This was, no doubt, the sweetest film gig to come along in the longest time in Hollywood. And that’s why dozens of producers and studio execs and agents panted for the job, but only a handful scored interviews. But now outgoing News Corp No. 2 Peter Chernin has chosen his motion picture guy: Dylan Clark, who has been at Universal Pictures for the past 8 years, and since 2007 as EVP of Production reporting to President Of Production Donna Langley.
Insiders tell me that Chernin chose Clark because he was “incredibly well-trained at Universal, has an impressive list of strong films, and has a keen creative sense”. Clark will stay on until October to continue overseeing the Untitled Robin Hood, Couples Retreat, Green Zone, and Paul. But Clark’s naysayers point out that he was oversaw underperformers like Children of Men and Duplicity and that now the formerly titled Nottingham threatens to be a budget buster.
Still, people at Uni are bummed because the just-turned-40 exec is extremely well-liked there. “We’re sad to see him go, but we’re all excited for him,” an insider explains. I should say so. Chernin has a platinum parachute from Fox: along with everything else full frills, the new company will have two put films a year. Yes, even in this climate when the studios are making bubkis. Meanwhile, I already broke the news back on March 10th that Chernin had chosen Katharine Pope as his TV gal. She’s already hard at work on what is Chernin’s equally lucrative TV deal with Fox.
Editor-in-Chief Nikki Finke - tip her here.


Good for DC — get off a sinking ship. Universal in trouble. Langley going on maternity leave. Who’s gonna run the show?
Bravo! Dylan is a great exec and a genuinely decent human being to boot.
Reilly, Pope, now Clark. Chernin either scoops up or poaches the best people from Uni.
Good for him.
Wow! What ever happened to the theory of hiring an offensive, under-experienced dipsh*t who hasn’t even made it to 28 yet?
This is the perfect example of why Hollywood is so great. A really nice, well-liked guy manages and manipulates the system so perfectly that despite many more misses than hits, he fails magnificently upwards. He’s certainly not entirely responsible for his movies not being financially successful but go ahead and try to find a guy with more movies that lost money. He was a masterful executive and will no doubt continue to succeed, whether his films are profitable or not.
Another great move by Chernin. Dylan is extremely capable, smart, self-deprecating, funny and friendly. Good taste; great guy to work with. I wish him all the best.
Nikki, are you aware this “seasoned” exec’s main accomplishment for Uni was overseeing a record string of huge budget misses–from Children of Men to Duplicity and now Nottingham, which threatens to be biggest overbudget debacle in studio’s history. Being polite in corporate interactions isn’t enough to deliver studio success; once in a while, an exec needs to confront problems on productions and stand up to egotistical filmmakers. Otherwise by non-action, you let hundreds of millions of studio money flow down the toilet. THAT is the STORY here.
At least some people my age are getting to do what they want with their careers. Congrats.
HUGE mistake to let DC go, he gets entertainment. See 300, no one was further behind that project then him. Instead you have a studio that makes movies that either suck, or movies that have political agendas and suck.
All the best DC!!
300 was Greg Silverman’s Warmer Bros movie.
As his gardner and long-time confidant, I can say with certainty that Dylan Clark is the greatest human being ever.
Great hires, only one problem. Fox isn’t going to make chernin vehicles, either in features or tv, despite how good or not these execs are. Conversely, mr. chernin will find the next great adventure in his life and, trust me, it will not be making individual tv shows and films. Oh, don’t get me wrong..he’ll get paid every cent for every one they don’t make and he’ll get it for 5 or 6 years, but he’ll still get that cash even when he’s running another industry’s business. Touche peter, and an interestingly difficult move for the execs who go there, including katherine and dylan. Riddle me this–Can anyone name a former mogul the level of chernin who actually made a go of it??????
Before Silverman took in 300, DC was begging Uni to make it. ZS made the zombie picture at Uni, then wanted to roll into 300. Uni passed on it despite DC’s best efforts.
Let’s be honest: Fox could hire a monkey to run production and it’d do better than the crap they’re making now.
Clark, could take him or leave him. what about all the movies at Universal he worked on that were big financial disappointments? like Duplicity, Changeling, Definitely Maybe, The Kindom, Interpreter,The Good Shepherd, Children of Men, Charlie Wilson’s War and the disaster that’s waiting to happen with Nottingham.
Studio execs are moslty all the same. the one’s that matter are the presidents. all the others are glorified readers. Dylan Clark is the same as the rest.
With regard to those of you who are critical of Dylan, keep in mind that if his record was that dreadful, NBCUNI wouldn’t have let him go.
The bar has been set so low for executives – that if a guy doesn’t totally destroy things he is hailed as a genius. I personally sold a project to Uni and had Clark as the executive and his notes were inane and cliched and he guided the rewrites so that the script was like everything else out there. Anything original or different was immediately crushed – and yes, I know this is par for the course but I found Clark very dull and creatively conservative. Another suit failing upwards.