UPDATE 4:30PM: Paramount Chief Brad Grey has now released a statement: “Our 2009 slate was greenlit in a very different economic climate and as a result we must remain flexible and willing to recalibrate and adapt to a changing environment. This is a situation facing every single studio as we all work through the financial pressures associated with the broader downturn. Like every business, we must make difficult choices to maximize our overall success and to best manage Paramount’s business in a way that serves Viacom and its shareholders, while providing the film with every possible chance to succeed both creatively and financially.
“Leonardo DiCaprio is among the most talented actors working today and Martin Scorsese is not just one of the world’s most significant filmmakers, but also a personal friend. Following a highly successful 2009, we have every confidence that Shutter Island is a great anchor to lead off our 2010 slate and the shift in date is the best decision for the film, the studio and ultimately Viacom.”
EXCLUSIVE 10:40AM: This Shutter Island decision is now the second major studio pic to jump from Fall 2009 to February 2010 (after Universal’s The Wolfman recently moved off November). But Paramount’s adaptation of the Dennis Lehane novel directed by Marty Scorsese and starring Leonardo DiCaprio looked entrenched for October 2nd and this coming awards season. For godsakes, the pic is already on people’s Oscar list. Such a surprise delay is just going to compound all the buzz surrounding the picture and its great trailer released in June. An insider tells me. “It tested in the high 80s/low 90s and Scorsese even brought it down to 2 hours.” So what’s the problem? I hear that Paramount told the filmmakers it doesn’t have the financing in 2009 to spend the $50M to $60M necessary to market a big awards pic like this. (But a studio source insists to me it’s got the cash, just not the home video sales:
“Given where the DVD business is in 2009, our only hope is the economy and the retail business rebounds in 2010 because the hardest hit segment has been movies that play to an older adult audience,” a studio source tells me.) *UPDATE: I’m also told that, among the many reasons for the move, Leo wasn’t going to be available to promote the pic internationally.* So the studio settled on the release date of February 19th because “that’s when Silence Of The Lambs came out” back in 1991 and it won the Oscar. “Now that the Academy has expanded Best Picture to 10 films,” my insider notes, “it will be easier for a movie that came out in the beginning of the year to get nominated.”
Editor-in-Chief Nikki Finke - tip her here.


Well,they finally miss Jon Dolgen. As stress inducing as he was around the lot, crap like this didn’t happen with him in charge.
This isn’t a good sign. It would have been worse if Saw VI out-grossed DiCaprio. At least they can brag that they did better than The Wolfman in February.
Bring on The Expendables.
To paraphrase the late Lloyd Bentsen, I know The Silence of the Lambs. The Silence of the Lambs is a friend of mine. Shutter Island, you’re no The Silence of the Lambs.
Noooooooooooooooooo…jeez…thats some BS
…Tell that to “Marty”! And this would have nothing to do with the Avitar trailer finally being released yesterday? I’m just saying Niki, I’m just saying….I personally wouldn’t trust Paramount exec’s…
It’s time to end the nightmare that is Brad Grey.
Unbelievable. Well, at least there’ll be two movies to look forward to in February 2010.
NOOOOOOO!!!!!!
Overture films, pay attention. Release PANDORUM October 2nd! You will have it all to yourself, and you have a great marketing campaign. Don’t blow it trying to go head to head with SURROGATES.
I always thought the trailer looked terrible & Scorsese’s directed nothing but misfires of late, embarrassing himself, his audience & the Oscars into the bargain.
Clearly, whatever Paramount execs say, this is not an Oscar calibre pic. Now it looks as though Shutter Island is going to die a quiet death in February. Well so it goes.
Better luck next time, Marty.
Not that I consider this one of Lehane’s best books, but the twist in the story is what kept me glued to it. While making the movie, Scorsese did a fantastic job. He’s particular, staunch, and can even have fun.
After seeing the trailers, I understand his genius on this film. He made Lehane look like a master.
Well, I guess this frees up an Oscar nom space for Paramount’s GI JOE.
Universal should really consider moving Wolfman up another week now.
It’s a shame that anyone who read the book already knows how it ends. But it will be interesting to see Marty’s take, regardless.
OH I AM FUCKING PISSED. FUCK PARAMOUNT! I LOVE MARTIN SCORSESE, HE IS ONE OF THE GREAT GODS OF FILMMAKING — HE DEFINES THE WORD “AUTEUR”. HOW DARE THEY MAKE ME WAIT UNTIL THE NEW YEAR TO SEE THIS PICTURE!!!!!!!!!!
NOOOO! This is the same shit they pulled with Zodiac and it killed it! Learn already you stupids.
Is it adapted from J.K. Rowling?
The trailer for SHUTTER ISLAND looked like a generic psychological thriller set at an insane asylum that we’ve seen countless times before. Nothing new here at all.
Only difference is that it had famous actors in it.
But beyond that, haven’t we seen this movie several times before?
Why Scorcese and DiCaprio chose to make this film, of all the options out there, is beyond me.
That trailer looks absolutely atrocious. It’s one of those things where they show you the whole freaking movie. And who was Leo’s dialect coach??? Looks like another Gangbangs of NY to me. Moustache twirling and all. I can wait unti February 2012.
I don’t believe “Leo is not available to promote the film internationally” explanation. He has done interviews with international journalists last month in London where he was shooting “Inception.” He was very proud and excited about the film.
Isn’t “From Paris With Love,” another adult drama, scheduled on 2/19?
@Flint: Dolgen must be laughing his ass off right now. What a huge, huge embarrassment for Rob Moore and Brad Grey.
rebounding DVD sales? hah
The trailer seemed to give the whole movie away, to be honest. Although I haven’t really been attracted to one of Marty’s movies since Casino…
Holy cow, I just found out what the ending of the book was. That’s the kind of twist that just punishes the audience for sitting through the story, whether it’s 400 pages or 120 minutes.
Harry: “I always thought the trailer looked terrible & Scorsese’s directed nothing but misfires of late, embarrassing himself, his audience & the Oscars into the bargain.”
You’re so right. And what do all of his films in the 2000s have in common? Leonardo DiCaprio. Every single friggin’ movie he directs now must include Babyface DiCaprio, and he’s been miscast in every single one. I’m surprised Scorsese didn’t lobby to have DiCaprio sing lead for the Rolling Stones in Shine a Light.
DiCaprio is such a lightweight onscreen – even when he’s fifty, the guy’s going to look twelve. And Scorsese’s insisting DiCaprio plays Frank Sinatra? DiCaprio looks nothing like young Frank Sinatra, and his high voice sounds nothing like him. Scorsese won’t have a shot at making a great film again until he gets over his Leonardo DiCaprio obsession.
why dont you read the book before you bash the movie and the cast. dont throw stones in the dark.
Totally agree – the others don’t seem to know what they’re talking about
I agree, concerning the bizarre DiCaprio fixation. Well, I bought into The Departed, perhaps because he was playing opposite Marky Mark. I anticipate Marty next casting him as the lead in a remake of The Conqueror. And casting Megan Fox opposite him as Bortai. That should finalize his legacy.