SEPTEMBER ELECTION: John Wells Rebuttal To Larry Gelbart's Open Letter
DHD will now start to become a forum for the coming WGA and SAG elections. All points of view will be welcomed. I especially urge the candidates, but also their supporters, to submit statements, open letters, position papers, videos kissing babies, etc. I'll try to be as even-handed as possible. Some have been submitted to me already, and I'll put them up in the coming days. Every candidate can have a say, and more than once within reason, but not every supporter will. (Only the more famous/activist names, and they must be verifiable.) Otherwise, there are the comments, as always, and I expect them to be lively. Please keep the personal attacks to a bare minimum so there can be a civil discourse.
The following was sent to DHD for posting today and I welcome all points of view on this election from union candidates and members. DHD will have much more election coverage in the coming days and weeks:
AN OPEN LETTER FROM LARRY GELBART
Dear Fellow Members,
George Santayana, my old writing partner on "Caesar's Hour," once wrote, “Those who forget the past are doomed to repeat it.” I’m writing you because I have seen my share of Guild history and there is some of it I definitely do not want to see as a rerun. This is a major election. I know, I know, they all are, but the next MBA negotiations are only a year and half away, and they’ll be run by the next President. Whom we choose couldn’t matter more, and the choice offered you this year, Elias Davis and John Wells, couldn’t be more stark. The question is: how would these two men behave if they got into office? Luckily, both of them have a considerable history of Guild service, history which offers us a rare kind of sneak preview as to what kind of President each of them would make.Elias Davis has been our Secretary-Treasurer for the last four years. He was a founder and prime mover of Writers United, which has transformed the Guild into what it is today, running it with openness, communication and democracy. Writers United built up our strength, worked in tandem with other unions, expanded our jurisdiction, toughened our stance at the negotiating table and got us our first real bargaining gains in decades. What would Elias do as President? History tells us that he would continue the Writers United policies and advance them, with the same dedication to the job that he showed as Secretary-Treasurer of the WGA.
John Wells has some history of his own. From 1997-2001, he served first as Guild Vice-President, and then as President. During that time, the Guild hired as its Executive Director and chief negotiator John McLean, prior to that the chief labor negotiator for CBS. Many of us look back on this era as the “The Two Johns,” a time when our once-proud Guild became timid and obsequious. Both the Johns were and are nice guys. One is very smart. Both were rogue operators. In 2000, after only a couple of outreach meetings to members, they told the town to be ready for a strike over an increased percentage on DVDs. If there was a strike coming, they never planned for it, never printed placards or organized phone trees. Needless to say, the companies sussed out that the strike threat was a bluff. And our DVD percentage? The two Johns traded it away for a one-time “script bonus” for including the text in the DVD’s “extras.” Better than nothing, but not by much. The two Johns were not big on organizing. As the network schedules ran rife with non-union game shows, comedy-variety shows and talent shows – for all of which the MBA guarantees us jurisdiction – the two Johns stood by complacently, getting only a few such shows covered.
In 2001, while John Wells was our sitting Guild President, as the new season of “THE WEST WING” started up, he reneged on paying the raises that were due his staff. He notified them if they wanted the fees their contracts guaranteed, their deals would not be renewed. Or they could return at last year’s rates. He did this well after all the other shows had staffed up, so those writers had nowhere else to go. Was this because “West Wing” was hurting? No, it was one of the most successful shows on the air.
In 2004, though John Wells was no longer President, he still had enormous influence within the Guild. He was on the Negotiating Committee. That negotiation is generally regarded as a disaster. Its biggest “win” was that the companies coughed up some extra funding for our health plan, but not enough to restore eligibility to the 400 members who had been dropped the year before. Could we have gotten that extra money? We’ll never know. In Committee, both Johns argued forcefully that we mustn’t even ask. If the WGA had its own flag, it surely would have been all white and then forced to fly at half-mast.
In 2005, with the election of Patric Verrone and the Writers United slate, a spirit of activism and engagement re-animated the Guild. When the 2007 MBA negotiations rolled around, John Wells was not on the Negotiating Committee. Unhappily, that did not prevent him from affecting our strike. Two months into it, the DGA decided to negotiate with the companies. The DGA made what was - for them - a surprisingly good deal. It wasn’t really their deal. Our strike had helped them grow a pair. The DGA deal was our deal. All it needed was a bit more tweaking to make it satisfactory for writers. But before the tweaking could begin, John Wells, on his own bat, decided to go public with an email that began "Dear Jim," in which he urged writers to take the DGA deal and go back to work. That note, with force of an IED, cut off the legs of our negotiators.
Everything in the that-was-then column has its consequences. What sort of President do you want to lead the Guild in the critical period that lies ahead? Someone who makes decisions solo, consulting no one? Someone who thinks a management Quisling should be Executive Director? Someone who watches complacently as Guild coverage slips away? Someone whose bargaining style is to not even ask? That’s the history you’ll be condemned to repeat if you vote for John Wells. But if you want strong, smart leadership that knows that the Guild’s greatest power, its only power, has always been its members, leadership that keeps you informed and listens closely to what you have to say, leadership that bargains firmly and fights, hard, for every last - and first - win it can get you, then history tells us you should vote for Elias Davis, Tom Schulman, David Weiss, Dan Wilcox, Patric Verrone and Howard Rodman.
They’re the ones who have harnessed your courage and dedication and made our Guild strong again. They will build on the forward momentum they have generated over the last four years.
A Wells administration would carry us back to the weakness of the ‘90s. A Davis administration will take us forward. Which way do you want to go?
Sincerely, Larry Gelbart
AN OPEN LETTER FROM LARRY GELBART
I will not be voting for Elias Davis.
Beuatifully put. We need strong leadership to maintain or build upon the gains made in the last strike and, more importantly, to resist the self-interested Jonathan Prince et al. in our midst who will always shill for the companies first
John Wells is the reason we HAD to strike last year (because he never went after the issues that the members said were important to them while he was president), AND he is the reason the strike failed (because he and other showrunners threatened to go back to work if the strike was not resolved quickly).
He is a pompous know-it-all who will be forever remembered as the turncoat who neutered our Guild.
What do you say we don’t give him another term?
Yes, Wells is very bad for the WGA. And on that same subject of what is bad for the guild, does anyone else think that a LOT of scabs in our last strike, some very well known to all of us, were given a get-out-of-jail-free card. Here’s hoping that any of us with the power to hire and fire will find a way to bring justice to unjust.
That’s not an open letter. That’s a statement from the election booklet that isn’t published yet. You should give Wells a rebuttal, just like he’ll have in the booklet.
Voting for Davis is the surest way to another strike.
Thank you, Larry.
“those who forget the past are doomed to repeat it” – is he talking about the WGA or the Kourtney Kardashian pregnancy?
God bless you, Larry Gelbart. John Wells is a lying piece of shit who consistently sold out his brother and sister writers. There are tons of stories of his lies and betrayals to further his own interests.
Fuck you John Wells.
Ugh. The predictable comments from strike happy non-working writers.
Steady gains without striking is the Wells legacy. Rushing headlong into a strike is the Davis and Writers United legacy. Which future do you want?
My thoughts exactly. Well said.
Elias Davis has my vote.
Wells is a feckless tool He and his ilk should be flushed down the crapper once and for all.
If you want another strike that accomplishes nothing that a guy like Wells couldn’t negotiate for… then yeah, vote for Davis.
The deal we just took was terrible. If Wells is elected, our next deal will be even worse. At this point, he is more producer than writer. Larry Gelbart is a smart guy, and I respect his historical perspective. I will be voting for Davis.
Cuts to the chase. Thanks for posting – there’s so much election email it’s hard to wade through. Would like to see rebuttal, though Writer’s United ticket has the highest marks.
Spoken like a limousine leftie living on his residuals, Larry. I’m less than half your age, I’m not trying to bring back a Hollywood that simply doesn’t exist anymore and I know that saber-rattling for another strike in 2011 makes me fucking ill. That, plain and simple, is why I’m voting for John Wells.
The burn down the town crowd will never understand that political theater feels good… and is often welcomed by the other side.
It sure was last time.
For my money, and for all of our money, which is at stake, principled, strong negotiation is what nets us a good deal without another strike.
That isn’t what we got last time. We got a panicked WU leadership backed into a corner when the bluffs got called.
I will absolutely vote for Elias Davis.
Welles would be a terrible choice for a union that has finally found its footing.
Let’s not go back to being pathetic.
I’d be surprised if Nikki doesn’t offer Wells the opportunity for a full rebuttal. Gelbart is making the choice sound very black and white, which I’m sure it isn’t, but I do know that from everything I’ve read about John Wells over the last several years, he certainly doesn’t seem to me like someone to be trusted to lead the WGA. He’s a big-time producer trying to manipulate writers into the position he needs them to be in, rather than a writer advocating for his fellow scribe.
Wells is a successful showrunner and businessman. He has been good to writers I know. But he should never again be part of Guild leadership. Gelbart’s letter summarizes very well a story every member should already know.
How’s this for a chant? No Wells, No Way!
Wow. That ‘open letter’ is a miracle of inaccuracies. It is profoundly disappointing that with as much guild service as Larry Gelbart has under his belt, he still fell victim to the Writers United propaganda. Mr. Gelbart characterizes Writers United as transforming the guild into what it is today. I agree with that. I cannot agree with Mr. Gelbart’s assertion that Writers United is “running it with openness, communication, and democracy.” Really? By bringing in an outside firm to run their slate campaign so that they could have complete control over the WGA? By creating internal blacklists against writers who didn’t agree with their agenda? By openly trampling on IATSE jurisdiction of editors. (Excuse me, ‘reality writers.) How about by spending the guild into the red on idiotic organizing campaigns that did nothing except hemorrhage hard-earned dues money? These guys have run roughshod over the WGA constitution on too many occasions to count and have run the WGA the way Bush and Cheney ran the country. And the strike is seen as a victory? Really? Has the disappearance of overall deals been factored into that equation? How about the fact that jobs are vanishing, staffs are shrinking. And let’s not forget that late-payments are now standard operating procedure. I’ll be impressed when the WGA gets more aggressive in collecting monies owed to writers. When they shut down one measly late-paying production company instead of blacklisting writers who don’t agree with their politics. With the history of blacklisting that this guild has endured — shame on Writers United for going after writers who never did anything wrong in the first place. How can you discipline someone for working in a field you have no coverage over. Hypocrites. Try going after money owed to writers instead. And spare us the whole “organize, organize, organize” mantra. Some of us are sick to death of it. Try this on for size: What the hell difference does it make what kind of an MBA you negotiate — when you aren’t even willing to enforce your own contract! You want to spend our dues? Spend it on enforcement. I still love and admire Larry Gelbart… but he’s wrong, wrong, wrong.
These are very interesting comments. I think that the anti- crowd should seriously consider casting their vote for Pedro. Wheatley is just no good. Thank you.
A lot of writers like to believe that the DGA “stole their deal”. That’s just not true. The DGA is one of the best-run unions out there. They did their homework and figured out what new media would really be worth and cut a deal. The WGA just has no clue about what new media is about and the state of television today. They screwed themselves out of the “lost season” of TV during the strike. I see a lot of them today, still unemployed.
If the WGA does not strike next time writers will continue to get diminishing returns for their work.
Die on your feet or survive on your knees writers.
Your choice.
I never knew anything about this history of Wells. Nikki please let Wells print a rebuttal because I was planning on voting him and now Im trying to understand if this is bs or if it’s real. We need all the facts.
John Wells is the WGA’s best hope. Not Don Quixotes like Larry Gelbart.
I’d find it easier to believe all the nay-sayers if any of them actually used their own name.
David Kahane? Really? Is that the best pseudonym you could come up?
It’s sad to see Mr. Gelbart shill politically like this. I wonder if he would have written this during his working heyday. I doubt it.
In 2005, in the LA Times, Gelbart was singing a very different tune about this same political slate. Something like, ‘We’re not Teamsters, we’re not textile workers.’ Verrone and his bunch imagine us as interchangeable workers and have spent millions on failed organizing efforts for non-members – many of whom do not even perform writing services – while contract enforcement for working members has slipped away. The strike was a fail. These guys’ inattention to fine points, the industry and contract language has rolled us back and put us at a serious legal disadvantage relative to similar language in other contracts, like the DGA.
Go ahead and vote for Mr. Davis if you want a tired, clueless, watered-down continuation of the same antagonism-first, failed policies of the present WGA administration mixed with a lazy inattention to the needs of a membership whose job is creating intellectual property, not being a marching warm body in a red shirt.
Unfortunatley, what Larry says is true. I had a good friend on West Wing at the time. I honestly don’t know why Wells is running for pres. Maybe it’s ego. There’s no question that the guild has been transformed for the better in the last 4 years.
John Wells’ WGA leadership record squeaks for itself. The other time they let a producer be President of a union it was Ronald Reagan, and SAG members are still feeling the fallout from “The Great Giveback.”
Thank you, Larry, for making the decision to vote for Wells so easy. If Davis is part of the leadership that gave us a strike that won exactly nothing while giving studios ample incentive to cut writers’ jobs and pay, then color me a Writer Not United.
Mr. Gelbart,
Thank you for saying what a lot of working writers like me don’t have the guts to. Let’s face it, Wells is a powerful guy in this business and there are a lot of guys like me who want to keep working who would be hesitant to say what we really think of him during this election. Unless we can do it anonymously (thanks Nikki!).
Fortunately, there are guys like Larry Gelbart who are too old and too damn rich to hesitate to tell the truth about this A-hole to the rest of the guild (especially those who may be too young to remember the Wells days).
I was stunned when he had the balls to run so soon after trying to undercut his own union during a strike.
And anyone who thinks Elias Davis is hoping for another strike doesn’t know what they’re talking about and has no idea what really went on in the upper echelons of our leadership during the last negotiation.
- aWGAWloyalist
I’ve read Larry’s open letter and the rebuttal. I’m voting against Wells. Who am I voting for again? Well, it doesn’t matter, I’m voting AGAINST Wells.
Addendum: On the subject of strikes, who’s responsible for the disciplining of “strike breakers”? One WGA lacky and a wanna be trying to seize an opportunity to break into writing. WTF?? I’m not saying they did right, but this is like blaming WW II on Hitler’s nanny.
WGA, grow some balls, and we’d respect your leadership more. Right now you’re a laughingstock.
No Wells, No way!
Mr. Gelbert is 100% correct about John Wells.
But Davis?
I find it hard to believe that at a time when so very much is on the line that this is the best the Guild has to offer. Truly depressing.
John Wells may have written the letter that took the wind out of Patric’s sail– but I will argue to the end of time that Patric and David went into the strike completely unprepared.
Their biggest success was securing the strike vote.
it went down hill from there.
Hardly impressed with Writer’s United.
The thought of heading into another strike with these guys leading the way, it’s not encouraging.
SAG’s a mess, so not looking for strength in numbers.
I resigned myself to expect less of my Guild since the 100 day strike.
I guess I’m not alone.
Does anyone REALLY think the strike worked out well for the writers?? Does anyone really think the WGA couldn’t have gotten EXACTLY what they got without striking and forever changing the working landscape for writers in a negative direction??
What a joke.
The current leadership has led the guild to the brink of extinction. Elias Davis will continue this path. All the resources are going to the fringe, worrying about product placement and trying to organize a reality show or two… while the ship is burning.
Quotes are the thing of the past. Employment numbers are down and going deeper. The WGA needs to be shored up and quickly. The only thing Verrone/Davis has accomplished is getting the writers to strike. It’s been downhill for writers ever since.
I truly cannot believe anyone in their right mind would vote for Elias Davis.
Wells is a Corporate Plant.
We know it, they know it.
End of Story.
There is absolutely no doubt in my mind that Elias Davis is the right choice. No doubt whatsover.
This is not a close call at all. The thought of another Wells regime is unthinkable…
Errr… George Santayana was a Philosopher who died in 1952 – He taught at Harvard and does hold the distinction of being perhaps the worlds only leading Naturalist/Materialist to have written a best selling novel [The Last Puritan] AND an autobiography [People and Places], in addition to a large volume of work in his field. [The Life of Reasonshould be required reading in college]. I had no idea he wrote TV! – The quote is actually a misquote of his famous remark: “Those who cannot remember the past are condemned to repeat it,” – its also known as Santayana’s Law of Repetitive Consequences… I only bring this up because I have read a large portion of his writings and am currently re-reading Persons and Places – I am pretty sure that he, like I, did not ‘do’ TV.
One can but imagine what he would have to say on the role of unions for writers in the 21st century – I am almost certain neither ‘camp’ would find it to their liking.
Think Hard.
“I’d find it easier to believe all the nay-sayers if any of them actually used their own name.
David Kahane? Really? Is that the best pseudonym you could come up?
Comment by Edward — August 13, 2009 @ 4:40 pm”
Has a lot more pizzazz than ‘Edward.’
John Wells was right. We should’ve taken the DGA deal. It wouldn’t have been the dream deal we wanted, but by that time, we already had given away our power. Verrone and crew were “playing strike” and, although they were very good at organizing picket lines, were outplayed by much more experienced negotiators. We had writers negotiating for us instead of a professional team. In the future, let’s spend money at the beginning, hire the pros and avoid a strike (if possible).
Oh, and by the way, I’m a working writer who was on the picket line every day during the strike. I do not know John Wells personally, but I’m voting for him.
As one of the actual working writers who lost real money during the strike instead of the monopoly money the enthusiastic unemployed strikers lost, I was wary about the strike in the first place. The failure to really take a good look at who would benefit from a work stoppage has wound up giving the companies a profound and substantial victory that we may likely never recover from.
What the hell does it matter what percentage of the pie you get if you actions wind up eliminating a third of the pie? The physical work-stoppage was the opportunity for the companies to finally at long last evaluate waste and inefficiency built into their systems that benefited US.
The big discovery of the strike was had when Iger, Chernin et al got together regularly to talk about the companies positions. They realized that it was easier for the companies to collude on a day to day basis than they thought possible before the strike. What if we just don’t bid against each other for specs? What if we all collectively agree to almost never pay a writer more than their quote for a deal, even if it means losing them? What if we halve our production of fictional TV shows and see if we can keep our audience with Jay Leno in our 10pm slot five days a week? If we stick together as a team – we all win! You think WE emerged united? Wrong, folks. The other side emerged as positively monolithic. And the results all of us are feeling every day.
While we picketed and screamed and fought for our nano-cent of new media (which is not being effectively collected) consider the following:
1. The networks are ordering a third fewer scripts. They finally realized they don’t need 100 scripts to put 8 shows on the air. They are putting fewer scripts to pilot. And fewer pilots to air. This would not have taken place with near the magnitude it had without the work stoppage. The wonderful revelation of just how lacking in discrimination the public is has cut by a third the money being paid to writers: staff, creators, everyone since the strike. What a victory.
2. The studios have discovered more brilliant and insidious forms of collusion that have butchered the feature market. Does anyone out there feel like there are the same amount of assignments available as before the strike? Does anyone feel the pitch process is easier or harder? Do you need to have five meetings where you come up with every single beat of the movie? Or is it two meetings with a few tweaks as it was before the strike? Does anyone feel that they are getting their quotes – or god forbid bumps – as reliably as before the strike? Do you feel the studios were acting more competitively against each other before or after the strike? Is a spec bidding auction more or less likely now or before? Let’s not kid ourselves: we know the answers to these questions.
As they say in Glengarry: “we killed the goose”.
3. The decision to push to the brink was the right one. The deal would have been a hair’s breath worse than it wound up being. But the carnage that we have suffered as a result of the three month work stoppage prove the companies won, in a huge way. We had leverage before, and we have none now.
I’ll take Wells over the missing the forest-for-the-trees crowd any day of the week. Thanks Verrone and company for failing in the single most compelling Guild function: fighting to create and maintain good paying jobs.
I kept hearing throughout the strike that John Wells was crossing the picket line at Warner Brothers to continue providing services as a producer to the studio. Is this true?
@Conrad –
I agree – a lot of things have changed in the feature world. HOWEVER, those things would have changed anyway — due to a little something called a massive recession. There is less money available — period. There are fewer jobs — period. We in the WGA are lucky that we got our deal before the bottom fell out.
My personal opinion is that the only reason Wells has a chance right now is because of the economy. The number of people who will sacrifice future gains for immediate cash flow has grown significantly.
But I still think Elias takes it.
On a side note, Larry Gelbart is the mf-ing MAN. Now that John Hughes is gone, he’s one of the last people left who inspired me to get into this business.