UPDATES EXCLUSIVE! Dick Cook Fired From Disney
Disney CEO Bob Iger likes to keep corporate secrets. (Witness the Marvel-Disney deal. And the Dick Cook bloodletting.) So Hollywood is now desperately trying to sleuth out who’ll be in charge of Disney’s moviemaking. Pixar’s John Lasseter, DreamWorks’ Stacey Snider, Marvel’s Kevin Feige are all names in play. However, I can report that Iger is telling Hollywood that he’s already chosen Cook’s replacement yet won’t announce it for a few weeks.
Still, last night, several of my sources heard that Disney Channels Worldwide president Rich Ross is being fitted with the glass slipper. They tell me Ross is likely to succeed Cook in some form, like a modified job without Cook’s lofty title of Walt Disney Studios chief.
First, I have no unofficial or official confirmation of this. But Bob Iger and Tom Skaggs love this guy who manages the global kids’ TV business — a total of 94 kid-driven, family-inclusive entertainment channels and feeds available in 163 countries and 32 languages. Also, Disney’s culture is so infamously cult-like and cut-throat that the Mouse House mostly promotes from within because its insiders distrust outsiders. And each other.
Those insiders who dislike Ross say he’s an “incredible political maneuverer and quite a back-stabber” who’s “into retribution”. (“There are likely several people at the Studio who have crossed [Ross] over the years — primarily in the marketing, music, and synergy groups — and Rich will have the last laugh,” one source emailed me.) But even his detractors find it hard to deny that Ross is a talented executive who’s made major moolah for the company and needs to be promoted before somebody finally steals him — and many have tried.
His defenders insist he’s that rare combination of an adept administrator who can brand and synergize and coordinate different parts of the Disney machine. Yet who also placed #5 on Fast Company‘s 2009 list of the “100 Most Creative People In Business” for his Hannah Montana, The Cheetah Girls, or High School Musical franchises. And his orchestration of the rise and global spread of “that wildly popular, hyper, squealy, and lucrative brand of entertainment” through Disney Channels Worldwide. And his expansion beyond the box into film, radio, mobile, and online. And his targeting tween boys with the help of Disney’s ESPN for Disney XD. Who better to help mesh Marvel and Mouse? (Though Disney XD market researchers were going through young boys’ bedroom bureaus to find out what makes them tick. Ultra-creepy.)
Before film vets scoff, “But he’s a TV guy,” they should remember that Ross is also a TV movie guy. He built the hugely successful Disney Channel Original Movie franchise, which includes High School Musical 2, the highest rated telecast in the history of cable television. He also had more than a dozen of basic cable’s #1 movies among tweens 9-14 and #1 live action movies among kids 6-11 for the past 8 years.
Ross also knows how to infuse his Disney product with that “unapologetic emphasis on traditional life lessons” b.s. that made the studio famous. “They’re the same lessons that propelled the old Disney movies in theaters, the ones that entertained Mr. Ross as a child,” The New York Times has pointed out in the past. “He has encased those old-fashioned ideas in contemporary packaging, however.” And that’s Iger’s primary challenge in Disney-branded TV programs and movie productions. Ross also works on a global scale and on a multiplatform strategy including subscription video-on-demand and Internet — all integral parts of today’s movie biz.
Ross’ own bio on the Disney corporate website virtuallu shouts his successes: not only does DisneyChannel.com rank as the #1 kids entertainment website among kids 6-14, but under Ross’ watch, Disney Channel U.S. has been among the top 2 highest-rated networks in total viewers across all basic cable for 3 years and the #1 primetime TV destination for kids 6-11 and tweens 9-14 for 6 and 8 years, respectively. That’s because his Disney Channel has global hit series like Hannah Montana, Wizards of Waverly Place, The Suite Life of Zack & Cody, The Suite Life on Deck, That’s So Raven, Phineas and Ferb, The Proud Family, Lizzie McGuire, and Even Stevens. Some of these have also spun off successful soundtracks, DVDs, books, tours, clothes, games around the world.
As The New York Times said about Ross in a profile, he “probably has more influence than anyone else on the television that young children and adolescents are watching these days — not just in this country, but also in many of the 100 other nations that now carry Disney Channel programming. His shows aren’t just big children’s shows. They’re among the biggest shows, period… He did not conceive or create any of these shows, or High School Musical for that matter. But he has been an integral part of their success, thanks to his shrewd ability to coordinate different parts of the Disney machine, from radio stations to Disney-branded magazines to Web sites, and his uncanny connection to young people’s sensibilities.” That could be invaluable to Disney’s movie-making.
On the other hand, others insist former Universal Pictures topper Stacey Snider is still a possibility to replace Cook even though I was told emphatically Friday that she can’t because she’s now a long-term partner with Spielberg and Reliance in DreamWorks, But “Steven has given it his blessing,” one source claimed to me last night. (DreamWorks denies this.) That John Lasseter would be a candidate is obvious. And then there’s Kevin Feige, about whom (as I wrote last Friday) there’s been a lot of talk that the Marvel Studios president impressed the hell out of Iger during the months of dealmaking to buy the company. But if Iger’s choice is Rich Ross, then that would be a surprise to Hollywood. Or would it?
Editor-in-Chief Nikki Finke - tip her here.





Rich is very good at a number of things, non of them have to do with making movies. I have known Rich since he was a kid starting out and he is an “artful” player, reporting up well. He held onto Jerry Laybourne’s coat tails through Nickelodeon and Disney, then Anne Sweeney’s, and has taken credit for many many things he did not implement nor conceive. You have to give him props for the way Disney Channel has performed, but that success is mainly due to people like Gary Marsh who put together and bring in projects like “High School Musical”. BTW, how many people can take credit for that???
Just because Rich is the President, doesn’t mean he made it happen, it means he made a good guess, remember even a broken clock can be right twice a day. So going back to Rich and movies… do you have ANY idea how much talent Disney would loose if someone like Ross was placed in charge? He has no understanding of story telling, producing, budgets, distribution, marketing…it’s a different world.
What Rich is good at is self promotion. This report that you have placed Nikki is Ross Spin Inc’s attempt to get his name into that job. Rich has made too many enemies in this business to be given such a crucial role, Bob would lose his shirt on that one.
I believe Rich Ross would be the finest candidate for the job. No one inspires and leads better than he. Mr. Ross has a rare and unique quality – -found lacking in most business practices today — he brings out the best in all those around him, and he genuinely cares about good leadership.
Disney, and the world as a result of his keen taste in programming, would be the real winners here.
Here’s to one of the good guys earning his way to the top. I look forward to all the great things Mr. Ross will do, should his appointment hopefully come to pass.
Sincerely,
PM
I do disagree that Ross has found good people to surround himself with and driven them in the same direction. But you can not ignore his past of attacking people for reasons not related to the job at all.
Throughout Disney we have seen Ross go after groups and people who have disagreed with or went against his partner Adam – a partner who has been reporting to Ross over the last few years. Adam has had free reign to do and say things that in any other company would have gotten him fired or disciplined – but at Disney it is ignored because Rich has been protecting him.
If Ross is one of the “good guys” why would he ever have done this. How many people have been fired at Disney because of the Adam-Ross relationship?
Ask the people at The Disney Channel how many times they have had to bite their tongues or gotten in trouble because of his partner and how many times have they seen things that Adam did that they thought was wrong but were afraid of Rich.
You can’t just ignore this because of a couple of hit TV shows
Based on this article I’m fairly sure the first picture Ross greenlights is a remake of THE APPLE DUMPLING GANG.
Let Disney’s creative “Reformation” begin!
Or more like INCREDIBLE MR ROSS.
Why would Lassiter want the job? He’s already king of animation and anyone who gets the gig sure as hell isn’t going to tell John what to do at Feature Animation or Pixar. Stacy Snider had the gig at Uni already and gave it up to be with Spielberg — why would she go backwards? Kevin Feige is an outsider and you said that Disney execs distrust outsiders. So Rich gets the gig, doing the family stuff and the Disney branding that he’s so good at while the Dreamworks team supplies the rest of the non family film content. Rich deserves the chance for all the dough he’s made for the studio. Good luck to him, Disney could certainly do much worse.
My hunch is that it is Lasseter.
He has set in motion the reformation of Cal Adventure into pixarland and has always been interested in live action. Aren’t they making John carter of Mars already with Brad Bird? I’m sure work on that film got his foot in the live action door and once in, he probably reported back to Bob how horrible it was to work with that group and how he would do it differently. The hiring of all of these independent production companies also fits Johns approach–dump execs and hire creatives. He dumped all the Disney Animation execs when he was hired and never re-hired any. He just uses his stable of “producers”. Regarding Rich–if anything, he might be the new oren.
Rich is one of the smarter guys around. All the recent franchises have originated in his group. And cable is still (in terms of talent available) the equivalent of small market baseball. Just wait till he’s got some serious resources.
I worked with this fellow years ago at Nickelodeon when a client hosted the Teen Choice Awards show … pure genius!
A delight to work with.
And, great taste in socks. Really, he’s the REAL deal … hope it happens.
All the best Rich!!!
Hey Lytton Strachey,
Remaking “The Apple Dumpling Gang” is as good an idea as remaking “Return to Witch Mountain” or “Herbie the Lovebug” or “Freaky Friday”. All of those were already made without Rich Ross. Disney is Disney, like it or not, it will never be anything else. (Although maybe a remake of “Pete’s Dragon” would actually be a good idea).
completely separately, i really like anne sweeney
just sayin.
nothing to see here, move along.
I second that if Iger wants to reward the guy who set DC on fire creatively, that would be Gary Marsh.
I agree that Lassiter likely has no interest or need for this job. And the big payoff for Snider is making Dreamworks 3.0 click, not reviving all of Disney’s feature fortunes. Hence the attention being paid to Ross and Feige at the moment.
What about a Ross-Feige tag team, with Ross in a chairman-style role and Feige as a more hands-on president of (all live action) production, and a power-sharing arrangement between the two for greenlights?
With the Marvel Studios stuff, once the company is integrated into Disney, those will be among the biggest budget, highest priority films the Disney is making. For the last few years Feige has been putting those kinds of big movies together pretty much by himself. The hiring and follow-through support of Jon Favreau for “Iron Man” is just as visionary as anything Ross has pulled off.
I wonder what happens to Jason Reed — who has spent his entire career managing Disney’s Bruckheimer relationship — in the shake up? He deserves a shot at running the show, too, but it’s looking like that’s not going to happen at Disney if one of these other guys gets installed.
Lassiter is perfect for this job. That’s who the shareholders want. That’s who people like Spielberg want. If Lassiter has control over all of Disney he can pretty much greenlight any project he wants and also keep Pixar from committing to projects that they don’t want to do (ie Marvel stuff).
Rich Ross seems like an unlikely candidate for this project. In fact I would be extremely upset if he won the job over anyone else. Disney shareholders were upset with the less than satisfactory theatrical / dvd numbers that came from Hannah Montana and Jonas Bros 3-D. The majority wanted Disney to become a respectable studio again and not a place that would put out Bedtime Stories.
And he looks like Goofy, so he’s got that going for him …
What is that old adage? Never trust a man with no upper lip? Or never trust a smiling dog? I can never remember.
What, no Oren?
the original disney label made popular entertainment that was also art. pixar does the same. that’s what makes for a highly valuable and beloved brand that parents can love as much as kids – that kids can still love when they themselves are parents.
hannah montana, cheetah girls, suite life of zack and cody. maybe popular – (so are reality shows and macdonalds) but they make this mom want to yip and represent the strip mining of the brand by suits who don’t look beyond this years bonus.
At a recent VIP reception I saw Bob Iger and Rich Ross in the (small) room, no Feige or Lasseter or Snider but definitely Rich and Bob kibitzing and otherwise receiving kiss-the-ring tribute from the others in attendance. Either this is a fantastic coincidence or Bob and Rich know something that everyone else does not.
Well, you got the Glass Slipper part right, that’s for sure!
He’s got the Disney shit-eating grin down pat!
Quite the hand job of a report here Nikke. Did Ross have his research department write this report for you? Lots of ratings and demos and all kinds of good stuff. The kind of stuff only a Disney Channel researcher would have at the tip of their computer.
Ross has done a great job with the channels but come on how hard is it to have the highest rated shows and movies among kids and tweens when you dominate the market and promote the hell out of your original programs. He might be a good choice but these jobs are just not that difficult when you have that much leverage in the marketplace.
Rich Ross has been successful in getting Tween girls to watch Disney Princess fantasies. He has been successful in both movies and television shows.
He has not a clue about how to get men and boys to watch — Disney XD, created to lure boys, has seen nearly all it’s growth in Girls. He’s made statements that Disney XD is not “some boy’s clubhouse with no girls allowed” showing a PC driven, lack of understanding of what boys like, let alone young men. Of course to appeal to boys, the material has to be of little interest to girls. Call it Captain America 101.
As an openly Gay executive he’s proven that his insights into female tween/teen audiences are second to none, and that quality also makes him destined to fail in driving anything male oriented in movies or television.
With Marvel he has characters and situations in some cases created nearly 70 years ago by nerdy guys who girls overlooked, fantasies about being powerful, attractive to women, within strictly defined moral limits. Creative stuff totally alien to either Twilight Tweens or Hannah Montana.
Rich Ross is able and talented, and totally unable to understand the content of Marvel or how to appeal to boys and men. He can certainly do “more of the same” Hannah Montana stuff, but all he can do with Marvel is turn men and boys off the material by making it “Jonas Brothers-ized” which is the kiss of death. Young men and boys did not exactly rush out and see High School the Musical nor is Zac Efron anything but a joke to that audience segment.
Ross, able as he is, can’t grow Disney. He can destroy value out of Marvel (and to a lesser extent Pixar) by making it a Girl’s Princess fantasy. But that’s about it. Therefore I am certain Iger will pick him.
Disney’s long term strategic problem is that they have little ability outside Pixar to appeal to non tween girls (and thus grow revenue). Picking Ross only makes that problem worse so I assume they will do the stupidest thing possible and pick him. Though to be fair there are not many available execs with a proven track record in guiding male-oriented content, particularly in TV.
Hey whiskey, I don’t think I like the tone of your post… some of Hollywood’s most legendary manly men were/are working from the closet, and you would probably be shocked to know how many top artists and writers at Marvel and other comic book companies are openly gay.
So do you have a point or are you a bigot? Or is that your point?
Try to contribute some real analysis, if you actually know anything about the business.
“Why would Lassiter want the job? He’s already king of animation and anyone who gets the gig sure as hell isn’t going to tell John what to do at Feature Animation or Pixar. ”
“They” are already telling John Lasseter what to do at Feature Animation, Mousey M. He got a sweet deal for himself when Pixar was sold, mostly a hell of a lot of cash, but he’s buckled to a lot of whims of Disney management/Iger since then. John works for them, ultimately he’s an employee. And he cares first and foremost for Pixar. That’s where he fights his battles.
That said, it’s unlikely he’d be offered the job. It’s not seen as his forte, respected as he is in his own world (and it’s spelled Lasseter. No “i”).
If Bob Iger had any idea how many of his senior executives were most talented at credit-grabbing and morale-killing (not to mention the more than few with expertise in the fine art of sexual harassment), he would start the revolution. Since no one tells him the truth – and he actually asks – he might as well promote a self-promoter who made an impact… culturally and financially. Bob should also consider creating a truly anonymous INBOX for Cast Members to share the internal horror stories with him or one of his honest lieutenants without fear of retribution (as everyone who works at the House of Mouse knows HR is really only an arm of the legal department). I know that’s a delusional request but still want to believe Disney can live up to its potential as a great company.
Of all the studios, perhaps because of its manipulative focus on being part of the “wonderful world of Disney,” Disney can be a truly heart-breaking place to work. Days and creative hopes are wasted by countless going nowhere directors and VPs who can be most kindly described as ineffective Kafkaesque bureaucrats.
I wish Rich Ross or whomever the lucky knighted will be… great luck. Just stop making stars out of teens so eager to adopt hooker poses and to strip for cell phone body shots.
Mortimerknows: If you think someone like Rich Ross or Kevin Feige is going to tell John LassEter what to do then you are high. Pixar is the crowning jewel of the studio and perhaps Bob Iger will try and sway John one way or the other, but there is no way he is going to jeopardize HIS purchase of Pixar by handcuffing John LassEter to anyone.
If John is capitulating to execs over Feature Animation so what — Pixar is the money maker, Feature Animation is the ugly step-sister.
The guy actually looks like Mickey Mouse — talk about synergy.
Rich Ross would be an OK choice. Disney Channel has been the chief driver of the brand over the last five years. Any of the other clowns at the studio Aviv, Zoradi, Gallagher are just the worst sort of talentless fucks. Filmmakers just put those types into a bucket labeled “marketing hacks”.