SATURDAY PM/SUNDAY AM: Sources tell me that Sony Picture’s opening Angels & Demons received a much-needed +7% boost at Saturday’s domestic box office for $17.9M from 3,527 theaters. With Friday’s $16.6M and Sunday’s $13.6M estimate, the studio didn’t get divine intervention for a hoped-for $50M weekend – poor reviews took their toll — but settled for $48M. (That’s 62% of its predecessor The Da Vinci Code‘s North American grosses.) That’s because the pic appealed to a more mature audience: opening weekend demographics showed the under/over 30 age break was evenly split. But the day and date international take has been spectacular — so Sony reported an additional $104.3M on 10,468 screens from 96 countries where Angels & Demons debuted for a worldwide take in $152.3 million. Overseas, the pic was #1 in every territory it debuted. It did 73% of the foreign opening Da Vinci Code — and that is without Mexico, India, a few other countries included in the DVC launch but still ahead for A&D.
Rival studios predicting a $55M-$60M domestic weekend called the result “very disappointing”. Especially since this wasn’t a cheap movie to make what with all the top dollar and/or gross players involved like Tom Hanks, Ron Howard, Brian Grazer. Screenwriter Akiva Goldsman received $4 million, a new high for a book adaptation, then another marquee name, David Koepp, rewrote the screenplay. But Sony said the film has taken in more than its production budget in its first few days of release and the studio expects a good multiple in the weeks ahead. Angels & Demons also is the 2nd highest live-action debut of Tom Hank’s career with an opening greater than Castaway.
Angels & Demons wasn’t expected to do bigger numbers than The Da Vinci Code which sold twice as many books with a similar Vatican mystery storyline. The 2006 film phenom did $77M domestic its opening weekend for $758M worldwide. Which is why Sony is depending on Angels & Demons, too, to make the bulk of its money overseas. (Da Vinci Code did $217M domestic vs $540M international).
The No. 2 movie was Paramount’s Star Trek which showed strong legs Saturday with $18.3M – better even than Angels & Demons take. That’s a remarkable hold as great word-of-mouth about the film kicked in and the studio said families turned out in a big way. Add in Friday’s $11.7M and Sunday’s estimate, and JJ Abrams’ reboot earned another big $43M, down only 43% from last week’s total. Its new cume is $147.6M.
At No. 3, Fox’s X-Men Origins: Wolverine earned $4.2M Friday and $6.4M Saturday from 3,892 venues for a $14.8M weekend after two weeks in theaters and fresh $151M cume.
In 4th place, New Line/Warner Bros’ Ghosts of Girlfriends Past eked out a $2.1M Friday and $2.8M Saturday in 3,150 dates for a $6.6M weekend and disappointing $39.8M cume.
And, rounding out the Top 5 was Screen Gems/Sony’s Obsessed in its 4th week of release with $1.4m Friday and $1.9M Saturday from 2,634 runs for another $4.5M weekend and nice $62.5M cume.
Overall, it was a huge $131.7M summer blockbuster weekend, up 7% from last year.
FRIDAY PM/SATURDAY AM: Friday’s opening North American grosses for Imagine/Sony’s Angels & Demons were $16.6 million Friday from 3,527 theaters. After less than expected matinees, “it’s been getting better as the night goes on – so the number could even be a little bigger,” a Sony exec told me Friday night. “Everything points to a huge adult Saturday.” So the studio believes the weekend total can’t be lower than $47M and still has a shot at the $50M Sony wanted. “That, plus the great results we got today around the world, put us on target for the big worldwide opening we’ve hoped for.”
Meanwhile, what some predicted as a neck-and-neck race for No. 1 wasn’t, as Paramount’s Star Trek fell -56% from last week’s big opening. This Friday, the reboot made $11.8M from 3,860 theaters for what should be a $37M weekend and big new cume of $141M. Meanwhile, in a marketing bonanza for the pic, up in the International Space Station, the 3 astronauts watched JJ Abrams reboot in space. It was beamed up to them Friday after being reformatted by NASA technicians. Turns out all 3 astronauts — the American, Russian, and Japanese, are Trekkies. A “movie night” is a tradition on the station.
FRIDAY 3:30 PM: First word on North American matinees for Imagine/Sony’s Angels & Demons is coming in to me, and it’s causing the experts to revise downward their early Fri-Sat-Sun predictions of low $50sM-$60M from 3,527 domestic theaters. Now a more realistic weekend total is “40ish” after Sony internally had been hoping for $50+M. But matinees can be notoriously unreliable unless a movie is an immediate blockbuster or bomb. Even so, it’s tough for films to sustain just on older females making Angels & Demons their first choice, followed by older males, with definite interest and awareness trending the same way. The problem is that young males are the laggard quadrant. Like duh, because of huge choices in the marketplace.
So there’s amazing concensus that Paramount’s No. 1 monster hit from last weekend, Star Trek, won’t lose much momentum. It’s put in some very strong midweek numbers. So this weekend it probably will be down around 50% for a $38M second-place finish. (Though some think it could reach $40M because of the great word of mouth.)
And 20th Century Fox’s X-Men Origins: Wolverine still has legs starting its 3rd week for $12M to $14M.
Editor-in-Chief Nikki Finke - tip her here.





tom hanks is so over (nice face lift and hair weave tom), and ron howard is just such a hack. they should retire to producing or lunching or doing whatever it is old people in hollywood do. ask stallone what to do, i’m sure he can give you some tips.
Most surely is the lack of an evil albino.
Wow new gen jen, let’s stereotype.
All old people are hacks.
You’re a girl, so you must be on the rag.
“tom hanks is so over (nice face lift and hair weave tom), and ron howard is just such a hack. they should retire to producing or lunching or doing whatever it is old people in hollywood do. ask stallone what to do, i’m sure he can give you some tips.”
Total agreement new gen jen. For all of these guys. Its just all ‘been there, done that.’
gen jen: are you stupid or just a troll? both perhaps?
Dark isn’t going to sell well this summer.
of course i’m hoping for Star Trek to beat bout A&D. i don’t think A&D has gotten too much promotion and the reviews are very poor. should be a heated battle at the box office. due to the rave reviews, star trek has legs but probably not enough to sprint past terminator unharmed.
I hope not be cause Hollywwood’s new generation sucks at making great movies. Not everybody wants to watch “shit blowing up” all the time.
Nikki, David Koepp rewrote the screenplay for A&D before shooting started and his asking fee per pic is usually $5 million. If Sony paid him his asking fee, then they’d have spent around $9 million on the screenplay.
Amazing how much Sony will pay to get what they want…
demons got no legs…
Way, WAY off on Star Trek. With Angels and Demons disappointing, Trek is in contention to win the week handily.
saw star trek wednesday night and plan on seeing trek and wolvie again this weekend.
wolvie was great (and i am an x-freek) but trek was amazing and simply beautiful to experience.
Abrams should be very proud of this new trek masterpiece as well as Fox for wolvie. Both movies have left there own original and entertaining imprints on their respective franchises….and given a lot of fun to the fans!!!
As Nikki stated, the book for “The DaVinci Code” was a cultural phenomenon and “Angels and Demons” was the book a few people picked up because it was by the same author and had the same characters as DVC. A&D never had the rabid fanbase and ability to spark controversy that DVC had.
Couple with that the same thing that plagued Wolverine, a weak previous film, and the figures shouldn’t be as surprising.
A&D was a solid effort for Ron Howard and Tom Hanks. Definitely a huge upgrade over Da Vinci. Great cast, great pace to the spirituality-based storyline, and great Roman scenery. Even if it doesn’t crack 50 million this weekend it might be stupid to categorically write it off because adult-centric titles like this often have notable staying power. There’s nothing else until Woody Allen’s “Whatever Works” on June 19th that will give discriminating older audiences the assurance that their showing won’t be ruined by a bunch of texting tweens. Overseas it will triple whatever makes in the U.S. where audiences need to be bombarded with video game cgi in order to feel like their multiplex dollar has been well spent.
A lot of people saw The Da Vinci Code. How many of those people actually LIKED it? Not too many, from discussions I’ve had with numerous people. I think Star Trek can and will win the weekend.
If you’re a big Steve Zahn fan like me, don’t miss MANAGEMENT, in which Zahn finally gets the lead in a RomCom. He’s perfect and so is Aniston, who, in managing to be tough and vulnerable (as in THE GOOD GIRL), does her best film work so far. Harrelson and Fred Ward are perfect.
And fans of musical shouldn’t miss EVERY LITTLE STEP, about the legendary A CHORUS LINE. I saw this revolutionary show twice in 1975 within its first month of its Broadway run with the original cast and was blown away. Nothing like it before or since. This film deals mostly with the recent revival, which was disappointing, as it had to be. Still, it’s must-see for theater fans, as it shows what it’s really like behind-the-scenes, as the show did in its way.
12.5 mill & a $36-38 weekend. that just does not add up nikki. maybe you should have another guess.
I am not shocked that it was ever going to reach da Vinci Code numbers, I don’t think anyone was — it didn’t have the same controversy, nor outrage and surprisingly that got the bad reviews. This is getting better reviews and should do just fine, there is no other adult geared drama out there. It’s the same thing that happened with Narnia’s Prince Caspian.
People should see ghosts of girlfriends past, it’s actually a great well written movie.
I’m wondering how you all feel Terminator will do, it’s not exactly “your father’s terminator” hahahah. It looks like a bleak ride not to say that it won’t be fun, just a different one.
I saw both ST and A&D back-to-back at the Arclight this Thursday night; ST rocked hard, and in comparison – which is unfair but inevitable – A&D was a snooze.
Ron Howard is a remarkably talented guy but as these two Brown adaptations prove beyond a shadow of a doubt, he’s not very well suited to interpreting material with strong esoteric throughlines. The backstory of the battles between the Roman church and various subversives, freethinkers and/or so-called heretics throughout history (up until and including the present day) is one that requires much more erudite hands to fully realize. Here’s hoping that some studio will nut up and finally greenlight a project that can simultaneously satisfy wider audiences as well as those who understand the greater issues at play.
lol @ you delusional Trek nerds. The numbers clearly show A&D is taking the weekend but you’ve deluded yourselves into thinking it’s possible for your beloved Star Wars wanna-be movie to hang on by its fingernails at the top spot for a consecutive week. As NF stated in her update, movies that cater to adult audiences always perform biggest on Saturday night. Having worked at a theatre before I can attest that Friday was for the kids and Saturday was for the grown-ups. A&D was already well ahead of Trek for Friday which means the weekend race is over for all intents and purposes. Also, the reason Howard and Hanks came back to this series was not because they wanted to participate in an important movie that would wow critics; they came back because they wanted to line their pockets again with the cumulative worldwide grosses. Da Vinci almost made a billion worldwide for (no pun intended) Christ’s sake and H&H’s deals stipulate that they get a juicy cut on the backend. It’s going to comfortably exceed 100 million in the United States and the sky will be the limit abroad. This is a classic example of a movie that will be unfazed by the bad reviews, by the way, because it has a beloved movie star icon, striking European scenery and a spirituality-intensive storyline. The reason the critics hated it is probably because most if not all of them are left-leaning and therefore godless so they don’t like to see splashy tent-pole releases that address issues of faith.
gotta chime in along with the couple of other posters who found gen jen’s comment distasteful, and I’d add ignorant as well, especially the fact that you’d assert a director should switch to “producing and lunching” because he’s “old”? as though the only directors in this town are under 30 or something?
Tom Hanks will do 45 this weekend and JJ Abrams will do 40 on word-of-mouth. Star Trek: it’s not just for nerds anymore.
The reason Star Trek continues to do well is because its a good movie. Not a good sci-fi movie, but a good movie. The premise is fresh and fun, its stars are young, sexy and new, and its director is keyed into pop culture. The reason A&D is not going to do well is because its a bad movie. Its premise is absurd, its hook (its a conspiracy!) is tired, and, as “gen jen” has already stated, the star and director are both over-rated and artistically bankrupt. This movie will be noted as the beginning of the decline of Tom Hanks; Ron Howard, however and unfortunately, will continue to churn out his own brand of banal, pedestrian films.
Ron Howard is a great director who is incredibly versatile with a wide array of genres that he’s tackled with aplomb. He’s made a number films that were incredibly successful both commercially and artistically. He gets shit on by elitist internet film snobs because he’s a genuinely nice person with a t.v. sitcom background. He also has a Best Director Academy Award, unlike most of the pretentious wanna-be auteurs that these same people glorify. It was a richly deserved honor too because A Beautiful Mind is one of the best films of the decade, a sentiment people argue with only because it won Best Picture and thus triggered a predictable backlash with the “too cool for the room” crowd. You’re wrong if you think his films are anonymous because the common thread that binds them is great acting which proves that actors love to work with him and he’s adept at corralling them. Rip him all you want, he’s going to laugh all the way to the bank with A&D after it makes a bare minimum of 500 million worldwide. It’s a very solid movie, too, that’s being attacked primarily by the same people who are consecrating the mediocrity of Star Trek.
“star trek nerds” says f*kin who????
ok lets see….when someone hates x-men “oh those darn x-nerds” “boo-hoo”
now that A&D is taking a hit, its “oh those darn trek nerds” “boo-f*kin- hoo”
GIVE ME A F’N BREAK!!!! either be patient to see what your precious A&D actually does at the box office, or say something with real hard facts to back it up! NOT EVERYONE WHO LIKES TREK OR X-MEN ARE NERDS!!!!
maybe A&D needs some nerds to go watch it to give it a boost….huh?????
jerks. utter pathetic jerks.