

The final count wasn’t close: 78% voting “Yes”, to 22% voting “No”, with 30% of the 110,000+ SAG members in good standing all casting ballots. All the SAG reps in both the TV and Theatrical departments in both LA and NY have been informed they are to attend a meeting to be held by video teleconference tomorrow to review the new agreement and discuss issues of notifying independent producers, new codes, changes in forms, etc. (I’ll have an analysis later in a separate post…) Meanwhile, SAG President Alan Rosenberg, who was part of the “Vote No” faction repudiated by the membership in this count, today told reporters waiting for the voting results that he will seek a 3rd term.
Here is the official SAG statement that just went out about the ratification results, followed by the AMPTP’s official statement reacting to the vote, AFTRA’s reaction, and Membership First’s reaction:
SAG Members Overwhelmingly Ratify TV/Theatrical Agreements
Los Angeles, (June 9, 2009) — Screen Actors Guild announced today that members have voted overwhelmingly to approve its TV/Theatrical contracts by a vote of 78 percent to 22 percent.
The two-year successor agreement covers film and digital television programs, motion pictures and new media productions. The pact becomes effective at 12:01 a.m. June 10, 2009 and expires June 30, 2011.
The contracts provide more than $105 million in wages, increased pension contributions, and other gains and establishes a template for SAG coverage of new media formats.
Approximately 110,000 SAG members received ballots of which 35.26 percent returned them – a return that is above average compared with typical referenda on Screen Actors Guild contracts. Integrity Voting Systems of Everett, WA, provided election services and tonight certified the final vote tally upon completion of the tabulation.
The vote count in the Hollywood Division was 70.70 percent to 29.30 percent in favor. In the New York Division, the vote count was 85.74 percent to 14.26 percent in favor. And in the Regional Branch Division, the vote count was 89.06 percent to 10.94 percent in favor.
Screen Actors Guild President Alan Rosenberg said, “The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead,” Rosenberg added.
Screen Actors Guild Interim National Executive Director David White said, “This decisive vote gets our members back to work with immediate pay raises and puts SAG in a strong position for the future. Preparation for the next round of negotiations begins now. Our members can expect more positive changes in the coming months as we organize new work opportunities, repair and reinvigorate our relationships with our sister unions and industry partners, and continue to improve the Guild’s operations.”
Screen Actors Guild Chief Negotiator John McGuire said, “I want to thank the SAG members and staff who dedicated their time to the negotiations process. We emerged with a solid deal that the members have now voted up. The negotiating team worked tirelessly, building on the work of the first negotiating committee, to deliver these improvements to members.”
Screen Actors Guild began talks with the Alliance of Motion Picture and Television Producers on April 15, 2008. Guild Chief Negotiator John McGuire, Interim National Executive Director David White, and Deputy National Executive Director for Contracts Ray Rodriguez, working with a 10-person negotiating task force comprised of Screen Actors Guild board members and officers representing the three divisions, reached the tentative agreement on April 16, 2009 after 12 months of periodic negotiations with the motion picture studios and television networks.
For further information on the new contract, including the full text and a summary of the agreement, click here.
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The AMPTP issued this statement soon after:
The ratification vote by SAG members is good news for the entertainment industry. This concludes a two-year negotiating process that has resulted in agreements with all major Hollywood Guilds and Unions. We look forward to working with SAG members – and with everyone else in our industry — to emerge from today’s significant economic challenges with a strong and growing business.
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AFTRA stated that President Roberta Reardon applauds SAG’s contract ratification:
In a statement released on June 9, Roberta Reardon, National President of AFTRA, praised the announcement by Screen Actors Guild regarding ratification by SAG members of a new two-year successor agreement to the SAG Basic Agreement and SAG Television Agreement saying: “On behalf of the more than 70,000 members of AFTRA, I congratulate the members of Screen Actors Guild on their successful ratification of a new television and theatrical agreement. We’re pleased that SAG members will now enjoy improved wages and working conditions, and we applaud their efforts to negotiate a solid new agreement.”
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And, on the Membership First website, SAG members said:
“The vote on the SAG TV/Theatrical Contract has demonstrated that 78% of the Membership agrees to creating a residual free/non-union zone in New Media. They also are trusting that AFTRA, the DGA and the WGA will negotiate with SAG in two years. And let’s not forget that included in the deal are Management’s rollbacks like Clip Consent and Force Majeure. So be it. The following is President Rosenberg’s statement:
“The membership has spoken and has decided to work under the terms of this contract that many of us, who have been involved in these negotiations from the beginning, believe to be devastatingly unsatisfactory. Tomorrow morning I will be contacting the elected leadership of the other talent unions with the hope of beginning a series of pre-negotiation summit meetings in preparation for 2011. I call upon all SAG members to begin to ready themselves for the battle ahead.”
Since the “yes” campaign was all about the Contract Term expiring in 2011 “so SAG can unify with the other Unions to fight another day”, Membership First will spend a lot of time and recourses working to make that happen. We will take the SAG Leadership at their word.
Editor-in-Chief Nikki Finke - tip her here.







PB,
Good move, you weren’t that good an actor anyway.
Until union members realize that their so-called “unions” are nothing more than “for-profit businesses” owned and operated by their union executives, who look out for themselves and their producer friend’s best interest FIRST, nothing will every change.
Together, hand in hand, the union executives and producers insure that the industry keeps churning cash into their pockets – by any means necessary.
Once again, their “sheep” unquestioningly followed.
The studios are laughing up their sleeves at SAG tonight, just as they had a good bellylaugh last year, when Verrone, Young, and the other Neville Chamberlains who run my guild capitulated so egregiously. What a sad day.
Those who voted yes will sadly learn that they only screwed themselves on all counts. Not only no residuals or product placement protection or control over their image, but no increase in production as well, due to the fact everyone is having a hard time getting financing. The ONLY hope actors (as well as writers, etc) have is that the studios won’t be able to stockpile films and shows to the degree they did in the past in order to weather the next strike. In which case, EVERYONE better be prepared to walk, or the AMPTP will essentially have rendered all the unions totally meaningless. (You think you need a union to do animation in this town? Watch what will happen to film and TV shows once the unions are totally broken.)
The fact is, noone knows what will happen now / or would have happened if… either way. This vote, either way, was stepping into a void and saying: “Okay, now we’ll see how this plays out.” I went back and forth about which way to vote (I DID vote – SHAME on those who didn’t). In the end, I voted my conscience, which was to vote “No”.
I am very surprised that the vote coming out of LA, particularly, was so high to the “Yes”s. I thought that at least here it would be heavily weighted towards “No”s.
I truly believe that the possibility is very very VERY real that residuals will be taken away, that we will be screwed with regards to product placement and conflicts with commercials we’ve just done that could have paid our rent for a few more months, and that we may lose everything to the studios as they all switch to using new media. I feel it is VERY possible that we will lose in the end, as a result of this vote.
I am not normally a praying type, and I don’t mean to be melo-dramatic, but now I can only pray that we have not just sewn the seeds of our own demise.
Okay, instead of any gloating or griping (depending on which side of the fence you were on) can we PLEASE start finding common ground?
Everyone knows the contract wasn’t great. We didn’t get what we wanted because we were DIVIDED. We spent way more time fighting each other than negotiating with the AMPTP and that pretty much killed our clout.
I am BEGGING everyone to come TOGETHER NOW. Let’s put an end to “parties” in SAG and get back to a board that can agree to disagree but have actual DISCUSSIONS and come up with the best solution possible.
In TRUE Solidarity,
Peter Elliott
SAG Member
The union membership has spoken. And believe it or not, I really hope I am wrong that that overwhelming majority is going to regret this vote sooner rather then later. And sadly I don’t think the new media terms are going to be the ones that bite them first. And if the floodgates open and work appears everywhere, I’ll be the first to say I’m sorry I doubted that this was the holdup.
In the meanwhile, take a deep breath, relax for a day or day and then hold the majority to their promises. Good luck mending the rifts in your union. Good luck building fences and strong allegiances with other unions. I even hope my union can man up and be a strong partner for the future (but don’t ever entirely trust them, we don’t). The next round of negotiations are coming quickly and the AMPTP is going to want unions gone more then ever. We all need to get ready. (I may not have a vote in it, see comment above about my union. But I’ll have my ducks in order, my walking shoes ready. And I’ll have your back.)
Thank goodness. I know that this Blog is slanted toward the unions, and that most of the comments would almost always be the ‘vote no’ comments; but it was easy to get lost in those comments. Thank goodness cooler heads prevailed.
what a bunch of buffoons….
I’m proud to be a member of a union with people like Alan Rosenberg, Anne Marie Johnson, Kent McCord, Clancy Brown, and everyone who tirelessly fought for what they believed was best for our union and our membership. There are many names that should be added here including Ed Asner, Martin Sheen, Ed Harris, Scott Wilson, Tom Bower, David Clennon, Rob Schneider, and more and more names–Doug Allen.
If I wasn’t so ugly, I’d kiss you all square on the lips.
well, despite the outcome, there is no use crying over spilled milk. Membership has spoken and despite it not being the best outcome in some opinions, we cannot change it. I think we can try to heal our union, and we have elections to prepare for/look forward to, and hopefully filming is able to pick up and we can all look forward to and prepare for a more offensive negotiation session in 2011.
Nothing is going to come out of negativity. so lets all try to be proactive and productive instead of lamenting on the outcome, so hopefully SAG can build itself back up.
nice article, Nikki. no opinionizing or editorial.
As one who is not an actor, nor affiliated with the union in any way, i do not understand how 78% can pass this and still the nay-saying. does the above poster really believe that within the 78% yes, there is no talent to be found? I believe Clooney, Hanks, and others would disagree, but what do I know?
I hope the best for your union and that it finds a way to mend it’s fractures, internal and out.
thanks, again for keeping us informed, and good luck to SAG. Unions work best when they are unified.
An ACTOR temporarily waiting tables stops in his track. He jubiliantly jumps for joy having just heard the SAG contract is ratified.
ACTOR:
Whoo-hoo!!! Alright, let’s all get back to work now!
CUT TO:
SUPER: “Three Months Later”
Our Actor is busy talking on the phone with his agent.
ACTOR:
Hey, where’s all the work? What? Hollywood can’t compete with the TAX INCENTIVES offered by other states & countries? Huh? And the Banks & Wall street aren’t lending on as many film ventures in this economy?
ACTOR:
Voting yes was supposed to guarantee us more work!
ACTOR:
What’s that? I’m no longer on hold for that guest star spot? WHY? They’ve checked my conflicts and because I have a major beverage commercial running and my character will be product endorsing a competitor I lost the job? WTF?????
ACTOR:
What do you mean I can’t audition for that internet gig??? But it’s a big producer who I’d love to work with. HUH? What? It’s non-union? I thought SAG had jurisdiction on all new media? WTF!!
ACTOR:
So, not as many calls for TV. Oooh yes, that’s right, I forgot. I’m gonna have to join AFTRA if I wanna work in TV. Ok well, bye for now! (PAUSE) What’s that you say? You’re closing your agency? Why? Not enough money coming in on residuals now since AFTRA took over TV? Wow, I’m sorry to hear that.
ACTOR:
Guess this deal wasn’t just about us actors was it?
THE END
SMELLS FISHY to me
I am proud to be one of those members in the 22% bracket.
For the rest of you…wait and feel the pain of the next few years, the other crafts will also feel the pain and loss of the post 60′s agreement.
And those who say we can get back to work now…don’t hold your breath.
P.S. I do find comfort in knowing somebody paid A LOT of money to get these results…78%…ya right.
Congratulations to the AMPTP, Unite for Strength and the New National Majority on the new contract.
Now as I understand the intentions of U4S and the NNM, the next step they would like to accomplish is to build solidarity with the WGA, AFTRA, the DGA I assume, and other unions in anticipation of what may well be an epic contract fight in 2011. Nikki reported above that SAG President Alan Rosenberg has already taken the first steps towards building this solidarity by reaching out to other union leaders.
We also need to organize. As I am not in the thick of the guild’s financials, I don’t know exactly where we stand, but if we’re going to be unified and strong, investing in organizing is key. The sooner we place a fresh and vigorous emphasis on this vital work, the better SAG’s negotiating position will be in 2011.
I’m amused that people think they are now “going back to work.” You’re not. Networks are buying fewer shows, studios are making fewer movies. It has nothing to do with the SAG strike and everything to do with the changing landscape of media.
And we just voted to not have a stake in that changing landscape.
Of course, you can always work on one of Freemantle’s non-union shows.
It would be hilarious if it wasn’t so tragic.
Basically, SAG members just wanted to get back to the possibility of more work opportunities right now. I think the majority of Yes voters know it is a horrible contract and the majority of these YES voters are hoping get a better deal with a united SAG in 2011. A question I would like to ask all the YES voters is, “Did you vote YES because you just wanted to get back to work or did you vote YES because you think this is a fair contract.” I voted YES because I think it dragged on to long and I wanted to get back to work. I think it is a horrible contract. Many of the YES voters I have spoken with feel the same way. SAG and film crew suffered greatly. It took to long. Yes the contract is horrible. Hopefully, are pension and health plan will be devastated by the loss of all those employer contributions. Hopefully, all those SAG actors will see a major decrease in their income through loss of residuals. Hopefully SAG will see this and unite in 2011 and have a effective solution that they can, next time, execute
Can’t believe the number of “back to work” comments, from pathetically uniformed actors. The work never stopped, fools! Last years contract has been used all along, and all the pilots were done AFTRA. We never stopped working – the only exception being a few big budget films, with expensive name actors attached, have been on hold. But the actors (95%) who don’t work big budget films on a regular basis, will soon find out, as someone said above, their lack of work had nothing to do with the contract issues.
5,000 signed vote NO. 1,200 signed vote yes. Vote yes wins 78% to 22%. “Those who cast the ballots decide nothing. Those who count the ballots decide everything.” These results are bogus.
Hey Bills to Pay:
Good luck paying your bills with this contract.
Actors are so fucking stupid. You all screwed yourselves and literally gave EVERYTHING the AMPTP wanted. You call that a negotiation?
I’d say don’t quit your day jobs but you guys don’t work anyway.
This negotiation is over and guess who are the losers.
You losers.
Yo Ro Ro, I’m with you. It’s a bad deal. But I think the ‘Vote No’ people were really out of step with the majority of the electorate on this.
The infighting dragged this thing out at least six months beyond where it needed to go. It made all actors look like a bunch of morons. And a lot of actors are married or partnered with other below the line folks, and they saw how dragging this thing out was affecting everyone’s livelihood.
Not to mention anyone who picked up a newspaper (a dwindling group of people) or read a news aggregator saw that the economy, and especially Southern California’s economy, was headed down the toilet.
Even the GM unions made concessions under the Obama administration’s bankruptcy deal. It was not the year to go on strike folks. Timing is everything.
Merge with AFTRA already, boot the extras, and next time get on the same timetable as the other unions and let the DGA do the talking and the WGA handle the hardball.
Gee, there’s a stunner. SAG devoted untold (literally) resources to selling the “Yes” vote to its members via e-mail, on the web, in the regular mail, and all of it with a drumbeat of fear not matched since the Bush administration, though similar to the Republicans shrieking about terrorists being brought to the U.S. to take jobs as Cub Scout Den Leaders.
It will be interesting to see the response of most in that 78% over the next year they are “rewarded” by the same board members and executives who will proceed to rob them of the right to vote in future elections.
In SAG, as with local, state and the federal government, the problem is not bad leadership as much as it is ignorant and ill-informed voters.
We’re so fucked now. Start thinking of a great new day/night job folks, because this is the end of the road for most actors. The only chances you have to make are if you become producer/actors.
Oh, and all you SAG vested peeps? Unless you’re planning on retiring in the next 5 years, there won’t be any pension money for you to collect.
Thanks to all the assholes who fucked us over royally.
Way to rollover guys, you’re just empowering a terminally ill business model.
You needed another Reagan to stand tall and firm against the bullies….but then, so does the country. Instead, all we have are posers.