EXCLUSIVE: Hollywood should be relieved that this buyer is still alive and kicking even if most of the financial world considers it on life support. I’ve learned from several sources that, any day now, MGM will announce that it will get a thumbs-up “going concern” opinion from the auditors (more below; updates my previous, MGM Fights To Survive. ). Also I’ve learned that private equity fund Qualia Capital LLC’s Amir Malin and Ken Schapiro are out in the marketplace openly discussing the idea of a run at MGM when the time comes. Yes, a lot of folks have kicked the tires, but I agree with Business Week that they are serious players. After all, the industry vets built tiny Artisan Entertainment into something worth selling — including a 6,000-title library — to Lions Gate.
I first reported about the hurdle of this audit of MGM’s activities, especially its TV and movie production slate, back on May 14th when the studio announced it was taking steps to restructure. Faced with $3.7 billion in debt due in July 2012, MGM will pay $250 million in interest alone by April 2010. The big question was if that burden was too much for the studio to bear now that the studio was finally coming clean about its problems. (I’d been hearing for months that MGM debtholders and equity stakeholders had been fighting to the point where both sides were “on a war footing”.) Had the audit gone the other way, then thumbs-down could have triggered covenants forcing MGM to declare itself insolvent and/or repay its massive debt. In short, all hell could have broken loose.
Not to mention leaving production head Mary Parent in the lurch after she’s been holding the studio together with the equivalent of chicken wire by partnering with studios left and right because they are willing to front the costs of each film. She also has been making some of the slate with the money from United Artist’s deal with Merrill Lynch. MGM had been arguing that the best way to maintain the value of the studio’s assets was to stay in the production business. And thus allow the $250M revolver debt due in April 2010 to get replenished from MGM’s revenues like box office.
Also breathing a sigh of relief (if he doesn’t get bounced) is studio topper Harry Sloan who took over the moribund MGM/UA in 2005 after Sony and Comcast and Providence Equity Partners and TPG Capital paid roughly $5 billion in debt and equity to acquire then publicly traded MGM from its majority owner Kirk Kerkorian. Sloan has to live with the fact that he waited until the worldwide credit crisis had begun to try to put MGM on firmer financial footing. Now Goldman Sachs is helping raise more capital. And other investment bankers Moelis & Co have been hired to advise the studio on a potential restructuring and to explore options for optimizing its capital structure — i.e. talking to lenders about altering MGM’s long-term debt obligations). And the Bank Of Montreal has to value whether the 4,000+ title library is worth near what it was when the 2005 deal for the studio was done despite the fall-off of the DVD market. (The studio claims the library throws off half a billion a year.) I’ve said it before and I’ll say it again: Hollywood needs MGM to survive.
Editor-in-Chief Nikki Finke - tip her here.







“If MGM could become solely a distributor (like UA was when MGM made a deal with them in the mid 70s) it could become the go-to company for indie films, rights aggregators, and new media ventures.”
They already tried that; didn’t really seem to bring in the Benjamins, especially when most of the movies they distributed were from The Weinstein Company.
> “I have one word for MGM: Pan Am. Let it go…”
Nice dual 2001 reference.
The problems at MGM/UA have nothing to do with Mary, and everything to do with Harry Sloan and the other people there leftover from the 2002 buy out deal. Mary, if left to her own devices and able to fund projects properly, could bring MGM back from the dead. Unfortunately, the creative group (who have all been hired within the last year or so) are hampered by having to explain film making and all that involves to a bunch of corporate bean-counter types who don’t know what a Grip is, much less what goes in to the day-to-day complexities of the start to finish of making a movie.
The debt is a huge albatross around the neck of MGM. But make no mistake, even if the debt were a non-issue, Sloan et al would still be the non-stop row of speed bumps on the road to getting anything done.
I know Metro-Goldwyn-Mayer believes every motion picture should be remade theatrically. One example of
their remarkable contuinuation of this filmmaking legacy is Fame, which opens nationally in September.
Like the 1980 cult favorite, which was directed by Alan Parker, who later went on to direct The Commitments in 1990.
I convince all Deadline Hollywood Daily members to watch the first of two trailer promoting the new Fame revival – this time, it’s from 1980.
http://www.youtube.com/videos
Followed by a YouTube trailer promoting the new 21st-century reimagining of Fame, opening this fall.
http://www.youtube.com/watch/generation_fame
Click above to watch both theatrical trailers.
Please Bring MGM Back From The Dead And Please Ask MGM To Do More Movies And TV Shows