
UPDATES Disney Buying Marvel For $4B!
EXCLUSIVE: The first thing you should know is that Bob Iger has comic books in his blood. And the second thing you should know is that his ties to Marvel go back two generations. His late great-uncle (his grandfather’s brother) was illustrator/cartoonist Jerry Iger, who partnered with illustrator/cartoonist Will Eisner back in the 1930s to create — you guessed it — the comic book packager Eisner & Iger Studios. I couldn’t make up this stuff if I tried… (Blackthorne Publishing has released three compilations of Jerry Iger-related comics: The Iger Comics Kingdom, Jerry Iger’s Classic Jumbo Comics, Jerry Iger’s Classic National Comics, and Jerry Iger’s Golden Features. Will Eisner is no relation to Michael Eisner.)
And their first hire was Jack Kirby, who as you know later became the co-creator of many of Marvel’s best known characters with Stan Lee. So Bob Iger had an unusually rich appreciation for the comic book biz dating back to his childhood when his great-uncle would draw for him. Fast forward to Monday’s Disney-Marvel deal, which I’ve learned was 10 years in conception, and three months in negotiation between Iger and Ike Perlmutter for the 7,000 Marvel characters — that’s right, 7,000, not the 5,000 number every media outlet keeps reporting including me.
I’m told that, back in the 1990s, when Michael Eisner ran Disney and Bob Iger was his No. 2 (a teaming I liked to call FrankenEisner and Igor back then), the moguls had on-again, off-again coversations about acquiring Marvel. But there was never any attempt at a negotiation because “the brand didn’t seem Disney,” as a source tells me. Once Iger took over Disney as CEO, and recently embarked on its stock buyback, the Big Media company found itself sitting on excess cash even after investing in Pixar and everything else. That’s when the troika of Iger, Tom Staggs, Sr EVP/CFO, and Kevin Mayer, EVP of Corporate Strategy, Business Development and Technology Group, stepped up their look for growth opportunities. And Marvel came up again, this time much more seriously. Iger even discussed this directly with his division heads. It’s a testament to Disney’s limitless penchant for secrecy that even though about a dozen people knew Disney had decided to go after Marvel, there was no leak.
In June, Iger flew to New York to meet with CEO Ike Perlmutter in his Marvel office. In a show of transparency, Iger had already let the wily but no-nonsense Israeli (who’d beaten back two billionaires, Ron Perelman and Carl Icahn, for control of Marvel) know that Disney was interested in buying Marvel and wanted to start negotiating. (“It would have been manipulative if I’d approached it any other way,” Iger told a pal. “You know how that goes. Someone invites you for dinner. And, after a glass of wine, he tells you he wants to buy you. And the wine never tastes quite as good after that.”)
But Perlmutter expressed little interest in a deal, even though he liked Disney and all that the name, company, branding, implied. ”I’ve heard good things about Disney. But I don’t need to sell. I don’t want to sell,” Perlmutter told Iger, according to my insiders. But, eventually, Iger got to the heart of Perlmutter’s objection: Ike didn’t want to retire. He wanted to continue to work because Marvel was what he loved.
As due diligence went on, Disney saw nothing in Marvel’s books that indicated Marvel was under financial pressure or Perlmutter had any need to sell. So the price had to be right. From June to Sunday night, both sides eventually became “more comfortable” with the $4 billion valuation, according to my insiders. A little math shows that Perlmutter, who owns 37% of his public company, stands to reap $1.5 billion in cash and stock. Sources tell me that this sell-out has been Perlmutter’s strategy all along. ”This was always an acquisition play for Ike,” one insider explains to me. “This deal with Disney just ups his game and creates shareholder value and lets him walk away a billionaire.”
Content-wise, the two moguls agreed that Marvel would continue to operate independently of the notoriously micro-managing Disney in the same way that Miramax did under the Weinstein Brothers. Though that probably won’t make even hardcore fanboys feel better about the deal they’re pissing on all over the Internet yesterday and today. (Given what Iger likes to refer to as the “combustion of digital word of mouth” that operates these days, Iger and Perlmutter have their work cut out for them trying to get skeptical fanboys to believe that Disney has no intention of altering the creative approach which Marvel takes to its comic books and movies. Of course, it helps the corporate confluence between the two companies that Marvel’s movie fare has been and will be “PG-13″.)
Every subsequent meeting between Iger and Perlmutter took place in NY. Finally, it was late Sunday night, very late, that the deal was done. There was no celebration. Both moguls went back to their respective homes to get ready for Monday’s early morning announcement.
One more thing you should know: I’ve learned that, for the past 2 months, Iger has been reading the new Marvel Encyclopedia to soak up the backstories of all the Marvel characters and comics.
- Universal vs Disney Over Marvel Characters
- Why Disney Must Wait For Marvel Synergy
- VIDEO: Stan Lee On Disney-Marvel Deal
- Shocker! Disney Buying Marvel For $4B!
Editor-in-Chief Nikki Finke - tip her here.







@nemo
in regards to Marvel needing Favreau for Avengers, I don’t think so, as a producer and creative consultant sure, but he doesn’t NEED to direct Avengers. We still need to see what Thor and Captain America does, to see the full scope of vision needed to mesh all these properties together. I think it would be best to get a new director, what’s Neill Blomkamp up to these days. Plus if paramount wants Iron Man 3, it would be best to let Favreau move away from it, to get a breather. But really, this whole deal hinges on if Iron Man 2 steps up, then Thor and then Captain America. I think as long as 2 of the 3 make bank, Marvel can pick and choose who they want to bring the Epicness taht Avengers needs to teh big screen.
I read trade news because I NEED to. When you write it, it’s because I WANT to. You add that extra dimension that makes info entertainment.
Intresting read but I´m still very nervous about this deal. The comparsions with Pixar or the Tarantino movies don´t work in my opinion. Pixar always made nice,(and slightly preachy) movies aimed at a very young audience – perfect Disney stuff. And the Tarantino and some of the other Miramax and Touchstone flicks are violent and cynic but not extremly expensive and never reach such a broad audience as tentpole movies do.
And here lies the true problem. Is anyone remembering the stories how shocked the Disney execs reacted about the first Pirates of the Caribbean movie? And how hard Bruckenheimer had to fight to keep the movie intact? The describtion is, he had to “protect” the writers from Disney. And this was Bruckenheimer- Disney´s hen which laid golden eggs.(And someone may wonder if the so much lower quality of the sequels had something to do with Disney forcing their ideas on Bruckenheimer.)
How do people think will Disney deal with the directors and producers which make supposed tentpole flicks with budgets of 150 miillion dollar or more who were not part of their company for years. Does really anyone think that Disney would allow anymore risky decicions as giving a older actor like RDJ or Edward Norton the lead in a superhero tentpole flick?
Or does anyone think that the humour (or Tony Stark´s playboy livestyle or the political stuff) in Iron Man or the way General Ross had been shown in the Incredible Hulk, fits with what Disney wants from their high budget tentpole flicks?
Iger talked about how Disney is strong with the stuff for girls and wants Marvel to be something similar for the boys marked segment.And that he says boys and not males or just broader audience,gives I think a good idea what the future will bring for the Marvel movies: adapting the Hannah Montana/High School Musical formula (absolut-lowest-common-denominator-plots and very young inexperineced actors to make the movies tailorfit for pre-teens)to the action movie genre.
Iger may say he will not meddle with Marvel but it´s hard to believe that someone is paying $4 Billion and don´t want have control over his acquistion.
@beatroot – to be fair, Disney only bought the IP of Crossgen’s titles. The company had been pretty much dormant after Mark Alessi ran it into the ground near the end. You could talk to any of the various former Crossgen employees about how badly that company was handled if you want some real eye-opening discussions.
However, getting back to the topic at hand – I was worried at first about this deal, but Bob Iger’s made some smart moves in the last few years since taking over as CEO at Disney. From the Pixar merger to putting John Lassiter in charge of Disney’s animation division, dismantling the strategic unit and putting control back into the business units where it belongs, Iger’s made more positive than negative moves in my opinion. This deal with Marvel just seems to underscore the point that content is king in Iger’s eyes, and he wants to grow Disney’s content portfolio. You could do worse than Marvel, which has over 70 years of character history that Disney can draw from for their various media platforms.
And thanks, Nikki, for the little history lesson. I wasn’t aware of the connection before.
Quote from Irene
‘Iger may say he will not meddle with Marvel but it´s hard to believe that someone is paying $4 Billion and don´t want have control over his acquisition.’
Agreed, if I had spent 4 Billion bucks buying a known franchise, no chance in hell I’m gonna leave it as it is.
Marvel allows certain usage rights to Universal Studios Islands of Adventure for their Marvel Island…. what happens now?
Saying good by to Marvel… Ironman will be saving the snow white from know!!!
Great article. A quick comment to BeatRoot. Crossgen had already declared or was in the process of declaring bankruptcy when Disney started negotiations to buy it. The company went under because the owner Mark Alessi was overly ambitious and tried to grow too fast, while the company had failed to produce any major hits or popular characters, which may be why Disney has not done anything with the characters.
Great article, and super great point on Miramax/Disney.
I keep trying to calm the fanboys down by pointing out that forcing Marvel to “clean up” would actually be BAD for Disney. The haterade levels are getting pretty astounding.
Maybe there’s more to this Iger sanction of Marvel than meets the cynical eye or turns an almighty buck. Maybe McCracken’s vision of a Chief Culture Officer has taken root in Burbank and what happens next demands excruciating scrutiny.
Two words: “Secret Wars”
With Disney and Pixar, this can now be made into a features film series or cable miniseries economically where you could get the acting talent, but not have to tie them up for months of location shooting.
The mind reels at the possibilities.
What seems to go unmentioned so far is Jon Favreau’s tremendous contribution to the valuation of Marvel. How much does anyone suppose Marvel was worth the day after Ang Lee’s Hulk opened? Favreau demonstrated that with the right mix of respect for the source material, inspired casting, and good old fashioned Hollywood adaptive storytelling, even Marvel’s second and third string can be made into contemporary blockbusters that are franchise-ready. Whether he’s the guy they keep going back to or not, he’s definitely the guy that drew the map. I hope he had Marvel stock options in his deal.
Perlmutter had zero interest in Marvel as a media property until Arad show him the light. Ike bought the company for the toy license and lucked into the movie biz because of Arad. Anyone who has actually studied Ike’s business knows he always looking to sell and this time, his back was against the wall. Someone was going to buy Marvel before Iron Man 2′s opening because they don’t have the funds for Thor or any other self-financed projects. Disney bit and now they’re going to have to go to war with Fox, Sony and Universal to get the rest of the characters back under control. That’s the real story.
great new site, love the navigation….
i thought that someone made a funny picture of marvle and disney but it is ****ing real.