I reported recently that Dan Rabinow left ICM after his contract was up because of a salary dispute. Now I’m told he has gone to CAA with many of his clients. The list includes Etan Cohen (Tropic Thunder), Steve Faber (Wedding Crashers), Larry Stuckey (Meet The Little Fockers), Ian Maxtone-Graham (The Simpsons Movie), John Glenn (Eagle Eye), and Wayne Powers (The Italian Job). 2ND UPDATE: ICM says it spoke to Glenn and Powers and Maxtone-Graham and they’re staying.
CAA Hires ICM Motion Picture Lit Agent
By NIKKI FINKE | Wednesday May 20, 2009 @ 6:33pm PDTTags: Agents
This article was printed from http://www.deadline.com/2009/05/caa-hires-icm-motion-picture-lit-agent/
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could not be happier for him, ICM did nothing for him, his clients or his career.
Brilliant agent.
ICM and UTA better suck it up and merge.
It’s about time! Dan R was a star, and the stars are at CAA.
No offense to ICM, but isn’t it kind of pathetic to issue a press release which, in essence says, “it’s not that bad, we’re actually keeping 33% of his clients!”
is wayne powers alive i thought he left the business 5 years ago…guess the old and stale stay at ICM the young n hungry are off with dan the man…go get em Dan
I’m confused…if Dan’s such a star, why does he only have four clients he’s taking? Etan’s good, but what else is there? Ian I hear is not really his client since he’s a TV guy. So what’s the big woop? Hasn’t he been an agent for like 10 years already? That’s only 4/10th of a client per year. OK so we’ve established he’s not much of a signer. I’m sure Spencer and Dan will take real good care of him.
Seems like a good move until he realizes he’s just Greg McKnight’s junior servicing bitch.
I thought Glenn and Powers wanted to be in the film business not just TV?
@ Good Move: Greg McKnight is just a servicing bitch… Get in the business kid.
CAA used to be about a culture of fear and money. The agents understood the rules. When CAA overpaid Lesak, Heyman, and Aloni, the rules changed, and so did CAA. The 100% market share philosophy was adopted, and the agents began to openly resent ownership. Now it’s broken. WME is hoping to be in the top 2% business. That was CAA’s opportunity, and their answer to today’s challenging times. Now they’re stuck.
I give it up for Lovett et al. The “market share philosophy” saved jobs unlike everywhere else including many of the studios. All I’ve ever noticed is that CAA always seems to be making the right moves at the right time. And everybody else seems to make the wrong moves at the wrong time and overpay to accomplish such aims. Plus this post reads like someone put together a suggestible “mathematical” theory to sow internal strife within CAA. They beefed up on comedy and some other stuff and did so without eliminating jobs through a decimating and panic-stricken merger. All to the good. It’s very hard to be unhappy with management when you’ve been tossed on the street by two agencies’ desperate moves. Things will even out for CAA personnel in the end. They’re lucky to be there and to have such career continuity.