He died of cancer at his home today. He was 81. He was the screenwriter’s screenwriter — an intelligent role model with ascerbic wit who was also kind but candid. That’s a rare combination in Hollywood these days. He was very active in Writers Guild issues, and in fact just recently gave me a support statement for WGAw presidential candidate Elias Davis and his slate of candidates. Gelbart had success on stage, film, and TV. He is best known for works as varied as the big screen hit Tootsie as well as turning Robert Altman’s M.A.S.H. into the long running TV series as producer and writer. He also penned the teleplay for HBO’s very adept adaptation of the financial book Barbarians At The Gate. He also co-wrote the book for the 1962 Broadway musical “A Funny Thing Happened on the Way to the Forum” which was recently revived on The Great White Way. His writing won a slew of Tony and Emmy awards and Oscar nominations (For Tootsie and Oh, God!). “Laughing Matters,” a collection of Mr. Gelbart’s essays and reminiscences, was published by Random House in 1998. Every now and then, Larry would phone me to complain about this mogul or that. (Harvey Weinstein came in for frequent withering criticism by Gelbart because of problems with their projects.) He never feared what Hollywood’s Powers That Be would do to him when he went public with a dispute. Success and self-confidence gave him courage. I adored him for that.
Editor-in-Chief Nikki Finke - tip her here.







When the New Members Committee at the Writers Guild started a Mentor Program in the late 80s-early 90s, our biggest problem was finding qualified members who’d make themselves available. Larry was the most generous of all, taking more mentees than any other member of the Guild. And never stingy with his time; phone calls, coffee, lunch. All of those mentees had great access and nothing but love and respect for the man.
My deepest condolences go out to his family and friends on this sad day. Amazing writer and producer who will be missed tremendously.
He was a genius in his vision of spoken word on paper and definitely was the writers writer with all of his exceptional scripts.
Mr. Gelbart knew each character he wrote for in a flawless manner.
His quintessential resume speaks volumnes on his natural born talents and fine gifts.
Thank you so much for sharing your talents and gifts with us, the viewers. I will miss you.
I was fortunatly enough to meet him one afternoon in 1984 and spent four hours. Being a man working in Norwegian TV I felt like he gave me a master Class i the writing of Situation – comedy. As i left he gave me signed book with some wize words about the writing of MASH: ): If i’d known the series was going to be so successful, I’d have tried to make it a whole lot better – and probably would have ruined it in the process. Best wishes Larry Gelbart 5/2/84
RIP
Many years after the M.A.S.H. finale, Gelbart was being interviewed by Bill Maher at the Aspen Comedy Festival. Maher asked Gelbart whether he was a guy who constantly re-wrote his material. Larry replied: “Are you kidding? I’m still rewriting episodes of M.A.S.H.
R.I.P.
Developed a tv version of NETWORK with Larry while at MGM. He wrote an amazing script. He so loved Paddy that he wanted to do right by him by bringing his acerbic cutting edge message about television to a whole new audience. CBS loved it but got cold feet when time came to go to pilot. Larry was a wonderful guy and working with him was an experience of a lifetime for me.
M.A.S.H. is one of the greatest television series ever. Rest well, Larry Gelbart. Your legacy lives on.