On the U.S. networks, primetime reality TV is in trouble. New shows like There Goes The Neighborhood and More To Love tanked for the most part this past summer (even though stale standbys like Big Brother and America's Got Talent grabbed viewers yet again). Nevertheless, huge UK-based Reality TV programmer Endemol will formally launch a new worldwide structure at Mipcom in Cannes next month under the new title Endemol Worldwide Distribution (EWD). It's "part of a major push to radically grow the business", according to BroadcastNow.co.uk. The new division integrates Endemol International and Southern Star International, Australia’s largest TV production and distribution company which Endemol acquired 100% last January. The two global distributors have 20,000 hours of content and more than 2,000 formats, such as Big Brother, Deal Or No Deal, and Wipeout. "It also underscores a concerted move into representing third party content, which most recently saw an international distribution and production deal with Jerry Seinfeld for his new comedy-reality format The Marriage Ref and a global distribution deal with Los Angeles-based reality producer LMNO Productions." EWD will be managed by chief executive Cathy Payne, the former boss of Southern Star International, and Matt Creasey, executive sales director for Americas, Asia, Australia/New Zealand, and Veronique Verges, executive sales director Europe. As well as operating out of Endemol’s existing offices in London, Sydney and Hong Kong, EWD is opening new regional offices in Paris and Madrid followed by Rome, Los Angeles, and Miami. EWD will appoint an acquisitions executive based in Los Angeles in the coming months to "focus on increasing third party producer representation from North America". Tom Toumazis, Endemol Group’s chief commercial officer, told the website: “The launch of Endemol Worldwide Distribution is a transformational development for our global business. It creates an operation that is plugged directly into the resources one of the world’s largest production networks and which is capable of delivering a service that few in the industry can match. We are looking forward to making a lot of noise in Cannes.”
Endemol Unveils New Global Distribution
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Comments On Deadline Hollywood are monitored. So don't go off topic, don't impersonate anyone, don't get your facts wrong, and don't bore me.
If Endemol — and I’ve seen their product, which is equal to anything the U.S. TV industry churns out — decides to put the shows themselves on American screens instead of just licensing their formats for American producers to remake, then three interesting things could happen. First, they will make United States viewers acknowledge that there’s a world out there; second, they could drive U.S. producers out of business; and, third (combining 1 and 2), they may actually goad domestic producers, distributors, networks to go with original ideas instead of European retreads. On the other hand, if they just want to become a syndication house, all bets are off.
i have been watching deal or no deal-forever-where has it gone! I am in Montreal.
They are moving to global distribution to keep the cash flow coming because their original markets are softening as reality programming has already hit its peak.
But let’s be honest… did anybody want to see MORE TO LOVE?
Remember Dove’s “Real Beauty” campaign? They axed the campaign after it caused sales to drop. Sexy sells.