where things are when all the axes fall — then maybe they can create their own agency.
any news on how Stickler will transition his leaving? Is this effective immediately?
Big question- what about corporate consulting and theatre at wma- both those departments seem to be flying under the radar… are both secure (as it seems?)
I was in an elevator this morning with Rick Rosen and several of his flunkies. He was proudly talking about how little sleep he’d gotten over the past week…. no doubt compiling a “Rosen’s List” of who’s getting the axe…
Tom is a true gentleman and I am really saddened at this news. He is a noble soul in a vicious playground. The concept, of the original partners. that Endeavor be a great boutique agency, is now totally lost, as it gradually turns into a CAA clone. All the talk of Endeavor going against the grain of the other agencies is now all proven to be empty talk. Good for Tom for standing up for his own values.
I would be awfully surprised if this merger is completed just two and a half weeks after it is signed. A merger deal involving two distinct companies has some similarities to a real estate deal in that you typically have a “signing” of a contract (here the merger agreement) and then a closing occurs at some point in the future assuming all the closing conditions (gov’t approvals, client consents, financings if any) have been met.
One would think that at a minimum the Hart-Scott-Rodino termination would take at least a month assuming the agency market is big enough not to trigger a second request from the federal anti-trust authorities (DOJ or FTC). While the agents are probably smart enough to round up client consents ahead of time since so much of the economics of this deal are based on existing books of business staying in place, one would think it will take some time to marshall them. There may also be other key contracts that have to be rearranged in order to satisfy the merger conditions.
Nikki you may have information that suggests some of these hurdles may not exist but absent any disclosure of the actual merger agreement I find it hard to believe that a merger will be completed in less than a month. As a journalist you may not be as aware of the necessity of distinguishing between a “deal signing” and a “deal closing,” but it makes all the difference in the world especially if for some reason you are likely to benefit, like many stock market arbitrageurs, of swings in the likelihood of a deal closing occuring. Obviously as private companies WMA and Endeavor don’t provide the public the opportunity to profit from the risk that the merger may not close, but plenty of folks inside and outside the two agencies will be betting on the chances of a closing either being delayed or not happening at all once an official announcement is made that a deal has been signed by the duly authorized parties.
Nikki you should talk to some deal lawyers for some perspective. I don’t know who the deal counsel for the two sides are, but assuming there is a gap between deal signing and deal closing there will be interesting covenants as to what both sides need to do to ensure closing and termination rights if certain agreed upon efforts and events do not come to pass. In any event, fertile ground for your reporting and a good way to keep your readers engaged while we wait for the “big announcement.”
As I said, a sad day for Endeavor. Tom was the human heart and soul of the place. Endeavor’s uniqueness will be lost in the coming mash-up with WMA. I fear the worst aspects of both cultures will be free to metastasize.
William Morris has a $20 million book biz? Who, what, and how? Who are their big author clients? I’m not putting them down, it’s a serious question that I don’t know the answer to.
Seems most agents would rather make more money as a manager after having to eat so much crap for their clients.
I’m soo bored I’ll only be happy if there is complete chaos with these egomaniacal self-serving bombastic a-types. Is this going to raise the level of material out there, the level of talent? No, I doubt this enhances relationships, it just creates more bloodshed.
Does anyone think that CAA is afraid of this? Maybe they are, I wouldn’t know.
When I worked at Endeavor, Strickler always walked around on Fridays and shook the assistants hands. I know that’s not a secret but it was very classy. Hollywood forgets that little things like that endear employees to their bosses.
I know a lot of people care about this story, but it’s got about as much juice as a rock left in it. Relegating this line of interest to the “don’t give a shit” folder.
WMA will have 5 members on the board, each with a vote counting as 1. Endeav will have 4 memebers on the board, with each vote counting as 1 1/4.
They are equal.
Tom is a very interesting guy. Always walking around the office at the end of the week shaking everyones hand. He is as smart as they come and even too smart for his own good. He will be missed.
Regarding this merger going down – is it really going to happen? Sounds like it will. Now Endeavor needs to take the bull by the horns and get rid of Fogelman, Nicole David, Gaby Morgerman, Aaron Kaplan and Irv Weintraub. Those people are toxic from what I hear around town and no one respects any of them. Kaplan may be a producer, but it’s not worth having bad blood start the merger. I also hear Fogelman will lose Michael Bay back to CAA and if that’s the case then we should can the fucker now.
Seems to be a heck of a chess game going on here with the merger, full of surprises, moves, strategy, and oh yes, I guess some politics in the mix! Some of these executives/agents/managers,etc. appear to act a little childish with temper tantrums and stomping out, resigning due to hurt feelings, bullying, etc. Is this an agency or a school playground or recess? Just kidding!
I can understand it if there are some who are on the bubble and expect to be let go when the merger happens and so the dignified way to go about it is to simply resign and move on. My thought is that when all the legal issues are resolved and the clean-up is complete, we will see a really nice agency and a doable one with hard working agents who will be ready to prove themselves worthy of their clients to ensure that their clients are gainfully employed and working hard too.
This merger is a real movie with all twists and turns and suspense with action too. It will be interesting to see all the plots and angles to the end, for sure.
Nikki, you own this story. Thanks for your hard work and unrelenting investigative reporting. I bet Michael Cieply reads YOUR blog to get HIS news.
So the big question is:
Which of the two indie finance guys will win out?
Cassian Elwes
or
Graham Taylor.
My bet is GT as he is actually a nice guy who is great at doing his job.
3 co-CEOs? Seriously? I bet that was a major sticking point for the egos in the room. Doesn’t take much of an imagination to figure out how that conversation went…
Fucking Hollywood.
Tom’s a good guy, and was always Ari’s partner in crime. That may have changed through the years, but it will be interesting how this shakes out. I am not sure it will be beneficial for Endeavor in the end. Also not sure if Ari will have enough support watching his back there. Can’t wait to see what new agencies emerge from this.
My office view looks right onto the roof of the Endeavor building, where the railing is only about 3 feet high… I’m going to stock up on popcorn and enjoy the show as the lemmings jump off
whos getting let go?
any from endeavor on the lit side?
Is it ironic that ENTOURAGE is shooting down the block from WMA today? Perhaps this will become an episode next season.
Cassian or Graham? No contest. Graham.
It’s the of the world as we know it, yet, I feel fine!!
God, I hope it’s Graham. He is great and Cassian has the attention span of fruit fly off its ADHD meds.
so who will run Reality if Itkin is going to CAA?
John Ferriter or Sean Perry?
The loss of Tom Strickler is the real tragedy. I’ve been in the business 12 years and never seen anyone with anything like his commitment to the writer or his belief that good material should and will always win out in the end. Well other than those who taught to see the business from his perspective.
i bet both guys will stay and the rest of the division will leave. Tom is such a great guy. What a sad day.
The next few weeks will not be pretty.
Cassian should be gone. He doesn’t return a single phone call and has horrible taste. I never understood how he made a name for himself in this biz. He doesn’t get it and funnels scripts and movies to his indie producer wife. Cassian is way over paid and clients within the agency have gone elsewhere to have a movie repped even knowing they will pay more than having it in house. Clients feel Cassian does them a diservice. Save that million dollars and keep Graham or put Craig Kestel in charge for 200 grand.
Lonner has repped JJ for 20 years. Fogelman has co-repped him for about 5. Abrams reportedly had a rocky tenure at Endeavor so it’d be interesting to see how he feels about this. Don’t write Lonner off right away to leave to become a manager. That information sounds like Ari feeding information to the media.
Great reporting on the news though Nikki. Variety tomorrow sure will be interesting.
“One of the other hurdles to overcome was the tax consequences of any deal. It all had to do with “LLC” and “S” corporations, which could have meant writing checks in the millions of dollars to the U.S. government.”
I would have thought that Rahm’s brother would want to write some big checks to the government. Hell, Rahm’s boss wants all of us to. Oh wait, that’s the catch, they want US to. Silly me.
Endeavor’s indie dept. is nowhere near WMA’s and Graham Taylor, while admittedly a nice enough guy, is not even close to Cassian.
Graham is a complete product of Tom Strickler… Not the best of paths to be on right now.
Mazel tov and congratulations! This is a brand new world and a beautiful day! NOW GET YOUR CRAP TOGETHER, YOURE FUCKIN’ FIRED!! But seriously, Mazel Tov
I can say from experience, I wish Graham had sold my film, instead of Cassian. No taste, no class, no work ethic.
OK, now the truth can be told. Aaron Kaplan’s golden parachute is considerably larger than the $11 mil being bandied about and was one of the biggest stumbling blocks for the merger in the final days. It kept Ari in depends. Kudos to his lawyer with the big cajones, Jamie Mandelbaum, who negotiated the deal. He’s at the same firm as Allen Wertheimer, who negotiated the settlement to end the WGA strike. I’m thrilled ot have these guys on my team!
So now that you bastards have merged… where’s my job? It’s the middle of staffing season… let’s jump on it!
I’m not the only client who’s starting think ANYWHERE but HERE is the place I should be.
So we’ve got 1 chairman and 3 co-CEO’s. Who’s the President(s)?
Graham and Cassian? Hands down Graham is better. Financiers actually like him which comes in handy when you’re asking for money to get a client’s film going.
I just so hope that a few cool Endeavor kids go and start their own boutique agency.
This royally sucks for people like me who left CAA for a “smaller” and cooler agency.
I’m also a bit offended that nobody at the agency sent a letter out to the clients to find out how they feel about this.
My God, I remember their sale’s pitch: “We care about our clients and are personal and we’re not too big to lose sight of anybody.”
Tom Strickler, you will be missed.
Ari, you SUCK!
Haven’t heard anything about the East Coast operations for the two companies….
What’s going on in NYC? WMA’s theatre department? I would assume that Endeavor’s half-dozen or so agents will move into WMA’s NYC office, as Endeavor doesn’t have a huge presence on the East Coast. Will any WMA or Endeavor people in the NYC offices be let go?
Thoughts?
UTA and CAA will enjoy the fallout of both agents and clients. They both are already starting too.
Agree Graham’s a nice guy, but he also screwed up that $4 million HARSH TIMES deal. He’s already destroyed more value than he will create in his entire career.
That’s not an easy thing to forget.
what does whitesell do with the wma talent dept
Maybe it doesn’t matter, but the Graham vs. Cassian issue is moot. Indie film doesn’t matter! It’s dead right now. They both are screwed.
Right now, their indie side needs people who actually have real relationships with distribs ww. That simply isn’t Cassian.
After all the joking the end is kind of lukewarm…for no other reason than Endeavor spent years positioning itself as the last agency around that would associate itself with WMA.
Oh well…they all deserve each other in the end.
Too bad they didn’t merge with CAA…an Ari/Patrick/Bryan/Kev/Rich would be ten times more entertaining.
But it is what it is.
Not sure why the Cassian hate- he single handedly created the indie sales biz for an agency. He’s honest unlike that lawyer in NY, he has the most contacts and a great work ethic. Hell. WME should BEG Cassian to stay. He has helped his wife produce some amazing films- so what? Jealous much? She pays her commissions! I know nothing about Graham but know for sure that Cassian is the KING of this world. Kestel? Are you shitting me??? He repped this producer I know on a deal, didn’t do anything for him, then lied to Mike Simpson about the deal and filed a fraudulent lawsuit against the guy. That’s a good guy to represent you if you like legal costs!
The way this biz is going, it will be only crap films from Avi Lerner the rug merchant- and Cassian owns that guy’s fat ass! Another plus!
Cassian vs Graham? Rena Ronson could eat both those guys alive. Smarter,honest and a much better deal maker!!! Ex sales agent who knows all the buyers.
Rena will be running the show after Cassian is put out to pasture!!
MORRIS AND ENDEAVOR SURPRISE!
MEGA MERGER BEFORE OUR VERY EYES!
BUT MANY ARE BETTING,
THERE BE A BLOODLETTING.
WME = WORLD’S MEANEST ENTERPRISE?
The actual Jim Wiatt company-wide email:
We are pleased to announce that, after considerable deliberation, William Morris and Endeavor have reached an agreement to merge. The creation of this new entity, to be called William Morris Endeavor (WME) Entertainment, is the next evolutionary step in expanding opportunities for our clients across both traditional and emerging platforms in a consistently changing marketplace. The new agency’s culture will reflect the best aspects of both companies, enabling us to continue to provide our clients with unparalleled service.
We are incredibly excited about this next chapter and we will have further details* pending the Justice Department’s approval of the merger.
WMA BOARD
*firings
Cassian versus Graham Taylor.
Worked closely with both. I’d venture that Graham has some degree of respect for Cassian, as Cassian definitely has the veteran status in the packaging / independent business.
Frankly, it sounds like there are a lot of angry independent producers on here mad that Cassian didn’t make their crappy project a priority!
They do operate slightly differently, with Cassian taking on much bigger plate of projects and handling them with a more frenetic representation style. In turn, he cranks a lot of deals, but has a lot fall by the wayside. In the process, the creme projects rise to the top, and he has many feathers in his cap from his years of being the premier indy division head. Fact is, he’s the premiere packaging / indy agent out there.
Plus can I point out – CASSIAN HAS HAD SHIT TO WORK WITH!!! You can’t package with the talent roster of WMA. Just not enough names to bring in financing with. Its amazing how well he’s done in recent years.
I also disagree with any assessment that Cassian isn’t a nice guy… He ultimately takes on too much, and consequently, I’ve found him to be a bit short at times and demanding, but he means well, takes care of his people, and is a good guy deep down who really works from a passion for movies.
Yes, Graham is the more cordial of the two… plus in terms of slate of projects, Graham seems more selective – but that doesn’t necessarily mean he has a better results – there is plenty of quality that comes with Cassian’s quantity.
Hopefully WME is smart enough to figure out a way to keep both of them – I don’t think its entirely unworkable fitting both of them into one mega department – particularly as the merged company offers such expanded opportunities to both of them. Packaging isn’t like other departments where merger means more clients and agents for the same amount of roles – instead, double the agency size can mean triple the size of the packaging business as there are more pieces to work with – so talk of a “death match” between Cassian and Graham neglects the unique nature of what they do.
I can’t see Graham having any problem working with Cassian, nor can I say that Cassian would be unable to work with Graham, so long as he doesn’t ANSWER to him. Cassian’s business is too independent of anyone for him to have to answer to someone, particularly his junior.
Nice work, Nikki!
Poet know it put the nail through the wood.
I see a new agency forming from the blood letting and this aint Entourage.
Any company that can’t resolve leadership issues will have problems in the long run.
Having three “Co-CEO’s” is a sign of a HUGE leadership and power issue.
Historically in business the co-CEO move does not work.
I guess no one wanted to be COO.
What about Endeavor’s small below the line department? Is that staying put?
The upside of this is that Ari and Patrick will run the place, just like they do at Endeavor now. Jim and Dave are figureheads, with board votes.
When they clean house, they shouldn’t spare the losers at the high end of the food chain, like Raskind, who is not a nice human being.
WOW, all this Cassian bashing seemed to come outta left field!
First of all, agreed, indie film is not in the best place right now.
Secondly, Cassian and Graham could possibly co-exist. They co-repped quite a few films together and get along very well
I worked for Cass and know Graham… both are good guys , smart and could be like the Rick Hess + Micah Green combo at CAA. Oh yeah, indie films are VERY difficult to put together – and do frequently fall apart. It ain’t easy.
Last- surprised only one person mentioned Rena. I guess Cass does have more of a name even though they’re both Co-Heads of the dept.
let’s see what happens when the dust settles…
For those of you who are interested the number of board members is meaningless. It is who controls the A level stock in the firm. That is true voting stock. Only a small cadre of executives have the A level stock.
Norman Brokaw is out as should be the case. Brokaw, Lou Weis and Walt Zifkin sold the company out years ago to save themselves. History will show them as men who cared little about the firm and legacy they inherited and instead of building on the success of the firm they steered it down a path which lead to it becoming Wiatt’s business and then having to merge with another agency in order to survive. As soon as Wiatt took over he began to let go of some outstanding agents at the board level and replaced them with his own allies without thought as to their real agenting ability and their client lists. Walsh in the literary department is a good example. Now what will happen to S. Gluck (now demoted from the board), and Abate (also demoted and is the ex-head of Endeavor’s book department), (both very talented)? Will they report to Walsh who has few clients of stature and has done little business over the past years? When she was brought to WMA she was a unknown agent with few clients.
Could it be possible that this is Jim Wiatt’s exit strategy? Why would Ari take the number two job? Could there be an inside deal? Wiatt has always shown an interest in leaving agenting for the studio side of the business.
Seenthisbefore
Any unhappy Agents are welcome at my company! We “provide committed representation with integrity” seeking honest, kick ass Agents!!
Re: Foodforthought… Suzanne Gluck may no longer be on the board, but she is still co-head of the most powerful book division in the world. Until yesterday, WMA’s power in publishing was often considered a tie with ICM’s (Esther Newberg, Binky Urban, et al). But now WME suddenly has WAY more star power than ICM, by a LANDSLIDE, thus way more leverage over studios, publishers, networks, etc. So if Gluck and Abate want to continue to make the biggest mega-deals they possibly can, I can’t imagine where else they could possibly want to be. ICM is much weaker overall now, CAA doesn’t even have a NY book division, and pure-lit-agencies like Wylie or Janklow don’t have the other multimedia divisions that immensely behoove WME author clients (and celebrity clients who write books, such as Gluck’s Rachel Ray and Jim Cramer, or Abate’s Tina Fey). So, as a client, I really hope that instead of looking at like “Boo-hoo I’m not on the board anymore” or “Boo-hoo I’m not the king of Endeavor’s book dept anymore,” they more wisely look at it like “Wow, my agency just became twice as powerful for my clients and thus me! Cha-ching!”
Foodforthought:
“Could it be possible that this is Jim Wiatt’s exit strategy?”
Uh, it looks to me like it is EXACTLY Jim Wiatt’s exit strategy. Every piece of news around this deal says that he’s not gonna be managing day-to-day.
I don’t see him wanting to hang out and mentor the younger Endeavor guys, that’s for sure. And he’s never been much of a “vision” guy or a face man.
Jennifer Walsh’s biggest clients were all clients she lucked into from retired or fired agents. She doesn’t do much, except suck up to Jim Wiatt(naming her kid Wyatt). Maybe that explains how she ended up on the board when Cara Stein(who is cohead of the NY Office) or Jon Rosen(who reps nearly the entire food network) are not.
Nikki, can you find out how the tax issues were taken care of?
Hollywood is big for politics yet they don’t seem to want to pay up for their voting habits.
That they’re maneuvering to not pay taxes is UnAmerican and unfair to the lowly WGA/SGA player.
They’re making money off of me and I want to make sure they’re paying their taxes on that effort.
client who hopes they stay –
WMA’s book department does less than a third of that of Writer’s house and a quarter of that of Trident Media Group’s and a third of that of ICM.
In the last year WMA sold less than a handful of books to the movies because they don’t submit their clients book beyond the clients they already represent.
ICM actually has more number one bestselling authors than WMA and WMA does not have one bestseller in fiction list that lands on the Times number one spot.
The new agents that are coming over from Endeavor are for the most part all new to the business and are very light on heavy hitters. Ray and Fey are clients of other agents and both their literary agents were handed those clients to sell as opposed to signing them.
That is not to say they are not talented agents on their own. A demotion is a demotion no matter how you spin it.
I can certainly understand your desire to be represented by the “most powerful” literary agency in the world but you will have to leave WMA and seek representation elsewhere to achieve that goal.
Foodforthought