London – 28 October 2009: The 53rd London Film Festival announced its winners at the high profile awards ceremony held at London’s Inner Temple this evening:
BEST FILM
In recognition of original, intelligent and distinctive filmmaking, Best Film was awarded to Jacques Audiard’s A PROPHET.Special mention to John Hillcoat’s THE ROAD, praising the film’s breathtaking vision, extraordinary performances and profound political statement.
BEST BRITISH NEWCOMER
Presented for the first time, the award for Best British Newcomer celebrates new and emerging film talent, rewarding the achievements of a new writer, producer or director who has demonstrated real creative flair and imagination with their first feature: Jack Thorne, screenwriter of the film THE SCOUTING BOOK FOR BOYS.Special mention to J Blakeson, the writer and director of THE DISAPPEARANCE OF ALICE CREED, commending his accomplished, original and ambitious filmmaking.
SUTHERLAND AWARD
The longstanding Sutherland Award is presented to the maker of the most original and imaginative first feature screening in the Festival: Scandar Copti and Yaron Shani took the award for their film AJAMI.BEST DOCUMENTARY
LONDON FILM FESTIVAL GRIERSON AWARD, in commemoration of John Grierson, the grandfather of British documentary Yoav Shamir for his film DEFAMATION.BFI FELLOWSHIPS
The highest accolade that the British Film Institute bestows was awarded to British actor John Hurt and Malian filmmaker Souleymane Cissé for their significant achievements in the fields of acting and directing. Hurt’s films 44 INCH CHEST and THE LIMITS OF CONTROL, were featured in the festival, and Cissé’s TELL ME WHO YOU ARE had its UK premiere at the festival.





I’m gonna kvetch a little but Nikki can you PLEASE not refer to movies with the director’s name as the possessive.
It is not Jacques Audiard’s A PROPHET or John Hillcoat’s THE ROAD. It it A PROPHET directed by Jacques Audiard and THE ROAD directed by John Hillcoat.
A PROPHET has a whole slew of screenwriters, an editor, actors, and a whole crew of people who helped make it. Jaques Audiard is not the author of the film. There is no such thing. That is a concept for lazy film critics and a way for directors to make more money than their creative peers.
THE ROAD is based on a Pulitzer Prize winning novel, so it seems especially obnoxious to say it is John Hillcoat’s THE ROAD. It is John Hillcoat’s direction of a screenplay adaption by Joe Panhall of the novel written by Cormac McCarthy with hundreds of other people making contributions in bringing it to the screen. Or simply a film directed by John Hillcoat, but not John Hillcoat’s THE ROAD.
A film has no author. It is a collaboration. Yes, that makes it tough on film critics and might lead to directors getting less credit in the end, but if a director wants that kind of credit (authorship), go write a novel.
A movie trailer that starts with “DIRECTED BY STEVEN SPIELBERG” will bring in as many people as “A STEVEN SPIELBERG FILM” but won’t take away the contributions of all those who helped make it.
Knowing the writer of A Prophet, he’d have no problem giving the credit to Audiard. There’s nothing wrong with the director getting this credit. It is their film. They take the blame when it sucks too!
Anyway, what’s the big deal? Most people don’t even know what a director does. They think the actors make up the lines as they go along.